Sexiest 15 Years

15 years of stunning women: a visual celebration
FH M 3
15 years of stunning women: a visual celebration
F o R E Wo R d by A l l a n A . m a d r i l e j o s
A F t E R Wo R d by E r w i n Ro m u l o
BOOK DE SIGN AND PHOTOGR APHY EDITOR PAUL C . V ILL ARIBA

MANAGING EDITOR Pong m. CAstILLo
E D I TO R I A L A S S I S TA N T C H I s E A . A LC A n tA R A
FHM
TEAM EDITOR ALLAn A . mAdRILEjos
M A N A G I N G E D I T O R A L L A n P. H E R n A n d E z
ART DIREc TOR PAUL C . VILL ARIBA
A S S O c I AT E A R T D I R E c TO R j o H n L AU R E n C E o . PAt U L A n
S E N I O R F E AT u R E S E D ITO R K H y n E L . PA LU m A R
A S S I S TA N T S T Y L E E D I T O R m I K E y A s H L I E L . m A H I n Ay
E D ITO R I A L A S S I S TA N T S P o n g m . C A s t I L Lo , C H I s E A .
A LC A n tA R A
c E L E B R I T Y c O O R D I N AT O R A L L A n A Lt E R A
WEB MANAGING EDITOR BA BoRLEo

A S SO c I ATE S E c TI O N E D ITO R g E Lo g . g o n z A L E s
S E N I O R S TA F F W R I T E R R o n j Ay B . E d U VA s
S TA F F W R ITE R S n E P s n . F I R m A L A n , j o H n PAU Lo Ag U I L E R A ,
mARy RosE A. HogAzA
VIDEO PRODucTION SPEcIALIST En g EL H E A R t V. jA R I L L A
4 FH M
content s
07 foreword by A lla n A . madr ilejos
10 20 0 0 - 20 04 Cr is tina ga rcia , A s sunt a de Ros si , Aubrey mile s , maui tay lor,

diana zubiri, juliana Palermo, teresa Herrera , Rufa mae Quinto,
Cindy Kur leto , A ngel Loc sin , g tngi , d ina B onnevie ,
joyce jimenez , donit a Rose , Kr is tine H er mosa , Ric a Pera lejo ,
jackie For s ter, my le s H er na ndez , Fra ncine P r ieto ,
Kat ya s a ntos , Patr icia javier
48 t h e p h o t o g r a p h e r s by Pong m . Ca s tillo & Chise A . A lc a nt a ra
50 20 05 - 20 0 9 Katr ina Ha lili , A ngelic a Pa nga niba n , B ia nc a King , Ca mille

