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2 JUst PUblisHEd
Jean-Paul Sartre
CritiCal Essays
(situations i)
translatEd by CHRIS TURNER
For my generation he has always revive the form of the essay via detailed examinations of
writers who were to become central to European cultural
been one of the great intellectual life in the immediate aftermath of the Second World War.
heroes of the twentieth century, a man Collected here are Sartres experiments in reimagining
the idea and structure of the essay. Among the distin-
whose insight and intellectual gifts guished writers he analyses are Francis Ponge, Georges
Bataille, Vladimir Nabokov, Maurice Blanchot and, of
were at the service of nearly every course, Albert Camus, whose novel The Stranger Sartre
progressive cause of our time. endeavours to explain in these pages.
Critical Essays also contains a famous attack on the
EDWARD SAID
Catholic novelist Franois Mauriac, studies of the great
American literary iconoclasts William Faulkner and John
Dos Passos, and brief but insightful essays on aspects of
the philosophical writings of Edmund Husserl and Ren
ritical Essays (Situations I) gathers essays on litera- Descartes.
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The French List
Paper
978 0 8574 2 449 5
538 pp
5 x 8"
Jean-Paul Sartre
Portraits
(situations iV)
translatEd by CHRIS TURNER
this updated collection of essays by ean-Paul Sartre counted among his friends and
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Paper
978 0 8574 2 448 8
690 pp
5 x 8"
Jean-Paul Sartre
tHE aFtErmatH oF War
(situations iii)
translatEd by CHRIS TURNER
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Paper
978 0 8574 2 447 1
366 pp
5 x 8"
Theodor W. Adorno
nigHt mUsiC
Essays on music, 19281962
translatEd by WIELAND HOBAN
Wieland Hoban's fine translation marks the In Moments musicaux, Adorno echoes Schuberts
eponymous cycle, with its emphasis on aphorism, and
first time these two collections have been offers lyrical reflections on music of the past and his own
published as adorno and tiedemann time. the essays include extended aesthetic analyses that
demonstrate Adornos aim to apply high philosophical
intended. . . . His essay on Weber's Der standards to the study of music. Theory of New Music, as
Freischutz sent me racing back to renew its title indicates, presents his thoughts and theories on
the composition, reception and analysis of the music that
acquaintance with this glorious opera, and
was being written around him.
he convincingly expounds on how debussy's Adornos extensive philosophical writing ultimately pre-
vented him from pursuing the compositional career he
Pelleas et Melisande owes much to the
had once envisaged; yet his view of the modern music of
orchestration of Parsifal. . . . there is much the time is not simply that of a theorist, but also clearly
that of a composer. Collected in their entirety, these
musical treasure to be found in these pages.
insightful texts show the breadth of Adornos musical
ARLO MCKINNON | Opera News understanding and reveal an overlooked side to this sig-
nificant thinker.
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The German List
Paper
978 0 8574 2 450 1
690 pp
5 x 8"
Yves Bonnefoy
Ursa maJor
translatEd by BEVERLEY BIE BRAHIC
illUstratEd by SUNANDINI BANERJEE
a brief selection of bonnefoys poetry picked up, turned over and set back down on the edge
of life.
from the final years of his life. . . . the Countless voices traverse us; endless, almost, as
poems take the form of dialogues the meanders of dreams or the starry scintillations
of summer nights. Only listen, and a few words
between a man and a woman rise from the murmur, referring to precise things,
making allusions one would like to understand,
perhaps adam and Eve in exile from offering opinions perhaps worth mulling over.
the garden. as always, they revel in this deeply moving sequence of prose poems invites
readers to attend to the multitudinous voices that carry
the beauty of the physical world. on their conversations within us, to trust themjust as on
NEW YORKER summer nights we would lie down in the grass of the
meadow, behind our houses, to go forth among the mil-
lions of stars with a feeling of falling.
Y
YVES BONNEFOY was a poet, critic and professor emeritus of
contemporary French poetry. In this, his sixth vol- comparative poetics at the Collge de France. In addition to
ume published by Seagull Books, he explores in poetry and literary criticism, he published numerous works of art
profound new ways the mysteries of human conscious- history and translated into French several of Shakespeares plays.
ness. Readers find snatches of conversationsoverheard, BEVERlEY BIE BRAHIC is a poet and translator. A Canadian, she
dropped without any possible conclusioneach pregnant lives in Paris and the San Francisco Bay Area. She has published
with half-hidden, half-visible meaning. limpid, punctuated two collections of poetry and translations of French writers,
with silences, the poems of Ursa Major are like stones including Apollinaire, Francis Ponge and Hlne Cixous.
11
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Cloth
978 0 8574 2 374 0
Yves Bonnefoy
tHE anCHors long
CHain
translatEd by BEVERLEY BIE BRAHIC
there is a folkloric feel to this writing. as if Enriching Bonnefoys earlier work, the volume also inno-
vates, including an unprecedented sequence of nineteen
life is a fairytale. the tone is theistic, and
sonnets. these sonnets combine the strictness of the form
theres always a narrative within the surreal. with the freedom to vary line length and create evocative
fragments. Compressed, emotionally powerful and allu-
yes, all this is bonnefoy. His prose pieces are
sive, the poems are also autobiographicalbut only in
sharp and clear while there are glimpses. throughout, Bonnefoy conjures up lifes eternal
transgressions folding dreams within reality. questions with each new poem.
longer, discursive pieces, including the title poems
WASHINGTON INDEPENDENT REVIEW OF BOOKS meditation on a prehistoric stone circle and a legend
about a ship, are also part of this volume, as are a number
of poetic prose pieces in which Bonnefoy, like several of
his great French predecessors, excels. long-time admirers
idely considered the foremost French poet of will find much to praise here, while newer readers will
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120 pp
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The French List
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The French List
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978 0 8574 2 026 8
Cloth
236 pp, 20 colour 978 0 8574 2 163 0
images
112 pp
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he idea of the crossroads haunts Bonnefoys work, as personal narrative surfaces in splinters and shards,
T he is troubled by the idea that the path not taken may
lead to the Arrire-pays, a place of greater plenitude and
A the poems echoing each other, returning to and
elaborating upon key images, thoughts, feelings and peo-
of more authentic beingan elsewhere in the absolute. ple. Intriguing and enigmatic, this mixture of sonnet se-
Seized by the fear that presence exists always some- quences and prose poemsor dream textsmove from
where else, Bonnefoy sets out on a quest to find traces of Bonnefoys meditations on friendship and friends like
it not only in objects of knowledge and experience but Jorge luis Borges to a long, discursive work in free verse
also, crucially, in the undivided intensity of his experiences that is a self-reflection on his thought and process.
as a child. the ultimate condensation of Bonnefoys ninety years
A spiritual testament to art, philosophy and poetry, of life and writing and a valuable addition to the canon of
now enriched by a new preface and three recent essays. his writings available in English.
