Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
PROLO G U E .
I wonder why she i s praying Henry Deni
son thought still looki ng at h i s wi fe and draw ing
, ,
h i s brows together i n a sl i ght frown I s it because .
1
2 AN I MAGINA T IVE MAN .
w hat she i s praying about !
He moved a step forward as if to go softly out
,
She cannot see ; her eyes are blin ded by her hands .
I have not qui te got in to E ni d s Bluebeard s ch am
v
AN IMAGINAT IVE MAN .
3
Let us hope so .
he w as thankful .
Deni son sai d ; and a blush stole over the whi teness
of her cheeks She looked very young and very
.
,
Yes Wh y not ! All i ntelligent people watch
.
footsteps of the adored .
I don t know she sai d doubtfully sli pping
, ,
I don t thi nk so Detecti ves are always reasoni ng
. .
fanc 3,
Yes dear ,
sai d her husband twi sting h i s ,
afrai d .
A sk he sai d putting the candle he had
,
to sleep if you don t
.
Well then Harry Iwell you talked about
, , , ,
detecti ves just now .
! C
Y es .
Was there a detecti ve follo w i ng my prayers !
Did you hear h i s footsteps !
I fanci ed I d i d .
D id they alarm you
N ot exactly Bu t Harry I wi sh sometimes
.
,
you were not so dreadfully clever .
Then your wi sh i s grati ed ; I am not .
Oh but you are N ow don t be angry and
,
.
,
,
she drew her arm out from un der the coverlet and ,
Yes ! That soun ds a li ttle vagu e .
I thi nk them over and cleverness seems to me
,
a sort of di sease .
6 AN I MAGI NA T IVE MAN .
N ow you are be ng sarcasti c she sai d dr aw
i , ,
ing her hand back into the bed again I dare say .
I am silly .
No ; you are w i ser than you thi nk There i s .
com ortf .
Should it !
Certainly It i s a most consoling reecti on
. .
And that is the next best thi ng i sn t i t !
,
Tears often come into my eyes when I am
seri ous Harry They do not mean that I am un
'
.
,
happy!
Perhaps you are li ke the schoolgirl who once
told me that she always cri ed in church She re .
qu e t t e I hope !
,
8 AN IMAG INA T IVE MAN .
N o Harry
,
.
I am glad of that . E ti quette i s one of the
seven devils that afi ct soci ety I will tell y o u the
.
door G ood ni ght
.
-
.
Have I found a ri ddle that I shall never
guess ! he asked hi mself two mi nutes later lean
i ng over the lamp to li ght h i s ci gar I doub t i t . .
t at i ons up cosily
.
men .
My eni gmas he thought on with a slight
, ,
have guessed them all .
w ife
.
I have marri ed you to guess y ou he sai d to ,
the photograph . That was carrying the pastime
10 AN I MAGINA T IVE MAN .
yet
.
He si ghed .
People prate so mu ch about bei ng able to have
fai th he thought as if it were beautiful They
, ,
.
that i s Mi sunderstandi ng keeps love ali ve
. .
graphs .
There woul d be too many women though ,
.
rosy cheeks and bri ght eyes can hoodwink the most ,
looks upon the tall grim men who line ball room
,
-
Shall I fail w ith E ni d ! Sometimes lately I
have feared so She interested me more si x weeks
.
Yet she i s still to some extent a ri ddle , ,
.
If I coul d know what she prays for I might
know what she i s Our secret desires are our souls
. .
N evertheless I too have an i nst in ct that tell s
, , ,
am could love i t
,
.
You tire me
he sai d wearily very , ,
much .
2
14 AN IMAGINA T IVE MAN .
Shall I ever get rid of thi s absur d tendency of
mi ne towards folli es brought about by the worki ngs
of the im aginati on ! he thought I f the world
knew of my desi res of my hi dden sensati ons surely
, ,
P .
L OND ON TO I S MAIL IA .
sent the shi p swi ngi ng dow n into the depths two
days later She has a wholesome horror of con
.
th e comp ani on .
She
wi ll tell everybody that I am a brut e ,
ru
g roun d hi m and turned the r st page of his
,
novel .
Wh y w ill people take everything so
s eri ously !
An d then he concentrated hi mself on the sub
t let ies of passi on as eluci dated by the la s t new
,
w oman .
were different .
AN I MAGINA T IVE MAN . 19
Harry Mrs Denis on sai d
,
. N 0 w I am well .
,
looks to me l ke a Parad se
i i .
Rather a rocky one my dear Wh ere would,
.
Kni ghts .
Oh let us dri ve to the orange gardens Harry
, ,
.
accent :
I should li ke to buy a li ttle nougat too dear , ,
.
pigeon .
the right among the date palm s and apri cot trees,
and wandered i n a desu ltory manner towards the
sandy shores of the lake .
for Eni d .
peace .
usual .
Harry she began with a gentle ab ru ptness
, ,
that was rather epilept c there can never be per
i ,
M any people say so E ni d ,
.
Yes and so i t i s tr u e My father says that
,
.
AN IMAGINA T IVE MA N .
25
Does he !
That i s su ch a comfort becau se then things
can t go far wrong
I often think of it when .
I am glad the notion comf orts you my dear ,
.
she was encouraged by her husband s words but ,
I knew you would agree wi th papa Harry , ,
you very clever .
Yes But I wanted to talk about frank ness
. .
"
Do so dear ,
.
I wanted to sayno don t move I like your ,
,
perfect .
And is it not
23 AN IMAGINA T IVE MAN .
Harry .
ence to hi m .
morning ! he sai d .
How qui ck you are at gu essing she re ,
A li ght of interest had ashed in to Deni son s
bri ght brown eyes .
You suspi ci ous person he sai d An d so ,
you want me to understand you fully !
Yes Harry dear
,
.
am
I glad you feel that condence, he sai d .
I will try Eni d answered, and for the rst
,
understand you at the last .
Y ou have given me your heart, he sai d as sh e ,
wi sh to have it .
28 AN IMAGINA T IVE MAN .
I
want you so much to understand me she ,
sai d at length loweri ng her eyes
,
But I don t .
know how to make you .
to unlock the mystery .
and murmured :
E veryone wants to be understood Harry ,
.
I should not read i t dear for I thi nk I am , ,
You wondered what I was prayi ng for .
6
Y es .
There i s so l ttle in me to study she said
i ,
.
AN IMAGINA T IVE MAN .
29
And so much you to love he answered
in ,
.
E ni d pressed hi s arm
and looked up into hi s
,
I thought you were going to say t h e lovera
I wi ll say so, he repli ed .
And he so
di d .
thin g .
Canal .
part The tru th had been in her She was not one
. .
male .
well perhaps Hang thi s sand !
,
.
Shafton told me so .
low .
AN IMAGINA T IVE MAN .
35
rst
.
hate to think of anyone ri ding Z o except me ,
.
was never to be mounted till till y ou came back '
.
36 AN IMAGINA T IVE MAN .
That s good of you mater the boy sai d al
, , ,
deucedly brutal .
You ll get to lik e Egy pt Guy in time , ,
.
son
You can go to the races she sai d They ,
.
are in December .
Yes that ll be somethi ng to do
,
He paused .
,
one if
,
i t s sho rt
i .
pol itan soci ety is lik e .
38 AN IMAGINA T IVE MAN .
le nly A nd you know i t However it doesn t
.
,
matter what I meant .
had never eaten an orange in her husband s presence
before She was ve ry happy that afternoon because
.
,
sky she pronoun ced them lovely and was aston
, ,
along the road that skirts the Nile towards the won
d e rful acaci a avenue that leads to the desert strings
of camels with their bou leverse expressi on squatting ,
ment The clear air was ali ve wi th voi ces and the
.
,
I feel li ke Mrs Brown M r Deni son sai d as
.
,
.
,
41
42 AN IMAGI NA T IVE MAN .
I thi nk it i s very exciting sai d h i s wi fe ,
.
It i s too much li ke coloured prints Camels .
parasol .
burst out laughi ng to my eternal dis grace
,
.
In Pu nch it looks wonderful
sai d Mrs ,
.
Deni son .
But i n Pu nch everythi ng looks wonderful
,
I beli eve i t i s lik e a li ve thin g she went on ,
a li ve thing with a secret .
The Sphinx and the ri ddle ! Denis on said .
mi ller wear a whi te hat !
Oh Harry you wi ll spoil everythin g if you
, ,
go on like that .
Sphinx for a week .
V ery well Harry ,
.
We will lunch r st and then vi si t the wonder
,
old lady say It s a comi cal -lookin struct ure
,
they mi ght be hu t r .
they were un di stu rbed Deni son had di ssu aded all .