P rat s , P hoemela B a ra nda , Fra ncine P r ieto , n a nc y Ca s tiglione ,
A ma nda gr if fin , A le s sa ndra de Ros si , Che ska ga rcia ,
ta nya ga rcia , A ngel Loc sin , ga by dela m erce d , Cr is tina ga rcia ,
ma r iel Rodr iguez , Cr is tine Reye s , Va nna ga rcia , A ra mina ,
Pops Fer na ndez , Eula Va lde s , jea n ga rcia , Bubble s Pa ra iso ,
d ia na zubir i , P re cious Adona , joyce jimenez , Ehra madr iga l ,
B a ngs ga rcia , A r ia ni n o gueira , L j Reye s
110 l i f e b e f o r e , d u r i n g , a n d b e y o n d t h e 1 0 y e a r s o f f h m by Lourd de Vey ra
112 2010 - 2015 ma r ia n Ri vera , A ngel Loc sin , s olenn H eus saf f, Lovi Po e ,
jenny ly n m erc ado , michelle madr iga l , jack ie Rice ,
Va le en m ontene gro , A ndrea tor re s , L j Reye s , B ela Padilla ,
sam Pinto, Ellen Adarna, danita Paner, sarah gaugler, julia Clarete,
Re d dela Cr uz , Kit B a r raq uia s , da ia na m eneze s , s a ra Pol ver ini ,
sanya smith, mafae Belasco, ornusa Cadness , Regine Angeles ,
Bianca Valerio, melissa Ricks , janna dominguez , Bangs garcia ,
Ca r lene Aguila r, maggie W ilson , Eula Va lde s , nia jose ,
g tngi , Rit z A zul , misa Ca mp o , Aubrey mile s , maui tay lor,
ja na Vic tor ia , A lice d ixson , P hoemela B a ra nda , m a r ia oz awa ,
ya m Concep cion , Rachel A nne daq uis , m e g Imp er ia l ,
ma x Collins , s unshine Cr uz , Ina Ray mundo
223 af te r word by Er win Romulo
FH M 1
M a ri a n R ive r a
January 2013
San Juan City
Photographed by
Mark Nicdao
2 FH M
foreword
by Allan A. Madrilejos
his is us staying forever youngor gracefully aging if youre into counting years and such. you can
t
likewise say this is us taking our sweet time to savor the gratifying pauses that come our way. Weve
been fortunate enough, afer all, to still be standing tall today, making history any chance we get.
Fifteen years ago, the very thought of us getting praised for our contributions to Pinoy pop
culture had never really crossed our minds. Ever since issue no. 1, our only goal has always been to
come out with a monthly issue worthy of our bylines. Behind the scenes, we hustle, work hard, and
make full use of our hands and brute strength to deliver an issue thats always way better than our last.
We also never stop dreaming up eye-popping features (or content as you kids now call it) and mind-blowing
concepts for cover shoots, calendars, specials, books, events, and magazine redesigns. In the process of all this
finetuning, weve helped to either jumpstart or revitalize the careers of many a starPatricia javier, diana zubiri, the Viva
Hot Babes, Aubrey miles, Angel Locsin, Katrina Halili, Cristine Reyes, sam Pinto, jennylyn mercado, marian Rivera, and
so many more accomplished actresses today.
What has kept us going through the yearsaside from our wholehearted willingness to evolve with the times and
learning from our mistakesis our readiness to collaborate with only the best. In constantly partnering with both the
countrys master and up-and-coming photographers, seasoned celebrity stylists, make-up artists, and open-minded
managers of our chosen stars, we continue to capture and produce sensational and tasteful pictures that become events
in themselves and the ultimate in #squadgoals high.
Sexiest: 15 Years of Stunning FHM WomenA Visual Celebration is the book that best punctuates our journey
so far. this is us stopping time so we can all appreciate the inspirational and transformative power of photography. Feel
free to relive the memories, ladies and gentlemen. But remember not to get stuck. It wont be long before our journey
starts all over again.
FH M 3
september 20 0 0 - december 20 04
4 FH M
C ris t in a G ar c i a
September 2000
Manila
Photographed by
Francis Abraham
FH M 5
6 FH M
A s su n t a d e Ros si
November 2001
Pagudpud, Ilocos Norte
Photographed by Xander Angeles
FH M 7
Au b r ey M il e s
November 2002
Bohol
Photographed by
Xander Angeles
M aui Tay l o r
November 2002
Bohol
Photographed by
Xander Angeles
J uli a n a P al e rm o
May 2003
Punta Fuego, Batangas
Photographed by Racquel Bautista
10 FH M
Te r e s a H e rr e r a
July 2001
Boracay
Photographed by
Francis Abraham
FH M 11
R u f a M ae Q uin t o
April 2003
Makati City
Photographed by Ronnie Salvacion
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FH M 13
A s su n t a d e Ros s i
November 2001
14 FH M
G T n g i
July 2001
Mandaluyong City
Photographed by
Marlon Corvera
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16 FH M
C in dy Kurl e t o
April 2004
Quezon City
FH M 17
A n g e l L o c s in
October 2003
Antipolo City
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FH M 19
A s su n t a d e Ros si
November 2001
20 FH M
D in a B o n n ev i e
December 2001
Makati City
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22 FH M
J oyc e J im e n e z
May 2002
Manila
Photographed by Jun de Leon
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G T n g i
July 2001
Manila
Photographed by
Marlon Corvera
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D o n i t a Ros e
August 2001
Quezon City
Photographed by Toto Labrador
FH M 25
K ris t in e H e rm os a
March 2001
Manila
Photographed by
Xander Angeles
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R i c a P e r al e j o
May 2001
Quezon City
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28 FH M
D in a B o n n ev i e
December 2001
Makati City
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P a t ri c i a J avi e r
June 2002
Manila
Photographed by Tom Epperson
30 FH M
Fr a n c in e P ri e t o
November 2004
Manila
Photographed by
Xander Angeles
FH M 31
J a c k i e Fo r s t e r
January 2002
Manila
32 FH M
FH M 33
M il e s H e rn a n d e z ,
D i a n a Zu b iri ,
Fr a n c in e P ri e t o ,
J uli a n a P al e rmo
Novemeber 2003
Manila
34 FH M
K a t ya S a n t os
December 2003
Manila
FH M 35
D i a n a Zu b iri
December 2002
Manila
Photographed by
Xander Angeles
36 FH M
May 2002
Manila
Photographed by
Jun de Leon
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38 FH M
Au b r ey M il e s
August 2004
Makati City
FH M 39
tHE PHotogR APHERs
Pa r tners . Fr iends . Creative geniuse s .
t he men b ehind this maga zines
mos t s tr iking image s on what sexie s t
should fe el a nd mea n to a ll of us
FH m shouldn t feel like looking at

