Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
MAIN
Scarcity.
Subjects: SCRIPTS
THURBER, Lucy
Abstract: This article presents the script of the play "Scarcity," by Lucy Thurber.
Lexile: 360
ISSN: 8750-3255
Accession 27669652
Number:
Scarcity
Listen
American Accent
Section:
American Accent
PLAYSCRIPT
CHARACTERS
MARTHA LAWRENCE: Mid to late 30s, Herb's wife, Rachel and Billy's mother
TIME
The Present
PLACE
The Hill Towns, Western Massachusetts
The Lawrences enjoy a little family time in Scarcity at the Atlantic Theater Company, with, from
left, Meredith Brandt, Kristen Johnston, Jesse Eisenberg and Michael T. Weiss.
Martha (Kristen Johnston) and Herb (Michael T. Weiss) reminisce about their marriage's salad
days.
ACT ONE
SCENE ONE
Lights up on a rundown apartment in a small Western Massachusetts town. A living room and
kitchen. All the way up left is a door that leads to the outside which enters into the living room.
Further down stage left is a door that leads offstage into Martha and Herb's bedroom. The living
room is fake-wood paneled and brown, dirty. Torn furniture. The kitchen is filled with dirty yellow
linoleum. Upstage is the sink and stove. Center in the kitchen is a table and chairs. A wall
divides the living room and kitchen and there is a doorframe down center stage. Upstage right
next to the sink is a door leading offstage into Rachel's bedroom. As the lights come up, Rachel
sits in the living room and Martha sits next to her. Martha is smoking a cigarette and drinking a
beer. Rachel is doing her best to ignore her mother. Martha holds out a pack of tarot cards
toward her daughter: Beat.
MARTHA: Girl, you don't know what tired is. I burst into tears again today at work. Kim noticed
and sent me to the back. I'm afraid she'll fire me.
MARTHA: Because while I'm working I'm also weeping in the corner.
RACHEL: Are you making a joke?
MARTHA: No.
MARTHA: I need to hear something to make me feel better. I'm feeling crazy and I just might kill
myself. How would that make you feel?
RACHEL: I know.
RACHEL: Because I didn't think it was funny. You're starting to make me nervous. I'm just sitting
here trying to relax.
MARTHA (Holding out the tarot cards again): Why don't you help me?
Martha does.
RACHEL: Take your left hand and put them into three piles.
Martha does.
RACHEL: Now put them back together any way you'd like.
Martha finishes and Rachel picks up the cards, fanning them out.
RACHEL: I do.
RACHEL: Yes Mom, I am. You chose the Fool as your denominator, which means that despite
everything, you are innocent and hopeful.
MARTHA: Innocent and hopeful equals stupid and dumb, skip to the outcome.
RACHEL: Mom
MARTHA (Picking up the final card and holding it out to Rachel): The eight of swords
MARTHA: Look at this idiot. She's blindfolded, walkin' in a river through a forest of swords, she
gonna get the shit cut out of her.
RACHEL: The card doesn't mean anything on its own, you know that, Mom.
MARTHA: Everything means something on its own and that my love, is a fact of life.
Louie and Herb enter stage left through the front door. Louie is dressed in a police uniform. Herb
is in handcuffs. Pause.
MARTHA: Louie?
MARTHA: Yeah?
RACHEL: Hi Daddy.
HERB: Hi baby.
LOUIE: Martha
MARTHA: What'd you do now you son of a bitch? Take them off, Louie.
LOUIE (Taking off the handcuffs): I expect you to look after him.
MARTHA: Yeah?
LOUIE: I expect you to keep our name good in this town. I don't expect to pick him up in front of
Charlie's, fistfighting. You married him. You keep him indoors. You hear me?!
HERB: Jesussomebody get me a beer. Rachel get your father a beer and come sit on my lap.
MARTHA: Leave her alone Herbert. Get your own damn beer. I'm making you a cup of coffee.
She crosses into the kitchen. Louie follows her.
Living room:
HERB: You got a nice ass, for a kid your age. You're gonna be a real beauty. That's not what I
meant to say.
HERB: When I was a little boy, I did well in school. I like to think, that part of me's in you. That's
not what I meant to say either. You're a pretty little girl, give your father a kiss
Kitchen:
HERB: Nothing wrong with a father wanting a little affection from his daughter.
Kitchen:
LOUIE: You know I love you Martha. You know I've always loved you. Look at this piece of shit
you married. Look at him!
MARTHA: Go on now Louie. Thanks for bringing him home. Everything's under control now
LOUIE: You gotta take a look at your life don't you? I got work to do. Unlike some people around
here, I act like a man. I have a job. Don't I Martha?
Crossing back to the living room with Herb's coffee, Louie follows her.
MARTHA: Of course you do, Louie. We all know you got a job. Herb?
HERB: Huh?
Louie exits stage left. Pause. Martha takes the beer away from Herb and hands him the cup of
coffee.
HERB: You know it didn't mean nothing the way Louie dropped me off.
RACHEL: I know Daddy.
RACHEL: Sometimes.
MARTHA: Yeah, things are shifting about all rightYou're lucky that Louie's my cousin.
Otherwise he would have thrown your ass right in jail. Then what, you worthless son of a bitch?
HERB: A few.
RACHEL: I'm sorry, Daddy. I'm sorry it comes down like that in your head.
She hoists Herb up, putting his arm around her shoulder to support him.
She lugs Herb offstage into their bedroom. Rachel looks after them for a moment and then goes
into the kitchen and puts the cup in the sink. Billy enters through the front door. He has a black
eye.
BILLY: Yeah.
BILLY: I know.
RACHEL: Good.
BILLY: What are they jealous of, Rach? And don't say me.
BILLY: No.
RACHEL: Crazy.
BILLY: Yeah.
RACHEL: We're out of ice, Mom didn't refill the ice trays. You promised you'd talk to her about
me every day.
BILLY: Rachel, you got like four years or something before you're even eligible for Progressive
can you give it a rest?
RACHEL: It's different what she thinks. She's not from around here. She sees different.
RACHEL: Don't start pretending to be stupid with me, Billy. It's boring when you do that.
BILLY: Well you're boring the shit out of me right now. My eye is swelling up or haven't you
noticed and there isn't any ice?
Rachel goes to the sink and wets a cloth and goes back to Billy.
BILLY: I will.
Pause.
RACHEL: I know you miss your friends. But you have me.
RACHEL: No.
RACHEL: I don't.
BILLY: Me, I just like getting out. Me and Charlie Pratt, we used to get out, you know? Have a
couple of beers, drive around
BILLY: You're not listening, not really. It would be okay if we weren't exactly the same. I do
things because, I like out any way I can get it and you
RACHEL: What?
BILLY: Yeah.
BILLY: No.
BILLY: No reason.