4
46 AN IMA GINA T IVE MAN .
Hush ! he sai d in a low voi ce lay ing h i s hand ,
su n was very hot over the sand and she put up her ,
Harry ! Harry ! she cri ed pi teously on the ,
i s it !
How dared he ! How dared he ! Deni son
exclai med in a choked voi ce lookin g after the Arab
, ,
Wh y Harry he only threw a stone and not
, , ,
at anyone .
E ni d you don t kn ow what you re say in g he
,
,
sun or both ! he sa d
,
i . The boy aggravated me .
pi astre pi ece will heal hi s wo unds no doubt ,
.
ci t e d l
y gesti culating givi ng a dramati c and vi olent
,
hi s person .
W at was
h i t dear,!
she asked I t i s no use
your pretendi ng to me that you are feeli ng well I .
not to have started di rectly after lun cheon .
I am perfectly well E n d I assure you
i , ,
.
he sai d
. I am as well as I ever was in my life It .
But for thi s wretched boy I mi ght for once ,
Then you do admire it !
How can I tell ! I might have thought it ne ,
veranda they noti ced not far from them the woman
,
qui ckly gathered the fact that the white gown she
wore became her and that her thi ck strai ght eye
, ,
remarked to Eni d :
Our fellow travellers are keeping house wi th
-
the Sphi nx .
Yes How handsome she i s !
.
Wh y Harry !
,
You can admire your si ster women .
sels h .
N o thank you ,
.
They serve you very well at thi s hotel, E ni d .
Yes ndeed
sai d hi s wi fe who had enjoyed
,
i , ,
her tea after the sun the sand and the fracas
, ,
.
But we have our rooms at the Continental !
That is easily arranged .
We mi ght engage our rooms before we
start he added
,
.
i t becaus e of
I was only joki ng That fatal faceti ous tone
.
He often sai d
We are only interesting when we are not our
56
AN IMAGINA T IVE MAN .
57
made us And G od has made us very dull
. .
ing voi ces of the past saw the shadows that crept
,
among it s rui ns .
chatterin g crowd he moved to Deni son s thinki ng , ,
many of us .
I s anything forbi dden in the E ast ! Deni son
asked I thought the charm of sinning had van
.
60 AN IMAGINA T IVE MAN .
ing to the ski rts of secrecy .
London i s rather li ke Mr S ggi s she an
t i n .
,
apple rum in pri vate .
But the world i s begin ning to mark the red
nose and to suspect the bar parlour Yes I am
-
.
,
attit ude at last Its head has been in the sand long
.
the same li e for ever .
has brought decei t comm ands my homage .
Beasts ! They re always trying to do you
,
thi nk of them
Does an Engl sh groom ever th k at all !
i in
I beli eve in the reverse of that sai d Deni son , ,
The old doctri ne of the pleasure seeker she -
,
But the se called merry life i s often so short
-
that i t i s hardly worth call ng a li fe at all Guy
i , ,
preach at hi m .
5
62 AN IMAGINA T IVE MAN .
'
race !
And some li ves are merely sho rt because they
are merry They are i llustrati ons of the imbecili ty
.
of sels h ess
n .
I often think she sai d that sel shness is
, ,
I thi nk the mind s market place is as full of -
vill age i di ots as life is fu ll of mani acs Deni son
repl ed gi ving cyn ci sm the rei n
i ,
i I remember .
An d what di d you th ink of the musi c !
Ah ! she sai d her dark eyes sparklin g that s
, ,
choose one s seat carefully To sit down beside a .
Yes he sai d wi th a smile
, ,
.
You allow me ! Well then maniacal
, ,
.
I don t know anythi ng about vi llage idi ots
,
pathy .
I suppose we most of us mean to do that ,
The grass shan t grow under my feet
.
My dear boy it can t out hereunless you
,
i rrigate the soil sai d hi s mother easily creating a
, ,
di versi on .
carelessly :
Put on you coat Guy
r ,
.
All ri ght mater ,
he answered going to
, ,
fet ch it .
himself down at h i s si de .
me between them .
Cai ro s the pl ace at ni ght Aintree sai d and , ,
He li ghted a cigarette .
Yes answered Deni son
,
.
Well thenyou know what I mean Eh
,
.
sagely .
Oh I forgot you re marri ed Beg pardon
,
. .
Marriage locks no doors for me sai d Deni ,
est air :
I ll wrench the locks off every door I can ,
before I before I am hun g up
.
You mean before you marry
If you li ke he hesitated ; then he added
in a hard bitter voi ce : N o I don t mean that
, ,
.
68 AN IMAGINA T IVE MAN .
C
Yes .
Look here the boy burst out ,
I daresay .
pretend I shan t but I kn ow bett er Look here
,
.
,
I m only twenty I haven t had a chance of very
.
do if you were me
Deni son had half t urned in hi s rocking chai r, -
What woul d you do the boy repeated lean ,
Should I w rench the locks off as many doors
as possible You mean that
! C
Ah I ) 7
It is dif cult to say he went on The word
,
.
l e s
if i .
Rather sai d Ai ntree and there was a des
, ,
gli ded up .
Brin g me a brandy and soda A stiff one - -
.
,
d y ou hear !
I don t care what the doctors say about my
am !
The waiter put the brandy and soda do wn b e - -
laughed again .
I m a li ghtwei ght now he sai d looki ng do w n
, ,
thi nk so !
You ought to stand a good chance .
Instead he added :
Then you have been to Cairo at ni ght !
Yes It s worse than London You ought
. .
to go.
I don t know that I care for anything merely
because it is supposed to be evi l sai d Deni son , .
Ai ntree an
What s the good of vi rt u e !
CHAPT E R V .
You have n i shed smoking ! she sai d as he ,
Yes dear G ood ni ght
,
.
-
.
G ood night dear Harry she answered rather
-
, ,
wi stfully You are sure you feel qui te well !
.
well
.
72
AN IMAGINAT IVE MAN .
73
door .
There is no reason why she should know he ,
billo w ing dust the soli tary hum an who like Deni
, ,
No !
A mad answer but something in me sai d
,
That is the terror of all art he thought of ,
'
6
78 AN IMAGINA T IVE MAN .
repressed .
weary wi th emoti on .
An d then he asked him self, Am I mad ! and ,
masquerade of li fe .
consecrates .
into it s eyes .
wanted to worshi p .
the gray tressed dawn sli pped over the sands , a fan
-
hotel.
i ndulge it but when the sun rose over the sands the
,
un easi ness .
at thi s ti me .
who we feel have secrets of their ow n
, ,
.
can be shocked w ill be decei ved by her boys .
a cigar .
Clapham is a giganti c place she ans wered ; ,
I could not name it s boun dari es .
I don t know that anyone coul d I have no
.
have scenes wi th them a most boring professi on
.
Keep the dou ble chin if you like but leave out the
,
If he had no mother could he treat his father
,
like a woman !
Mrs Ain tree put up her parasol The sun was
. .
I don t qui te know why it is but though a
,
M en are fantasti cally rigid They think it.
In
There is something manly in rigidi ty in the ,
after all his foxes all
.
But you are not in Cairo to day he sai d , .
90 AN IMAGINATIV E MAN .
! C
No .
A nd you sai d just now ,
Guy i s glad, I think .
I sai d he allows me to follow hi m . I do not
wi sh to ri de by hi s si de and be in at the death .
There are family relati ons that create irnp ossib ili
ti es One cann ot ght wi th them One can only
. .
I see .
Of course I know she ad ded rather impetu
,
onely that Guy goes into Cairo too often
,
.
Do you te ll h im so !
As seldom as possible When he comes back
.
he describes to me all he h as done .
Y ou are sure !
I am sure .
sai d :
If so I can hardly un derstand in what so rt of
,
way you recei ve hi s con dence .
I recei ve it as a comrade .
I recei ve i t as a hu man being who does not
shri nk from anyt hing that i s hum an even when I ,
changed wi th i t .
He has changed then !
A year ago he was just a nat ural boy appar ,
I see
Bu t
.
.
92 AN IMAGINA T IVE MAN .
learnin g of that lesson has twi st ed the boy s whole
nature It has waked u p in him the scoundrel that
.
Some of the people here pity me she con ,
t inned and some condemn me They pi ty me for
, .
I cannot see thi ngs as they do I only know .
lonely .
so It would be a good acti on
. .
I thi nk I do understand h im Deni son sai d , .
ping .
I sn t it ! she sai d
.
A s a woman I have never drunk it I have .
never had the wi sh to dri nk it she sai d i m m e di , ,
nei ther surpri se nor angry di gni ty It has gen .
It h as been a legend to humanity that they are
so and lik e most legen ds it is false
, , ,
.
It might be Because I choose to be the con
.
got t ired of i t !
