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Percussion

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              

 
     
   


     
   

      
      
 
 
rit.
a tempo
6
       
  

   



  


     
 
 
      
 
12
  
1.
3
    


     

 
 

 
    
    
  
 
  
 
 
17
2. 
3

   



   

    
 
   

   

   
 
 
 
 
  
24
    
 

  
 
  
   

    
 
 
 
32
 
 




      
 
  
 
 
 
 
  
37
 
  
 

 
   
  

        



 
  
 
 
  
 
42
 
  
 

   
  

 
 
 
 
 
 

 
  
 
46
3



   

    

   
 
   

   

   
 
 
  
 
 
 
  
53

 


   

   

   
  
 
  
  
61
3


  
  
 
 
 
 
  
66
3
1.
2.
   
 
    
    
  
 
 

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Cymbals

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
rit.
a tempo
6
 
13
1.
2.
19
  
28
 
  
36
47
  
56
 
 
 
 
65
1.
2.

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Clarinet in B 1

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
  
  
  
 
 
a tempo
rit.
    
5
  
     
  
     
 
    
    
 
  
 
 
11
 
1.
  
  
 
 
   
 
  
 
3
3
              
  
   
 
 
 
 
 
17
2.
 
 
 
 
  
 
  
 
3
3
3
3
3
 
21
    
 
   
       
  
3
3
3
 
 
 
 
 
32
 
 
 
 
  
38
 
 
   
  
 
 
  
 
 
   
   
  
  
3
3
   
  
  
43
 
   
 
 
  
  
   
  
  
3
3
  
47
 
 
  
   
 
  
 
 
  
3
3
3
3
3
3
 
51
 
 
  
 
 
 
61
 
 
  
 
 
 
  
 
 
66
1.
2.
  
3
©AGRUPACION MUSICAL AUTENTICOS DE ICA

Clarinet in B 2

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
       
       
     
  
  
   
  
rit.
a tempo
6
  
     
 
 
 
 
  
     
 
  
  
  
         12     
  
  
12
   
1.
   
     
 
2.
 
 
  
 
  
3
3
              
  
   
          
18
    
   
   
       
    
  
3
3
3
3
3
3
3
3
26
   
  
 
 
 
  
  
36
 
 
 
 
    
  
40
 
 
 
   
  
 
  
  
  
3
3
 
  
43
  
 
 
 
 
 
 
   
 
   
   46           
46
 
   
   
 
 
  
3
3
3
3
3
50
   
  
     
  
3
3
3
59
 
 
  
 
 
 
  
65
1.
 
  
          
2.
   
 
 
 
 
  
  
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Alto Sax 1

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
       
  
       
  
   
      
 
   
   
rit.
a tempo
6
         
     
  
      
  
 
 
  
 
  
 12  1.     2.      
12
1.
   
2.
      
   
      
       
 
 
3
3
18
    
       
        
 
   
            
   
3
3
3
3
3
3
3
3
26
 
 
 
 
 
 
 
   
36
 
 
      
40
 
 
 
 
   
  
 
  
  
3
3
  43            
43
 
  
 
 
 
 
 
   
 
 46             
46
   
 
  
  
   
   
 
3
3
3
3
3
50
     
   
 
  
3
3
3
59
 
 
 
 
 
   
 
  
3
65 1. 2.            
65
1.
2.
      
      
    
       
 
       
 
 
3
3
3
3
3
3
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Alto Sax 2

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
   
 
  
 
  
 
rit.
5
   
 
  
  
  
  
 
 
  
 
a tempo  9           
a tempo
9
 
 
 
    
  
 

1.

2.

              
 
 
 
 
 
     
 
 
  
3
3
18
   
  
     
   
 
  
3
3
3
3 3
22
 
 
           
 
 
  
 
  
 
 
 
3
3
3
35
     
 
      
    
   
  
41
        
     
 
         
     
 
      
  
  
3
3
46
    
     
   
 
   
   
 
 
3
3
3
3
3
50
 
   
  
   
 
3
3
3
59
 
 
 
 
    
 
 
 
    
3

15

65 1. 2.            
65
1.
2.
      
    
      
 
      
        
 
 
3
3
3
3
3
3
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Trumpet in B 1

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
 
   
  
  
  
  
rit.
5
   
  
  
  
  
 
  
 
a tempo
9
  
  
 
 
 
 
14 1. 2.            
14
1.
2.
  
   
 
 
  
 22             
22
  
  
 
  
 
3
3

27
           
             
  
                
 
  
  

  
 
30
 
  
    
 
 
37
  
 

51
  
  
  
 
 
   
  
3
3
55 
 
 
            
                
             
   

  
 
 
 
 
58
  
 
  
3
  
 
 
66
1.
2.
  
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Trumpet in B 2

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
   
 
  
  
  
  
rit.
5
  
   
  
  
   
 
  
 
a tempo
9
 
 
  
  
 
 
14
1.
2.
 
   
 
 
 
 
 

22

              
 
 
 
 
 
 
  
3
3
26
   
 
 
 
  
  
 
 
 
 
 
 
 29             
29
 
 
  
 
 
 
 
      36        
36
    
 
 

 
 
  
   
52              
52
   
  
         
         
      
     
       
3
3
57
 
  
  
 
3

63

              
  
  
  
67
1.
 
