Willy: See you Later

Solo Clarinet in Bb

Matthew Burke
Preface

Duration 8 30

Score is Transposed.

Program Note:

This composition revisits a very interesting night spent in Liverpool City.

Performance Notes:

- When a glissando between two notes in indicated with a line going down and then up this is telling
the performer to gliss down to an undetermined note and then back up to the proceeding pitch;

- A dotted line above the stave with the text P.M. is an indication to produce a multiphonic. The
actual pitch produced above the fundamental is the performers choice;

- The smaller stave which appears under the main clarinet line tells the performer when to sing
pitches in order to produce a chord between their voice and the clarinet;

- When glissando lines appear on this small, voice stave it is telling the performer to sing long
glissandos between any two pitches;

- Slap Tongue is indicated by triangle note heads;

- Aeolian noise is indicated by diamond note heads.

 Willy: See you Later
Matthew Burke (2016)

Playfully
Tempo Rubato

Approx. q = 56


gliss.
gliss.

5
Clarinet in Bb

3 3
3
f mf ff mp

Approx. q = 66

5:3

Cl.

ff f mp f

Strict and Rigid

5 q = 112

5

3

Cl.


p

(Sing)

Voice

f

Dark
Tempo Rubato

3
Approx. q = 56

8

3


3

Cl.

mf
f

Voice

Strict and Rigid

Flz.

gliss.


e = 92
11
glis

s

.
Cl.
3
3 3
ff mp
2
Jazzy/Fun
Tempo Rubato
Approx. q. = 88 / q = 66
14






Cl.
4:3
ff p

f

Strict and Rigid

q = 132
17




Cl.

mf f
5

Playfully
q = 60



19

Cl.
5 3 3 3
pui f ff pp

Hectic and Rushed

gliss.

q = 92
gliss.


21 Flz


5
Cl.
mp
3


ppp mf p

pp mf

Steady with an


even flow
q = 80

25

P.M.

Cl.

3
sfp

P.M.
29

Cl.
sfp 3
sfp pp ppp ff

Voice
glis
s. glis
s .

f
 3

35 gliss.

Cl.
3

ss. glis s.
s. glis
ss. ss. glis
Voice gli s. glis glis s. gli gli s.

38

Cl.
3

Voice
gli
s s. gli
s s. gli
ss. gliss
.
gli
s s.
gli
ss.
gli
s s.

Flz.





42

Cl.
3 3
6:4 mp
pp

Voice glis
s . gli
ss . glis
s .

Playfully
q = 66 / q. = 88
Aeolian noise,


With pitch


45

3

3
Cl.


3
mf f mp

Grunge like

q = 56



Flz

48

4:3


gliss.



Cl.
3
mf f
4

51



Cl.
3
ff

5:3

53 3

Cl.
mf mp fff

Strict and Rigid

q = 132

56

Cl.
ff mf
mf

58





Cl.
3
ff

q = 50
Dark Ord.


63 Sub-tone

Cl.


p pp sf
3

Hecticly

P.M. q = 60
66 P.M.

Cl.
gliss.

mp f

Disconnected feeling

gliss.
q = 50

69 P.M. Slap Tongue




Cl.
3

pp
ff
 5

Aeolian noise,

Without pitch
Prestissimo q = 50

72 gliss.





Cl.

*) mf

ff

glis
s.
gliss.

gliss.
76


3


Cl.

pp

f
Aeolian noise,
Without pitch

Prestissimo

80 q = 56



Cl.

*)
ff

82

5

Cl.

pp f pp

Aeolian noise,
Without pitch

85 Prestissimo rit.

Cl.

*)
ff

q = 50




87


3


Cl.


ppp

Aeolian noise,
With pitch
accel.
q = 60


91
5



Cl.

mf *)
*) Attempt to be as loud as possible ff
6

q = 80

94 Ord.

5 6:4

Cl.
3 3
mf

gliss.
5
96 Flz.




Cl.
3 3
f
Becoming increasingly
Agitated

e. = 138


98

Cl.


mf 4:3 5:3

5:3


101

Cl.
5:3 4:3
f

5:3
102



Cl.
5:3 5:3 5:3

Flz. 5:3

104




Cl.
4:3 4:3 5:3
ff f

107

Cl.
4:3 4:3 4:3 5:3 5:3
mf f pui f

Flz.

5:3
5:3
111

5:3

5:3
Cl.

5:3 fff mf 5:3
 7

114 Flz.

5:3 5:3

4:3 4:3

Cl.

mp p mf

gliss.

Flz.
Meno mosso

117



Cl.
3 pui f
f

rit.



122 gliss. gliss.

Cl.
ff mp 4:3 5:3 p

Dark
Tempo Rubato

Approx. q = 56 Flz.

127


Cl.

mp
3
mf p
ppp mp

Voice
mf

Approx. q = 92



131


Cl.

3
3
p mp mf f mp

Approx. q = 80

136 Flz.

Cl.
3 3

mp ff ff
glis
s. g li
ss. glis
s. s s. gli
ss i ss
.
Voice gli . gl

f
8

rit.
gliss.
140

Cl.
ff mf mp

s. glis
Voice glis s.

mp

Approx. q = 60
g li ss.

144 gliss.
gliss.
gliss.

gliss.

gliss.
Cl.
p 3
mf

Flz.

146 gliss.



gliss.

Cl.
sfff End Suddenly.