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http://mattsfigures.blogspot.nl/2006/11/painting-gold-lace.html[05/07/2013 21:58:01]
Historical Miniatures by Matt Springer: Painting Gold Lace
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Painting Gold Lace
Hello! I just finished sculpting
this 1/9...
Here are some more pics of
past projects...
Here are a few pictures of
some of my recent...
ABOUT ME
MATT SPRINGER
http://mattsfigures.blogspot.nl/2006/11/painting-gold-lace.html[05/07/2013 21:58:01]
Historical Miniatures by Matt Springer: Painting Gold Lace
Here is some info on how I paint gold lace without using metallic well as making the annual trek to
paint. In this case, I've used the technique on this 75mm figure from my hometown of Chicago for the
Pegaso Miniatures. Unless mentioned, all colors are Vallejo Model MMSI Show each October. I enjoy
I start with a base coat of Burnt Umber on all the gold lace areas. As some of my busts produced by great
with all acrylics, I apply the base in several thin coats to assure companies such as Pegaso Models,
good coverage and also to prevent the loss of sculpted detail that Adalbertus of Poland, United Empire
thick coats of paint can hide. Miniatures and The Lost Battalion. I
am always eager to discuss
commission work and would love to
hear from you about project ideas,
Once the base coat is dry, I mix a little Yellow Ochre into Burnt commissions or purchasing figures
Umber and with a good detail brush (W&N Series 7 Red Sable) I seen here on my site. Contact me at
apply the paint in small lines across each section leaving some of mattspringer68@charter.net
the base to show through. Once this dries, I do the same with more VIEW MY COMPLETE PROFILE
Yellow Ochre added to the Brown Umber and add more small lines in
only in smaller areas than before that are more directly exposed to
light. Next, the same is done with pure Yellow Ochre and then yet FAVORITE MOVIES
again with Yellow Ochre plus Golden Yellow. Final highest highlights Vertigo
are pure Golden Yellow. Once done, I applied a glaze or a wash of Rear Window
burnt umber and a bit of yellow ochre to unify and bring all the The Dark Knight
tones together. The key is to leave some areas with little highlights Dances with Wolves
and have others with lots of highlight to create large jumps in
The Natural
contrast from one lightening stage to the next. This helps create the
The Usual Suspects
illusion of reflectivity associated with gold lace without using
The Lord of the Rings Trilogy
metallic paint.
Fargo
I have to thank Lou Masses whose technique here I, uh,
borrowed...ok stole. The Ladykillers
http://mattsfigures.blogspot.nl/2006/11/painting-gold-lace.html[05/07/2013 21:58:01]
Historical Miniatures by Matt Springer: Painting Gold Lace
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http://mattsfigures.blogspot.nl/2006/11/painting-gold-lace.html[05/07/2013 21:58:01]