BILLY: Nothing.
BILLY: So?
MARTHA: So? So?! When you go to school, you're supposed to be a good boy. You are my
good boy. You are not my bad boy.
BILLY: I know.
MARTHA: What are all those nice kids from up on the hill gonna think with you fighting like that,
huh?
MARTHA: You don't know. You don't know. Let me tell you something young man, you be
grateful you got some brains. Not everyone gets brains you know?
BILLY: I know.
MARTHA: You know? You know? You don't know. When you gonna start acting like a man,
that's what I want to know? Herb enters from the bedroom and crosses to the kitchen to get
himself a beer.
BILLY: Yeah.
He takes his beer back to the living room and sits down. Martha has made herself a cup of
coffee. She sits at the kitchen table and lights herself a cigarette. Louie reenters from the front
door, through the living room to the kitchen, carrying grocery bags.
LOUIE: Shit Martha, you got me so pissed off, I was halfway home before I realized, I meant to
give you something.
Louie begins taking things out of the bags and putting them on kitchen table. Rachel goes back
into the living room and looks at her father.
MARTHA: Steak you got me steak. Bless your little heart Lonie! Billy look, it's steak. Hey Herb
you want some steak for dinner?
Rachel goes and gets her tarot cards and begins laying them out on the coffee table. Herb sits
watching his daughter.
RACHEL (To Herb): Hey Dad, I'm gonna read your fortune.
HERB: Why don't you get me another beer while your mother's not looking?
HERB: You know you don't have to do that shit with me kid.
Kitchen:
LOUIE (Pulling more things out of the bags and putting them on the table): And cereal, and milk.
Bread, cheese, a little sandwich meat. And something for you, Billy.
LOUIE (Pulling a box of Hostess CupCakes out of the bag): I remembered you liked these, I
thought you might want something sweet with your lunch.
LOUIE: Yeah.
MARTHA: Well then. I'm making dinner. I'm making us a real dinner and you're staying aren't
you Louie?
LOUIE: I can't think of anything I'd like to do more. Billy, you wanna help me peel these
potatoes?
MARTHA: Rachel! Louie bought you something special. Don't you wanna know what he got
you? (Whispering to Louie) What you get her?
MARTHA: More than I can say. Rachel wait till you see what Louie brought you. It's your
favorite. We're gonna have a real good meal tonight boy.
Living room:
HERB: Actually, that's where you're wrong. I've never been ashamed. You got something to say
to me girl, don't use those cards.
HERB: So.
RACHEL: This is your house. (Looking down at her cards) I'm gonna tell you what's in store for
you.
HERB: I know what's in store for me. What's it say in there about you?
Rachel looks at him.
RACHEL (Looking at her cards): I can find it, I can pinpoint the exact day, the time, when you
decided to give up hope.
HERB: Now you want me hoping for things. You're such a crazy kid.
He stands and ruffles the bait on bet bead, then exits to the bedroom. Martha enters from the
kitchen.
RACHEL: Nothing.
MARTHA: Come see all the groceries. We got enough for a whole week. Billy got cupcakes.
(Whispering to her) Sweetie he got you pickles. The biggest jar I ever seen. I want you to go in
there and thank him.
RACHEL: Why?
MARTHA: Rachel, you know how much food stamps we got left for this month? Five dollars.
Five fuckin' dollars. And you know what that means. Now, I'm asking you, please go in there and
thank your cousin for the food he brought us.
RACHEL: Mom, the future is more than a week away. When are you going to
RACHEL: No.
RACHEL: No.
MARTHA: I'm giving you one more chance. Get up and thank your cousin.
Pause.
RACHEL: Louie sure does love you Ma.
MARTHA (Grabbing Rachel and shaking her): You think I work 50 hours a week for you not to
do what I say? You better do what I say. You better respect me. 'Cause I'm the only thing
keeping you alive. Putting clothes on your back. You're embarrassing the shit out of me.
RACHEL (Breaking free from Martha): Take a look at yourself, Ma! Louie and Billy come and
stand in the doorframe between the kitchen and living room.
RACHEL (Raising her fists): Come on, give it a try! I dare you!
LOUIE: Martha, shut that girl up. Send her to her room or something. Jesus. I'm putting the
potatoes on.
Blackout.
SCENE TWO
A week later Billy and Ellen enter the living room.
ELLEN (Looking around apartment, not sure what to say or do): So this is where you live?
BILLY: Keeps me healthy. Can I get you something? Coffee, water, a beer?
ELLEN: A beer?
ELLEN: I'm fine, thank you. So, I've got to commentthat's quite a shiner.
BILLY: I wasn't hitting him, he was hitting me. I mean, I finished what he started but
ELLEN: Nobody, huh? He's somebody or else you wouldn't be able to fight him, would you? I
mean he wasn't a ghost was he? (Beat) That was a joke, Billy.
BILLY: Oh.
ELLEN: I know he upset you. I know the two of you are close.
BILLY: Sure.
ELLEN: I mean we all want to just haul off and hit someone sometimes, that's called being
human. But wanting is not doing. I was frightened for the both of you. I was afraid you'd hurt
each other.
BILLY: Sorry.
BILLY: Okay.
BILLY: Oh.
ELLEN: I don't think hitting is ever the answer but I bet it can feel very good just to let go and
punch. Did it feel good, Billy?
BILLY: I'm not one of these rich kids from up on the hill. I'm from town for fuck sakes. Hell, he
knows my family, he's spent time in my house. It's not like I'm suddenly like the other kids in
Progressive. I feel invisible all day.
BILLY: I liked it better when everything was normal. It sucked, but it was normal.
BILLY: Am I?
BILLY: No shit?
ELLEN: I'll tell you a secret, Billy. I'm going to sit down.
BILLY: Okay.
Beat.
ELLEN: When you come to school tomorrow and you sit in your first-period class, look around
you. First, you'll see a bunch of kids who are dressed better than you, they come from better
homes, their parents drive better cars, but I want you to keep looking. Look harder, then you'll
see they come from a small town just like you. They're not smarter than you, they're not better
looking
BILLY: No?
ELLEN: No. In fact, the more you look, the more you'll realize you have something they don't.
ELLEN: They always expected to be sitting in the talented-and-gifted program, they expected it,
their parents expected it--it's average for them, it's their normal. Not one of them knows what it's
worth. But you Billy, nobody ever expected you to be sitting where you're sitting and you know
exactly what it's worth. And when you know what something's worth you can make it take you
anywhere you want to go. Where do you want to go, Billy? You want to go somewhere, don't
you?
ELLEN: I like it very much. Would you mind putting that out?
BILLY (Putting his cigarette out): Really, I don't know why anybody would want to come here.
Where did you teach before?
ELLEN: I went to NYU undergrad and then to Columbia for graduate school.