15 YVES BONNEFOY
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Cloth Cloth
978 0 8574 2 183 8 978 0 8574 2 227 9
60 pp 88 pp
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key passage of the title piece of the book depicts the ue Traversire, written in 1977, is one of Bonnefoys
A figures of Nicolas Poussins The Shepherds of Arcadia
which Bonnefoy identifies as crucial to the artists evolu-
R most harmonious prose works. Each of the fifteen
discrete or linked texts, whose length ranges from brief
tion. the sustained reference to Poussins iconography notations to long, intense, self-questioning pages, is a
serves to ground the text in the lost civilizations of antiq- work of art in its own rightbrief and richly suggestive as
uity. Subtly, it brings out the underlying theme of the haiku, or long and intricately wrought in syntax and
entire collectionin the ambivalent world we inhabit, thought. Each text is as rewarding in its sounds and
being and non-being is fundamentally one. As a leading rhythms, and its lightning flashes of insight, as any sonnet.
translator of Shakespeare in France, Bonnefoys fascination I can write all I like; I am also the person who looks at the
with the master playwright is displayed in God in Hamlet map of the city of his childhood, and doesnt understand,
and For a Staging of Othello, two poems in prose which says the text that gives the book its title as it revisits child-
belong to an ongoing series of meditations on the plays. hood cityscapes in an exploration of the tricks memory
the collection also includes haunting reflections on chil- plays on us.
dren, nature, origins of art and vanished cultures.
16 JUst PUblisHEd
Alawiya Sobh
maryam
Keeper of stories
translatEd by NIRVANA TANOUKHI
sobh is an author of remarkable skill and his acclaimed novel is set during the lebanese
the country she describes. NIRVANA tANOuKHI is a translator and critic based in Madison,
Wisconsin.
WORLD LITERATURE TODAY
17
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The Arab List
Cloth
978 08574 2 325 2
400 pp
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Marguerite Duras
sUsPEndEd Passion
interviews
translatEd by CHRIS TURNER
Suspended Passion was initially the interviews that make up the book were conducted
in 1987, when Italian journalist leopoldina Pallotta della
published only in italian and torre met the seventy-three-year-old Duras at her Paris flat
and convinced her to sit for a series of conversations. the
eventually forgotten about until a resulting book was published in Italian in 1989, but it
copy was tracked down and published somehow failed to attract a French publisher and was
quickly forgotten. Nearly a quarter of a century later, how-
in French in 2013. turner has now ever, the book was rediscovered and translated into
French and now become a sensation. In its revealing
produced an English translation for
pages, Duras speaks with extraordinary freedom about
duras many anglophone fans and her life as a writer, her relationship to cinema, her friend-
ship with Mitterand , her love of Chekhov and football,
students. the interviews convey one and, perhaps most significantly, her childhood in pre-war
of the key lessons of duras creative Vietnam, the experiences that propelled her most famous
novel, The Lover.
output, both in print and film: less is A true literary event, finally available in English, Sus-
pended Passion is a remarkable document of an extraor-
more.POPMATTERS dinary literary life.
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Cloth
978 0 8574 2 329 0
136 pp
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Franco Fortini
a tEst oF PoWErs
Writings on Criticism and
literary institutions
translatEd by ALBERTO TOSCANO
among intellectuals of the italian FRANCO FORtINI (191794) was a poet, essayist, literary critic,
Marxist intellectual, and translator of Brecht, Goethe and Kafka,
postwar period. ITALICA among others.
AlBERtO tOSCANO teaches in the Department of Sociology
at Goldsmiths, university of london. He is the author of Fanati-
cism and The Theatre of Production and the translator of several
books by Alain Badiou.
21
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The Italian List
Cloth
978 0 8574 2 335 1
304 pp
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Jan Brandt
against tHE
World
translatEd by KATY DERBYSHIRE
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Cloth
978 0 8574 2 337 5
968 pp
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Pierre Chappuis
liKE bits oF Wind
selected Poetry and Poetic Prose, 19742014
translatEd by JOHN TAYLOR
ne of the central figures from a remarkable gener- sinuous lines and interpolated parentheticals. together,
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The Swiss List
Cloth
978 0 8574 2 338 2
336 pp
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Roland Barthes
signs and imagEs:
Writings on art, CinEma
and PHotograPHy
Essays and interviews, Volume 4
translatEd by CHRIS TURNER
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978 0 8574 2 241 5
168 pp
5 x 8"
` 495 ` 495
The French List The French List
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978 0 8574 2 226 2 978 0 8574 2 239 2
196 pp 138 pp
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rom his early musings on grammar and his pioneering he pieces in this volume were mostly written in the
F thoughts on the sociology of literature, through the
high period of structuralism to the beginnings of a post-
T 1950s, a period of serious turbulence in French
national life, and range from the theoretical to the cultural
structuralist turn in his reflections on Derrida and the cre- to more pressing political matters of the time, such as de
ative contribution of the reader, this first volume of the Gaulles accession to power and Frances Algerian War.
Essays and Interviews series suggest a progression that is they also include Barthess views on China, written after
both straight line and spiral. his travels there in 1970.
29
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Cloth Cloth
978 0 8574 2 242 2 978 0 8574 2 240 8
138 pp 138 pp
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onsisting of Barthess writing on literature, covering his his fifth volume is entirely given over to four inter-
C peers and influences, writers in French and other lan-
guages, contemporary and historical writers, and world
T views with Barthes conducted between 1970 and
1979. Varying considerably in style and content, they
literature. this volume comprises Barthes critical articles include a filmed interview made for a French archive, an
and interviews previously unavailable in English. appearance on a popular French radio programme, an
interview with one of East Asias leading cultural theorists
for a Japanese literary magazine and another for an aca-
demic journal in the uSA.