p or n . FHm should elevate the t a s te of
a ma n a nd should celebrate women .
M ARK NI CDAO
I wanted something that would stand out something super sexy yet
unique, says top photographer mark, when asked what his game plan
It wa s a ll a b out how we c a n ma ke a r t was when he had landed his first FHm gig. FHm wasand still isthe
best-selling magazine, and I was still trying to figure out what I could offer
in whatever circums t a nce we found to the magazine that was different from what youd normally see in it, he
ourselve s , whether the shoot wa s done says. It didnt take a while for mark to figure it all outnow you see his
works in magazines, billboards, online, everywhere. He found a way to
on loc ation or aga ins t a ba re s tudio stand out.
Back then, it was an era of overt sexy, like, Pam-Anderson sexy. But
wa ll . We went out to ma ke a r t . It s later on, people learned to appreciate less skin and more mystery. shoots
not a b out the clothe s or the ma keup . are moodier and more conceptual, he says. mark believes that the future
of mens magazine should be more detailed and specificin production
It wa s a b out the concept . Concept design, styling, and even grooming. mens magazines are bound to be
more complicated because people have easier access to anything sexy
should a lways b e k ing . now. FHm shouldnt feel like looking at porn. FHm should elevate the
taste of a man and should celebrate women.
XA N D E R A N G E L E S
mark is a photographer under At East | jed Root. Pong Castillo
Its only been 15 years but a lot has changed in the field of photography
styling, technology, equipmentand Xander Angeles has seen them all.
my first FHm shoot was with Ana Capri, and it was nerve-wracking. not
only was I going to shoot one of the countrys hottest stars back then, but
I was going to do it with only one roll of 120 transparency film, with only
10 shots to spare per layout, and another roll of Polaroids for test shots,
he recalls. He did the job and went on to become one of FHms trusted
photogaphers. Is it any easier for him now that technology has given him
unlimited rolls of film?
not really. the rules are still the same. It was all about how we can
make art in whatever circumstance we found ourselves, whether the shoot
was done on location or against a bare studio wall. We went out to make
art. Its not about the clothes or the makeup. It was about the concept.
Concept should always be king.
Xander owns Edge of Light studios Inc., Black tank Creatives, and
has ventured into other businesses outside of photography as well. His
word of advice to keep up with the times: do it! this is your chance. grab
it and embrace it. Enjoy the things you love while it lasts. Pong Castillo
40 FH M
guys wa nt it a s raw a s p ossible .
A nd to get that from a model , you have
to ma ke her fe el like shes not in a
photo shoot . m en wa nt a more rea lis tic
exp er ience , something more p ersona l .
PAOLO PI NEDA
Its one thing to work to achieve a dream, a totally different thing to
actually be living it. Before becoming one of the countrys top fashion
t hrough the yea rs , I b elieve FHm is photographers and commercial directors, Paolo was once a fan of FHm.
I still remember just looking at the Patricia javier photos when I was in
a ble to sha p e the way the readers college, he recalls. I never thought I would get to shoot for FHm. It was
surreal. shooting for the best mens magazine in the country is a privilege
look not jus t at mens maga zine but at for any guy. Fourteen years and a handful of FHm covers later, Paolo
women in genera l . says that he is still as excited as the first time.
one of Paolos more notable work for FHm was the 2007 Katrina
D OC M A R L O N P E C J O Halili and Cristine Reyes calendar, shot in subic, which happens to be
many artists have struggled in staying relevant with the ever-changing the most memorable for him, too. It was the most adventurous shoot Ive
taste of consumers and appreciators of their respective art forms, but done, with two of the hottest and biggest tV babes at the time, he says.
doc marlon Pecjo makes it seem so easy. I remember every shoot Ive If you still have a copy of that calendar, you have a gem.
done with FHm as a unique experience, and every single girl Ive shot has When asked what kind of photographs draw people in these days, he
motivated me to do well, says doc marlon. says its the unintentional sexy.
But doc marlon admits that the inspiration to create the fine art guys want it as raw as possible. And to get that from a model,
he produces for FHm did not come from his creativity alone. doc says, you have to make her feel like shes not in a photo shoot. men want a
Every girl, every photographer, and every artist who has contributed to more realistic experience, something more personal. you should see the
the magazine has immensely influenced the look of the magazine. And, of sexiness of the model from inside out.
course, every reader has also greatly affected the way we do things. Paolo is one-half of media production house midnight Bonkers.
doc marlon prides the work he has done for FHm. He sees the He travels to new york often for fashion, editorial, and commercial jobs.
magazine not only as a relevant source of entertainment for its fans, but Pong Castillo
also as trendsetter in the industry and the country. through the years, I
believe FHm is able to shape the way the readers look, not just at mens
magazines, but at women in general, he says. I think the readers want a
dynamic experience when they read the magazine, they want interaction;
they want to get involved.
doc marlon Pecjo is a premier photographer for numerous magazine
titles. He also dabbles in fashion and beauty photography. Chise Alcantara
FH M 41
ja nuar y 20 05 - december 20 0 9
42 FH M
K a t rin a H alili
November 2005
Batanes
FH M 43
K a t rin a H alili
November 2005
Batanes
44 FH M
FH M 45
A n g e li c a P a n g a n ib a n