BILLY: I'm sure you do. I miss it and I've never been there.
ELLEN: You should go. You'd love it. "The city that never sleeps."
Pause.
ELLEN: But I really do like it here. Small-town America. I like the closeness of the people,
everybody knows everyone else.
ELLEN: I've always wanted to work in education. My father's a law professor at Harvard.
ELLEN: But I always wanted to teach high school. I love adolescents. I mean I hated being one
myself, no offense, but it's such an exciting time in one's life.
BILLY: Sure.
ELLEN: I had several offers from some really fine prep schools, but I wanted to feel like I was
making a difference you know? I mean, there is so much attention paid to low-income children
from the cities, but who ever really talks about education in rural America?
ELLEN: Exactly, you don't know. I wrote my thesis on education in rural America.
ELLEN: It was. You come out to towns like this and it's like time stood still.
BILLY: Right.
ELLEN: Which is such a double-edged sword. We're so nostalgic in this country for, something
we can't even put our fingers on. This idea, I don't even know, this idea of limitless space
maybe, the wilderness, community, safety, I don't know if that ever existed.
BILLY: I knew this kid in junior high. His parents sent him to a private high school. He was rich.
Still is I guess. I don't suppose that's something you can lose. Look, I went to the library over the
weekend--Miss Roberts am I really smart? I mean not just smart compared to the kids around
here, but smart compared to you know people who are
ELLEN: You are smart, sensitive, compassionate and beautiful! You are so beautiful
BILLY: Beautiful?
ELLEN: I've been watching you, watching you every day, and every day I admire you more!
Your brain is so alive! You dream such beautiful dreams. You're so connected to your body. Do
you know how rare it is to be sensual and intelligent? I'm just this walking giant brain. All I do is
bump up against everything and feel nothing. I watch you, you feel everything and you think,
God you think such beautiful thoughts!
ELLEN: Yes. And when I'm around you, it's like, it's like
BILLY (Moving to stand by Ellen): I understand you now, I didn't before, Miss Roberts. But I do
now. (Sitting down next to her and taking her hand) I want to be changed, I want you to help me
change. I want to apply to a private high school. I want to go to college.
He reaches into the pocket of his jeans and pulls out a piece of paper and hands it to her.
BILLY: I made a list of schools at the library. You could tell me the best one, maybe?
ELLEN: Yes
BILLY: And maybe we could have the applications sent to your house. I don't want my family to
know. I don't want anyone to know, just you and me.
ELLEN: Of course
ELLEN: What?
ELLEN: There's a process to this, Billy. You find five or six schools that have programs you like.
We go take a tour. You interview and send in an application. You have to take a placement
exam. There are financial requirements and hurdles we're going to need to find a way around
ELLEN: We'll have your application ready by spring and you'll apply for your junior year, which
will be perfect actually because that's the year that colleges really look at
BILLY: I don't have another year in me. I can't do another year. I got nothing left. You gotta get
me out now.
ELLEN: Billy
BILLY: You think I'm joking. I'm not joking. I'm going down. I'm filling out. I'm gonna hurt
someone.
ELLEN: I have a good friend from graduate school that works at Deerfield. I could call her. I
could see if maybe we could try for second semester
BILLY: Deerfield it is
BILLY: You like this? (Moving a little closer) You like this?
Rachel and Martha enter Billy quickly moves away from Ellen and Ellen stands up.
BILLY: Yeah. Miss Roberts gave me a ride. Miss Roberts, this is my mother and my sister
Rachel.
RACHEL: Hi
ELLEN (Holding out her hand): I'm Ellen Roberts. One of Billy's teachers I was just dropping him
off.
RACHEL: Hi
ELLEN: It's cold out. I thought it was too cold to walk and your house is on my way home so I
just
BILLY: Don't you need to get going, Miss Roberts? I don't want you to be late.
BILLY: What?
RACHEL: Why are you being such a little dick? You know what you promised.
BILLY: Rachel stay out of this. She's just my teacher, she's helping me you know? I mean she's
actually trying to help me. I'm just trying to
MARTHA: What?
MARTHA: I know
MARTHA: You know, you're the only thing going right in this house. I don't want that to change.
It may not look like it, but I work hard
MARTHA: No you don't. I'm ready to admit I don't know what you walk through every day, okay?
But maybe you don't know about me either
BILLY: Okay
MARTHA: Okay what?
RACHEL: Yes.
MARTHA (To Billy): I'm just saying, things are going okay with you aren't they?
BILLY: Relax Ma
BILLY: I'm gonna take care of myself, Ma. Pause. They look at each other
Herb enters from the bedroom with a bottle of Jack Daniels and sits on the couch.
HERB (Calling): Rachel! Rachel, where's my girl? Come give your father a kiss, will ya?
Rachel gets her mother's coffee. Billy goes to the living room.
BILLY: Yeah?
HERB: Too much talking if you know what I mean. A man needs to move in for the kill.
HERB: You could have had her and been done with before your mother came home, if you
hadn't talked so much.
BILLY: Sure, sure. (Pours Herb another drink) Have another, Dad.
HERB: Every man wants a son just like you, Billy. A boy like you
HERB: Billy.
HERB: You look after your sister. Somebody's got to do it, right? (Motions around him) It's a
crazy world.
MARTHA (Entering from the kitchen): It's light out and you're up.
MARTHA: I need to work tonight, Herb. I got the night shift again, what are you planning to do
with yourself this evening, huh?
HERB: What's wrong now, Martha? There is always something wrong with you.
HERB: Not cute, but I do think it's funny. Martha exits into the bedroom. Herb follows her.
HERB (Offstage; singing): I love you Rover, oh yes I do! I love you Rover, it's so true
HERB (Offstage; singing): I love you Rover and without you I'm blue!
MARTHA (Offstage; yelling): Would you cut your crazy yapping, for Christ's sake Herb!
HERB (Offstage; singing): Purple haze all in my brain, lately things don't seem the same. Come
on, Martha baby (Martha laughs) I got something for you that's gonna make you feel better
than God. I got a lovin' rocket for you baby, a hot piece of pie!
HERB (Offstage): See I ain't too drunk to pick you up, you dirty old bitch.
Pause. We hear sex sounds from the bedroom. Billy silently starts cooking the potatoes. Rachel
watches him. Loud sex noises from the bedroom.
BILLY: Jesus fuckin' Christ! Would you two try keeping it down in there?
BILLY: Do what?
RACHEL: Miss Roberts.
RACHEL: You're planning not to share her with me. And you promised.
BILLY: What?
BILLY: Would you two shut up! She won't be going to work tonight, not after this.
RACHEL: I know.
BILLY: Sniffin' and a sniffin'--Do you think she ever, you know, does more than let him sniff?.