30 JUST pUbliShed
Catherine Colomb
The SpiriTS of
The earTh
TranSlaTed by JOHN TAYLOR
wiss novelist Catherine Colomb is known as one of located in the hills above the lake. In these luxe locales,
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The Swiss List
Cloth
978 0 8574 2 372 6
232 pp
5 x 8"
Florence Noiville
a Cage in SearCh
of a bird
TranSlaTed by TERESA LAVENDER FAGAN
consequences, noiville focuses on intricate An inescapable, never-ending love, a love that can only
end badly.
emotions to which novelists have paid less
FLORENCE NOIVILLE is an author and staff writer for Le Monde,
attention. The final pages are worthy of a
and editor of foreign fiction for Le Monde des Livres, the papers
thriller: the plot intensifies as amorous literary supplement. She is the author of several books for chil-
attraction vies with amorous resentment. dren, a biography of the Nobel Prize Laureate Isaac Bashevis
Singer, a partly autobiographical essay and three novels.
both feelings coexist and collide, to the
TERESA LAVENDER FAGAN is a freelance translator living in
point that murder and suicide become Chicago; she has translated numerous books for Seagull Books
possibilities. ARTS FUSE and other publishers.
33
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978 0 8574 2 375 7
144 pp
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Elsa Morante
The World
Saved by KidS
and other epics
TranSlaTed by CRISTINA VITI
a political manifesto written by Morantes true mastery of tone, rhythm and imagery as
she works elegy, parody, storytelling, song and more into
the grace of the story, with an act of linguistic magic through which Gramsci and
Rimbaud, Christ and Antigone, Mozart and Simone Weil,
humor, with joy. and a host of other figures join the sassy, vulnerable
PIER PAOLO PASOLINI neighbourhood kids in a renewal of the words timeless,
revolutionary power to explore and celebrate lifes insol-
uble paradox.
irst published in Italian in 1968, The World Saved by Morante gained international recognition and critical
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Cloth
978 0 8574 2 379 5
264 pp
1 halftone
5 x 8.5"
Published November 2016
36 JUST pUbliShed
Brit Bilden
Seven dayS in aUgUST
TranSlaTed by BECKY CROOK
a quietly gripping novel. . . . a book is the story of Otto and Sofies grief, painstakingly narrated
over just one weeka window into their attempts to
to be read slowly, but suddenly its navigate a life together, face to face with their own help-
lessness and mortality.
over, because you were unable to put The week begins with a tick bite on Sofies hand, which
it down. GROSKROSVERDEN continues to swell dangerously as the days pass. As her
pain intensifies, so too does the marital strife present in
a household stricken by grief. Told in award-winning
Norwegian writer Brit Bildens signature lyrical prose,
the story slowly unfurls the horrors of a national tragedy,
few years after the deadly 2011 terror attack in
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Cloth
978 0 8574 2 382 5
224 pp
5 x 8"
Alexander Kluge
30 april 1945
The day hitler Shot himself and germanys
integration with the West began
TranSlaTed by WIELAND HOBAN
More than a few of Kluges many books 0 April was a day filled with contradictions and be-
` 595
The German List
Paper
978 0 8574 2 399 3
160 pp
27 halftones
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Published October 2016
40 JUST PUBLISHED
Anselm Kiefer
NOTEBOOKS
Volume 1, 199899
TRANSLATED BY TESS LEWIS
His works recall, in this sense, the diary accounts have been almost completely unknown.
The power in Kiefers images, however, is rivalled by his
grand tradition of history painting, writings on nature and history, literature and antiquity,
mysticism and mythology.
with its notion about the elevated role
In this volume, Kiefer returns constantly to his touch-
of art in society, except that they do stones: sixteenth-century alchemist Robert Fludd, German
romantic poet Novalis, Martin Heidegger, Ingeborg Bach-
not presume moral certainty. What mann, Robert Musil and many other writers and thinkers.
makes Kiefers work so convincing . . . The entries reveal the process by which his artworks are
informed by his readingand vice versaand track the
is precisely its ambiguity and self- development of the works he created in the late 1990s.
Translated into English for the first time by Tess Lewis, the
doubt, its rejection of easy solutions, diaries reveal Kiefers strong affinity for language and let
historical amnesia, and readers witness the process of thoughts, experiences and
adventures slowly transcending the limits of art, achieving
transcendence. NEW YORK TIMES meaning in and beyond their medium.
F
ANSELM KIEFER is a painter, sculptor and installation artist living
a writer or an artist, says Anselm Kiefer, whose and working in France. His works have been exhibited at MoMA,
paintings and sculptures have made him one of the San Francisco Museum of Art, the Guggenheim and the
the most significant and influential artists of our time. Louvre, among many others.
Since he was awarded the Peace Prize of the German TESS LEWIS numerous translations from French and German
Book Trade in 2008, his essays, speeches and lectures include works by Peter Handke, Jean-Luc Benoziglio and Pascal
have gradually received more attention, but until now his Bruckner.
41
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978 0 8574 2 400 6
364 pp
6 x 9"
TUMULT
TRANSLATED BY MIKE MITCHELL
Enzensberger is the most The book is made up of four longform pieces written
from 1963 to 1970, each episode concluding with a poem
important postwar writer you and postscript written in 2014. A lively and deftly written
travelogue offering a glimpse into the history of leftist
have never read. thought and dedicated to those who disappeared,
Tumult is a document of that which remains one of
LONDON REVIEW OF BOOKS
humanitys headiest times.
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The German List
Cloth
978 0 8574 2 370 2
296 pp
5 x 8"
Michael S. Koyama
THE SHANGHAI
INTRIGUE
hen a Chinese American intelligence officer implications. Set against the backdrop of the political
` 625
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Published January 2017
46 JUST PUBLISHED
Lszl Krasznahorkai
DESTRUCTION AND SORROW
BENEATH THE HEAVENS
Reportage
TRANSLATED BY OTTILIE MULZET
A quest to discover the remaining nown for his brilliantly dark fictional visions, Lszl
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Published February 2016
48 JUST PUBLISHED
I. Allan Sealy
THE CHINA
SKETCHBOOK
camera makes enemies; a sketchbook, friends. Sealy is known for both his fiction and his travelogue
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The India list
Cloth
978 0 8574 2 397 9
136 pp
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Bhaskar Chakrabarti
THINGS THAT HAPPEN
and Other Poems
TRANSLATED BY ARUNAVA SINHA
haskar Chakrabartis poetry is synonymous with Sinha masterfully articulates that clarity of vision, retain-
` 495
The India list
Cloth
978 0 8574 2 389 4
136 pp
5 x 8"
Ghassan Zaqtan
DEScrIBIng THE PAST
TrAnSlATED By SAMUEL WILDER
To call the novella haunting would be hen he was seven years old, Palestinian poet
Zaqtans images are vital and distinctively GHASSAN ZAQTAN is a Palestinian poet, novelist, editor and
restless; the prose has a bold simplicity playwright.
SAMUEL WILDER is a translator, writer and researcher of com-
that never settles into familiarity. parative poetics.
