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CEx< easel CIA A CH’ THE ONLY AUTHENTIC AND CORRECT EDITION, —— — —_ ————— 0 JOPIANGA® q {—_ SOPRANO in F. Pr 35 nett, ALTO in D, =) Pedi €ndl. % <6. SCHII he fr Beiter nrc atingt LASCIA CH’IO PIANGA. (HERE LET MY TEARS FLOW!) English version by Recit. ed Avia nel Rinaldoda HH. MILLARD, OG. HANDEL, Aus whtin nan : Ne a ro SSS554 i pee so oes Armi-da, dis-pie -ta-ta col-la forza da - ae so rapimmial ca-ro Anni de, Mit-letd-to~ se! inden Abgrnd dee Summere ceroanken e-ig ay eruel forctane witha” power in human” withdrew my hear een fe = —= = : = = 3 +. —— ~ 7 = ae ESS SSss Pa aes je Ciel di miei conten - ti, e ui con duoloe - ter - no - ya mi tie-ne in amir dee Lebone Preudent, wad Mer mif eteigen Quattor ‘mich ge fes-vell Heavn anid my content-ment ‘And here wihgref e = ter nal wing. {toisime “in is = + = $— 1% I & = —$ —= ; t + | : - = 7 a t : ; # 4 ~~ - este - 3 Tip Bs rad a¢ © as 2 ie tormento d’ torment most in-fer- nal grouse Neck der Hille. Jas-cia mi rent Tass med tears will ve = oe nen. 1990 Subir Var Entered according to Act of Congress inthe year 1573, by G. Schirmer, inthe Office of the Librarian of Congress at Washington. Andante. (66= 6) chio pian - ga Ja du - ra sor - te cru - el - le! Dow-leur mor- tel - le! mit ‘Thri- nen mein Loos be - kla - gen, ‘my tears flow! Let hope my soul know, . _ = ie — ee , ae = spi - ri e che so - spi - ri, e che so - ade ca oO i - - ber - té mar les a - lar - mes KE par les Ket-ten zu tra = gn, Ket-ten a ong ~ ing, My heart is i‘ ae - spi- ri, oe ber - ta! La-scia chio pian - ga lar- mes Ce corur est bri - se! Pei-ne cru- el - le! tra - gen, welel? har-tes Ge - schick! Lass mich mit. Thr ~ nen Wi - ber ~ ty. Here let — my tears flow ms, : _ rpg so oe In du - ra sor- te e che so - spi- ri Ho - ober - ti. Douleur — mor-tel - Ie! ‘Mon ceur fap - pelle, O li - ber - tet mein Loos be - kla - gen, Ket-ten zu tra gen welch’ har tes = sehiek! Het hope my soul know = My heart is long-ing For Li - ber - ty! Ui duol in - fran-ga— ques-te ri - tor-te de’ miei_ mar - t~ ri sol Quand sede chai-ne Sur moi la” hai-ne — Trop_in-hu - mai-ne Oh ‘Ach, nur im To - de ch Fr - bar-men, er giebt_ mir Ar- men die Ae snage the gor row to chasing be = Tonging’” grunt to ~ mor-rowe per pie = ta, . si, te miei mar-ti=ri sol per pie - ta Dieubrisez ma chai-ne, —Rri- sex ma chi-ne, Dans vo ~ tre bon - té! Rub zu - = wiiek, jay er gieht mir Ar-men die Rub’ gu = riick. That T may be’ Free, Oy grant to- mor-row That I may be — free. % Fe 1390 : 107082 mrt we ih itt Ey fe & smauean eseene sae ii ie irs ea ore % (oweNacne peaks ‘xed ) Bn Si inn i i in it cae or eR i oi iii we al Seer iia sa a ‘ine mur (Es 2 ta ‘Hygena Ab Soe ih ge eit pee “ai ii ai al y eg ‘Fred Si i re min oe ‘th “ads Eatin, (When ie gt Moonen) pau sti a i ssi iG Sree co EP Ute tre) “Cansite, " ee iadaerag Re "hac neeaa dic) “Ali, eB es ee “Re “ oe Fak srt. 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Wy 2 the Hot, "(Dus Grad anf der Hin eae ree ELS renee tent re ee tn aie a ‘igs 1, ou, resent ne Most ge Tte a ias Heaney, Sop Sei Woit WICK Wl a a aie” Wen Me Baan Gtuecell, aya Ea tii i, BESO dale win ae i il Migr cer al ti i Rea eaten Wea Gi ase cic a Rosetta hare Joa” mas Benin a i in oo seam Roe i i i” Was en es in cn iu gles ol eal” (fo der Nach ic on i Zot ne {st hon weve rere) SoS ie er een (Scala a mately, Hey Ck ok} Ha SH Mas rai i ig kinins, i at ta icy oS ey ae Si tei, a PASTY ating ma) Py iy id = rene aA th i ina i ie i ite SAE He siete a Satie Re eas at Rete ae aan, Rede iat 2 Ka ih — aie hg Be ie a OF ai aii ie ues ‘ SORSBSEE tert ® milety Key rr Sarangi i ye rc iin ty 2 nuscezesneessneees en Se ewes — elt See BSS | om mao ttt aha Sita, Sue Eqati JB a Ste ak Sey EER Sa 180 om car am Oa ROAR eta ue xo 1 le apapne ia sO war ihe e = tellers Gates is ma tal Ce (i 4 S's i i” a” por Poy See ‘ ova Wie Ra wn a ice Tie iat aa Ratio Mata Gt HEE Gea. wes eam sa si Bo. 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