RACHEL: I don't think so. Maybe she lets him kiss her sometimes, I don't know, maybe not
even that. She only likes it when Dad touches her.
BILLY (Motioning toward the bedroom): Well that's pretty clear, ain't it? You shouldn't be
listening to this shit. You're 11 years old.
BILLY: What?
BILLY: I am
Beat.
RACHEL: Okay
RACHEL: Who says we don't. I'm going to my room to do some homework. Call me when the
potatoes are done. (As she's exiting) I swear, we have to eat so many potatoes around here
soon we'll be growing them out of our assholes.
SCENE THREE
Martha sits in the living room, smoking a cigarette. She gets up, goes to the kitchen and pours
herself a drink. Louie enters through the front door.
MARTHA (Coming into the living room): I'm here Louie. You want a drink?
LOUIE: I'm okay. Actually, luck it, I just got off duty. I'd love a drink.
MARTHA: Oh yeah?
LOUIE: Nice and crisp. I hope the weather stays like this. It'll make for good sledding. You
always loved to go sledding.
MARTHA: I did. I don't anymore. My blood's thinned out. Rachel loves it though. Billy always
builds her a big jump.
LOUIE: So let me take you to dinner. Put on something nice. Dress up a little for a change. Let
me treat you like the lady you are.
LOUIE: She's just fine, why? So, Billy's doing well in school?
MARTHA: Yeah.
LOUIE: Got in with all those rich kids. Reading Shakespeare or some such nonsense. What
good is that gonna do him when it comes time to get a job?
MARTHA: Don't put him down like that Louie. You know you could be more of a role model to
him. You wanna do something useful for me? Do that.
LOUIE: What do you think of that Miss Roberts? I ran into her in the package store. Tried to
strike up a conversation, she seems like an uppity bitch to me. No husband, if you know what I
mean?
LOUIE: Some career. Teachin' in this town. You'd think a woman like her would have something
better to do. You know they say she comes from money.
MARTHA: Do they?
LOUIE: They say her dad is some lawyer type. Old money. The real thing. Makes you wonder
what she's doing hanging around with a kid like Billy.
LOUIE: Maybe he'll do okay. Get himself one of those little rich bitches from up on the hill. Get
married. If he's anything like Herb he'll at least be good at fucking. Ain't that right? God you look
so tired. Martha you need a break. That son of a bitch down there drinking all the time. I told you
a million times to come on over to my house and stay for a while.
MARTHA: Gloria wouldn't like that. She likes your home with just the two of you.
MARTHA: Sure.
LOUIE: I still look out for you. Are you lookin' after me?
MARTHA: Oh Jesus Louie, you are predictable as rain. You can't go a month without comin'
over here with the same old song and dance. Can't you at least try and spice it up?
LOUIE: Don't take that tone with me. I didn't say nothing last month when I paid your heat bill.
MARTHA (Imitating him): "What's that supposed to mean?" Are you really too slow to figure it
out?
LOUIE: I'm not the slow one here. I'm not the one with a drunk, useless husband, who's sending
my children to the poorhouse. You know the whole town laughs at him. Big Herbo Lawrence,
he'll take anything from anybody just to get a drink. But they're not just laughing at him. No,
they're laughing at Rachel and Billy too. How you like that? The whole town's laughing at your
children.
MARTHA: You like to see him drunk. It makes you happy. Makes you feel like you're a real man
instead of the loser you are. 'Cause you remember him before when he was everything and you
were nothing. You couldn't get a girl unless he gave you one. Couldn't strike up no conversation,
too stupid and shy. And those kids, his kids, they're smarter than you'll ever be. And Billy's
gonna be famous or something. Billy's smart enough to be president maybe. You just watch. You
watch him. 'Cause he already passed you by.
Louie goes and stands over her. He puts a hand on her shoulder and pushes her back against
the couch.
LOUIE (Leaning on her): You be careful little girl. You be very careful, 'cause without me lookin'
after you, you'd be dead.
MARTHA: Don't you dare Louie. 'Cause I'll turn you out of my house and then where would you
be without me? Where would you be if you couldn't see my face or hear my voice? You'd be
nothing. You'd be no one.
He stomps out the front door A beat and then he stomps back in. He has left without his shoes.
He puts them on in silence, trying to keep his dignity. A second beat.
LOUIE: Please one kissplease. You don't know how I think about you. You don't know how
one just oneone tasteI'm going crazyyou don't knowI sit in my car and sometimes
Ellen enters.
ELLEN: Hi, sorry to just drop by like this, but Billy wasn't in school again today, so I brought him
his work. Is he here? He needs his work.
She holds Billy's work out toward Martha again. Martha doesn't take it.
ELLEN: So here's Billy's workIt's his second absence this week. His attendance in the
program, it's important. He has to
MARTHA: Yeah. Sorry, I kept him home. Can I offer you something to drink?
ELLEN: No, don't call the school. There's no reason to. He's getting As in all his classes. All his
teachers love him. Especially his math teacher. He's testing in the top one percent in math. It's
just it's so easy to fall behind and Progressive moves at a very accelerated pace and
LOUIE: I said I was going. I said I was gonna leave. Don't you have anything to say to me?
Martha, walk me to the car.
MARTHA: Who the luck do you think you are? You don't tell me shit. Get the fuck out why don't
you!
MARTHA: Go!
Louie exits.
ELLEN: No. II'm sorry I shouldn't just barge in like this and interrupt your--It's just that Billy
means so much to me and I have to make sure--I haveyou do understand?
MARTHA: Sit down, Ellen. (Ellen does) Would you like a cigarette?
ELLEN: No.
ELLEN: Yes.
ELLEN: Yes.
MARTHA: You've taken quite a shine to Billy. Driving him home all the time. Coming over to the
house.
ELLEN: I just
MARTHA: I love my son but he's a bit of a dreamer. Don't you think so Ellen?
ELLEN: I
MARTHA: He doesn't say so but I know he's always dreaming of flying away. Have you been
telling my son he's gonna fly away, Miss Roberts? Sorry, I mean Ellen.
MARTHA: Don't be ashamed. Billy's a beautiful boy. He reminds me a lot of his father at his
age.
ELLEN: It's not like that. It's not like that at all.
ELLEN: I want him to believe in himself. I want to help him know, know himself. I want to show
him, for him to see, toto
MARTHA: You just be sure to give as much as you take. And don't give him nothing he ain't
earned. I want him taken care of, not fooled. Whatever else he wants to pay, that's his business.
MARTHA: Well Billy's a good boy. Ain't he? A mother always likes to see her son appreciated.
And you do appreciate my son don't you?
MARTHA: Yes, ain't he. Billy is just about everything. (Noticing Rachel) How long you been
standing there girl? Where's your father?
RACHEL: Billy's got him at the bar, but he needs you to come and put some money down on
Dad's tab.