FULL STOP
53
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The Arab List
Cloth
978 08574 2 349 8
80 pp
5 x 8"
Dominique Edd
THE crImE of
JEAn gEnET
TrAnSlATED By ANDREW RUBENS AnD ROS SCHWARTZ
D
DOMINIQUE EDD is the author of several novels, including,
Genet in the 1970s. And she never forgot him. His most recently, Kamal Jann and Kite, both published by Seagull
presence, she writes, gave me the sensation of icy Books.
fire. Like his words, his gestures were full, calculated and ANDREW RUBENS is a writer and translator whose work has
precise. . . . Genets movements mimicked the movement appeared in the Glasgow Review of Books, Charlie Hebdo and
of time, accumulating rather than passing. PN Review.
This book is Edds account of that meeting and its rip- ROS SCHWARTZ is a translator of fiction and nonfiction and the
ples through her years of engaging with Genets life and chair of English PENs Writers in Translation programme.
55
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978 08574 2 339 9
136 pp
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Robert Menasse
EnrAgED cITIZEnS,
EUroPEAn PEAcE AnD
DEmocrATIc DEfIcITS
or Why the Democracy given to Us must
Become one We fight for
TrAnSlATED By CRAIG DECKER
A short polemic in defense of the Parliament and Council, Menasse argues that current
problems that are frequently misunderstood as resulting
European project. . . .This is a vivid, from the financial crisis are, in fact, political. Along the
way, he makes the bold claim that either the Europe of
oddball screed, the most eloquent nation-states will perishor the project of transcending
defense of an indefensible secular the nation-states will.
A provocative book, Enraged Citizens, European Peace
Europe. and Democratic Deficits deftly analyses the financial and
FIRST THINGS bureaucratic structures of the European Union and sheds
much-needed light on the state of the debt crisis.
n 2010, Robert Menasse journeyed to Brussels to Menasse brings his considerable literary expertise to the
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The German List
Cloth
978 08574 2 362 7
112 pp
5 x 8"
Lutz Seiler
In fIElD lATIn
TrAnSlATED By ALEXANDER BOOTH
A careful arrangement of seven sections, utz Seiler grew up in the former East Germany and
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The German List
Cloth
978 08574 2 336 8
96 pp
5 x 8.5"
Toby Litt
mUTAnTS
Selected Essays
Addressed primarily to aspiring writers, oby Litt is best known for his hip-lit fiction, which,
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Published May 2016
62 JUST PUBlISHED
Werner Brunig
rUmmElPlATZ
TrAnSlATED By SAMUEL P. WILLCOCKS
one of the best novels of postwar sin? It painted an all-too-accurate picture of East German
society.
germany. . . . The narrative force and Rummelplatz, translated here by Samuel P. Willcocks,
the emotional punch are focuses on a notorious East German uranium mine, run by
the Soviets and supplying the brotherlands nuclear pro-
sensational. DIE ZEIT gramme. Veterans, fortune seekers and outsiders with ten-
uous family ties like narrator Peter Loose flock to the
well-paying mine, but soon find their new lives bleak.
An event in literary history Safety provisions are almost nonexistent and tools are not
adequately supplied. The only outlets for workers are the
and one helluva novel. bars and fairgrounds where copious amounts of alcohol
are consumed and brawls quickly ensue. In Rummelplatz,
DER SPIEGEL
Brunig paints his characters as intrinsically human and
treats the death of each worker, no matter how poor, as
a great tragedy. Brunig occupies a cultlike status in
Germany, and this new translation of his masterpiece is an
excellent introduction for English-language readers.
erner Brunig was once regarded as the
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The German List
Cloth
978 08574 2 305 4
544 pp
6 x 9"
Thomas Bernhard
goETHE DIES
TrAnSlATED By JAMES REIDEL
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978 08574 2 327 6
112 pp
5 x 8"
Georg Trakl
SEBASTIAn DrEAmIng
Book Two of our Trakl
TrAnSlATED By JAMES REIDEL
QUEEN MOBS TEA HOUSE GEORG TRAKL (18871914) was an Austrian-German expres-
sionist poet.
JAMES REIDEL is a poet, translator, editor and biographer.
67
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978 08574 2 331 3
72 pp
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Zakes Mda
Rachels Blue
ovelist Zakes Mda has made a name for himself as anger boils over into violenceviolence that turns the
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The Africa List
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978 08574 2 332 0
296 pp
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Klaus Hoffer
amOng The BIeResch
TRanslaTeD By ISABEL FARGO COLE
One of the few works that will ters and their contradictory stories and scriptures, the
reluctant Hans must face a world both familiar and alien.
loom from the dust of this century Among the Bieresch is Hanss storyone of bizarre cus-
toms, tangled relationships and the struggle between two
one day.
mystical sects. The novel, translated by Isabel Fargo Cole,
URS WIDMER is a German cult favourite and a masterwork of culture-
shock fiction that revels in exploring oppressive cultural
baggage and assimilation. Readers will encounter here an
amalgam drawing from Kafka, Borges and Beckett,
oung Hans arrives with one suitcase in a squalid vil-
Y
among others, combining to make Klaus Hoffers novel a
lage on the eastern edge of empirea surreal world utterly its own.
postwar Austria. His uncle has died, and according
to the tradition required by his peoplethe Bieresch KLAUS HOFFER is a German writer and translator.
Hans must assume his uncles place for one year. In a ISABEL FARGO COLE is a US-born, Berlin-based writer and
series of interactions with the villages tragicomic charac- translator.
71
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978 08574 2 306 1
288 pp
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riting in the long Bengali tradition exemplified This book offers English-language readers a glimpse of
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978 08574 2 360 3
120 pp
5 x 6.75"
Antonin Artaud
50 DRawIngs TO muRDeR
magIc
TRanslaTeD By DONALD NICHOLSON-SMITH
eDITeD wITh a PReface By VELYNE GROSSMAN
A
the marks of a trembling hand, others carefully built up
director, Antonin Artaud was a visionary writer from firm, forceful pencil strokes. The twelfth notebook,
and a major influence within and beyond the completed two months before Artauds death in 1948,
French avant-garde. A key text for understanding his changes course: its an extraordinary text on the loss of
thought and his appeal, 50 Drawings to Murder Magic is magic to the demonicthe piece that gives the book its
rooted in the nine years Artaud spent in mental asylums, title.
struggling with schizophrenia and the demonic, persecu- Artaud matters, wrote John Simon in the Saturday
tory visions it unleashed. Set down in a dozen exercise Review years ago. Nearly seventy years after his death,
books written between 1946 and 1948, these pieces trace that remains trueperhaps more than ever.
