Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Hindu temple
By
Acknowledgement:
Google for the pictures and several authors for the information of the
temple.
Hindu temple reflects a
synthesis of arts, the ideals of dharma, beliefs, values, and the way of
life cherished under Hinduism. It is a link between man, deities, and
the Universal Purusha in a sacred space.
It is said that the Sikhara is the deitys head, the sanctum is his neck,
the mantapa is the stomach, the prakara constitutes his legs, the
gopuram represents his feet, and the dhwaja sthamba the seat of his
prana.
The temple building represents the body of the deity or the materiality
or Nature (Prakriti), while the deity in the sanctum of the temple
represents its soul or the Supreme Self. The other deities, associate
divinities, emanations and manifestations represent the pantheon. The
tall gopurams which rise from the ground up represent the aspiring
nature of human devotion and the connecting link between the earth
and the heaven and between humans and gods. The gateway through
which you enter is the gateway to heaven. Since thousands of
devotees congregate at the temples and unite their minds in the
contemplation of God, the temples are also vast energy centers. By
contemplating upon deities, we also create their replicas in our subtle
words and given them a life of their own.
By installing the Deity of the Lord, one becomes king of the entire
earth, by building a temple for the Lord, one becomes ruler of the
three worlds, by worshiping and serving the deity, one goes to the
planet of Lord Brahma, and by performing all three of these activities
one achieves a transcendental form like My own. But one who
simply engages in devotional service with no consideration of fruitful
results attains Me. Thus whoever worships Me according to the
process I have described will ultimately attain pure devotional service
unto Me.
Vedic people did not build temples, nor did they worship images of
gods in their abodes. They performed sacrifices and nourished gods
through sacrificial ceremonies, during which they might have used
images to perform symbolic sacrifices. Although they did not practice
idol worship or build temples, elements of Vedism as well Tantrism
can be found in the structure and configuration of present day Hindu
temples. The practice must have emerged later as more people from
outside the Vedic fold began practicing it and incorporated their own
beliefs and practices into it.
To maintain their sanctity and purity Hindu temples are built strictly
according to the scriptural injunctions and rules as laid down in the
traditional Hindu building manuals and religious texts. The idols are
installed in them by qualified priests strictly according to the rules and
procedures as prescribed by the tradition to ensure their purity, potency,
perfection and divinity. The rules for temple building are found in the
ancient building manuals - vastu shastras, while the rules for sculpting
the idols are found in the sculpting and image making manuals - shilpa
shastras. Some of them are at least 2000 years old or more. The rules
and practices for the construction of the temples and carving the images
may vary from region to region, according to local history, traditions,
customs and the type of the temple. However, the principles governing
their sanctity and purity or their beauty and symmetry are mostly
derived from the same textual sources and hence, uniform.
Beneath the mandalas central square(s) is the space for the formless
shapeless all pervasive all connecting Universal Spirit, the highest
reality, the purusha. This space is sometimes referred to as garbha-
griya (literally womb house) - a small, perfect square, windowless,
enclosed space without ornamentation that represents universal
essence.[40] In or near this space is typically a murti (idol). This is the
main deity idol, and this varies with each temple. Often it is this idol
that gives the temple a local name, It is this garbha-griha which
devotees seek for darsana (literally, a sight of knowledge, or
vision).
Large temples also have pillared halls called mandapa. One on the
east side, serves as the waiting room for pilgrims and devotees. The
mandapa may be a separate structure in older temples, but in newer
temples this space is integrated into the temple superstructure. Mega
temple sites have a main temple surrounded by smaller temples and
shrines, but these are still arranged by principles of symmetry, grids
and mathematical precision. An important principle found in the
layout of Hindu temples is mirroring and repeating fractal-like design
structure, each unique yet also repeating the central common
principle, one which Susan Lewandowski refers to as "an organism of
repeating cells".[20]
An illustration of Hindu temple Spires (Shikhara, Vimana) built using
concentric circle and rotating-squares principle is shown above.
The ancient texts on Hindu temple design, Vastu Sastras, do not limit
themselves to the design of a Hindu temple. They describe the temple
as a holistic part of its community, and lay out various principles and
a diversity of alternate designs for home, village and city layout along
with the temple, gardens, water bodies and nature
Bhu Pariksha: Testing the soil to choose the right location for the
temple or the township. The land should be fertile and the soil suitable.
Karshana: Cultivating the land with a crop of corn or some other grain.
Corn or some other crop is grown in the place first and is fed to cows.
Then the location is fit for temple construction.
Prana Pratistha: The main deity is then charged with life breath or
godliness..
Anujna: The priest takes permission from devotees and lord Ganesha
to begin rituals
Grama Shanti: Worship for the good of village and to remove subtle
undesired elements
Vastu Shanti: Pacifying puja for vastu (this happens twice and this is
the second time)