MARTHA: Shit.
RACHEL: He says Dad can't leave until he gets some money. He says he doesn't care what
Louie says this time, he says he'll call the sheriff, he says
MARTHA: Yeah, okay. I got what he says. (To Ellen) I'm sorry, you see what I got to deal with
MARTHA: Of course. (Beat) Rachel why don't you make Miss Roberts a cup of coffee. I'll be
right back.
ELLEN: I know, it's just a figure of speechYou know Billy talks about you all the time. (Pause)
So what grade are you in?
RACHEL: Fifth.
RACHEL: Yes.
ELLEN: It will get better. New experiences are always uncomfortable at first.
ELLEN: Are you planning to follow in Billy's footsteps and apply for the Progressive program
when you get to high school?
RACHEL: Yes.
ELLEN: I'm glad. That's what's wonderful about change. If one person, like Billy, has the
courage to step out into the unknown they automatically open doors for those that follow them.
RACHEL: I know.
ELLEN: Of course you are. It's just a theory about the brain that
RACHEL: I know what it is. I'm not Billy, I'm not going to pretend to know less than you so you'll
like me.
ELLEN: What? Why would you say that?
RACHEL: What's your favorite book? I'm looking for books to read. I prefer fiction, but
sometimes I read nonfiction. What's your favorite author?
ELLEN: Jane Austen. She's one of my all-time favorites. I love a book of hers called Pride and
Prejudice.
RACHEL: Yes.
RACHEL: Why?
RACHEL: Oh.
ELLEN: I love it. Tell me why you prefer Persuasion to Pride and Prejudice?
RACHEL: Because it's about waiting and then being rewarded for waiting.
ELLEN: Well that's true, that is one of the things the book is about.
She goes and gets her tarot cards and holds them out toward Ellen.
RACHEL: Am I?
ELLEN: You must know you are. I don't mean that in bad way. It's good to be unique. (She takes
the cards from Rachel) What do I do?
RACHEL: Put the cards into three piles and then put them back together any way you want.
ELLEN: Done.
Ellen bands her the card and Rachel stares at it. The moment goes on too long.
ELLEN: That's a scary card. Lightning. Are those people falling out of a tower?
RACHEL: Yes.
ELLEN: What does it mean?
RACHEL: The card's not for you. You picked the card but the card's for me. I thought it wouldn't
hurt to ask you.
ELLEN: Ask?
ELLEN: Of course it doesn't hurt to ask for help, Rachel. Look, I knowI understand how much
it can cost someone to ask for help.
ELLEN: Yes, and asking for help is a very brave thing to do and I want to recognize
RACHEL: Thanks for trying. And I know now that you spend your whole life trying.
ELLEN: What?
RACHEL: But you hardly have enough for my brother, let alone yourself. I don't have to read
your cards to see that. You should know he's not going to love you, none of us are. I'm going to
my room to work on my homework. The rest of them should be home soon. Call me if you need
me.
From left, Gloria (Miriam Shor), Louie (Todd Weeks), Herb (Michael T. Weiss) and Martha
(Kristen Johnston) play a volatile game of cards.
ACT TWO
SCENE ONE
Herb, Martha, Louie and Gloria, Louie's wife, sit around the living room table playing poker.
There is a bottle of whiskey on the table and shot glasses. Herb is quite drunk. It is one o'clock
in the morning, later the same night. Rachel is in bed.
LOUIE: Yeah, I got work.You don't. So why don't you shut up and play some cards.
GLORIA: And you do? At least my man puts food on the table which is more than I can say for
you.
HERB (Refilling Gloria's glass): Drink up honey. You get drunk enough, you won't mind your
man never wants to fuck you.
GLORIA: You're so rude. Louie you gonna let him get away with that. Louie do something.
LOUIE: Two cards please Martha. Remember when Granddad taught us to play. That was nice
wasn't it?
MARTHA: Sure. That was nice.
HERB: Things are pretty simple now. Ain't that right Martha?
MARTHA: Simple for you. Anyone else want any cards, or we all got perfect hands?
HERB: Give me three I guess. Not that it matters. Louie's gonna win anyways. Aren't you
Louie?
HERB: Yeah? When was the last time you fucked my wife?
LOUIE: Jesus!
GLORIA: Louie!
HERB: No?
MARTHA: No.
GLORIA: Stop joking. I'm tired of your joking. Louie, tell 'em to stop joking.
HERB: A man doesn't work, that's no reason for his wife to cheat on him. I never heard of a
good woman cheating on her man.
MARTHA: We got two children Herb, in case you forgot. You don't want me cheatin'? Do
something about it.
MARTHA: You think this is gloating. You're the one with a washing machine. You're the one with
two cars.
HERB (Refilling his glass): You take care of her all right. I don't mind that much I guess.
Somebody got to take care of her. I don't do such a good job. Do I love?
MARTHA (Kisses him on the nose): Hush darling. Don't you worry about anything.
GLORIA: You always acting like you are something. Like you's somebody. You ain't anybody.
You're the laughingstock of this town.
MARTHA: It's nice you came over to my house. Ate my food, drank my whiskey, if I'm a
laughingstock, you must be a dog to stoop so low.
GLORIA: I ain't eating your food. I'm eating my own. God knows my husband paid for it.
GLORIA: You always take her side! Always! What's wrong with you anyway? You look like a
normal man.
HERB (Laughing): Look baby, you got them going. You do that for me? You make me laugh.
MARTHA: I do everything for you. (Leans over and kisses him) You know that. I breathe for you.
LOUIE: Stop it Martha! Stop it right now. Can't you wait till we go? Jesus!
GLORIA: What? She loves the loser so what? (Stands) Take me home.
HERB: I'll tell you something Gloria. Your ass is fat. And what's more if anyone's laughing,
they're laughing at you. 'Cause you're married to this little faggot here.
LOUIE (Throwing down his cards and standing up): Who you calling a faggot?!
HERB: You. I'm calling you a faggot. 'Cause you weak. Who pays my bills? You do. Who lusts
after my woman? You do. Who's got a fat-assed wife he can't even get it up for? You do. You a
faggot.
HERB: Faggot. You got a sissy punch too. My son could hit harder than you when he was 10.
LOUIE: Yeah? How do you know that, huh? Did you learn that trying to get into your daughter's
bedroom? Did you learn that by Billy blocking your way?
MARTHA: He's talking shit Herb. Louie you're pathetic. (To Louie and Gloria) I want you both
out.
GLORIA: Gladly.
MARTHA: Shhh, you don't hurt anyone, you're a good father. Louie take your wife and your
lying sack-of-shit mouth and get out.
GLORIA: You take me home right now Louie. You take me or God help me
LOUIE: Help you what? Who else would marry you? You ugly cow? Who else would put up with
your fat ass? And your smelly farts? No one but me. I'm the best you're gonna get in this town
and don't you forget it. Go wait for me in the car.
