Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
www.evertonfirmeza.com
(...)I ended up in nearby Caf Floro: a boiling, airless room with some vaguely African art on the
walls, sat at a table by the window, necking cold Maes Pils as bassist Everton Firmeza (Brazilian,
but based in Brussels since 2015) and his multi-national trio stormed through some funked-up
latin originals, with a few Hermeto Pascoal numbers thrown in. Firmeza's was one of the few gigs
on the programme labelled avant-garde. It wasn't the free improv set I was hoping for, but the
group were compelling to watch all the same: thrillingly reactive, totally in sync, switching between
feels mid-song and mid-chorus. Firmeza and Italian keys player Piergiorgio Pirro teamed up on
the melodies and Beninese drummer Christi Joza Orisha dropped halftime R&B, bossa nova, and
rumba feels, stitching needle-sharp patterns on the rim of his snare with his shell-adorned dreads
dancing about his shoulders. Towards the end of the set, they invited excellent flautist Sylvain
Boisvert to join them and he added breathy multiphonics and snatches of fluttering counterpoint.