Hor bly t red sai d Denis on
i
r i , .
I wi s h y ou would show to h i m all your fa
tigue she sai d
,
. I cannot because I have none
, .
really ali ve .
96 IMAGINA T IVE
an easy one .
I w sh we could go out s oot g jackals he
i h in ,
k
lot about the desert to wards Sa kara .
Perhaps we wi ll she answered gaily ,
What .
I am a bad shot he repli ed rather dryly , ,
.
Mi nd you don t pepper the Sphinx by m i s
1 00 AN IMAG I NA T IVE MAN .
The Arabs have no so rt of reverence for their
m arvellous monu ments , Mrs Aintree sai d . Th ey .
They ou ght to be taught to behave properly,
Who i s to teach them ! M rs Aintree asked
. .
The Engli sh tou rist who scrat ches the inscri ption
J ones on every stone that li es in his way ! I am
i
afra d the task wou ld be a hopeless one .
N eve theless I attempted it the oth er day
r ,
Y ou have done an u nfortunate th ing she said ,
had dri ven her into Cairo during the afternoon and ,
int ui ti ons To night then her intu iti ons and the
.
-
, , ,
fact that she felt she was looki ng her best led her ,
, ,
dent .
the semi tw ili ght found her eyes xed upon him full
-
,
I want to have a d ri nk he sai d looking at
, ,
Come and have one .
to h i m unusually i mbecile .
N o thank you he answered
, ,
I am not .
thi rsty
.
noti ced how haggard and sini ster Guy looked For .
G o to bed he sa d ; you have been doing
,
i
too much .
106 AN IMAGINAT IVE MAN .
for another two hours at least Come along . .
G o to bed Deni s on repeated harshly
,
.
then turn ed round and made his way i nto the hotel .
Guy ! he sai d collecting hi m self w i th an
,
ef fort . He left me soon after y ou went i n .
I w ill go and look for hi m Denis on sai d ; I ,
think I can n d hi m eas ily .
He went to the bar, I suppose ! she sai d
simply .
6
Y es .
voi ce
Hold hi m up please ,
.
It is all right Deni son answered
,
.
Harry she said how late you are ! Wh y
, ,
s
1 10 AN IMAGINA T IVE M AN .
I am in no h ry he sai d sitti ng down besi de
ur
, ,
I heard you just now she s ai d ,
.
G oing to my room
N o go ing i nto the next corri dor w i thwith
,
Mrs Ai ntre e
. .
But I thought we were going up the Nile
Harry by the Pri n ce A bbas
,
When I was in Cai ro ye ste rday I transfe rre d
, ,
our t ickets he answered
,
.
What wi ll Sir E verard and Lady Taylor think
of us ! she uttered at last They took thei r
.
berth s on purpose to be wi th us .
They will survi ve the di sappointm e nt Eni d ,
.
And they are very dull compani ons Sir Eve rard .
But we have been he re more than ten days
already she protested wi th trembling obstinacy
,
.
113
1 14 AN IMAGINA T IVE M AN .
ing to i t he sai d
,
Could any proceedi ng be more
.
lim ited ! Before you have seen the places you mean
to vi sit you arrange how long you will spend at
,
But we have been here so long already Mrs ,
.
i nto the tomb and the Sphin x till I am tir ed of it
,
.
window .
Harry she sai d, I mus t speak out I mus t
,
.
1 16 AN IMAGINA T IVE M AN .
pi tiful in a pitiless u ni verse i s to lie down on one s
back like a dog and expose one s self defenceless to
,
here .
serve it .
I am not qui te a fool Harry she answered , ,
N evertheless you are wrong ,
.
Eni d thi s is ri di culous he sai d
,
Jealousy,
.
was .
tence
Then where were you the other night 3
Deni son changed colour slightly He had not .
o clock You di d not return Then I lay down on
. .
1 18 AN I MAGINA T IVE M AN .
Well came from her unevenly at last .
I was out walki ng Deni s on sai d meeting her
, ,
eyes steadi ly .
Walki ng ! In the mi ddle of the night !
Yes .
Alone !
It i s very odd she sai d ,
.
I suppose I have the right to enjoy the moon
light and the stillness if I w i sh her husband went ,
Oh yes ,
.
seiz ed demeanour :
1 20 AN IMA GINA T IVE M AN .
t at e d
. And even now he was not seri ously alarmed
because of what hi s wife might say or think Her .
moved .
i ng fro m more cauti ous fri ends rejoi cing in her dis !
tr e ss
.
self creates .
e rall
y however any abnormal feelings that from
, ,
contemptuous comment .
the re of two women s intui ti ons and it was ne ce s ,
128
AN I MAGINA T IVE MAN . 1 29
E ni d s hi s i ndifference hi s
,
And the same
strange moti ve power prompted each to beat against
the rock uselessly and more dangerously than any
,
never lead pati ence captive the stri ving and strug
,
tim e .
she had not yet deci ded fully what that c ir cum
stance was At r st she i dly wondered scarcely
.
,
sinn er.
i t and puzzled by it
,
She beli eved ardently that
.
could not help feelin g that she was very pre tty
each time she glanced at Mrs Ain tree That a . .
the sun .
Yes Ha rry i s not like other people And
. .
he never even pretends to be like them .
Your voi ce sou nds regretful Mrs Denison ,
. .
purpose !
Oh no sai d Enid, wi th a plainti ve loyalty
, .
H e i s right and they are wrong
,
I am sure of .
1 40 AN IMAGINA T IVE MAN .
necessi ti es of h i s natu re and he doesn t care whether
,
they are necessiti es to other people or not .
But he doesn t always know what he w ants,
Aintree s dark and speaking face and eager ashing ,
ri ou sl
y sometimes .
not bear the i dea of staying at Mena House .
Really !
I t was because of the Sphi nx .
Harry felt he should hate the Sphinx bec au se
i t is one of the wonders of the world I w as quite .
A nd now he does not hate it
E nid looked u p sharply but M rs Ai ntree s face
,
.
I don t know I have never asked h im
. i nt .
cannot bear the noti on of leavi ng it .
What is the great att racti on to hi m !
said
Mrs Aintree
. .
I don t think Harry is at all li ke a li zard
,
artfulness .
M rs Ai ntree
. she began .
the y mean .
are those who do what they mean no more
.
any further and Mrs Ain tree was obli ged to won
,
.
der what she had been going to say and what was
,
and waited .
CHAPT ER X .
across the hot whi te road to the hun ched and hooded
gures of the Arabs lurking at the base of the Great
Pyrami da mi sty i sland hi dden in the dark wi nter
of an angry cloud arched sea hi dden from the sun
-
,
ing warmth .
sible .
of images and spu ri ous coin s and curi osit ies chat
,
unqui et souls .
a fool .
To the M osque of the Howli ng Dervi shes !
he cri ed feeling a gri m sati sfacti on as he sai d the
,
words .
voi ces broke in with the snort ing growl that seemed
to come from some wi ld ani mal forced to utterance
,
ce nt u at e d
. The old sh e i kh s voi ce grew more nasal
11
1 58 AN IMAGINA T IVE M AN .
spaces that are the very homes of sil ence But the .
going .
all the men ali ke as all men look ali ke in an audi ence
,
wife is waiting outsi de She is fri ghtened
. .
Oh Harry do take me away ! she sai d I
, ,
.
roo m
Thi s acc i de nt put an end to one of his d ear est
c
ra e m
to ri de .
B u t t hi s c den t
a ci h ad oth er e ec t s . F rom t h e
mome nt when sh e saw him half ti psy and ,
the bod y ,
p
t h e di ssi ati ns o of th e min d , co me to t he m
I hate to think of him Harry she sai d one , ,
coldly .
Can t we go before then ! she asked
We .
have to t alk to h i m to s i t i
w th h
,
i m Ah !
She .
Imagin ati on ! Deni son in terrupte d sarcasti c
ally . Do you lay claim to the possessi on of that
monster Eni d ,
1 64 AN IM AGINAT IVE MAN .
m as culi ne
The opposi tes in the two womenEni d s feeble
-
.
,
a i nat i on
g . N ot one of them un derstood or even ,
pati ence but impati ence far too well bred to stamp
,
-
links .
Deni son :
He is so devoted to all games and spo rts The .
li ttle more of i t in the world .
Surely there i s plenty in Egypt ! I
never un derstood how wonderfu l silence can be
un til I took my rst expedi ti on into the des
e rt .
Bedouins on the hori zon .
One ought to ri de quite alone to know what
the desert really h as t o say These East e rns li ve in
.
She was still in the stalls and thought she saw the
,
li ghts .
They do talk a good deal she sai d li ghtly , .
Precis ely opposite to you she repli ed ,
.
I di d not see you he sai d rather lamely
,
.