GLORIA: When I married you. I loved you. You said you were gonna take me to Vegas! You
said you'd give me a baby, I've had enough! Enough! You hear me, you no-good son of a bitch!
(Hits him) You hear me?!
Gloria storms out the door. Sound of a car starting and pealing out of the driveway.
LOUIE: Shit, shit, (To Martha) now see what you done?
MARTHA (Going to him): You don't hurt nobody. Did I tell you how well Billy's doing in school?
He's in those special classes now.
MARTHA: No special for smart. (Hugs him) Oh I love you so much. You're almost like yourself.
(Kisses him) HerbKiss me
HERB: You look beautiful. Like when we were young. I like it, like this. Quiet. We had lots of
quiet then.
HERB: You were so young then. Beautiful. Like the light. Almost gray. Delicate. Fragile. You
were fragile then.
MARTHA: Yes.
MARTHA: Yes.
HERB: Sometimes I don't remember what I do. I don't mean to hurt anyone.
MARTHA: I know.
MARTHA: I know. But I'll put it in the good part. The things I remember when we're dying. I'll
remember how beautiful you used to be.
HERB: You know I really only remember you. You remember me don't you? I'm counting on you.
I might as well be dead otherwise.
MARTHA: I miss you more than you will ever know. Yes, I remember how we looked on our
wedding day. It's embarrassing really. There's nothing left. You make me sick. I'm nauseous all
the time.
HERB: Let's take the bottle to the bedroom, you and me.
HERB (Standing up): I never hurt anyone. I've always been a good man. (Picking up the bottle,
and heading toward the bedroom) Come on baby. I'll pour it all over you and lick it off.
Pause. Martha looks after him, then starts picking up the cards and cleaning off the table.
Rachel enters from the bedroom.
She sits on the couch and motions for Rachel to join her.
Rachel goes to her and sits. Martha puts her arm around her.
RACHEL: I know.
RACHEL: I was walking along and I looked behind me and everything was empty. I looked in
front of me again and the world had disappeared.
RACHEL: Nothing.
RACHEL: I know.
MARTHA: Of course he does. He just worries about himself too. You can worry about yourself if
yon want to.
BILLY: Am I in trouble?
Billy does.
MARTHA: Rachel was just telling me that she's smarter then you.
RACHEL: Mom BILLY (Laughing): Well you are, Rach. Everybody knows it.
RACHEL: Yeah.
RACHEL: Yeah.
MARTHA (To Rachel): You see. (To Billy) That's what I was just telling her.
BILLY: Yeah.
MARTHA: No don't get all squirrelly, nobody's getting in your business. Just tell me and Rachel
about your night.
RACHEL (Leaning against Billy): Yeah, tell us what you saw out there.
BILLY: She took me over to Northampton. She's got a nice car. When we got out of town, she let
me drive it.
BILLY: Sushi.
BILLY: Yeah.
BILLY: Yeah, weird but good. It was okay. Then we went to see a movie.
BILLY: Yes.
BILLY: I don't know. It's hard to tell what she really likes.
RACHEL: The thing about Miss Roberts, Billy, is she isn't dumb, but she's kinda stupid.
SCENE TWO
The next day. Four in the afternoon. Ellen, Billy and Rachel enter: Billy is carrying grocery bags.
He crosses to the kitchen and starts putting things away. Rachel follows and sits at the kitchen
table. She opens ajar of pickles and starts eating them. Ellen follows them into the kitchen.
Pause.
ELLEN: Did you hear me, Billy? Didn't you think that was amazing?
Ellen heads toward the kitchen. Rachel gets up and goes to the kitchen table. She sits there
eating her pickles, smiling at Ellen. Ellen moves to stand in the doorway to the kitchen, looking
in on them.
ELLEN: I didn't realize you couldn't buy toilet paper with food stamps.
ELLEN: It makes sense though. If I'd thought about it, because they're food stamps.
RACHEL: Billy did you hear that? Miss Roberts just realized food stamps are for food.
ELLEN: And the cashier said
RACHEL: Dorothy.
ELLEN: What?
RACHEL: The cashier. Her name is Dorothy, her daughter is in Billy's grade.
ELLEN: Right. I just couldn't believe what Dorothy said, I mean statistically for one quarter of the
town to be on food stamps, I mean in a town this size
BILLY (Slamming down on the counter): Shut the flick up and get the flick out!
BILLY: Don't talk to me. I'm gonna hurt you. You better get the fuck out of my house.
BILLY: Askin' Dorothy all those stupid questions while I was trying to pay. Everybody was
staring at us--and then you had to pull out your own fuckin' wallet!
ELLEN: You needed toilet paper. I noticed you needed toilet paper before we left the house.
BILLY: My house.
ELLEN: Of course
BILLY: Not your house. None of this has anything to do with you. Me, I got nothing to do with
you. My sister has nothing to do with you
BILLY: Don't touch me! You think you can touch me? My mother has to walk into that store!
Billy advances on her suddenly as if he's going to bit her. He just as suddenly turns and punches
the wall. Rachel calmly goes to get Billy ice out of the freezer.
BILLY: You have to get her out of here, Rach. I'm gonna fuckin'--fuckin'
BILLY (To Rachel): She's talking. Why is she fuckin' talking? Her voice is so flickin' stupid. (To
Ellen) You are so fuckin' stupid!
ELLEN: I'm not stupid. I'm not! I'm your friend. I'm trying to be your friend.
RACHEL (To Ellen): I seen the way you been looking at my brother.
ELLEN: What?
RACHEL: I seen it, we all seen it. Do you think there's something wrong with you Miss Roberts,
that you gotta pick on boys? Is that why you came up to live in the country Miss Roberts? You
come up here thinking you could act any way you want and no one would stop you?
RACHEL: Something's wrong with your vagina probably, some kind of disease
RACHEL: And are you a girl? Are you a tittle girl with a lollipop? A lollipop, a little vagina lollipop.
ELLEN: Stop saying that word! It's disgusting coming out of a girl your age!
RACHEL (Laughs): Penis, vagina, penis, vagina, you're ugly. Billy knows you're ugly and he
doesn't like stupid ugly girls.
ELLEN: Don't be cruel to me. I don't know what I did to make you so mad. All I wanted to do
was make you happy, Billy. I make you happy sometimes, don't I? Yesterday when I was driving
here all the lights turned green just as I hit them. I took that for a sign. A sign I was doing the
right thing.
ELLEN: I helped you with your application. I helped you with your test. I called Amy and begged
her to help you. If you get into Deerfield, you think it will be because of you? It will be because of
me. Because I helped you!
RACHEL: Billy?