March 2007
Bohol
48 FH M
A n g e li c a P a n g a n ib a n
March 2007
Bohol
Photographed by
Ronnie Salvacion
FH M 49
50 FH M
B i a n c a K in g
September 2005
Batangas
Photographed by Adam Watson
FH M 51
B i a n c a K in g
June 2006
Quezon City
Photographed by
Paolo Pineda
52 FH M
C a m ill e P r a t s
February 2006
Alabang, Muntinlupa
Photographed by
Darren Tieste
FH M 53
54 FH M
C a m ill e P r a t t s
February 2006
Alabang, Muntinlupa
Photographed by Darren Tieste
FH M 55
R i c a P e r al e j o
June 2006
Quezon City
Photographed by Paolo Pineda
56 FH M
Phoemela Baranda
June 2006
Quezon City
FH M 57
Fr a n c in e P ri e t o
October 2006
Makati City
58 FH M
FH M 59
N a n c y C as t i gli o n e
April 2006
Mandaluyong City
60 FH M
A m a n d a G ri f f in
November 2006
Makati City
FH M 61
A l e s s a n dr a d e Ros si
April 2008
Manila
Photographed by Jun de Leon
62 FH M
FH M 63
C h e s k a G ar c i a
April 2006
Mandaluyong City
64 FH M
FH M 65
C ris t in a G a r c i a
October 2006
Quezon City
Photographed by Mark Nicdao
66 FH M
Ta nya G ar c i a
March 2006
Quezon City
FH M 67
October 2005
Manila
68 FH M
G aby d e l a M e r c e d
February 2007
BGC
FH M 69
70 FH M
C ris t in a G ar c i a
October 2006
Quezon City
FH M 71
72 FH M
C ris t in a G a r c i a
October 2006
Quezon City
FH M 73
74 FH M
M a ri e l Ro dri g u e z
December 2008
San Juan City
FH M 75
C ris t in e R eye s
August 2007
Tagaytay City
76 FH M
Va n n a G a r c i a
January 2006
Makati City
Photographed by Victor Consunji
FH M 77
A r a M in a
July 2005
Pasig City
Photographed by
Xander Angeles
78 FH M
Po ps Fe rn a n d e z
August 2006
San Juan City
FH M 79
E ul a Val d e z
May 2006
Makati City
80 FH M
FH M 81
82 FH M
Jean Garcia
October 2008
Quezon City
Photographed by
Doc Marlon Pecjo
FH M 83
84 FH M
B u b b l e s P a r ais o
November 2006
Makati City
FH M 85
E h r a M adri g al
June 2008
Makati City
Photographed by Jay Tablante
86 FH M
FH M 87
88 FH M
D i a n a Zu b iri
July 2008
Quezon City
Photographed by
Doc Marlon Pecjo
FH M 89
July 2007
Makati City
90 FH M
P r e c i o us A d o n a
May 2008
Quezon City
Photographed by Doc Marlon Pecjo
FH M 91
B a n g s G ar c i a
May 2009
Quezon City
92 FH M
FH M 93
A ri a n i N o g u e ir a
November 2007
San Juan City
Photographed by Jay Tablante
94 FH M
L J R eye s
December 2009
Makati City
FH M 95
L J R eye s
December 2009
Makati City
96 FH M
FH M 97
September 2009
Subic, Zambales
98 FH M
FH M 99
100 FH M
September 2009
Subic, Zambales
FH M 101
LIFE B EFoRE , dURIng , A nd B E yond
t H E 10 y E A R s o F F H m
by L ou r d d e Veyra
ou can credit the success of FHm to a between skin and skin would be enjoyable feature articles. those
y
hundred factors. you could point to the death stories and columns definitely reeked of tabloid breath, but the
of the skin flick, of course. tagalog was arresting.
But then again, who needs cinemas the command of the language, in fact, was more than you can
when youve got a dVd player and an Internet say about todays crop of reporters in tabloids, primetime news
connection? And while were at it: Who needs programs, and Am radio. Rumor has it that those flesh rags were
a meaningful relationship when youve got tube8.com and redtube? staffed by prizewinning poets and novelists looking for added
But were getting ahead of our story. sources of beer budget (nothing like alcoholism and poverty to
this article should have been all about ten years of FHm make writers write like angels).
Philippines. But those ten years might easily have been about But those magazines died out in the 90s. they died along with
quantum leaps in our countrys attitude towards what we had once komiks, songhits, and the showbiz rag.
thought of as an eternally thorny issuesex. What did not die, though, was the bomba flick, which eventually
In a way, the success of FHm is reflective of a shift in Pinoy transmogrified into the st film of the 90s. the major st muses of
cultural values. you could say that it is an indicator of changing that time were Cristina gonzales and gretchen Barretto, before the,
sexual mores. uhm, good life.
I am not about to blame the magazine with regard to the alarming Cheap and easy to produce and even easier to sell, st flicks
spike in HIV cases (Its the fault of those horny call center agents). were being relentlessly churned out by the industry like buy-one
Wait. maybe reflective might not be such an accurate word. tits and take-one hamburgers. the st even went as far as pretending it
ass will always be a hit regardless of eras and zeitgeist. was a serious art film. things went supernova with Rosanna Roces.
But to appreciate all these, youd have to imagine a Philippines then it was downhill from thereright straight into the garbage
before FHm. bin. And when sm cinemas announced that they would no longer
there was a time when as kids, all we had as sources for show such immoral fare, that was the last nail on the coffin.
boobs and butts was the national geographic back issues. or the there was a time when stripping for the moving/unmoving
Avon lingerie catalogue. camera (were talking about women, of course) was an act of
the male populace was truly content with cheap black- desperation. But thanks to glossy pages and fancy photography, an
and-white publications with funny names like tiktik and jingle invitation to pose for FHm suddenly became a badge of honor.
Extra Hot. this was the 70s and the 80s. these magazines had How does one magazine change perspectives?
significant flesh content, modeled by oftentimes hairy starlets or you might say that the attitudinal changes had already
whoever it was the photographer dragged out of a Quezon Avenue happened way, way before, and that it was merely a matter of time
massage parlor at four in the morning. before somethingbe it a television show or a publicationprovided
But despite the rather seedy look of crudely printed ink on a platform on which to synthesize them. Enter FHm Philippines.
