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Zachary
Mr. Butler
01 January 2017
In life everyone encounters conflict and although unsavory, it can lead to the defining of one's
character in certain situations. One may break their leg, and while part of them is immobilized,
the rest of them becomes stronger and when fully healed, they come out better than they were
before. This can also be seen in White Fang, while culture maintained a firm hold on White
Fangs development, he strengthened still, becoming glorious, and when he was healed finally,
released from the vaselike grip of the hand of man that controlled him, he changed and became
whole. In the novel White Fang, Jack London's character White Fang encounters much conflict
and though this conflict gains new depth.There is no doubt that Jack London presents White
Fangs dynamic character though the conflict between culture and nature.This can be seen though
culture controlling White Fangs life, the camps hatred towards him, and Beauty Smiths cruelty.
There is no doubt that culture is responsible for all of White Fangs change after the first few
For example, soon after White Fang was brought to the Native American camp it said, He
belonged to them as all dogs belonged to them. His actions were theirs to command. ( P. 159)
This also shows that Jack London used strong and advanced diction to tell of White Fangs
submittance to not just Gray Beaver and the camp, but to culture itself.
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In addition in White Fangs early days in the camp it said He acquired a reputation for
wickedness amongst the man-animals themselves. Wherever there was trouble and uproar in
camp, fighting and squabbling or the outcry of a squaw over a bit of stolen meat, they were sure
to find White Fang mixed up in it and usually at the bottom of it. They did not bother to look
This quote shows that the camp made White Fang wicked, but that White Fang did not make
himself wicked.
This also shows that White Fang was merely responding in full to the aggressiveness of the camp
directed at him. They did not bother to look after the causes of his conduct, someone's conduct
is how they behave, and White Fangs behavior was in retaliation. Jack London was saying that
while White Fang was involved in many of the camps troubles, it was not him starting it, it was
Conclusion
In summation, the evidence provided proves that culture was the puppetmaster of White Fangs
There is no doubt that Jack London uses conflict early on in White Fang's life to prevent him
For example, White Fangs situation in the Native American camp described by London was,
Hated by his kind and by mankind, indomitable, perpetually warred upon and himself waging
perpetual war, his development was rapid and one sided.This was no soil for kindliness and
This shows that White Fang evolved into an animal more vicious than nature had intended
This also shows that to convey the entire spectrum of the hate aimed at White Fang, Jack London
swapped The camp with Mankind. This was a choice of strong diction being used yet again
by London.
In addition, when White Fang was about to be touched by mans hand it said It was a torment,
this hand that touched him that violated his instinct. He could not forget all the evil that had been
This shows that Jack London made White Fang fear the hand because of all the hardship White
Fang had faced, because the hand symbolised pain and mistrust and cruelty.
This also shows the internal struggle White Fang faces as he knows only half the hand of man,
the cruel hand, he is bristling, fearing the hand but he knows not to touch this sacred hand of man
Conclusion
In brief, the reader can clearly see that Jack London uses the conflict White Fang has faced as a
There is no doubt that Beauty Smith represents culture and White Fang nature, and that culture
For example in the book Jack London shows that Beauty Smith had a great interest in White
Fang and a desire to control him. This was the man that looked at White Fang, delighted by his
This also shows that nature when controlled and manipulated by culture becomes terrible
because in the wild, animals know no evil but that is not the case in man and in culture.
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In addition Jack london describes Beauty Smith as a monstrosity, Nature had been niggardly
with him ( P. 202) he was something even nature did not want, that she was ungenerous in her
making of him. That he was born that way, the difference is that White Fang became a monster
only because it was forced upon him, ironically this means that Beauty Smith in this case was
This shows that nature, while dangerous is never evil unless manipulated while culture can be
This is because with the bringing of culture, and a desire to control, there will always be evil.
Conclusion
Undoubtedly, Beauty Smith can represent culture or man and their impurity compared to nature.
When culture was first introduced to nature, it desired not to understand but to control. And
while in awe, it was not for the majestic side of nature but for its ferociousness, desiring entirely
to use it as a sculptor for its own future, for selfish and impure reasons.
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Works Cited