Artauds struggle to escape a personal hell that extends
far beyond the walls of asylums and the dark magicians
he believed ran them. ANTONIN ARTAUD (18951948) was the author of many books,
The first eleven notebooks are filled with fragments of most famously of The Theater and Its Double.
writing and extraordinary sketches: totemic figures, DONALD NICHOLSON-SMITH is an English-born translator who
pierced bodies and enigmatic machines, some revealing lives in New York City.
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978 08574 2 350 4
96 pp
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76 JusT PuBlIsheD
Chandrasekhar Kambar
KaRImayI
TRanslaTeD By KRISHNA MANAVALLI
handrasekhar Kambar is one of the most accom- villages past, the myth of Karimayi, the disorder that sets
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296 pp
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January 2017
78 JusT PuBlIsheD
Kluges mosaic doesnt feel like a refuge That calm was the work of Gerhard Richter, who had
been granted control over Die Welt for that single day,
so much as a reminder of the real world, taking over and imprinting all thirty pages of the news-
the whole real world, surprisingly paper with his personal stamp: images from quiet
moments amid unquiet times, the demotion of politics
connected to itself, as full of thought as from its primary position, the privileging of the private and
of accident, all of it worth living in, and personal over the public, and, above all, artful, moving
contrasts between sharpness and softness. He had cre-
worth (though Kluge is patient and ated an unprecedented work of mass art.
irenical) a fight. Among the many people to praise the work was writer
Alexander Kluge, who instantly began writing stories to
PARIS REVIEW
accompany Richters images. This book brings their stories
and images together, along with new words and artworks
created specifically for this volume.
O
ALEXANDER KLUGE is one of the major German fiction writers
Die Welt published its daily issuebut things of the late twentieth century and an important social critic. As
looked . . . different. Quieter. The sensations of the a filmmaker, he is credited with the launch of the New German
day, forgotten as soon as theyre read, were missing, Cinema movement.
replaced with an unprecedented calm, extracted with care NATHANIEL McBRIDE is a writer and translator who lives in
from the chaos of the contemporary. London.
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192 pp
64 colour plates
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FORTHCOMING TITLES
82
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Paper
978 08574 2 385 6 Cloth
978 08574 2 358 0
328 pp
50 halftones 304 pp
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January 2017 February 2017
t a time when Turkey is struggling for its secular iden- olivias foremost social and political theorist, Mercado
A tity, resisting the influence of ISIS and finding itself
at the heart of the European refugee crisis, accomplished
B held diplomatic and ministerial posts with the Revo-
lutionary Nationalist Movement in the 1950s and 60s,
Turkish playwright zen Yula offers a deep, artistic port- before aligning with the Marxist Left where he developed
rait of the country and its culture. The plays in this collec- the creative, heterodox philosophy for which he is known.
tion illustrate how problematic power structures emerge This is his final and most significant work, available in
regardless of different governmental configurations, English for the first time. A work of reflexive social theory
always resulting in the repression of marginalized mem- that explores the limits of its own conceptual frameworks
bers of society. With a contextualizing introduction by through an engagement with the history that made pos-
Marvin Carlson and a lengthy interview with Yula, this first- sible its own conceptual horizons. An original reflection
of-its-kind anthology is an invaluable glimpse into the on social formations and political knowledge that have far-
tempestuous and deeply artistic modern Turkey. reaching implications for the Global South. Rooted in his-
tory and yet exceedingly relevant, Zavaletas revolutionary
work makes contemporary a long genealogy of theories
of the national-popularfrom Gramsci and Maritegui to
Fanon and Ho Chi Minh.
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laus Merz is one of the most prominent, prolific and n The Red Sofa, we meet Anne, a young woman setting
K versatile Swiss writers working today. Celebrated as
a master of concise, condensed sentences, Merz brings
I off on the Trans-Siberian Railway in order to find her
former lover, Gyl, who left twenty years before. As the
depth and resonance to spare narratives with lyrical prose train moves across post-Soviet Russia and its devastated
and striking images. landscapes, Anne reflects on her past with Gyl and their
Stigmata of Bliss collects three of Merzs critically patriotic struggles, as well as on the neighbor she has just
acclaimed novellas, offering English readers the perfect left behind, Clmence Barrot who is old and whose mem-
introduction to his work. Jacob Asleep introduces a family ory is failing, but who has not lost her taste for life and
marked by illness, eccentricity and a childs death. In A adventure. Ensconced on her red sofa at home, Clmence
Mans Fate, a moment of inattention on a mountainous loves to tell Anne her life story, mourning lost loved ones
hike upends a teachers life and his understanding of mor- and celebrating the lives of brave, rebellious women who
tality. And finally, The Argentine traces the fluctuations of went before her. Eventually, Annes train trip returns her
memory and desire in a mans journey around the world. home having not found Gyl, but having found something
Read as a whole, the works complement, enrich and much more meaningfulherself.
echo one another.
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720 pp
Cloth 37 halftones
978 0 8574 2 334 4
3 facsimiles
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July 2017 April 2017
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Enactments
` 750
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Paper
978 0 8574 2 386 3
Cloth
288 pp 978 0 8574 2 368 9
20 halftones
376 pp
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February 2017 February 2017
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` 950
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Paper
978 0 8574 2 387 0 Cloth
978 08574 2 342 9
240 pp
40 halftones 384 pp
6 x 9"
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April 2017 January 2017
lowns are not just the stuff of backyard childrens par- riginally published in 1965, The Writer and the People
C ties any more. These days, clown doctors see patients,
especially children, to introduce humour and imagination
O was one of the key books in the revitalization and
invigoration of the young Left in late-1960s Italy. Aiming
into an anxiety-filled and painful experience. The origins to demystify the myth of populism, Alberto Asor Rosa
of medical clowning can be traced to the Big Apple Circus takes on Marxism and its legacy, the relationship between
Clown Care Unit at the Infants and Childrens Hospital of Fascism and the Left, the prospects for militant anti-
New York, established about thirty years ago. Since then, Fascism, and more. He does so through detailed recon-
the practice has developed extensively and medical structions, analyses and critiques of some of the central
clowns now work in hospitals around the world. figures of modern Italian literature, including Giovanni
Medical Clowning is the first guide to this phenome- Verga, Carlo Casola, Antonio Gramsci and Pier Paolo
non, summing up decades of research, education and Pasolini. Translated into English for the first time, The
practice to give readers a comprehensive look into this Writer and the People is both a historical text, helping us
innovative field. understand postwar Italian politics and society, and a
living document, able to educate and inspire left-wing
activists today.