2.
   
 
  
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Trumpet in B 3

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
 
   
  
  
  
  
rit.
5
   
  
  
  
  
 
  
 
a tempo
9
 
  
 
 
 
1.
2.
14
  
 
22
    
    
 
 
 
  
3
3
27
            
  
 
                
             
30
     
  
  
45
    
 
  
 
52
  
 
 
  
 
 
   
   
  
 
  
3
3
 56             
56
  
                
             

62

              
  
  
  
  
3
66
1.
2.
  
 
    
   
 
 
  
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Baritone (T.C.) 1

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
  
      
  
       
  
   
       
  
  
rit.
a tempo
 
 
 
    
 
 
6
   
 
  
     
   
  
  
  
       13   1.    
13
1.
  
 
 
 
  
 
   
  
3
3
         17 2.    
  
   
 
17
2.
 
   
   
    
 
         
 
  
  
3
3
3
3
3
 
 
 
 
 
 
 
22
    
 
 
   
      
 
 
 
  
 
3
3
3
 
    
30
 
 
 
 
 
 
    
  
  
38
   
       
    
    
  
   
 
  
   
  
 
  
3
3
   
      
43
         
    
 
    
     
  
   
3
3
 
 
 
 
 
48
    
 
 
   
   
       
         
 
 
  
3
3
3
3
3
3
 
 
53
 
 
 
 
 
 
  
 
62
 
 
 
 
 
 
  
 
 
3
3
66
 
 
1.
   
 
2.
 
       
  
  
 
  
 
  
  
3
3
3
3
3

3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Baritone (T.C.) 2

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

 

 

 

     

       

  

     

       
 

  

 

 

  

6

rit.

 

a tempo

 

  

    

 

 



 

   

 

 

   

 

 

 13       1.      
13
1.
 
 
 
 
   
 
     
  
3
3
17
2.
 
 
3
3
 
 
  
  
     
    
   
3
3
3

21

              
  
 
       
    
      
  
  
 
 
 
 
 
3
3
3
27
 
 
 
  
 
36
 
 
      
   
  
  
 
  
   
41
       
    
    
    
    
      
  
    
    
3
3
45
   
      
   
    
   
       
 
 
  
  
3
3
3
3
3
50
       
    
   
     
  
 
  
 
 
 
 
3
3
3
59
  
3
3
  
  
    
      

 
66
3
1.
2.
3
3
3
3
3
  
  
  
 
     
 
 
 
 
 

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Trombone 2

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
       
  
       
  
 
   
 
   
    
rit.
 
 
a tempo
 
 
 
 
6
    
 
 
 
 
 
12
     
1.
 
 
 
  
    
3
3
3
   
 
 
 
 
17
2.
 
    
 
 
 
  
       
  
  
 

    
3
3  
24
 
 
 
 
 
 
    
    
    
 
32
    
    
 

  
 
   
    
              
 
 
 
  
 
  
 

39
   
 
    
         
 
  
3
3
3
   
      
 
43
 
 
  
 
     
 
         
 
 
    
3
3
 
 
 
48
    
53
    
61
   
    
3

65

1.

2.

              
      
      
    
        
        
 
 
    
3
3
3
3
3
3
3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Trombone 1

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

              
   
       
 
   
  
       
  
   
 
    
rit.
 
 
 
a tempo
6
 
 
 
    
 
 
 
 
 
 
 
 
12
1.
 
    
 
3
3
 
3
 
 
 
 
 
17
2.
 
 
  
    
3
3
 
 
 
 
23
 
 
 
 
 
 
    
 
 
  
  
31
   
 
 
 
   
 
  
 
    
              
 
 
    
   
   
 
   
37
   
 
  
  
  
    
3
3
 
3
42
 
  
         
 
 
    
46
 
 
    
3
3
 
 
 
 
 
 
 
 
51
     
     

 

 
    
60
     
     
    
          
        
 
    
3
3

66

 

66               
66               

               
               
               

1.



2.

 

3

3

3

3

3

3

©AGRUPACION MUSICAL AUTENTICOS DE ICA

Tuba

AL NAZARENO

CARLOS PIKLING COPY BY : HAROLD GARCIA

   

     

    

 
                      
   

   

    

 
                      
               
 

         

 

  

 

 

 

         

  

 

 

 

     

6

rit.

a tempo

 

   

     

  

 

 

  

 

 

12

1.

 

2.

   

   

     

 

     

   

 

 

   

 
 

   

 

 

 

 

     

 

   

 

 

 

 

   

     

 

 

   

 

 

 

 

 

 

 

 

 

 

 

18

 

 

 

 

   

 

 

 

 

 
       

 

 

     

 

   

 

       

           

 

 

 

 

 

 

 

 

 

24

 

 

   

     

     

       

 

 

 

 

 

   

 

 

 

   

 

 

 

32

   

 

 

 

 

 

   

   

  

 
 

 

 

 

 

 

  

 

   

 

   

37

              
      
        
         
   
 
 
    
 
 

42

42          

     

42          
 

 

 

 

 

 

 

     

         

 

 

 

47

47              
 
47              
 
47              