rapidly yellowing paper, the editors ensured that somewhere I seriously doubt if the majority of Pinoys are concerned about
102 FH M
Photographed by mark nicdao
the magazines British provenance. For some reason, theres these are women you see on tV and magazines, although
something truly Filipino about FHm. the industry term for its ilk is some of them, I will have to admit, look like they were sauna-bath
lad magazine, which is interchangeable with mens magazines. refugees. It is believed that most Pinoy men easily get tired by the
However, lad is an intriguingly apt word. the conventional view sight of oyster-like oB-gyn photography, and would rather revert to
is that deep down inside, Pinoy menno matter how macho or how the distant comfort of the unattainable object of desire.
powerful they areare hormonal adolescents, certified mamas boys. the familiar face and body, presented with just the right
there is also something charmingly apt about the whole amount of tease, all the more titillating by what is concealed. never
concept. Everytime you open an issue of FHm, you are drawn into mind that the majority of artistas posing for the magazine do not
a timeless world of bikinis, cleavage, cars, beer, gadgets, among normally tend to be generous with their flesh.
others. And it never grows old. It is a world that seems to be An FHm gig, after all, is merely viewed as one of the avenues
eternally 21 years of age. for further stardom. It is enough that a portion of the fantasy is sold.
Which is why opening a Philippine edition of, say that other then theres magic of print: the tactile. While you can do it with
adult magazine popular in the 80s, suddenly did not seem like the your laptop (but thats rather freaky), you cant bring your desktop
wisest of decisions. mention its name to todays adolescents and computer with you to the bathroom. you cant hide your laptop
theyll go, Play-wha? between the covers of Crime and Punishment.
that is now merely a soft-focus phantasm of nostalgia. It harks the next ten years of FHmwhich is to say, the sexual climate
back to a past generation for whom the sight of pubis and nipples of the next decadeare something to look forward to. But should
was already the apex of carnality. we be alarmed? Rufa mae Quinto has already appeared twice.
I probably belong to the last generation of schoolboys who had But it seems that her dumb non-blonde shtickin spite of those
known the magazine as something you hid between textbooks to breastsis getting to be tiresome. From an FHm perspective, it may
slip into your seatmates bag. But we also knew that there was far have sacrilegious connotations: man does not live by breasts alone.
nastier stuff available. But then again, a pair of tits is not a simple thing. Its a
there were magazines that went for pure gynecological complex subject matter. there is hope. For every Rufa mae Quinto
gold: pages upon pages of glisteningly moist, almost crustacean that settles in vague matrimonial bliss, theres always a shaina
nastiness. Who the fuck needs the new Ray Bradbury short story magdayao, now equipped with a more mature (read: willing to take
when youve got vaginal closeups? more clothes off) outlook in life. Life goes on, and life is beautiful
sadly, FHm still doesnt offer gynecological closeups. But it indeed.
offers the next best thing, or come to think of it, maybe something
infinitely better: Celebrity skin.
And I dont just mean desperate startlets or whoever it was Lourd de Veyra is a four-time Palanca awardee. He is also the frontman of spoken
the editor/photographer dragged from a shadowy Quezon Avenue jazz collective Radioactive Sago Project, a blogger of Spot.ph, and a maverick
multimedia broadcaster.
corner at four in the morning.
Reprinted from FHm.com.ph/FHmX
FH M 103
ja nuar y 2010 - november 2015
104 FH M
January 2013
San Juan City
Photographed by
Mark Nicdao
FH M 105
January 2013
San Juan City
Photographed by
Mark Nicdao
January 2013
San Juan City
Photographed by
Mark Nicdao
108 FH M
FH M 109
May 2010
Tagaytay City
110 FH M
FH M 111
A n g e l L o c sin
May 2010
Tagaytay City
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FH M 113
114 FH M
S o l e n n H e us s a f f
March 2011
Quezon City
FH M 115
March 2011
Quezon City
116 FH M
FH M 117
March 2011
Quezon City
118 FH M
FH M 119
120 FH M
March 2011
Quezon City
FH M 121
L ov i P o e
September 2011
Ayutthaya, Thailand
122 FH M
FH M 123
L ovi Po e
September 2011
Ayutthaya, Thailand
124 FH M
FH M 125
L ovi Po e
September 2011
Ayutthaya, Thailand
126 FH M
FH M 127
L ovi Po e
September 2011
Ayutthaya, Thailand
128 FH M
FH M 129
March 2014
Balesin Island
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132 FH M
March 2014
Balesin Island
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March 2014
Balesin Island
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J e n ny ly n M e r c ad o
June 2013
Anilao, Batangas
Photographed by BJ Pascual
FH M 137
138 FH M
J e n ny ly n M e r c ad o
June 2013
Anilao, Batangas
FH M 139
M i c h e ll e M adri g al
April 2012
Subic, Zambales
140 FH M
Jackie Rice
January 2010
Boracay
Photographed by
Doc Marlon Pecjo
FH M 141
Jackie Rice
January 2010
Boracay
Photographed by
Doc Marlon Pecjo
142 FH M
FH M 143
144 FH M
Val e e n M o n t e n e g r o
July 2015
Subic, Zambales
Photographed by
Xander Angeles
FH M 145
Val e e n M o n t e n e g ro
July 2015
Subic, Zambales
146 FH M
FH M 147
A n dr e a To rr e s
December 2014
Zambales
148 FH M
FH M 149
B e l a P adill a
March 2012
Anilao, Batangas
150 FH M
FH M 151
M i c h e ll e M adri g al
April 2012
Subic, Zambales
152 FH M
L J R eye s
February 2013
Antipolo City
Photographed by
Doc Marlon Pecjo
FH M 153
A l o di a G os i e n g f i a o
July 2013
Quezon City
Photographed by
Xander Angeles
154 FH M
S a m P in t o
July 2010
San Juan City
Photographed by
Xander Angeles
FH M 155
S am P in t o
July 2010
San Juan City
156 FH M
FH M 157
158 FH M
January 2013
San Juan City