BILLY (Putting his arm around Ellen, who can't stop crying): Okay, okay it's over now. You can
stop talking.
RACHEL: Are you crazy? I know what you're gonna do. It's not gonna make you feel better. It's
gonna make you feel worse.
BILLY: You want to tell me how stupid and sorry you were so I can forgive you.
BILLY: It was stupid to open your mouth and let all your bullshit come out. It was stupid to tell
my sister about Deerfield. (Going to her and caressing her arm) No, you're stupid. You know
you're stupid. Go on, admit it and I'll give you a little kiss. (Moving in closer to her) Come on.
(Lightly touching her breasts) Don't you want a little kiss? A little hug? Don't you baby,
(Whispering in her ear) don't you?
ELLEN: I'm
ELLEN: Billy I
BILLY (Unbuttoning the top of her shirt and kissing her collarbone): Tell me
ELLEN: Yes
BILLY (Taking her hand and putting it on his crotch): You feel me?
ELLEN: No
BILLY: I knew girls who did it better than you when I was 10.
BILLY (Taking her hand and putting it back on him): You like what you feel?
ELLEN: Yeah
ELLEN (Pulling him close to her and holding him): I love you, Billy (He moves faster against
her hand) I love youI've never loved anyone the way I love you, I'd do anything for youI'd
ELLEN (Holding him tight, stroking his back): I love you so muchI love you, Billy, you're so
beautiful, so beautiful
BILLY (Pulling away from her): I'm sorryI should give you something. I should (Runs his
hands through his hair) Listen, my room will be home soon. I think you should go.
BILLY: ShitI'm
BILLY (Going to her): Here. (Kisses her) Here, okay. (Kisses her again) Okay?
ELLEN: I
BILLY: Please, just, you should go and I'll see you tomorrow. I'll come by your office.
ELLEN: I
BILLY: Yeah sure Ellen, sure. You get going now, okay. You get on home.
He moves her toward the front door. Rachel comes out of her bedroom and stands in the
kitchen, watching. He kisses Ellen quickly, then opens the front door, pushes her out and closes
the door behind her. He turns and walks back toward the kitchen. He sees Rachel. Pause. They
look at each other.
BILLY: Yes.
BILLY: Yeah.
RACHEL: Who am I?
BILLY: What?
RACHEL: Who am I?
BILLY: Rach
BILLY: What?
BILLY: Jesus Rach, you gonna get all dramatic on me too? I got too many women in my life.
We'll talk later. I gotta shower before Mom gets home.
SCENE THREE
Rachel and Martha in the kitchen. Rachel is laying out her tarot cards. Martha is flipping through
a J. Crew catalogue.
MARTHA: Baby, look at this beautiful winter shawl. It comes in five different colors. Dusky dawn,
and purple sunrise. I didn't know colors had names like that, did you?
RACHEL: No.
MARTHA: I was looking at myself in the mirror this morning. I'm not so old am I? I remember a
time when I felt so beautiful. Everything was beautiful. It all felt like summer even in winter. Or
maybe not summer. Maybe more like spring. There comes a time in everyone's life, Rachel, that
you have to make some kind of peace. I wonder if that will ever happen to me?
MARTHA: Nobody can see their own future baby. That's why I need you to read mine. (She puts
down the catalogue) Do you want to give me a reading?
RACHEL: No.
MARTHA: All right, all right don't get all excited. She picks up the catalogue again. Herb enters
and crosses into the kitchen.
HERB (Putting 50 bucks on the table): I got some work logging with the Petersons. A couple
weeks. I think I deserve a beer. A hard day's work deserves a hard night's drinking. We got
something to celebrate.
HERB (Handing Martha a beer): She spends too much time looking at those cards.
HERB (To Rachel): You ought to go out and play. Life happens out there darling.
MARTHA: For God sakes Herb, you got something in your eye or something? Stop staring at
the girl.
HERB (To Rachel): The trick is kid, you've got to learn to ignore us. If you can just learn to do
that, you'll be okay. That and go outside and play. That's all I got for you. (Opening his beer and
taking a sip) Nice and cold, Martha. I got work tomorrow and the day after.
Billy and Ellen enter the living room through the front door. Billy is dressed in a suit. Ellen has a
file folder.
ELLEN: Amy wants us over there right away. We just need the paperwork.
BILLY: Yeah Ma. I got Miss Roberts with me. Could you come into the living room?
BILLY: Just come into the living room Ma, it's important.
BILLY: No Pop.
MARTHA (To Ellen): You bought it for him? (To Billy) Please God, don't tell me you just married
this woman?
Billy holds out an envelope to Martha. Martha opens the envelope and reads. She looks up at
Billy and miles.
BILLY: I didn't want to say anything till I was sure. Show Dad the letter, Ma.
Herb looks at the letter in silence and then hands it back to Martha.
ELLEN: My friend
BILLY: Miss Roberts' friend Amy works in admissions. She helped me.
ELLEN: Amy pulled some strings and begged some favors and got Billy in for the spring
semester.
BILLY: Amy just called. If Miss Roberts and me can get over to Deerfield before the office closes
I won't have to wait till next year to get a scholarship.
Billy takes the file folder out of Ellen's bands, opens the folder and places it on the table in front
of Martha.
BILLY: These are financial-aid forms and these are consent forms. Ma, I need you to fill them
both out.
BILLY: Not now, will you just help my mother fill out the forms?
ELLEN: My father is such an amazing man. He has dedicated his whole life to education. I've
told him all about Billy and his situation. And he has offered to back Billy for his first semester if
it's necessary. So money won't be an issue for your family because I know you can't pay.
Beat.
ELLEN: I mean it's just so exciting because from Deerfield Billy can go to any college in the
country.
HERB (To Martha): By country does she mean, I love Billy's cock?
ELLEN: What?!
HERB: Does it look like I'm laughing? That's a nice suit you're wearing, boy. I know some guys
in Springfield who do what you do, but they call it by a different name. Well, use your looks while
you got 'em. I'm glad I could give you something.
ELLEN: You sit here joking and drinking while your children shrivel up before your eyes. Are you
really this selfish? (To Martha) He'll end up working some dead-end job like yours, Martha
ELLEN: Yes, I know, an assistant manager at the mall. I'm talking about giving Billy a real future.
HERB (Speaking to Billy): She's a little on the uppity side ain't she? You gonna let her come in
here and talk like that?
He crosses to the kitchen and gets a bottle of whiskey. Yelling to Martha and Billy from the
kitchen:
HERB: She thinks she's something right? You better fuck her a little better than you do. That
woman is frustrated.
ELLEN: You want to make him feel bad for wanting more. He's done more in 16 years than
you'll do in your entire life. He has courage, real courage
HERB: You call getting some ugly, skinny little bitch to suck you off courageous?
ELLEN: How dare you talk to me like that! Who do you think you are?
