pottery, you've got lithics. where are, well the architecture still there in situ. Where's, where's everything else. What do you do with what you find. >> Well, we're lucky we have a strong relationship with Montserrat's' government. But also with the Montserrat National Trust. >> Mm-hm. >> The agency which is charged with preserving and looking after the cultural heritage of the island. >> They must be having a rough time right now. >> They are having a rough time. There, well, that said, they do have new premises, a new museum opened. >> Oh, really? Huh. >> In the new capital last summer. So, so things are looking up. But I think they're glad for our help, and we're very grateful for their cooperation. Um, but because of that cooperation, we can both store materials in the long term on Montserrat. >> That's wonderful. >> So the island's cultural heritage stays on the island. >> Mm-hm. >> But at the same time, we have an agreement whereby, under a long-term to medium-term loan basis, we can bring some artifacts back to the States to conduct types of analyses that we would not otherwise be able to do. >> Things like? >> Things like, for example use-wear analysis on lithics. >> Mm-hm. >> looking at them under a microscope to see what they were used for, cutting plant material and so, so forth. >> The person doing that work will, has been, we'll be talking in this class, or has been talking in this class already Clive Vella, so. >> Looking in more detail, let the ceramics, ceramic petrography, I've been trying to tease out some issues there that we're experiencing. and also looking at the zoological material. >> From excavation? >> From excavation. The, because we're digging trash pits, a lot of the time, we have a lot of Fish bones, essentially, and also bones of small mammals and birds and so on and so forth. So, those are under study and those need to come back to the States for that to happen. But then eventually all the material returns and goes back to Montserrat. >> Back in storage. You've been doing some legacy archaeology, haven't you? going back into previously collected material. Tell, tell, tell me a little bit more about that. >> We have so again, the site at Trents was dug by our colleague David Waters, but also some excavations had taken place elsewhere on the island. The volcano going off in '95, disrupted the processing of this of these data essentially. And they've been in storage ever since. So it's helped our work but I think also it's been of some use to the museum to go back through this collection of material, catalogue it, and let them know exactly what it is they have in their archives. >> Mm-hm. >> It's also useful in that it corresponds closely to material from Levees and also from Antigua. So again, these things start to lock together into the grand scale. >> So this, was this material in Plymouth before and then it got, it was saved when it, it, it's not buried under 30 meters of ash? People were worried about the archaeological finds when. >> When. >> The volcano blew? >> When the volcano went off, archaeology, I don't think, was the major concern, the major concern was getting out of the way of the pyroclastic flow. But, so this stuff was relocated from the national trust >> What! Shocking! Ha! >> Headquarters in Plymouth to their new interim headquarters. >> huh. >> Is now moving to the new museum. >> Okay. >> But during that time, some paperwork was lost, system organization broke down to some extent. So we'rehelping trying to, to, to piece these data back into a coherent whole. >> Tom, I hope this won't hurt your feelings but, that's not whole pots, that's not gorgeous stuff. This looks like surface material to me. Yep. >> It's not the prettiest material in the world. >> Mm-hm. >> As you know, surface material tends to be beaten up more than excavated material. >> Mm-hm. >> For a variety of process, processes particularly weathering, geomorphological processes, being tumbled around in the plow soil. >> Mm-hm. >> And so on and so forth. >> Mm-hm. >> So it isn't pretty. But when we have lots of it and we have numbers, and we can put these numbers in space, we can really start to tease out patterns in the data. So it isn't pretty, but it is important when it is in bulk. >> And the stone tools on the other side, are these all from various parts of the island, or is this all from one side or. >> These, on the current side are from one side. I talked about how in the Archaic Period the lithic technology is very different. >> Uh-huh. >> We tend to get these large blade and blade flakes. These sort of small, expedient flaking technology is very characteristic of the, what we call the, the Early Ceramic Period. The 500 BC, through to around 5, or 600 AD. >> Expedient technology is very, very interesting. When I worked in Armenia, there was so much obsidian around that people would, were clearly just like, picking up a cobble. And whacking it, and they had a tool, and they could use it, and if it didn't they'd toss it, and so they didn't fuss about their stone tool technology. You see the result. >> This is actually what's happening here. The advantage of this, some of this material is there are very few good sources of chert and of flint in the Caribbean. >> Aha. >> So, whilst this doesn't look great we have reason to believe that some of this stuff is coming from Antigua. Which it leaves stuff starts to provide >> Nice. >> links between stories about contact between the islands in prehistory. >> Are you doing that on just visual inspection, this is grey, this is grey, so it comes from Antigua or could you >> A little bit. >> What sort of analyses are you using to make that, because that's a trade, that's a contact argument, that's important. >> It is, I mean. >> Yeah. >> The advantage of some of this stuff is the Antigua material is so well known that you can do some, some of it visually. >> Mm-hm. >> It tends to range from sort of a dark grey through to this rich honey buff color. But under a microscopic analysis. >> Mm, hm. >> Antigua chert is very distinctive. So that would confirm that this is indeed Antiguan material. >> And all from the surface.