Re A (makes as if to go off, then turns to Tonio) ve ~ sti- te-vi pa - dro- ne. Go dressyourself, _ my _mas-ter! E tu bat-fi fa cas-sa, To - ‘And you, beat up your drum there, To - Recitar! Men-tre pre- so dal de-li_ - To go on! When my head’ whirling with mad - Tio on So pit quel che ai eo © quel che ness, noUknowing what Tim saying or what “Tin fac cio! do - ing! 1S Yot have = twoae130 string. un poco ——_ (angrily) duo -po.. sfor - za - tit Bah! sei tu for-seun uom?, got to force my- self! Pshaw! Can't you be a man?. A A ag col canto A precipitate = a, a = = = (taking his head in his hands in despair) ¢ a Pa. gliaceio! You're a Pa~gliaccio! Adagio (= 10) declamando_con dolore => “F We Pp Kear, w uh Ve- sti Ia giub-6a € fa fac-ciain-fa - ri — na. La geu- te Put on your smock now,smearyour face with the pow-der- The peo - ple. 181 <= Mortonds | pa- ga © fi-dor vuo-le Pay you, and they must havé thei: qua. E seAr-lec- chin tin - fun If Har-le - quin your violento iP. i vo- Co-lom - bi- na, ri - di, Pa~ gliaccio... eo - gnun Col-um-bine take from you, Laugh loud,Pa- gliae-cio, And all ap-plau-di - will shout“Well t i —— th + —— ae = SSS = = ‘Tra - mu-tajn- laz - zi lo spa- smgedil pian - to; Change into laugh-ter your sigh - ing and weep - ing! JiOoffrett, 4 oresc rit, ty in u-na smor-fiail in - a 0 el do ~ Nor... Ab Aye let gri- mac- es of* “sonding play the part. Aye! —— — col \canto @_piena voce, 31 i ghiene gee, strastante 2 >~— 2 Ri - di, Pa li i i : - gliae - cio, sul tuo a - mma - rein - Laugh, 0 Pa - gliac - cio! For your love that’ i8 SS > A A + | ——~J —~ SS f mono Fa A (sobbing) ~~,» s00n grande espressione Ri- di del duol che tav- ve - le - ta w pain, that now is gnaw - ing your go> fran - tol ru - ind; Laugh forthe |—~ = cedendo the theatre, weeping; reaching the curtain which opens on (moyes slowly_towards ‘cor! heart! Lo stesso movimento . ‘Cantabile con molta expressione ‘sonora, | 19988