HERB (To Billy): It's not okay. Look at me, boy. I'm looking at you right now.
BILLY: What do you want me to see? Tell me, fuckin' tell me what you want me to see?
HERB: Martha
MARTHA: Billy get me a pen.
MARTHA: Herb, sit down. We can all take a little shit to help Billy to get what he wants.
MARTHA: I need a cup of coffee. Billy, go get me a cup of coffee. (Billy hesitates) Billy, stop
wasting time.
Billy crosses to the kitchen. Rachel sits at the kitchen table waiting.
MARTHA (Pointing to the papers; to Ellen): What does this mean? I don't know what it means.
MARTHA: Why I got to tell them that? It's nobody's business but mine.
ELLEN: It's just so they'll know how much money to give Billy. How much he needs. I'll need a
copy of your taxes.
MARTHA: Herb you hear that, she wants a copy of our taxes. (Pointing to the papers again)
What the fuck does this mean?
Kitchen:
BILLY: That's because I didn't tell you. You can't see everything you know?
BILLY: I can't breathe. I can't move, every day's just the same. I'm going crazy, Rach. Can't you
see it? I'm not gonna make it if I stay
RACHEL: Billy
BILLY: I'll just start hitting everything. I'll hit it till it breaks
RACHEL: I want
BILLY: You know what they got over there Rachel? They got a salad bar. A fuckin' salad bar.
One of those machines where you can get fruit punch and soda. They got this big gym and a
smoking area. You never seen anything like it. And it's quiet, Rach. There's nobody fighting over
there.
BILLY: I know.
BILLY: I know.
RACHEL: Don't
BILLY: You have to be, you have to be, please, please say--say--I need you to say it
RACHEL: Billy
BILLY: I can't go without it. I can't breathe without it. I can't wake up in the morning without it.
RACHEL: You know what's scary? As much as you talk, you don't know if once you're out there,
you'll even want to come back for me. Do you know how much I can take?
Living room:
MARTHA (Standing up): Okay now you sit here for a minute while I go talk to my son.
ELLEN: Oh I
HERB: No, no, no, Billy's talking to his mother. And you're gonna sit there with your mouth shut
till she's done. Aren't you?
ELLEN: Yes.
Kitchen:
MARTHA: Billy, I'm so proud of you. (Hugs him) Didn't I always tell you something like this
would happen?
MARTHA: Well, that's something isn't it? A little sad, it is a little sad. (Kisses him) But, it'll be
wonderful.
MARTHA: Good. Now I want you to get that woman out of my house. And I don't ever want to
see her here again.
BILLY: Ma
MARTHA: No, let's be real clear. You do whatever you need to with her. She's your business
and clearly she's been very helpful. But, if I see her at your graduation, if I see her when you're
home on breaks, if I see her hanging around my doorstep howling for a look at you, you and me
aren't going to understand each other anymore. She has come into our house and disrespected
me and your father. Whether you like it or not we are your family.
MARTHA: I love you very much and I'm very proud of you. Now get her the fuck out of my
house or things will get very ugly.
Living room:
Ellen crosses to the front door. Billy hesitates, looking at his father.
Kitchen:
Martha goes the living room. Rachel remains sitting in the kitchen.
Living room:
Kitchen:
Rachel sits very still, listening to her parents. She looks sick to her stomach.
Living room:
MARTHA: I'm so happy right now, baby. I've never been this happy. Look at what we've done,
you and me. Look at how beautiful you and me can be. It's just like we thought it would be so
long ago. We're different baby, just like we said we'd be.
HERB: Look, it's fat-ass Gloria. Sit down fat ass and have a drink.
GLORIA: Don't give me any of your shit Herb Lawrence. I'm looking for Louie.
Kitchen:
Rachel looks around her like a trapped animal. She's looking for a way out.
Living room:
GLORIA: You think you're better than everyone. You think you're special.
GLORIA: I don't want a drink. I want my husband. He ain't come home in three days. Why he
treat me that way, huh? I do good. I do the laundry and make him dinner. I never ask him where
he's been.
MARTHA: Look, Gloria. My son got into Deerfield Academy. My son is really smart.
GLORIA: What you think? That's gonna save your soul or something?
MARTHA: Nojust how 'bout that. Billy's gonna go somewhere.
Kitchen:
Rachel silently and frantically paces the kitchen, wild animal in a cage.
Living room:
HERB: Fuckin' A! How 'bout a game of cards. You ladies wanna play?
MARTHA: Come on Gloria, sit down and have a drink. Relax a little.
GLORIA: Fuck.
GLORIA: I'll tell you, I thought I knew everything I needed to know about the future. I thought if I
just found myself a good man. One who would actually take care of me. I'd get to spend the rest
of my life walking on easy street.
MARTHA: We all thought that Gloria. (Pouring bet another drink) You're with family now Gloria.
You just drink up and relax.
GLORIA: I told him we should have a child. A child is what we need. You got children Martha. A
man needs children.
MARTHA (Kissing him): I want another baby, Herb. I want you to give me a baby. Something
beautiful and new made by the two of us. I know what I want. Right now, I have no doubts. Not a
single one
GLORIA: We could be pregnant together. Go shopping together. Like real family. Loving our
babies. It will be beautiful. It's the best thing we can give our men.
Kitchen:
Rachel is sitting at the table again. She is trying to catch bet breath, trying to breathe slowly. She
picks a spot on the wall and focuses on it.
Living room:
HERB (Pouring them all fresh drinks): This is nice. Us just sitting around talking.
MARTHA: It sure is. We got something to celebrate. Billy, and you getting some work baby. (To
Gloria) Herb got some work with the Petersons.
MARTHA: Gloria, why don't you stay for dinner? You keep Louie waiting for a while. Let him
wonder where you are for a change.
MARTHA: Let him get his own dinner. Shit you know what? Herb brought home some cash, let's
order pizza. Herb honey, you want some pizza?
MARTHA: Gloria?
GLORIA: These are good times, Martha. These are good times.
MARTHA (To Rachel): We're ordering pizza, what kind do you want?
RACHEL: Waiting.
MARTHA: Herb, you know I hate extra cheese. Ask Gloria what she wants, she's the guest.
GLORIA: I like pepperoni and mushrooms. And I like a little extra sauce.
HERB: Would you two hens stop your yapping and order the pizza for Christ's sake, before we
all starve to death.
Lights fade.
END OF PLAY
~~~~~~~~
By Lucy Thurber
Copyright of American Theatre is the property of Theatre Communications Group and its content
may not be copied or emailed to multiple sites or posted to a listserv without the copyright
holder's express written permission. However, users may print, download, or email articles for
individual use.
Mobile Site iPhone and Android apps EBSCO Support Site Privacy Policy Terms of Use Copyright