ALL SHOOK UP

Projection Guide

BROADWAY MOTION DESIGN

Creative Director, Nathan Ramos
Lead Illustrator, Carl Prater
Lead Animator, Steven Gravano
2013 Broadway Motion Design. All rights reserved.
No part of these contents may be reproduced in part or in entirity without expressed written consent of Broadway Motion Design. The scenic elements products and/or services provided does not
create an expressed relationship with the owners of All Shook Up or related agencies. For more information, please contact BMD at 1-800-277-0343
 Projections
THE FASTEST-GROWING TREND IN SCENIC DESIGN!

Were excited that youre interested renting our projection package

for your upcoming production of All Shook Up. Adding scenic projec-
tions to your production will engage your audience and give a sense
of place and time, which bridges the gap between cinema and the-
atre.

Features of the All Shook Up projections:

Eliminates the need for extensive built set pieces, saving your
company time and money.

The projection package features a visually impacting

performance by Elvis silhouette.

Flawless transitions between scenes create a cohesive

experience for your audience.

With engaging graphics and animations such as the

intermission clip, your audience will be eager to get back
to their seats!
 ACT ONE

Preshow Scene 1 - Jailhouse, Early Morning

Scene 1 - Jailhouse, Early Morning Scene 2 - Interior of the Honky-Tonk, Late Morning

Scene 3 - Open Road leading to Town Scene 4 - Jims Gas Station, Late Morning

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 ACT ONE

Transition Between Scene 4 and 5 Scene 5 - Outside Town Museum, Around Noon

Scene 6 - Interior of the Honky-Tonk, Noon Scene 7 - Bus Stop Near the Edge of Town, Noon

Scene 8 - Jims Gas Station, Nearing Sundown Scene 9 - Main Street, Almost Sundown

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 ACT ONE

Scene 10 - Outside Town Museum, Night Scene 11 - Main Street, Night

Transition to Intermission Intermission

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 ACT TWO

Scene 1 - Entrance of the Fairground, Night Scene 2 - Abadoned Fairgrounds, Night

Scene 3 - Abadoned Fairgrounds, Night Scene 4 - Abadoned Fairgrounds, Night

Scene 5 - Abadoned Fairgrounds, Night Scene 6 - Tunnel of Love, Night

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 ACT TWO

Scene 7 - Rollercoaster, Night Transition Between Scene 7 and 8

Transition Between Scene 7 and 8 Scene 8 - Interior of Church, Sunrise

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 INFORMATION

Each of the videos in this package introduce the new scene, which will inform the audience of the change in setting and time.

Act One
Pre-Show This pre-show sequence features a retro album cover with the words All Shook Up across its
header. The vinyl is played on a 3D turntable and played.

Scene 1 The scene fades into a dark two story jailhouse with cell doors on the second floor, and a dull light
glowing from their interior. A spotlight is seen in the center of the scene, where Elvis appears in
silhouette. Lighting disappears just as sirens begin to blair. Red, blue and white lighting flash on
the screen behind the cell bars. The cell doors slide open with a bang, triggering the lights to turn
back on. The bottom floor is lit with white and the silhouetted jail bars have orange light pouring
in from behind.

Scene 2 Overlooking the small town in the middle of nowhere. The point of view changes to zoom into
the far left side of town to Sylvias Honky-Tonk. An old saloon style sign sits on the roof. The
exterior walls of the Honky-Tonk fade to reveal the bars interior. The interior is slowly lit and
brightens starting with a neon sign that says Sylvias Honky-Tonk.

Scene 3 Looking down a dusty road in the midwest, surrounded by sepia tone flat land. Sylvias Honky
Tonk and Jims Gas Station come into view from both sides of the scene. Jims Gas Station sign
spins slowly.

Scene 4 The scene pans over from the main street to reveal the rest of the gas station.

Scene 5 Panning through town over to the city museum. The afternoon sky is warm and the clouds begin
to reflect colors of the sky. The focus changes, and glide down towards the exterior of the
museum.

Scene 6 Inside the bar the lights are low. The scene then brightens starting with Sylvias Honky-Tonk neon
sign glowing on the back wall.

Scene 7 Low lying hills sit in the distant background and he fence line pans across the scene and the
background move in perspective with the whole scene.

Scene 8 Jims Gas station, nearing sundown the small town settles down, as the neon and street lamps
turn on.

Scene 9 Main Street in the evening, with glowing neon and street lamps. The scene pans directly over from
Jims Gas Station to a set of small storefronts.

Scene 10 The exterior of the Museum, in the adjoining courtyard area. The sky has changed to a beautiful
low lit night, with soft night clouds and blue moonlight.

Scene 11 Main Street in front of the Post office/City Hall/Sheriffs Office.

Intermission Ease out slowly from Main Street and with neon, Elvis head and the title Intermission appears.
Act Two
Scene 1 The sky glistens as focus glides down softly to the main entrance to the fair.

Scene 2 The camera continues to zoom until it reaches the first fairground attraction, the Merry-Go-Round.

Scene 3 Stops in front of old carnival games.

Scene 4 Open area with a tea cup ride in the distant background.

Scene 5 Continuing from the previous scene, focus pans to another empty part of the fair with old
equipment that has been left behind for many years.

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 INFORMATION

...continued
Scene 6 The scene pans over revealing the romantic fair ride, Tunnel of Love.

Scene 7 The scene pans away from the Tunnel of Love over to the entrance to the roller coaster.

Scene 8 The little church sits alone in a dirt field at night. The view zooms into the church slowly as it turns
from night to sunrise. The church doors open and fades to white. The scene fades from white to
the interior of the church. The stained glass window has light seeping into it from the early
morning sun, causing a glow through the stained glass window.

Post-Show Fade into the sky view of the small town in the middle of the midwest. A motorcycle is parked
outside the church and the church bells are ringing. The sky is beautiful and rich with clouds and
the overall scene is displayed with much more color than the sepia toned introduction. The clouds
are animated and you can see the shadows of the clouds drifting across the midwest flat land. The
title The End buzzes on in neon signage. The sign then buzzes off and fades out and the final title
All Shook Up Appears.

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