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&
Metre
Metre
Rhythm The pattern of the beats
The combination and pattern Pulse Can be regular, irregular or free
of sounds around the beat The steady beat
Duration
The length of the
notes
Semibreves 4 beats
Minims 2 beats Time signature
Crotchets 1 beat Shows how many beats, and what
Quavers a beat type of beat is in a bar
Semiquavers of a beat
Triplets
3 notes played where 2 notes
should be.
Compound time Simple time
Hemiola
Has 6, 9, or 12 as number of Has 2, 3 or 4 as number of
A rhythm which has a
beats in a bar (top number of beats in a bar (top number
three against two
time signature) of time signature)
feel. Used in Baroque
music
Dotted rhythms
Adds half the original value to
a note. Tempo
The speed of
music
Cross-rhythm
2 contrasting rhythms played at
the same time, sound like they
dont fit together.
Polyrhythm
Rubato
More than 2 rhythms played at the
When the performer speeds up or
same time. It sounds like they fit
slows down for extra expression.
together.
Augmentation
To make bigger
Diminution
To make smaller
Drum fills
Short drum solos to join up
sections of music, or for the
drummer to show off.
Bi-rhythm
Two different rhythms
from the same time
signature played at the
same time.
Syncopation
The strong notes are on expected
beats, sounds off- beat. Used a lot
in jazz music.
Harmony
&
Tonality
Key signature Tonal
The group of sharps of flats Music is tonal that is built around a
written at the start of a piece major or minor key.
of music.
Music in a major key sounds happy
Music in a minor key sounds sad
Modal music is built around ancient
scales called modes. It sounds weird.
Diatonic
Harmony When the notes belong
The combination of to the main key.
different sounds,
accompanies the Chromatic
melody. When the notes dont
belong to the main key.
Sharp #
A sharp raises a note by a semi tone
Flat
A flat lowers a note by a semitone
Modulation Cadence
When a piece of music changes key Two chords that mark the end of a
Modulation to dominant key phrase, or the end of the piece of
When a piece of music changes to music.
the key of the 5th chord. E.g. music Perfect cadence
in C major would modulate to G Dominant (V) - Tonic (I).
major. G is the 5th chord of C Sounds completely finished, like a
major. full stop.
Modulation to subdominant key Plagal cadence
When a piece of music changes to Subdominant (IV) - Tonic (I) chord.
the key of the 4th chord. E.g. music A full stop but not as strong as
in C major would modulate to F perfect cadence. Sounds gentler.
major. F is the 4th chord of C Used at the end of hymns.
major. Imperfect cadence
Modulation to relative major or Any chord - Dominant (V) chord. A
minor musical comma, sounds unfinished,
When a piece of music goes to the more music will follow.
key which shares the same key Interrupted cadence
signature. E.g. A piece of music in Dominant (V) chord - Submediant
C major could modulate to A (VI). A musical comma, also known
minor- both keys have the same as surprise cadence.
Pedal
Tirce de Picardie Long repeated notes
Music in a minor key, that ends on a in the bass part.
major chord. Used by a lot of
Baroque composers.
Texture
&
Melody
Unison texture Texture Imitative texture
Everyone sings/plays exactly the How the different layers of One part copies or
same thing at the same time. the music weave together repeats what another
musical part has just done.
Harmonic/homophonic
texture
Octave texture The different parts of the
The pitch of the instruments or singers is music move together.
an octave apart. (E.g. C and C
above/below)
Octave Octave
Layered texture Heterophonic texture Canonic texture
Sections of music that are Each part is the same and overlaps,
Two or more slightly
repeated again and again are but they start at different times (at
different versions of the
loops. When lots of loops are regular intervals).
played at the same time this is same melody played at
layered texture. the same time
Modal melody
Conjunct melody Uses notes from the
ancient scales called
Smooth, moves by step
modes
Melodic sequence
When a melody is repeated
at different pitches
Aciaccaturas
and Ornamentation
Appoggiaturas The decoration of the melody, e.g.
Ornaments- used Diminution trills
to decorate the When a melody is made
melody. Short shorter by taking notes
notes played away of making them
quickly before shorter
the main notes
of the melody.
Passing notes
Chromatic melody
Notes in between the
Uses some notes that dont belong
main notes.
to the scale
.
Inversion Pentatonic melody Harmonic sequence
When a melody is turned Uses notes from the pentatonic When a pattern of chords is
upside down. scale (5 notes within an octave) repeated
Improvisation
Creating new music, on the
Phrasing/articulation
spot. Make it up as you go
Describes how the melody should
along. Used a lot in jazz
sound.
Legato smoothly
Portamento
Reverb.
Sitar Bansuri Electronically adding an echo
effect
Distortion
Electronically making the timbre
sound aggressive and harsh
Chorus
Electronically manipulating the
sound to give the impression of
many sound sources
African Vocal techniques
Zurna Oud Falsetto
Very high adult male
voice
Vibrato
Variation of pitch,
sounds intense, used
a lot in opera and on
string instruments
Mbira
Kora
Doumbek Djembe
Dynamics
How loud or soft the music is
pp Pianissimo Very quiet
P Piano Quiet
f Forte Loud
ff Fortissimo Very Loud
crescendo Gradually
getting louder
diminuendo Gradually
getting quieter
Brass
Trombone, Trumpet
Percussion
Triangle, Timpani,
Xylophone, Glockenspiel,
Cymbols, Bass drum,
Tambourine, Snare drum
Piccolo
Structure
&
Form
Structure Sonata form
The overall shape of the music, Exposition, Development,
how the sections are put together Recapitualtion.
Often used in first movement of
symphonies or concertos
Ternary form
Music with three sections, 1st Rondo form
section repeated at the end. The main theme is repeated after contrasting
ABA sections.
ABACAD
Vesre/Chorus
Coda/Outro
The ending, can be
dramatic and sudden or
fade out