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discussion is centred around the dispute between three-dimensionalists
and four-dimensionalists about whether the temporal profile of ordinary
objects mirrors their spatial profile. Are ordinary objects extended
in time in the same way in which they are extended in space? Do
they have temporal as well as spatial parts? Four-dimensionalists say
yes, three-dimensionalists say no. The book develops an original
three-dimensionalist picture of the material world, and argues that
this picture is preferable to its four-dimensionalists rivals if ordinary
thought and talk are taken seriously. Among the issues discussed
are the metaphysics of persistence, change, composition, location,
coincidence, and relativity; the ontology of past, present, and future; and
the semantics of predication, tense, temporal modifiers, and sortal terms.
Artworld Metaphysics
Robert Kraut
Published in print: 2007 Published Online: Publisher: Oxford University Press
January 2008 DOI: 10.1093/
ISBN: 9780199228126 eISBN: 9780191711053 acprof:oso/9780199228126.001.0001
Item type: book
This book offers answers to the following questions. What does reality
encompass? Is reality exclusively physical? Or does reality include non
physical mental, and perhaps abstract aspects? What is it to be
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physical or mental or to be an abstract entity? What are the elements
of being, realitys building blocks? How is the manifest image we inherit
from our culture and refine in the special sciences related to the scientific
image as we have it in fundamental physics? Can physics be understood
as providing a theory of everything, or do the various sciences make
up a hierarchy corresponding to autonomous levels of reality? Is our
conscious human perspective on the universe in the universe or at its
limits? What, if anything, makes ordinary truths, truths of the special
sciences, and truths of mathematics true? And what is it for an assertion
or judgment to be made true? Answers to these questions are framed
in terms of a comprehensive ontology of substances and properties
inspired by Descartes, Locke, their successors, and their more recent
exemplars. Substances are simple, lacking parts that are themselves
substances. Properties are modes (tropes), particular ways particular
substances are, not universals. Arrangements of propertied substances
serve as truthmakers for all the truths that have truthmakers. The deep
story about the nature of these truthmakers is addressed by fundamental
physics.
This book explores the variety of ideas and assumptions that humans
have entertained concerning three main topics, first being, or what
there is, secondly humanity what makes a human being a human
and thirdly understanding, namely both of the world and of one another.
Amazingly diverse views have been held on these issues by different
individuals and collectivities in both ancient and modern times. The
aim is to juxtapose the evidence available from ethnography and from
the study of ancient societies, both to describe that diversity and to
investigate the problems it poses. Many of the ideas in question are
deeply puzzling, even paradoxical, to the point where they have often
been described as irrational or frankly unintelligible. Many implicate
fundamental moral issues and value judgements, where again we may
seem to be faced with an impossible task in attempting to arrive at a fair-
minded evaluation. How far does it seem that we are all the prisoners
of the conceptual systems of the collectivities to which we happen to
belong? To what extent and in what circumstances is it possible to
challenge the basic concepts of such systems? This study examines
these questions crossculturally and seeks to draw out the implications
for the revisability of some of our habitual assumptions concerning such
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topics as ontology, morality, nature, relativism, incommensurability, the
philosophy of language, and the pragmatics of communication.
This book comprises original chapters that address the central questions
and issues that define the emerging philosophy of sounds and auditory
perception. This work focuses upon two sets of interrelated concerns.
The first is a constellation of debates concerning the ontology of
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sounds. What kinds of things are sounds, and what properties do
sounds have? For instance, are sounds secondary qualities, physical
properties, waves, or some type of event? The second is a set of
questions about the contents of auditory experiences and of hearing.
How are sounds experienced to be? What sorts of things and properties
are experienced in auditory perception? For example, in what sense is
auditory experience spatial; do we hear sources in addition to sounds;
what is distinctive about musical listening; and what do we hear when
we hear speech? An introductory chapter summarises many of the issues
discussed, provides a summary of the contributions and shows how they
are connected.
Metaphysical Essays
John Hawthorne
Published in print: 2006 Published Online: Publisher: Oxford University Press
September 2010 DOI: 10.1093/
ISBN: 9780199291236 eISBN: 9780191710612 acprof:oso/9780199291236.001.0001
Item type: book
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and its commitment to universals. In pursuit of ontological economy,
metaphysicians have generally preferred to recognize fewer than four
fundamental ontological categories. This book contends that the four-
category ontology has an explanatory power which is unrivalled by more
parsimonious systems, and that this counts decisively in its favour.
It provides a uniquely powerful explanatory framework for a unified
account of causation, dispositions, natural laws, natural necessity, and
many other related matters, such as the semantics of counterfactual
conditionals. The book is divided into four parts: the first setting out the
framework of the four-category ontology, the second focusing on its
central distinction between object and property, the third exploring its
applications in the philosophy of natural science, and the fourth dealing
with fundamental issues of truth and realism.
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