Nor di d Mrs Denison not fce you Mrs Ai n
.
,
.
tree sai d She was intent on the dervi shes ; they
.
frightened her horribly I think ,
.
At rst they pleased me Deni son said fee l , ,
suspi ci on upon his face At rst they pleased .
sound .
But I conf ess they got on my nerves at last ,
speak .
You noti ced that of course ! he added at ,
last
.
Yes she sai d ; then she glanced down and
, ,
12
1 74 AN IMAGINA T IVE MAN .
she sai d .
What do you mean ! Deni son asked in some
astoni shment .
I began to understand it that day in the
mosque You are vexed at my havi ng seen you ;
.
yourself ri ght in front of me .
Am I to be blamed for not bei ng one of
them
Hardly
C
.
at leas t could have over Guy ,
.
Thank you .
on the links Eni d had sli ghtly more cause for her
jealousy than ever before .
CHAPT ER X II .
Anythi ng wrong
N sai d Deni son wi th an effort ; and smili ng
,
You re comi ng aren t you ! It wi ll be the
,
prowli ng beasts .
Yes Deni s on answered
,
I wi ll come .
his breath .
sadde r surely ,
G o and get your gun he cri ed to Deni son , .
Yes he repli ed
,
.
But you don t care for shooti ng
.
here .
I wi ll come too sh e sai d suddenly
, ,
I will .
I advi se you not to E ni d You know the ,
.
able .
I would rather come .
And a ni ght exp edi ti on will be too much for
you )2
pere d to him :
I shall not be able to sleep till you come back .
and then went down the steps and across the open
space in front of the hotel to the road where the
donkeys were standi ng .
her hand The donkey boys screamed Oo ah
.
- -
stared at the trees u ntil she too shi vered Then she .
came increasingly dr amati c as Guy Ai ntree s face
was seen to grow more and more grim under the
moon He related a thousand tales of jackals He
. .
li ve at last .
gi ve i t .
Deni son noti ced how li ned her face was and that ,
hung back she woke out of her pain ful reveri e and
,
Yes let them get on she sai d in a low vo i ce ,
.
A nd she sighed If I could help him to b e
.
happy she added
,
If I could he lp h im to do
.
You mean !
To subm t i .
Pr ests often speak the truth
i .
Only one thing speaks the truth Deni son ,
What i s that
The thing that never speaks at all Ph i .
n d them all in silence .
But you do not also n d submi ssi on in si
lenc e she asked .
13
1 90 AN IMAGINA T IVE M AN .
sins he said
,
for i t gi ves the rei n to tormentors .
thin g about h im to rouse contempt .
U nl ess he submi ts to G od she sai d ,
.
i
I wonder wh ch t is to you ! she sai d nurs
i
ingly and rather as if she were expressing a thought
,
I suppose all mi stakes are natural he sai d ,
Aintre e .
An d m in e have taught me one th i ng .
What i s that
They have taught me that arti culate hum anity
is the greatest m i stake in all the uni verse .
Your asserti on i s sweepi ng .
How so
To musi c that is of heaven To silenc e s th at .
are beyond all mus i c .
I
he sai d and there
w ill show one to you , ,
Py rami d .
N o she answere d
,
.
Then let us make a d tou r .
sci ous and she found herself think ing I beli eve
, ,
1 94 AN IMA GINAT IVE M AN .
with w ine and cigarett es, i di oti c un der the bale ful
spell of a new e xp eri ence such as conduces so gen
e rall
y to the loss of heads The practi cal joke at
.
trott in g .
voi ces becam e audi ble and Guy Ai ntree and Sai d
,
this ugly old beas t of a Sphi nx .
thi ng and aimed at the Sphi nx
, .
in his saddl e .
It i s no u se to re small shot at a stone, he
AN IM AGINA T IVE M AN .
1 97
now .
Well it was only for a lark h e sai d
,
,
.
know that .
Of course Come on
. .
h im
Perh aps sh e hardly knew .
CHAPT ER X III .
upon him and he saw the mosquito net the jugs and
,
-
,
Well what am ,
ked Deni son more I to do !
as ,
observant eyes .
You ve got to make a ni ght of it in Cai ro
.
My dear fellow
N ow no preachi ng I suppose you thi nk you
,
.
mus t play the sai nt before the mate r You don t .
kn ow her .
seemed to say Don t refuse hi m ,
In reality she
.
I know the mosqu e s he ans w ered smiling , ,
I ll show you somethi ng worth fty mosques !
cri ed Guy Look here !
.
He whis pered some words into Denis on s ear .
Ah ,
old chap ! the boy cri ed I see you re ,
6
I w ill .
G u y gave a shout .
I knew you we re a well plucked one he ex -
thi ng in no time I .
it
. Deni son had the feeli ng of watching a combat .
That s all settled he sai d making an effort
, ,
Wh y not put for a day or two ! h is
it of
f
mother asked carelessly It seems a pi ty to cram.
)
3
N o mother ; I ll not put anythi ng off h e
,
,
j ackals to ni ght
- .
re every dun g
'
I di dn t k now what a rare old sportsman you
were he ejacul ate d, as they went in to lunch
,
.
You re the ri ght sort to go round the to wn with,
and no mistake They needn t sit up for us to
.
role of a man of the world in tent on hav i ng a spree .
It sui ted hi m so badly D i d she guess that ! Guy s
.
14
2 06 AN IMAGINA T I VE M AN .
G uy looked at hi s watch .
We can go soon he sai d
,
The fun of the
.
AN IMAGINATI VE M AN .
20 9
are going
He looked vaguely roun d over the vari ous men
'
We might make up a party Ai ntree added , ,
Bet ter not sai d D e ni s on
,
L e t h im get hi s .
vote we start .
worst in t h e long run -
.
m onplace .
N ow to n d a dragoman, he sai d .
Leave that to me ! exclai med Guy darting ,
to ni ght
- .
moon was low in the sky and the street was ah nost ,
2 13
214 AN I M A GINA TIV E MAN .
men to see when thei r hearts were sti rred when the ,
soci al scheme .
thr own down but some of the Arabs arms were
,
bare arms franti cally and twi rli ng like dervi shes .
girls of
every colour and complexi on in every att it ude and
,
ered thr ough the clash of the cym bals They were .
hell.
AN IMAGI N A T IVE M AN .
22 1
15
22 2 AN IMAGINA T IVE M AN .
Isn t it grand !
he said thi ckly, running hi s
tongue across h is li ps .
, ,
Ai ntree
s eyes gli ttered feveri shly
.
To the Hotel de Londr es he repli ed ,
.
uni verse .
Ah you don t know i t old chap ! It s all
,
,
enough .
There s preci ous li ttle that s E uropean about
i,
t Guy cont nued hus ly
i ki N othi ng but the .
vi t e d them to ente r .
yond the Nile and the green plain and the mud vil
lage till i t s wings were stretched over the desert
,
Wh y the di ckens don t they answer ! he
great head till the sequins that hung from her tur
ban jirrgle d And the orch est ra played an overture
.
repose
Deni son had a wi s h to hush these voi ces to still ,
Denison .
Cairo ! he exclaimed angril y
There s no get
.
won t wash as a Nubian mai den elaborately at
, ,
we want .
noti ce .
real th g he c ed
in ,
ri Make haste about it
. Go .
along ! he added to the Nubian girl w h o stood ,
pi p e ,
the tomtom to the grinning dragoman .
You ve never see n these E astern dances he
sai d hoarsely .
No never D e ni son repli ed , .
Then you re in for a good thing and don t you
,
morrow morning .
ly half d eant ly
,
-
.
the li ttle holes His sinis ter face was slightly blown
.
more than si xteen years old but in those eyes sat the
,
musi c .
16
2 38 AN IMAGINA T IVE M AN .
w as carri ed out the cigarette fell from the man s
an unnatural mother ran round the corri dors
and t h e great cool rooms It was nothing to them
.
divin e it
.
and acti ons the incessant tumult set to the wail and
,
the li ghts the obscene cri es and acti ons the tum ult
, ,
hi m self to be on guard .
awake hour after hour he traced out all the possi ble
,
agoni es all the dire tragedi es all the broken fri end
, ,
ti red of talki ng to me
Her e alou sy found it s sustenance in every li ttle
thing now that her suspi ci ons were thoroughly
,
aroused .
P ople talk too much he repli ed evasi vely and
e
,
by day .
him w istfully .
He made no answer .
she asked . Is there anythi ng w rong w ith my
gown
And she threw a feminine criti cal glance over
the front of it dra wing in her rounded ch in and
,
peering downwards .
17
2 54 AN IMAGINA T IVE M AN .
I was just comi ng to nd you
she said to ,
D eni son .