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320 pp Paper
60 halftones 978 0 8574 2 330 6
1 DVD 144 pp
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ixing high culture with mass culture, Meng Jinghuis n Charges, Nobel Prizewinning writer Elfriede Jelinek
M plays address Chinas enduring revolutionary nostal-
gia and current social problems, challenging the artistic
I offers a powerful analysis of the plight of refugees, from
ancient times to the present. She responds to the immeas-
status quo from the mainstream rather than the margins. urable suffering among those fleeing death, destruction
His creations range from new interpretations of canonical and political suppression in their home countries, and asks
Western masters like Shakespeare and Genet to improvi- what refugees want, how we as a society view them and
sational collaborations with actors on original works. This what political, moral and personal obligations they
anthology from Chinas most influential theatre artist impose on us. Looking at the global refugee crisis of our
makes his plays available to an international readership in current moment, she analyses challenges to the political,
English for the first time. social and psychological realities in safe, comfortable
Western countries, exploring what everyday language and
media coverage reveal about Western perceptions of
refugees. In a world where insecurity seems to spread by
the day, Charges is a timely, unflinching account of how
we treat those who come to us in need.
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ne night, German philosopher Hans Blumenberg n Blinding Polyphemus, Farinelli elucidates the philo-
O returns to his study to find a lion lying on the floor as
if its the most natural thing in the world, stretched com-
I sophical correlation between cultural evolution and
shifting cartographies of modern society, giving readers
fortably on the Turkmen rug, eyes resting on Blumenberg. an interdisciplinary study that attempts to understand and
The next day, during his lecture, the lion makes another redefine the fundamental structures of cartography, archi-
appearance, ambling slowly down the aisle. But none of tecture and the notion of space. Following the lessons
his students seem to see it. What is going on here? of nineteenth-century critical German geography, this is a
Blumenberg is the captivating and witty fictional tale manual of geography without any map. To indicate where
of this likeable philosopher and the handful of students things are means alreadyresponding, in implicit and unre-
who come under the spell of the supernatural lion flective ways, to prior questions about their nature. Blind-
including skinny Gerhard Optatus Baur, a promising ing Polyphemus not only takes account of the present
young Blumenbergian, and the delicate, haughty Isa, who state of the Earth and of human geography, it redefines
falls head over heels in love with the wrong man. Blumen- the principal models we possess for the description of the
berg will delight its English readers. world: the map, above all, as well as the landscape, sub-
ject, place, city and space.
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he activity of the photographer has a direct, and pro- he final volume in a trilogy of works by Trakl published
T found, influence on what poetry seeks to be. And
poets, in their turn, are duty-bound to understand what
T by Seagull Books, this selection gathers Trakls early,
middle and late work, none of it published in book form
that activity consists in and even to come out and express during his lifetime, and ranging from his haunting prose
their reservations, worries or approval when confronted pieces to his darkly beautiful poems documenting the first
with the varied and contradictory forms that the photo- bloody weeks of the First World War on the Eastern Front
graph has takensince the days of the daguerreotype or to translations of unpublished poems and significant vari-
of Nadar preserving for us the gaze of Grard de Nerval, ants. Interpolated throughout this comprehensive and
Marceline Desbordes-Valmore or Charles Baudelaire. chronological selection is a biographical essay that pro-
This essay fastens on one of the disturbing effects of vides more information about Trakls gifted and troubled
the earliest photography: its introduction of a notion of life, especially as it relates to his poetry, as well as the nec-
non-beingif not, indeed, nothingnessinto the world essary context of his relationship with his favourite sibling,
of images. But it also fastens on a tale which picks up fig- his sister Grete, whose role as a muse to her brother is still
uratively on this effect and examines its dangers with a highly controversial.
sense of horror: Maupassants extraordinary short story
The Night.
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uring a 1960 interview, East German writer Christa lexander Kluge examines in 133 stories the tools
D Wolf was asked a curious question: would she
describe in detail what she did on 27 September? Fasci-
A available to political actors in the hard struggle for
power. What is a hammer in the business of politics? What
nated by considering the significance of a single day over is a subtle touch? Finally, all these questions lead to a
many years, Wolf began keeping a detailed diary of 27 single one: What is the political in the first place?
September, a practice which she carried on for more than Politics, Kluge says, consists of everyday feelings in a
fifty years until her death in 2011. The first volume of these special state of matter. It is everywhere. It animates private
notes covered 1960 to 2000 and was published to great lives as well as the public sphere, and hence in his stories,
acclaim more than a decade ago. Now translator Katy as well as the major figures, we also find the small, un-
Derbyshire is bringing the 27 September collection up to known, almost nameless ones: Elfriede Eilers alongside
date with One Day a Yeara collection of Wolfs notes Pericles, Chilean miners next to Napoleon, or the sensitive
from the last decade of her life. nape of a three-month-old childs neck beside Alexander
Both a personal record and a unique document of our the Great.
times, this is a compelling and personal glimpse into the
life of one of the worlds greatest writers.
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978 0 8574 2 426 6 978 0 8574 2 441 9
459 pp 232 pp
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homas Bernhard (193189) began his career in the he Book of Mordechai and Lazarus both trace the
T early 1950s as a poet. Over the next decade, he wrote
thousands of poems and published four volumes of
T legacy of the Holocaust: The Book of Mordechai tells
the story of three generations in a Hungarian Jewish fam-
intensely wrought personal verseincreasingly more ily, interwoven with the biblical narrative of Esther, while
obsessive, filled with an undulant self-pity, counterpointed Lazarus relates the relationship between a son, growing
by a defamatory, bardic voice utterly estranged with his up in the final decades of communist Hungary, and his fa-
country, resulting in magisterial work of anti-poetry, one ther, who survived the depradations of Hungarian fascists
that represents Bernhards harrowing experience with his during the Second World War. Mordechai is an act of re-
leitmotif of successfailure which makes his fiction and covery, an attempt to seize a coherent story from a histor-
drama such guilty pleasures. ical maelstrom hardly limited to the twentieth century. By
Thus, his Collected Poems, translated into English for contrast, Lazarus is, like Kafkas unsent letter to his own
the first time, is a key to understanding Bernhards irasci- father, an act of defianceagainst the fathers explicit re-
ble literary programme and black comedy found in virtu- quest never to be the subject of his sons writing, yet
ally all his writings. equally against the part of Hungarian society that remains
silent towards the crimes of the past.