FH M 159
E ll e n A d arn a
January 2012
Paraaque City
160 FH M
FH M 161
162 FH M
E ll e n A d a rn a
January 2012
Paraaque City
Photographed by
Xander Angeles
FH M 163
164 FH M
Danita Paner
November 2013
Makati City
FH M 165
Danita Paner
November 2013
Makati City
Photographed by
Mark Nicdao
166 FH M
S a r a h G au g l e r
May 2013
Pasig City
Photographed by
Paolo Pineda
FH M 167
J uli a C l ar e t e
November 2011
Quezon City
168 FH M
FH M 169
Re d d e l a C ruz K i t B a rr a q ui as D ai a n a M e n e ze s S a r a P o lve rin i
170 FH M
S a nya S m i t h M a f a e B e l as c o O rnus a C adn e s s R e gin e A n g e l e s B i a n c a Val e ri o
January 2013
Quezon City
FH M 171
M e lis s a R i c k s
September 2012
Hong Kong
172 FH M
J a n n a D o m in g u e z
June 2013
Manila
FH M 173
174 FH M
Bangs Garcia
March 2010
Manila
FH M 175
176 FH M
O rnus a C adn e s s
June 2013
Manila
FH M 177
S a m P in t o
December 2011
Clark, Pampanga
178 FH M
FH M 179
180 FH M
S a m P in t o
December 2011
Clark, Pampanga
FH M 181
C a rl e n e Ag uil a r
January 2009
Makati City
182 FH M
FH M 183
M ag gi e W ils o n
March 2009
Makati City
Photographed by
Doc Marlon Pecjo
184 FH M
FH M 185
186 FH M
E ul a Val d e z
July 2010
Makati City
FH M 187
N i a J os e
August 2011
Manila
188 FH M
G T n gi
August 2012
Makati City
FH M 189
R i t z A zul
November 2012
Marikina City
Photographed by
Roy Macam
190 FH M
M is a C a m p o
November 2011
Makati City
FH M 191
Aub r ey M il e s
June 2013
Makati City
192 FH M
FH M 193
D ai a n a M e n e ze s
November 2014
Pasig City
Photographed by Ejay Leung
194 FH M
S a nya S m i t h
November 2012
Makati City
Photographed by Kench Genato
FH M 195
M aui Tay l o r
January 2013
Quezon City
Photographed by Niko Villegas
196 FH M
FH M 197
198 FH M
J a n n a V i c t o ri a
January 2013
Quezon City
Photographed by Niko Villegas
FH M 199
A li c e D ix s o n
December 2013
Quezon City
200 FH M
FH M 201
A li c e D ix s o n
December 2013
Quezon City
202 FH M
FH M 203
Ya m C o n c e p c i o n
September 2015
Quezon City
204 FH M
M a ri a Oz awa
June 2015
Quezon City
Photographed by
Wesley Villarica
FH M 205
P h o e m e l a B ar a n d a
February 2014
Quezon City
206 FH M
M is a C a m p o
February 2011
San Juan City
Photographed by
Xander Angeles
FH M 207
R a c h e l A n n e D a q uis
October 2014
Subic , Zambales
Photographed by Jake Verzosa
208 FH M
A n dr e a To rr e s
December 2014
Zambales
FH M 209
M e g I m p e ri al
December 2012
Makati City
Photographed by
Paolo Pineda
210 FH M
M a x C o llins
March 2015
Quezon City
Photographed by
Doc Marlon Pecjo
FH M 211
S uns h in e C ruz
April 2013
Makati City
212 FH M
FH M 213
I n a R ay mu n d o
November 2015
Makati City
Photographed by
Mark Nicdao
214 FH M
index
A Eula Valdez photographed by Xander Angeles pp. 80, Meg Imperial photographed by Paolo Pineda p. 210
Alessandra de Rossi photographed by Jun de Leon 81, 186, 187 Melissa Ricks photographed by Doc Marlon Pecjo p. 172
pp. 62, 63 Michelle Madrigal photographed by BJ Pascual pp. 140,
Alice Dixson photographed by Doc Marlon Pecjo F 152
pp. 200, 201, 202, 203 Francine Prieto photographed by Xander Angeles pp. Miles Hernandez photographed by Xander Angeles
Allan Madrilejos p. 3 31, 34, 58, 59 p. 34
Alodia Gosiengfiao photographed by Xander Angeles Misa Campo photographed by Xander Angeles pp. 191,
p. 154 G 207
Amanda Griffin photographed by Xander Angeles p. 61 G Tngi photographed by Marlon Corvera pp. 15, 24;
Andrea Torres photographed by Doc Marlon Pecjo photographed by Xander Angeles p. 189 N
pp. 148, 149, 209 Gaby dela Merced photographed by Mark Nicdao p. 69 Nancy Castiglione photographed by Xander Angeles
Angel Locsin photographed by Xander Angeles p. 60
pp. 18, 19, 110, 111, 112, 113; photographed by I Nia Jose photographed by Xander Angeles p. 188
Mark Nicdao p. 68 Ina Raymundo photographed by Mark Nicdao p. 214,
Angelica Panganiban photographed by Ronnie back cover O
Salvacion pp. 46, 47, 48, 49 Ornusa Cadness photographed by Doc Marlon Pecjo
Ara Mina photographed by Xander Angeles p. 78 J pp. 171, 176, 177
Ariani Noguiera photographed by Jay Tablante p. 94 Jackie Forster photographed by Ronnie Salvacion pp. Paolo Pineda p. 41
Assunta de Rossi photographed by Xander Angeles 32, 33
pp. 6, 7, 14, 20 Jackie Rice photographed by Doc Marlon Pecjo pp. 141, P
Aubrey Miles photographed by Xander Angeles pp. 8, 142, 143 Patricia Javier photographed by Tom Epperson p. 30
38, 39, 192, 193 Janna Dominguez photographed by Paolo Pineda p. 173 Phoemela Barranda photographed by Paolo Pineda
Janna Victoria photographed by Niko Villegas pp. 198, p. 57; photographed by Doc Marlon Pecjo p. 206
B 199 Pops Fernandez photographed by Xander Angeles
Bangs Garcia photographed by Doc Marlon Pecjo Jennylyn Mercado photographed by BJ Pascual pp. 136, p. 79
pp. 92, 93, 174, 175 137, 138, 139 Precious Adona photographed by Doc Marlon Pecjo p. 91
Bella Padilla photographed by Xander Angeles pp. 150, Jean Garcia photographed by Doc Marlon Pecjo pp.
151 82, 83 R
Bianca King photographed by Adam Watson pp. 50, 51; Joyce Jimenez photographed by Jun de Leon pp. 22, Rachel Anne Daquis photographed by Jake Verzosa
photographed by Paolo Pineda p. 52 23, 37; photographed by Mark Nicdao p. 90 p. 208
Bianca Valerio photographed by Doc Marlon Pecjo Julia Clarete photographed by Xander Angeles pp. 168, Red dela Cruz photographed by Doc Marlon Pecjo p. 170
p. 171 169 Regine Angeles photographed by Doc Marlon Pecjo
Bubbles Paraiso photographed by Xander Angeles Juliana Palermo photographed by Racquel Bautista p. 171
pp. 84, 85 p.10; photographed by Xander Angeles p. 34 Rica Peralejo photographed by Xander Angeles p. 27;
photographed by Paolo Pineda p. 56
c K Ritz Azul photographed by Roy Macam p. 190
Camille Prats photographed by Darren Tieste pp. 53, Katrina Halili photographed by Xander Angeles pp. 43, Rufa Mae Quinto photographed by Ronnie Salvacion
54, 55 44, 45 pp. 12, 13