Yes ! he answered rather abruptly .
Guy is much worse thi s mornin g she said , ,
I am very so rry .
Will you go to h i m for a few mi nutes M rs .
2 56 AN IMAGINA T IVE MAN .
he strove to talk .
ul at e you !
Wh at is it ! Guy asked
You are go .
ing
AN IMAGI N AT IVE M AN . 25 7
Wh o sai d I was afraid ! he sai d in the tone
,
You are afrai d Deni son sai d
,
.
Don t you know !
tragi cal ly .
You beast ! you devil ! he mutt ered choking ,
You are dyi ng he sai d ,
.
I envy you he sai d slowly
,
. You are get
ting out of i t all .
childi sh tears
.
2 60 AN IMAGINA T IVE M AN .
You mean that you are not ! he asked .
you .
upon it .
I think it is because I depart e d from custom
wi th h im the other day and told him truth People .
can seldom bear that .
Wh at truth then !
,
Can you bear it ei ther ! he asked .
Yes she answered qui e tly
,
.
I thi n k so I told hi m that I envi ed him b e
.
cause he was dyi ng .
That s truth I do envy h im
i . .
He i s dyi ng I know it the mother sai d
.
, ,
over again could I act differently !
It would have been useless if you had Hu .
have been terri bly weak .
Love makes for weakness in us often .
pose.
You don t beli e ve what you are sayi ng she
,
2 62 AN IMAGINA T IVE M AN .
Reli gi on i s such a grand armour in whi ch to
meet deat she continued Wh y do so few men .
don it
We have an instinct that gui des us to suffer
ing and teaches us to avoi d all that will bani sh or
allay it We throw ourselves upon the bayonets
. .
death .
7 )
g
Because you fear li fe .
i
That s not natural she said , .
It seems to me as natural as the other .
, , ,
What i s it Come in
.
What has happened ! Were you walking in
your sleep E ni d ! What i s all thi s ! You are
,
hurt
Yes my ankle ! But Harry why d i d you
, , ,
Are you dream ng i i
he sa d I was asleep .
sound asleep .
But I heard you she persi sted
,
You woke .
A re you i n great pa n ! he asked wi th an
i
unusual tenderness .
Y es It i s sprained I shall have to see the
. .
AN IMAGINATIV E MAN . 265
we are going .
If you can travel Denis on sai d doubtfully ,
.
,
thi s mother
of a dy ing son It was t rue that her suspi ci ons
.
He did not acti vely consi der for the practi cal was
,
, ,
patheti c .
ably m inute .
and bri ef vis its to the room that was her pri son .
AN IMAGINA T IVE MAN . 273
fear wi th hi m .
lor of hi s face .
that h e that he will not li ve through the ni ght .
Good night Harry sh e sai d nervously ; I
-
, ,
am ti red ; I shall go to bed .
part ing.
inati on was no
longer necessary to the world Deni son was sud
.
lessness .
ru t e d
p by the squalling of some inept modern ,
met hi s eyes .
Could he go
His brows contracted above hi s morose eyes .
His feat u res were gray and d rawn like the features
of a dyi ng man I n hi s heart there was a ke e ner
.
them back Tears are for those that speak not for
.
,
the corner, by the caf as you turn over the bri dge
, ,
Could he go
An d then a erce unreas oning anger against
,
Was not thi s great spi rit Of the sands and the
Old years stri vi ng to w hi sper to h im it s secret
thi ngs .
ing ceased .
ple t e
. She might have been goi ng do w n to break
fast in the sunshi ne ; but outsi de all was dark and ,
19 28 5
2 86 AN IMAGINA T IVE M AN .
W hat i s i t !
Mrs Ai ntree whi spered . .
Wh ere is my husband ! Eni d whi spered back
.
H e is wi th y ou Eni d whis pered pas si onate ly
,
.
I know i t .
1 2 mo . Cl tho ,
h e ad m ire rs w ll nd a ne w fo rc e i n t h e s u s t ai ne d p w r w it h w h ic h s h e h as
r r o e
O G
M YR TL E A N D PEA Z By S R C RO C K E T I
. . . .
U ni fo rm
t Lil S b
wi h t I 2 mo
Th e Clo th S L SO ac un onn e
. . , .
. .
,
d ucti on t o h is w o rk .
N TH E F I RE OF T H E F OR G E A Ro m anc e .
o f O ld N u r e m b e r g B y G EO R G E ER
B S a ut r
h o o f Cl p tr
.e o a a
"
, ,
Ml A j ES T Y
a e t d
rzm o .
b y A T EIXEIR A
Cl th
.
.
A N ow ! . By L O U IS C O U PERU S T rans
D E MATTO S and ER N EST D O W SO N
.
o , $ r oo . .
N o no ve li t w h m w
s o e c an c lla to mi nd h v r giv n t h as e e e e wo rld uch m t r s a as e
e ce o o a o a e as e s s s o a e en e a es .
Ph ilad e lp h i a Reco rd
c N
.
M In it
A S T ER AN D
Cl t h 7 5 c nt
I mo . o
im p licit y f rc nd d ir ct n th i n w w rk
s s o
,
e, a
e
MA N
s.
e e ss
. By C o u nt L EO T O L S T O Y
s e o cti o n by T o l s t o y
of
.
w ill t k ah i gh r nk m ng h i
e a h rt r t l
a Th r i a o s s o e a es . e e s no i n i s t e nce u p o n a
s
m r l bu t t h imp r i n l ft b y t h t l i n n t h l
o a , e ess o e e a e s o e e ess p r o fo u nd .
H E Z EI T r
T G EI S T . By L . D O U G AL L , au t h o of
Me rm ai d
Th e B e gga r s All e t c ,
"
I mo Cl o th 7 5 c e n t s ,
. . , .
N e w Y o rk : D . A PPLE T O N CO .,
72 F i fth Avenue .
D . APPL ET O N C O S . PU BL I C AT I O NS .
,
By A C O N A N D O Y L E,
T h e Ad
.
v e nt ure s of She r
l ck H l m
o T h R f ge s
o et c es ,
"
e e u e ,
"
. I zm o . Cl th o ,
Th e p tr d r "
Re d L am , t h e a e -ma k , as w e e , of t h e En s oun r a o ne s it r gli h c t y pr ctiti r
c c tr l p i t th dr
o f e , is t h e en a o n of ese am a s o es o f o e s s o na e T e e are no tic t ri pr f i l lif hr .
rg
s c c re Ls for t h e s u r
e o n, a nd , a s u g e o n ms e as w e as a no e s , t h e au o h as hi lf ll v li t th r
d t rti tic
m a e a mo s a s tiv
u s e o f t h e mo es and s r n s o f a on e ea e t o h im in a e d pi g cti r v l d l
of w hich tr
h e is t h e mas e .
A v l m f b i ght cl v r k tch r y f f ct nd f nci dic l
rk L d 2 m D ily N
o u e o r e e s e e s, a n a ra o a s a a e s of me a
lf f t h gi ft d th r b tw
,
"
nt m m
I
i e, and co a s so e o e e au o s es o . on a ew s .
S U MMER M W
A FL A SH OF
F O R D au th o r o f
, L o v e L e tt e rs
.
of a
By
Worl d ly Wom an
rs . . K .
,
"
C L IF
Au nt
Anne ,
e t c. 1 2 m0 . Clo th ,
a u e e sou - ea e e o, a a e o ne o s e e a oo a e au
nd if ny th r l v t ry h lf w t h b n w ri tt n thi y r it h
,
f lw m an o a e
N w Y k T m
u o a a e o e s o so s ee as ee s ea as
cpd
es a e us .
"
e or
'
z es .
A EL CH O . B y t h e H o n EMI L Y L A W L ES S , . au t h o r
of Gran i a,
"
H u rri s h ,
"
e t c. I zm o . Clo th ,
p r d x f lit r ry g ni
A a a It
:
o o e a e us. is no t a i t ry nd y t h m r f th t d
h s o a e as o e o e s u
f hi t ry in it m r f t h tr l ch r ct r and f t th n ny hi t r c l m n
,
o s o n tm o e o e ue a na a a e a e, a a s o i a o o
gr ph w kn w I t i n t n v l m r th n ny n v l
,
"
a e o . s o a o e ,
a nd y t f m t e as c a es us o e a a o e .
L o u do n Sp ect a to r .
By C H R I I
ST AN REID au th o r o f
Th e L a nd o f t h e S k y
"
A , ,
In t h i p i ct r
s tra v l romanc t h e au t h o r of T h e L nd o f t h e S ky
u es q ue e e a
. ee e r
s ty l w h i ch r e nde rs t h e b o ok m os t v al uab l e t o t h o se w h o w i s h an i nt e r es t ng
e i
s u s ta ins t h e hi gh r e p u t a t i o n o f th is t al e nt e d au t h or .