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ne of Europes finest contemporary poets, Jaccottet or distinguished philosopher Hans Blumenberg, lions
O is a writer of exacting attention. Through keen obser-
vations of the natural world, of art, literature, music and
F were a life-long obsession. Lions collects thirty-two of
Blumenbergs philosophical vignettes to reveal that the
reflections on the human condition, Jaccottet opens his figure of the lion unites two of his other great preoccupa-
readers eyes to the transcendent in everyday life. The tions: metaphors and anecdotes as non-philosophical
Second Seedtime is a collection of things seen, things forms of knowledge.
read and things dreamt, gathering flashes of beauty dis- Each text is devoted to a peculiar leonine presence
persed like seeds that may blossom into poems or mo- or, in many cases, absencein literature, art, philosophy,
ments of inspiration. Jaccottet returns, insistently, to such religion and politics. From Ecclesiastes to the New Testa-
literary touchstones as Dante, Montaigne, Gngora, ment Apocrypha, Drer to Henri Rousseau, Aesop and La
Goethe, Kierkegaard, Hlderlin, Michaux, Hopkins, Bront Fontaine to Rilke and Thomas Mann. Lions has much to
and Dickinson, as well as musical greats including Bach, offer readers, both those already familiar with Blumen-
Monteverdi, Purcell and Schubert. The Second Seedtime bergs oeuvre and newcomers looking for an introduction
is the vivid chronicle of one mans passionate engagement to the thought of one of Germanys most important post-
with the life of the mind, the spirit and the natural world. war philosophers.
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n epic Bildungsroman about the life of Ruven Preuk, hen Max Frisch moved into a new flat in Berlins
A son of the wainwright, child of a sleepy village in Ger-
manys north, where life is both simple and harsh. Ruven,
W Sarrazinstrasse, he began keeping a journal once
againthe Berlin Journal, whose literary form corre-
though, is neither. He has the ability to see sounds, lead- sponds to those of the now famous diaries from 194649
ing him to discover an uncanny gift for the violin. When and 196671: observations about the writers everyday life
he meets a talented teacher in the citys Jewish quarter, stand alongside narrative and essayistic texts, as well as
Ruven falls under the spell of a prodigious future. But as finely drawn portraits of colleagues such as Gnter Grass,
the twentieth century looms, Ruvens pursuit of his craft Uwe Johnson, Wolf Biermann or Christa Wolf. However,
takes a turn. But as the world Ruven knows disappears, most of all, the journal entries testify to the extraordinary
the gifted musician must grapple with an important ques- acuity with which Frisch observed political and social
tion: To what end has he devoted himself to his art? conditions in East Germany as a resident of West Berlin.
The unmistakable Frisch is back, with no illusions, full
of doubt in his tone, and a playfully sharp eye for the
world and life.
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icking up where his last book, The Jew Car, left off, ergeners is a love letter to a writers hometown. The
P Fhmann probes his own susceptibility to ideologys
seductionsNazism, then socialismand examines their
B book opens in New York City at the swanky Standard
Hotel and closes in Berlin at Askanischer Hof, a hotel that
antidote, the goad of Trakls enigmatic verses. He con- has seen better days. But between these two global
fronts Trakls unliveable life, as his poetry transcends the metropolises we find Bergen, Norwayits streets and
panaceas of black-and-white ideology, ultimately bringing buildings and the people who walk those streets and live
a painful, necessary understanding of the whole human in those buildings. Using James Joyces Dubliners as a dis-
being: in victories and triumphs as in distress and defeat, crete guide, Norwegian writer Tomas Espedal wanders
in temptation and obsession, in splendour and in ordure. the streets of his hometown. On the journey, he takes
In 1982, the German edition of At the Burning Abyss notes, reflects, writes a diary and draws portraits of the
won the West German Scholl Siblings Prize, celebrating city and its inhabitants. Espedals Bergeners is a book not
its courage to resist inhumanity. At a time of political just about Bergen, but about lifein a way no one else
extremism and polarization, it has lost none of its urgency. could have captured.
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ogether Still is Bonnefoys final poetic work, com- iorgio Agamben takes a close look at why the sense
T posed just months before his death. The book is
nothing short of a literary testament, addressed to his
G of taste has not historically been appreciated as a
means to know and experience pleasure or why it has
wife, his daughter, his friends and his readers throughout always been considered inferior to actual theoretical
the world. In these pages, he ruminates on his legacy to knowledge. Taking a step into the history of philosophy
future generations, his insistence on living in the present, and reaching to the very origins of aesthetics, Agamben
his belief in the triumphant lessons of beauty, and, above critically recovers the roots of one of Western cultures car-
all, his courageous identification of poetry with hope. dinal concepts.
This volume will not only engage the authors
devoted admirers in philosophy, sociology and literary
criticism, but also his growing audience among art theo-
rists and historians.
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ts the mid-to-late 1800s and the British have banished riendship as Social Justice Activism brings together
I Wajid Ali Shahthe nawab of Awadh in Lucknowto
Calcutta. To the sound of the soulful melody of the
F academics and activists to have essential conver-
sations about friendship, love and desire as kinetics for
sarangi, the mercurial courtesan Laayl-e Aasman is playing social justice movements. The contributors featured here
a dangerous game of love, loyalty, deception and come from across the globe and are all involved in diverse
betrayal. Bajrangi and Kundan, bound by their love for movements, including LGBTQ rights, intimate-partner
each other and for Laayl-e, struggle to keep their balance. violence, addiction recovery, housing, migrant labour and
Ranging across generations and geography, the scale of environmental activism. Each essay narrates how living
Laayl-es story sweeps the devil, a crime lord, and many and organizing within friendship circles offers new ways of
other remarkable characters into a heady mix. dreaming and struggling for social justice.
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73 color plates 232 pp
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e are surrounded by images. From our cell phones aolo Virno argues that negation is what separates
W to our computers, from our televisions at home to
the screens that light up while we wait in the grocery store
P verbal thought from silent cognitive operations.
Speaking about what is not happening here and now, or
checkout line, images of all kinds are seducing us, com- about properties that are not referable to a given object,
manding us to buy, scaring us, dazzling us. Fear, Rever- the human animal deactivates its original neuronal empa-
ence, Terror invites us to look at images slowly, with the thy, which is prelinguistic; it distances itself from the pre-
help of a few examples: Picassos Guernica, the Lord Kitch- scriptions of its own instinctual endowment and accesses
ener Wants You First World World recruitment poster, a higher sociality, negotiated and unstable, which estab-
Jacques-Louis Davids Marat, the frontispiece of Thomas lishes the public sphere. In fact, the speaking animal soon
Hobbes Leviathan, a cup of gilded silver with scenes from learns that the negative statement does not amount to
the conquest of the New World. Are these political images, the linguistic double of unpleasant realities or destructive
Ginzburg asks? Yes, because every image is, in a sense, emotions: while it rejects them, negation also names them
politicalan instrument of power. Tacitus once wrote, and thus includes them in social life. Virno sees negation
unforgettably, that we are enslaved by lies of which we as a crucial effect of civilization, one that is, however, also
ourselves are the authors. Is it possible to break this bond? always exposed to further regressions.