Carlene Aguilar photographed by Doc Marlon Pecjo Katya Santos photographed by Xander Angeles p. 35
pp. 182, 183 Kit Barraquias photographed by Doc Marlon Pecjo S
Cheska Garcia photographed by Xander Angeles p. 170 Sam Pinto photographed by Xander Angeles pp. 155,
pp. 64, 65 Kristine Hermosa photographed by Xander Angeles 156, 157, 178, 179, 180, 181
Christine Reyes photographed by Mark Nicdao pp. 76, p. 26 Sanya Smith photographed by Doc Marlon Pecjo
98, 99, 100, 101 p. 171; photographed by Kench Genato p. 195
Cindy Kurleto photographed by Xander Angeles pp. 16, L Sarah Gaugler photographed by Paolo Pineda p. 167
17 LJ Reyes photographed by Doc Marlon Pecjo pp. 95, Sara Polverini photographed by Doc Marlon Pecjo
Cristina Garcia photographed by Francis Abraham 96, 97, 153 p. 170
pp. 4, 5; photographed by Mark Nicdao pp. 66, 70, 71, Lourd de Veyra pp. 102, 103 Solenn Heussaff photographed by Mark Nicdao
72, 73 Lovi Poe photographed by Mark Nicdao pp. 122, 123, pp. 103, 114, 115, 116, 117, 118, 119, 120, 121
124, 125, 126, 127, 128, 129, Sunshine Cruz photographed by Doc Marlon Pecjo
D pp. 212, 213
Danita Paner photographed by Mark Nicdao pp. 164, M
165, 166 Mafae Belasco photographed by Doc Marlon Pecjo T
Daiana Menezes photographed by Doc Marlon Pecjo p. 171 Tanya Garcia photographed by Xander Angeles p. 67
p. 170; photographed by Ejay Leung p. 194 Maggie Wilson photographed by Doc Marlon Pecjo Teresa Herrera photographed by Francis Abraham p.11
Diana Zubiri photographed by Xander Angeles pp. 34, pp. 184, 185
36; photographed by Doc Marlon Pecjo pp. 88, 89 Maria Ozawa photographed by Wesley Villarica p. 205 V
Dina Bonnevie photographed by Ronnie Salvacion Marian Rivera photographed by Mark Nicdao cover, Valeen Montenegro photographed by Xander Angeles
pp. 21, 28, 29 pp. 2, 105, 106, 107, 108, 109, 130, 131, 132, 133, pp. 144, 145, 146, 147
Doc Marlon Pecjo p. 41 134, 135, 158, 159 Vanna Garcia photographed by Victor Consunji p. 77
Donita Rose photographed by Toto Labrador p. 25 Mariel Rodriguez photographed by Mark Nicdao
pp. 74, 75 X
E Mark Nicdao p. 40 Xander Angeles p. 40
Ehra Madrigal photographed by Jay Tablante pp. 86, 87 Maui Taylor photographed by Xander Angeles p. 9;
Ellen Adarna photographed by Xander Angeles pp. 160, photographed by Niko Villegas pp. 196, 197 Y
161, 162, 163 Max Collins photographed by Doc Marlon Pecjo Yam Concepcion photographed by Doc Marlon Pecjo
Erwin Romulo p. 216 p. 211 p. 204
FH M 215
af ter word
by Erwin Romulo
f there is anything to be said about the repeated proclamations about the death of print, it is that
I
either it is suffering from a lingering but perhaps fatal illness or that it is a zombie art form. make no
mistake about it, every decade in recent memory has trumpeted its demise but yet it is still here, still
alive or maybe undead. magazines in particular get so regularly killed off by one pundit or another
it makes you wonder if its not all driven more by a spurned Eros rather than by a particularly inept
thanatos.
the mention of the name of the god of desire is apt, if only because the celebration of beautiful women has
perhaps been around as long as magazines have been made. It is made flesh by the fact that it is printed. It is tactile to
the touch. Even the smells of a newly-printed magazines paper has known to be a turn on. For many it has even taken on
an air of devotion.
In all its years of publishing, FHm Philippines has enraptured, engaged and articulated the desires of readers
the world over. this is no idle boast. After all, we do have the most beautiful women. And it isnt limited to men either. As
surveys have shown a significant number of women regularly pick up an issue. It is a collective dreaming that can only
be good for the health of any society. After all, the expression of what makes us all inherently human should always be
cherished if not protected. only then can we truly be open to discuss what matters to us most.
no, print isnt dead. If anything it is sleeping, like some gorgeous babe under enchantment, and it only takes a
kiss to bring her to life. that happens each time you turn a page. It is nothing less than an act of love.
216 FH M
S E X I E S T: 15 Y E A R S O F S T u N N I N G WO M E N A V I S uA L c E LE B R AT I O N
WO u LD N OT H AV E B E E N P OS S I B LE W ITH O u T TH E V ITA L
cONTRIBuTIONS OF OuR FORMER FHM cOLLEAGuES
E R I C R A m o s , m s . K I t t y g o , n At C L AV E , g I n o d E L A PA z ,
d E n I s d E L C A L L A R , A LV I n j I m E n E z , C A L E E n o B I A s , A L I E s P I n A ,
jAV I m o R En o, CH A d R os A R I o, A L E X A n d ER t. m Agn o,
C H R I s C U A s o , j AyC E E d E E , C E C I L E j U s I - B A LtA s A R ,
A L E X C . PA I tA , j E n I n A A L L I , A n d R E W A s U n C I o n (+) ,
A m A d o R m A dA m B A , A n A K A L AW, d o n A C U n A- P I tA ,
C H R I s s y I C A m I n A - d A L U s o n g , L o U A L B A n o , K Ay E A R A A ,
VA L E R I E d E g U z m A n , F R A n t z A R n o s A LVA d o R , j o j I E C U s t o d I o ,
H E I d I P A s C U A L- A Q U E n d E , C H A P s o n g C H A P , j A n E L L E g U C E ,
C H A R I A LVA R E z , m A R C C E L I s , j E d g R E g o R I o ,
mICH LAgdAmEo, Anton UmALI.
THE PHOTOGRAPHERS
F R A n C I s A B R A H A m , X A n d E R A n g E L E s , R AC Q U E L B AU t I s tA ,
VICtoR ConsUnjI, mARLon CoRVERA , tom EPPERson,
K E n C H g E n Ato , toto L A B R A d o R , j U n d E L Eo n ,
E j Ay L E U n g , R oy m A C A m , m A R K n I C d A o , B j PA s C U A L ,
d o C m A R L o n P E C j o , PA o L o P I n E d A , R o n n I E s A LVA C I o n ,
j Ay tA B L A n t E , d A R R E n t I E s t E , j A K E V E R z o s A ,
W E s L E y V I L L A R I C A , n I Ko V I L L E g A s , A dA m WAt s o n
SuMMIT MEDIA
PRESIDENT: LIsA goKongWEI- CHEng
PuBLISHER: EdnA BELLEzA
F H M J u N I O R A S SO c I ATE P u B LI S H E R : A EUs R E y E s
V P FO R O P E R ATI O N S : H A n s E L d E L A C R Uz
DEPuT Y GROuP PuBLISHER - BOOKS : CHRIstInE Ko