N ew York : D APPL ET O N
. C C .. 7 2 F f i th Avenu e .
D . APPLET O N C O S PU BL I C AT I O N S .
.
N O V EL S BY H AL L C AI N E .
comp r bl nly t H w th rn S c rl t L tt r
t ry f marv lo dr m tic int n ity and in its thic l m ni ng h fare
A s o o e us a a e s ,
I!
e a ea as a
B t n B
a a e o o n a o e s a e e e . os o eac o .
A w rk f p w r w hich is n th r t n dd d t o th e fo nd t i n f nd ring f m
i y arly add ing
o o o e a o e s o e a e u a o o e u a
to w h i ch M r C i
"
P bl Opi ni n
'
. a ne s e . u zc o .
A w nd rf lly tr ng t dy f ch r ct r ;
o e u ow f l n ly i of th
s ol mn s u o a a e a er u a a s s ose e e e
w h ch g t m k tr ngth nd w kness a man w hi ch t rc w far
.
i p th o o a e u e s e a ea 0 are a e e ar
W th i n t h m br t ; co nt nding gains t ch th e r it w r t h n t r i hi
,
i e sa e e as e a ea o . as e e, e o e o a se
to f m nd p w r t h
a e a th r t dr g h im d w n t o d gradati n nd h m N v r i
o e , e o e o a o e o a s a e. e e
th wh l
e r ng f li t r t r h v w
o e a n th tr ggl b tw n t h
e o e a u e a e e se e e s u e e ee e se
pr m cy v r t h m n mo r p w rf lly m r al is it c lly d lin t d th n M r L in
p ct r t t
su e a o e e a e o e u , ore e a e ea e a . a
"
i B t n H me y
u es . n l os o o ou r a .
TM Roma nce
H E D EEMS TER . A o f I sle o
a n. I amo . Cloth ,
De m t r e
t ry o f n
s e lp w r
'
is a s o u us ua o e C rt in p s g nd ch pt r h v
e a a sa es a a e s a e a
trt r:
.
m t n ly dram ti c g
e se p nd h ld th a ra fas cin t d re ad r w ith f rc r r ly excit
now d y n l e
s a o e a e e a o e a e e
,
a a7 7 C iti
s I i a u e 1 r c.
On f th tr ng t n vel w hich
e o e s o es o s has a pp r d in m ny
ea e a a d ay .
"
S au F ra n
F as na e s ci t th e m ind lik e th e g th i ng
a er and b r ti ng
u s of a s orm.
"
t l llus lra lt
L ond o n N e w s .
D rv ese es to be r anke d am on g th e r e ma rk ble a no e s vl of the d ay .
"
C/ncag
'
HE B O N D MA N . N ew e d it io n. 1 2 mo . C lo t h
Th e w e th is t ry h ch r d nd to ch d m b t I am co n
lc o me g iv en to s o as ee e a u e e, u
sc io th t t w in re ce pti on w rm ch bo k m t h v h d r d r w h
us a o a so a su a o us a e a ea e s
bro ght t it m ch as th y t k w y
u o
,
as I h v c ll d my t ry g m re l
u e oo a a
,
a e a e s o a sa a, e
bc it f ll w t h pic m th d nd I m t n t clai m f i t t ny p i nt t h w ight
.
e a use o o s e e e o a us o or a a o e e
f hi t ry blig ti n t t h w rld of f ct B t it m tt rs n
,
re p n nlity
s o s i o s o o r se r ous o a o s o e o a . u a e o
t o m w h t I c l nd r m y c ll Th B nd m n if th y w ill h n r m by r di ng it i )
,
e a e a e s a a e o a e o o e ea
th o e e -
ea e s r a e ee e are o e to ea
nd f h i ght s w ith t h T r ll I" m t / e
"
G tt re tr a o s P f e o . ro z re ace .
AP T N D A V Y S H OA E YMO ON A Mam
C
.
Ya m . 1 2 mo Pap e r 50 c e n ts ; cl o th .
. ,
alm t w h lly h m r
os w ith h w v roc rr nt f p h u o ous , o e e a u e o at os un e ea s
i gh M r H ll Caine w o ld b n f t h e xc pti n
.
al w th t n th r can cc ed q lly w ll in t g dy nd in c m dy b t it l ok
, ,
a s a a au o su e e ua e ra e a o e , u o :
"
as tl ou . L nd n L i t
a y u e o e o e e o s. o o e ra r
I t i pl s eas an tt o t
m e e th e au th r o of Th e D ee ms tr e in a b ightly h r u mo rous Iit tlt
t ry lik thi
s o e s. I t h ow
Ph il d
s s t h e sa me o b rv ti
se a on of Ma nx ch r ct r a a e and mu on ch
rti ti c ki ll
,
"
th m e sa e a s s . a t lf lzi a Ti m es .
N ew Yo rk : D . APPL ET O N CO ., F f i th Av e nu e .
APPL ETO N C O S PU BL I C ATI O NS
D . . .
G I L B ERT PA RK ER S B ES T B O O K S
.
Mr Park e r h as b e e n d m o r e th n nc nd i n q u rt
n am e e rs of
LO N D O N L ITER A RY WO R L D
. a o e, a a
re p u t e t h e c o mi ng man
. .
,
Too 7 7 65 2 7 o
f M o S w ord .
Pape r 50 , ce nt s l ; c ot h ,
P h i la d elph i a B u llet i n .
Mr . Pa rk e r h e re a dd s to a re p u ta ti on already w ide and anew ,
P Ti mes .
'
zt t s b u rg
t e r d aw ng r i .
"
Paper 50 , c e nt s ; c ot h ,l
h e Cr i t i c .
T
t r t
In e es , p h , o e , it f rc and ch rmMr Park e r s ne w s t o ry p os a .
r r
h is pa ag ap h s are s ng tirri b e c u s t h e y a e r l \V re d at tim s
a e r ea e a e
r
as w e h ave ead t h e g e a e .
A d ve n zs e r .
'
B
os t on
Fle xib le c l o t h , 75 c e nt s .
k o N a t i on .
T
b ook w h ich no one w ill b e s ti s ed t o p u t
A a d ow n u ntil th e e nd
h as b e e n m att e r of ce rt ai nt y and ass ur an ce
H o me y o u r mz l
B os t o n .
A s or t y o f re m arkabl e i nt e res t ,
or igi nality ,
a nd i ngen uit y o f co n
s tructi on .
o nd on D a i ly N e w s .
L
T h e p e sa o f h s o m an e w ru l t i r
e p ay h o se w h o c
a e fo r ne w ill r t c r
and o gi na ri l ty
p e s o f h a a e , and w h o are s s ep c r ct r
e to the as na u c tibl f ci
ti
on o f a fr
e s h a nd v go o s s e
"
i r u tyl .
N e w Y o rk : D A PP ET O N
. L CO .
, 72 F i fth Ave n u e .
D . APPL ETO N C O S PU BL I C ATI O NS .
.
M AN Y
[1 VVEN TI OZVS B y RU D Y A RD KIPL IN G .
C o n t ai ni ng fo u rt e e n s t o rie s se ve ral of w h ich are no w pub
m e , and
,
.
r d r tur fr
Th e e a e ns g it c icti t t
o m it s p a e s w h th e ut r
o nv o n ha ut h e a h o h as no s pe
i t d rr ti i ility t l r i tr
i or t o -d ay in an ma e na a ve a nd v r
bility l ct
of sy e H e e ma ns mas e o f a p ow e l
.
'
ic c t r i r c
n w h h none o f h is o n e m po ar e s a pp o a h h im th e a c u tl
t o se e o u t of o n e ss
it l ic cr t
l e ta ils t h e fe w v a o ne s w h h i d ictur
ea e t h e n s h e p e i H e k now s h o w , W t h a .
r c r ct r t l
ph as e o r a w a rd t o make y o u s e e h is " h a a e s as h e s e es h e m , to ma ke y ou fe e
full i g dr tic itu ti
,
the me an n o f a ama s a o n.
Ma ll G zet t e
,
Pa ll a .
M K i pli ng s
r.
'
pow e r s as a s o t ry t ll r - e e are e vi d ntly n t di mi ni h ing W d vis e
e o s e a
e r.
"
e or u n.
Ev ry n f th t ri b r h i mp i t f m t r w h c j ur p i ncid nt
e o e o e s o es ea s t e r n o a as e o on es u e
as if by m gic d w h p rtr y c h r ct r c n ry nd f li g w ith n
a an w h ic h in o o a s a a e s e e a ee n a e as e
nly xc d d by t h b ld n f f rc
, , ,
t tt ti n f t h r d r
" -
o e ee B t n Gl b e e o ess o o e. os o o e.