Fear, Reverence, Terror will answer this question.
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ecorded during Borges final years, this third volume n 1936, Walter Benjamin defined the revolutionary class
R of his conversations with Osvaldo Ferrari offers a rare
glimpse into the life and work of Argentinas master writer
I as being in opposition to a dense and dangerous
crowd, prone to fear of the foreign and under the spell of
and favourite conversationalist. With his signature wit, anti-Semitic madness. Today, in formations great or small,
Borges converses on the philosophical basis of his writing, that sad figure returnsthe hatred of minorities is rekin-
his travels and his fascination with religious mysticism. dled and the pied-pipers of the crowd stand triumphant.
He also ruminates on more personal themes, including the Class is a striking montage of diverse materialsMarx
influence of his family on his intellectual development, his and Jules Verne, Benjamin and Gabriel Tarde. In it, Caval-
friendships and living with blindness. letti asks whether the untimely concept of class is once
These conversations are a testimony to the supple again thinkable. Faced with new pogroms and state
ways that Borges explored his own relation to numerous racism, he challenges us to imagine a movement that
traditionsthe conjunction of his life, his lucidity and his would unsettle and eventually destroy the crowd.
imagination.
99
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February 2017 February 2017
blend of a documentary, collage, narration and fic- n the historic tradition of calendar stories and calendar
A tional interviews. A member of an old military family,
a brilliant staff officer and the last commander of the Ger-
I illustrations, Alexander Kluge and celebrated visual
artist Gerhard Richter have composed December, a col-
man army before Hitler seized power, Kurt von Hammer- lection of thirty-nine stories and thirty-nine snow-swept
stein, who died in 1943 before Hitlers defeat, was an photographs for the darkest month of the year.
idiosyncratic character. Too old to be a resister, he re- In stories drawn from modern history and the contem-
tained an independence of mind that was shared by his porary moment, from mythology, and even from meteor-
children: three of his daughters joined the Communist ology, Kluge toys as readily with time and space as he
Party, and two of his sons risked their lives in the July 1944 does with his characters. In Kluges work, power seems
plot against Hitler and were subsequently on the run till only to erode and decay, never grow, and circumstances
the end of the war. Hans Magnus Enzensberger offers a always seem to elude human control.Accompanied by the
brilliant and unorthodox account of the military milieu ghostly and wintry forest scenes captured in Richter's pho-
whose acquiescence to Nazism consolidated Hitlers tographs, these stories have an alarming density, one that
power and of the heroic few who refused to share in the gives way at unexpected moments to open vistas and nar-
spoils. rative clarity.
SELECT BACKLIST
102 sELECT BACKLisT
Terry Eagleton
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WAs RiGHT
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103 A L S O AVA I L A B L E
ON EviL HOW TO
REAd
LiTERATURE
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Paper Paper
THE THE
EvENT OF FUNCTiON OF
LiTERATURE CRiTiCisM
From the Spectator to
Post-Structuralism
` 495 ` 250
Paper Paper
` 750
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BREAsT sTORiEs
TRANsLATEd BY
GAYATRI CHAKRAVORTY SPIVAK
` 295
Paper
Paper
978 81704 6 139 5 dUsT ON THE ROAd
Activist and Political Writings
144 pp
EdiTEd BY MAITREYA GHATAK
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iN THE NAME OF
MOTHER Four Stories
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ROMTHA
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at Kala Bhavan, santiniketan. His writings on
art have been published widely.
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n this collection of essays, K. G. Subramanyan expresses he fulfilment of a modern Indian artists wish to be part
I his concerns with a wide range of issuesart, aesthet-
ics, visual perception and creativity; the importance of
T of a living tradition, that is, to be individual and innova-
tive, without being an outsider in his own culture, will not
craft practice and its nurturing; the role and future of old come of itself; it calls for concerted effort. In this volume,
traditions and cultural institutions in the contemporary Subramanyan offers a theoretical groundwork for that effort
world; the detrimental effects of the Industrial Revolution in his critical study of modern Indian art as it has evolved
and high-technology societies; the constant depletion of through continuous interaction with several traditions, for-
the environment; our nations inability to cope with the eign and indigenous. In the course of his study, he touches
education and employment of its divergent multitudes; on the natural disctinctions between the Indian and Euro-
and the present-day scenes in art, education and society. pean traditions, on the continuities in Indias folk traditions,
Acknowledging that globalization is an essential and and on the attempts of several thinkers and artists to identify
inevitable feature of modern civilization with its inbuilt an Indian artistic tradition or to deny it altogether in a quest
impulsions, Subramanyan emphasizes that an intelligent for personal expression or universality.
human being must negotiate them with insight and vigi-
lance to ensure a space for himself (and for the community
he has intimate ties with) to grow towards greater fulfilment.
113 K . G . S U B R A M A N YA N
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his series of five lectures discuss certain common ritten between the early 1960s and the mid-70s,
T terms and conceptssuch as modernity, eclecticism,
nostalgiawhich have entered our art vocabulary and
W these articles and lectures reflect on some of the
major concerns of the practising artist and scholar of mod-
which lend themselves to reinterpretation today. Some of ern Indian art: tradition and modernism, the question of
the questions addressed are: What concept does a mod- the image, the use of art criticism. There are also essays
ern artist or critic have of current art activity? How does a on the work of Rabindranath and Abanindranath Tagore,
modern artist react to his environment and cultural inher- Ramkinker Baij and Amrita Sher-Gil. Together, they deal
itance? Under what perceptions or illusions or emotional with the focal changes taking place in the contemporary
urges does he work? And what general norms of achieve- art situationa period of great significance in terms of
ment can we think of in the highly heterogenous art scene cultural development, just about a decade and a half after
of today? Indias hard-won Independenceand seek to put them in
Subramanyan draws upon his considerable experience perspective.
as a practising artist and theoretician to present a series
of probing discussions which engage with contemporary
art concerns from a modern Indian perspective.
114 SERIES: IN PERFORMANCE
sELECT BACKLisT: IN PERFORMANCE / sERiEs EdiTOR Carol Martin
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