S R . P u B LI S H I N G A S S I S TA N T: F R A n C I s g A LU R A
A D M I N & P RO D u c TI O N A S SO c I ATE : j U n E PAU L I n E s A n d oVA L
EDITOR IN cHIEF - BOOKS: mARLA mInIAno

MANAGING EDITOR - BOOKS: KIm Uy
PRODucTION MANAGER : ELIz ABEtH RELLIs

S E N I O R P R O D u c T I O N c O O R D I N ATO R : d I n A j E s U I tA s
D E P u T Y N ATL . c I Rc u L ATI O N M A N AG E R : g L E n dA g I L
ADVERTISING DIREcTOR : FLoREnCE BIEnVEnIdo
S E X I E S T: 15 Y E A R S O F S T U N N I N G F H M W O M E N - A V I S UA L C E L E B R AT I O N i s p u b l i s h e d by s u m m i t P u b l i s h i n g C o . I n c . ( s P C I ) . A l l r i g ht s r e s e r ve d . P h i l i p p i n e
c o py r i g ht 2 015 by s P C I . n o p a r t of t h i s b o o k m ay b e r e p r o d u c e d i n a ny m a n n e r w i t h o u t t h e p e r m i s s i o n of t h e p u b l i s h e r. o p i n i o n s ex p r e s s e d i n t h i s b o o k a r e t h e w r i t e r s
a n d a r e n ot n e c e s s a r i l y e n d o r s e d by t h e p u b l i s h e r. t h e p u b l i s h e r r e s e r ve s t h e r i g ht t o a c c e pt o r r e j e c t e d i t o r i a l o r a d ve r t i s i n g m a t e r i a l . U n s o l i c i t e d m a n u s c r i p t s ,
p h ot o g r a p h s , a n d a r t wo r k w i l l n ot b e r et u r n e d . P u b l i s h e r a s su m e s n o r e s p o n s i b i l i t y fo r u n s o l i c i t e d m a t e r i a l . A d d r e s s a l l c o r r e s p o n d e n c e a n d su b s c r i p t i o n i n q u i r i e s t o
s u m m i t B o o k s , 7/ F Ro b i n s o n s C y b e r g a t e towe r 3 , Ro b i n s o n s P i o n e e r C o m p l ex , P i o n e e r st . , m a n d a l u yo n g Ci t y 15 5 0 , P h i l i p p i n e s
FH M 217
FHM SEXIEST: 15 Years of
Stunning Women Barcode
P495
P495
FHMB -15-02
SEXIEST 15 Years of Stunning FHM Women: A Visual Celebration is a toast to this magazines creativity, evolution, and excellence.
Its about taking pride in a body of work solidified through the years by the partnerships weve forged with the countrys celebrated
photographers, stylists, makeup artists, award-winning writers, and our no-nonsense friends from the entertainment industry. Most of all,
its a salute to the finest, most iconic and gorgeous women who have blessed us with their beauty, elegance, open-mindedness, passion,
and trust. Rejoice, FHM Nation! Heres to glorious memories and a future you can expect to be as equally momentous.

Sexiest 15 Years

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Sexiest 15 Years

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15 years of stunning women: a visual celebration

BOOK DE SIGN AND PHOTOGR APHY EDITOR PAUL C . V ILL ARIBA

WEB MANAGING EDITOR BA BoRLEo

07 foreword by A lla n A . madr ilejos

10 20 0 0 - 20 04 Cr is tina ga rcia , A s sunt a de Ros si , Aubrey mile s , maui tay lor,

48 t h e p h o t o g r a p h e r s by Pong m . Ca s tillo & Chise A . A lc a nt a ra

50 20 05 - 20 0 9 Katr ina Ha lili , A ngelic a Pa nga niba n , B ia nc a King , Ca mille

110 l i f e b e f o r e , d u r i n g , a n d b e y o n d t h e 1 0 y e a r s o f f h m by Lourd de Vey ra

223 af te r word by Er win Romulo

FH m shouldn t feel like looking at

DEPuT Y GROuP PuBLISHER - BOOKS : CHRIstInE Ko

EDITOR IN cHIEF - BOOKS: mARLA mInIAno

PRODucTION MANAGER : ELIz ABEtH RELLIs

ADVERTISING DIREcTOR : FLoREnCE BIEnVEnIdo

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