Th b k w ill g t nd h ld th cl
"
e oo Am i n e a o e os e s a en o o e ea e . er ca
Boo ks e lle r .
Press .
lt
Ofy in cti n t h w rk f K ipli n n b e co mp r d t nly th
a e e s sa s o e o o ca a e o o ree
Bl c r L r
km o St v m rv k t h f V ill on in t h
' '
a D n e s o na N w oo e, e e ns o n s a e ou s s e c o e e
Ar bi n N igh t H rdy It i p r b bly
'
nd T h m
f t h D U b vill
a a T s, a o as a s ess o e r er es . s o a
w m g t th i xtr m c r th t M ny l nv n t i n i u nd ubt dly M K ip ling b t '
b k Cl g P t
o o s e e e a e a a e o s s o e r. s es
"
oo . zz
c a o os .
m r t h n r p y p ru l f t h m ll
but i t n c rc ly b mi t y th r i n t t ry in th i c ll ct i n th t d n t
,
ca s a e e a ss o sa e e s o a s o s o e o a oe s o
B lt m Am
' '
o e a e a n a e sa o e a . a z o re e rze a .
A a w ri t r f h rt t ri
s Rudy rd K i p li ng ie g niu H h h d imit t
o s o s o es a s a e s. e as a a ors ,
but th y h v n t b n ucc ful in di mmi ng t h lu t r f h i ch i v m nt by n
e a e o ee s ess e s e o s a e e e s co
t t M ny Inv nti i t h titl A nd t h y i v nti t ir ly igi
tli g by th ir b ld n nd f rc
ras . a e o ns s e e. e are n e o ns en e or
n l in i ncid nt i ng ni u in p l t nd t
"
a e , e R l t
o s o , a s ar n e o ess a o e. oe ze s e r
cl v r h i ! Th i m u t l w y b t h r t th ugh t n r d i ng uch a
"
H ow
t t
e e e s s s a a s e e s o o a s
c ll cti n f K ipli g t ri
o e H r i
o o f th m t c n umm t rt C m
n
'
s s o es. e e s ar ar o e os o s a e sa . o
i ng t h gr u p
T ak wh l it m y b id th t t h x cuti n is p ot hi b t
e o as a o e, a e sa a e e e o u s es
im gi ti n nyth i ng l h h d n
t e as ,
i o or ee s e es s as s n o e s e a l e ss o
"
a na o H tf d C
a t e se e as o e. ar or ou ra n .
F ift n m r
xtr rdi n ry k tc h w ith ut ting f n t ion li m it w uld
ee o e e ao a s e es o a e. o se sa a s o
dr
b h rd t fi nd Ev ry n h n nd i vi du lity f i t w n w h ic h {asa nat
, ,
e a o . th o e o e as a I a o s o es
I ea e B t n Ti m . os o es .
B oo xs BY MRS E V ER AR D
. C o r ns ! SARA JEAN N ETI E
'
D U NCAN ).
1 2 mo . Cl o th ,
Th s i littl r
e o man e o f c y uth ful h r i m w ill fa cin t ld r and y ung r r ad
o e o s s a e o e o e e e rs
i
al ke. I t is a s to ry of th e Indi n Mut i ny nd th y r w h ich i mm di t ly f llo wed
a a e ea s e a e o .
/ E RN O N 5 Wit h
l AUN T m any Illustrations
. .
I zm o . Cl o th ,
ea
u o e os .
t id nd r li ti c i mp r i n f c rt i n p h f li f in Indi
Wi th o ut i ndulging n m ny h earty l ug h
A mo s viv a ea s nd n e ss o o e a as es o e a, a o o ne
can r ad h
e er V iv mo s ch r ni cl
a u o e B i a a a .
"
os to n
Cl o th ,
i
Th s ne ve is l tr ng nd i ou p i c f w 0 l n r< e of a ki nd th t i g tting t
B t n C i
a s o a se r s e e o o a s e oo
rr dy f u ni v r l c nki n
.
"
a e i n t h e se a s o e sa ra es s . os o ou r er.
A Jew and c pital t ry full of qui t h pp y t uc h
a s 0 , e ,
a o e s of u r
h mo .
"
Pl ulad el i ia
-
'
S OC I A L D E PA R T U R E : H ow Ortb odoeza a nd I
'
I Ve n t Rou nd t h e lVor/d b
y Ou rselves W i th I I I Ill u s t r at io ns .
nd .
"
A b igh r r
St L o .
te me e m o
,
uis Re u blic .
p
rri r , r e entir ly ch
e arm n i gb o ok wo uld be i nd d , ee , d i cult to
N A MERI C A N GI RL I N L ON D ON . With 80
I ll u s tra ti o ns b y F H T O W N SEN D . . . 1 2 mo. Pap e r 7 5 , cen s t ;
c o l th ,
ig tly b ok
S o s pr h a o as th i s , on lif e in L ond on as o b rv d by
se e an Amer ican , h as
n ver b f r b n w rit t n
"
e e o e ee e . B u lle ti n.
Cl t h o ,
lik tr v ling w i h ut l vi ng n
It is e rmch ir t r d it Mi D unc n h
a e t o ea o e s
'
a a o ea s s a as
N e w Y o rk : D. APPL E T O N C0 .
, 72 F i fth Ave nue .
APPL ET O N C O S PU BL I C AT I O N S
D . . .
U RN E Y I N O THER WORLD S A Ra
A
.
.
A i t r t ing nd cl v rly d vi d b k
n n e es N l ck f i m gi n ti n
a e e e se oo . o a o a a o .
Sh w o killf l nd w id
sa s cq int nc w ith ci nti c f ct N w Y ! H ld
u a e a ua a e s e a s.
"
e or : e ra .
and h r v l in t h
e phy ic l l x ri n c f J pit r ; b t h l l t hi i m gi n ti n
e e s e s a u u a e o u e u e a so e s s a a o
m ch in ci nt i c i nv tig ti n If h i f ll w r f J l V rn h h t f rg t
ph r
u as s e es a o . e s a o o e o u es e e, e as no o o .
t n l t o t dy th phil
"
e a so s u N w Y k T ib n e os o e s. e or r u e.
A b
tif l x mpl f typ gr phic l t nd t h b km k r kill '
e au u e a e T o o a a ar a e oo a e s s o
ppr ci t t h tory n m t r d it N w Y k C m m i l A d v ti
.
a e a e e s o e us ea . e or o er c a er s er .
Th d t
f th e v nt n r t d in thi b k i pp d t b
a e o e e D e Th s ar a e s oo s su o se o e 2000 A. . e
kn w l dg
o It i
e g e.f m rv l ci nti c tt inm nt F lying m chi n h v
s an a e o a e o us s e a a e s. a es a e
l ng b n in c mm n
o ee nd n lly n w p w r i di c v r d c ll d
o o u s e,
p gy a a a e o e s s o e e a e
a er ,
ti n nd t w h t p d th y pl
o , a a N w Y k S n
a s ee e e as e .
"
e or u .
Th ci nti c r m nc by J hn J c b A t r i m r th n lik ly t c r d i
e s e o a e o a o s o s o e a e o se u e a s
tinct p p l cc
o nd chi v w id pr d v g b th
u ar s u m i ng nd i nt r t
e ss , a a e e es ea o ue o as an a us a e es
i d tin d t w in by t h y r
s es e Th b k h
o b w ritt n w ith p rpe ndea 200 0 . e oo as een e a u os e , a
th t high r
a a th n t h m r pi ni g f highly im gi n ti v y r M r A t r h
e o ne a e e e s n n o a a a e a n. . s o as
b n ng g d p n t h b k f v r tw y r n d h br ght t b r p n it
ee e a e u o e oo or o e o ea s, a as ou o ea u o a
e e s e e e e e M l d
a a . s a a us a e a ea .
"
az
'
an
E xp r es s .
Mr
t r h hi m lf l m t ll t h q liti im gin bl f m king t h ci nc f
. As o as se a os a e ua es a a e or a e s e e o
as tr n my p p l r H kn w t h l rn d m p f t h tr l g r H kn w t h
o o o u a . e o s e ea e a s o e as o o e s. e o s e
w rk f C p rnic
o o H h m d c lc l ti n
o e nd b rv ti n H i nth i tic
us . e as a e a u a o s a o se a o s. e s e u s as
p ct c l r d n t f ight n h im N w Y k Ti m
,
a nd th e s e a u a oe s o r e . e or es .
T h w rk wi ll r mi d t h r d r v ry m ch f j l
e o V rn in it g n r l pl n f
e n e ea e e u o u es e e s e e a a o
us ing ci nti c f ct d p c l t i n
s e k l t n n w hich t
a h ng t h r m ntic
s an s e u a o as a s e e o o o a e o a
V rn hr Mr A t r hi t ry t p int t w h t in h i pini n ci nc m y
Cl i g Int -O
e e s e oes . . s o u se s s o o o ou a s o o s e e a
b xp ct d t cc mpli h I t i r m nc w ith p rp
e e e e o a o s . s a o a e a u ose .
"
z ca o er cea n .
T h r m nc c na t in m ny n w nd trik i g d v l pm nt f t h p ibiliti
e o a e o s a e a s n e e o e s o e oss es
of ci nc h r ft r t b
s e xpl r d b t t h v l m i i t n ly i nt r ti ng b th
e e ea e o e e o e , u e o u e s n e se e es , o as a
s e R / t e. H ld oc t es er e ra .
N ew York : D APPLET O N
. CO ., 72 F f i th A v e nu e .
D . APPL ET O N C O S PU BL I C AT I O N S .
.
AD A C A MB RI D G E/S N OV EL S .
F I D EL I S
im t d nd l w y i t r ti g t ri e f Ad C mb idg h v
Th e an a e
.
a
I am o Pap e r 5 0
a a s
.
n e es n
,
s o s o
c e nt s
a
;
a
c lo t h ,
r e a e ob t aine
w ll m ri t d p p l rity m r p cts Fi d l m t mb i t i r
"
a e -
e I e o h u a n so e es e e ls Is er os a ou s wo k
nd it i f pr dict f i t m rked cc m ng r d r f wh l
.
a s sa e to e or a a su es s a o ea e s o o esome an
e n t rt i ni g c t i n
e a n o .
Y G U A R D IA N I z mo . Pap e r , 5 0 c e nt s ; c lo t h
t ry w hich w ill fr m r t t l t nli t th ymp th i f t h r d r by i
A s o o s o as e s e s a es o e ea e
Si mpl i city f tyl nd fr h g n i n f lin g
o s Th th r i t t t h d lm
e a
,
es e u e ee
,
e au o s au u
a e e ez
ti n f ch r ct r B t n T n j t
.
,
"
Ch
o o a a e . os o ra s cr z .
ll th t th m t rd n t r m nc r d r c ld d i
"
Th d en m nt i e o e s a a e os a e o a e ea e ou e sr e .
m g o E ve ni ng y ou rna l.
An e xc di gly tr ng n v l I t i n A t li n t ry t ming w ith
ee n s o o e . s a u s ra a s o ee a c rt ie a
c l mn f m ti l p w r th t nd xpr i in c ntin l t w f livi n
,
a
th ght
ou
es s o
a nd
e
fe e lm g.
o o na
"
B o
os t o n
e a
Ti m es .
s e e ss o n a o ua ou o o
O T AL L IN VA L /V . I amo . Pap e r, 5 0 c e nt s
l th
c o ,
A wo rthy c mp ni on t o th e b t of t h e th r f r m r '
e ffo rt s , a nd in so me re
D
o a es au o s o e
sp e c ts s u p e n o r t o any o f th "
e m. e t r ozt
'
F ree Pr es s .
It s su rpri s e s are as xp ct d
u ne e e as F r ank S t ck t
o on s ,
b ut th y e are t h e s u rpri se
th t m c t w ith t ntly h m b tt r t ry n t b
a are
p bli h d in m ny m
u s e
e
a
so o ns a
oo ns .
"
Pl il d
in
z a
u
el
a n e xp e n e nc e .
plzza I nqu i re r .
A e e s o h as o ee r
A r y Marri a ge
i hi ghly ri gi n l in n p t i m it cti n g f
Ce e mo n
'
s o a co ce o s a o rac e u
th gh rapi d nd t ch r c t r p rkling w ith th t lif nd p ngh l n th t h w
. .
p r f d li n t r B lti m A m i
ou a i s a a e s s a a e a s l i ess a a
m d th i r th r r nk
,
a e e au o a as a ee o e ea o s. rr ore e r ca n .
t y by Ad C m b idg i b t nd t y th t i t t n
Th i s s or n fh a o sa a s o a o cr
B t n A d v ti
a r e s o e o er es a
aw rd t h gh Pr
,
"
a I l ais e . os o er s er .
I t i pl r t r d thi n v l L nd n A fi m n
s a eas u e o ea s o e .
"
o o re e .
th r ghly ch ming n w n v l w hich i j t th n t bit fw rk it
A o ou ar e o e s us e es o o s au t h m
y t cc m pli h d
,
"
h as B lt i m Am
e a o n s e . a ore . e rzca .
N ew Yo rk : D A PPL ET O N
. CU .
, 72 F f
'
i th Ave nue .
D . APPL ET O N C O S PU BL I C AT I O N S .
.
au th r o f Re ey A C o mm n S to ry Cl th
' "
o et ,
o , c. 1 2 m o. o ,
Bos t o n B eac o n .
T h e au th r pl c h i r d r t t h v ry p l f t h h m n m chi n w h th t
thr bbing m t t m lt ly L nd n Ch ni l
o a es s ea e a e e u se o e u a a e en a
ma chi ne is o os u u uo us .
o o ro c e.
and nis h e d
u a lo C ou r i e r
g c f l N
. .
An am biti ou s w o k. r Th e au th o rs
s tyl e is cl r ea and ra e u
"
. ew Y or k
Ti m es .
Mr d n m xc ll nt lit r ry w rk b t w h v h it ti
l t t w rk by f h b t
Bale s t ier h as o e so e e e e e a o u e a e no es a on in
pr ci g thi
. ,
ono u n n s , h is a es B t n A d v ti
o ,
ar is es . o.
r o er s e r.
U F F EL S B y ED W A RD EG G L ES T O N , r of au t h o
D
. Th e
F aith D o c t o r H oos i e r S ch oo l m s t e
"
Ro xy ,
Th e
, a r, e t c.
I zm o . Clo th ,
t n t hi b t
c ll cti n f t ri
A o ch f w hi ch i th r ghly ch r ct i tic f D Eggl
e o
"
o s o es ea o s o ou a a ers o r. es
o a B lt i m
s Am i n
es . a o re e r ca .
D ti n d t b c m v ry
es
pe
p l r Th t ri
o f i n nit v ri ty
e o e All e o u a . e s o es are o e a e are
mg v n f m t ng t d i f t h ch r ct r l i v nd m nn r f t h p ri d
.
l
'
pl e as e e as c a i s u es o e a a e es, a a e s o e e o s
w ith w hich th y d
, , ,
l"/ il d lpl a I t m
"
e ea . z a e u e .
TH D O C T OR B y ED W A RD EG G L ES T O N , .
I amo Cl th
d c d "
e t c. . o ,
O ne R l t
o f t h e no U i vl
nd A d v t s
e s o f th e e a e. oc zes e r n on a e r i er.
Th th r f Th H i r S ch l m t r h nh nc d h i r p t ti n by th i
e au o o e oos e oo as e
as e a e s e u a o s
b tif l d t ching t dy f th ch r ct r f girl t l v w h m pr v d lib r l
d c ti n t b th f h d mir r L nd n A t l n m
eau u an ou s u o e a a e o a o o e o o e a e a
e u a o o o o er a e s. o o ze a u .
l w m y d d f t p th
T h F ith D c t r i w rth r di ng f i t
e a ty l its w i t nd it h m r nd n t
o o s o ea or s s e, , a s u o , a o
ess , e L nd n S p t t
a a , or i s a os . o o ec a or .
M ch kill i h w n by t h
u th r i n m ki ng th
s f d th b i f n v l f
s s o e au o a ese
a s e as s o a o e o
c rt nly nd ti m t r d T h F ith D ct r
gr t i nt r t
ea O n w h tri t
e es k p in th. c rr nt f g d n v l r d ing m t
e o es o ee e u e o oo o e - ea
.
us
B l C mm
e ai e o i l ea e a o o . u a o o erc a .
Th et i w ill b w lc m d w ith
s or e s n e e o e a se se of r fr hing p ng ncy by r d r
e es u e ea e s
h v b n cl y d by t l ng cc i f i i p i d w tn nd f mil r
who
in cid e nt.
a e
"
L ee
on aon
o e
A t h e nw u m .
a. oo o su e s s on o ns s ee ess a a ia
in n e e s , a su ou s e a o or e
pl c L nd n L i t y W ld
ea s o e u a a
m t p rt t
"
os a ak e s a e. o o e ra r or .
B th b l n t t h p ri d w h n f nci ng w
e s o us a .
m t killf l nd ill tr t
m t pi
s
u
i t pr ctic B t n Gl
er
a
ec e s .
e.
"
o
os o
e o
o e.
.
o e e o e e as os s u , a us a e