Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Marcavius Zydowicz
WR121, Rigamonti
Analysis Summary
16 May, 2017
Upon entering Hip-Hop is Bad into Google, one could discover an article by John
McWorther in City Journal titled How Hip-Hop Holds Blacks Back. Its difficult to read
objectively since the content is chastising of hip hop and young black males, and its written
from the perspective of an educator that is a person of color. The article uses No one really
looks for a way of life to emulate or a political project to adopt in The Sopranos. This sentence
confers people listening to rap want to emulate a life of crime. The article uses parallels between
crime and young black males in hip hop to posit that it is bad for black people.
The article, written in 2003 by John H. McWorther, opens with the description of a scene
laden with stereotypes from his perspective. The author, supposedly an associate professor at
Columbia University, apparently decided to go to a Kentucky Fried Chicken in Harlem for lunch
not long ago. There, he found himself sitting near eight African-American boys, aged about
14. He assumed they were skipping school based on their being there during the school day.
Why he assumed this was pertinent may have been to point out that they were committing, what
he saw or what the reader could infer, a crime. This doesnt account for why the teenagers could
have been there. This sets the tone that people that listen to hip-hop are violent because of it, and
it attempts to prove it by showing the authors evidence of experience. I then returns to this point
Assumptive language based on the authors bias is prevalent in the entire article. The
author quotes hip hop spanning generations and fails to grasp the context that was presented.
They instead dive into the narrative of hip hop causing crime based on excerpts of violent
language, where rappers are undoubtedly exposing the fact that they were raised around violence
and have the capability to be violent to protect themselves. This completely ignores the things
most rap lyrics expose and offers a form of gas-lighting in response. This tactic isnt new. The
author presents themselves like genuinely feel they know what would be good for the culture of
Perhaps one surprising epiphany this man presents rests towards the beginning of the
article, and exposes the authors bias even further. Here, he subtly denies racisms existence in
society.
The hip-hop ethos can trace its genealogy to the emergence in that decade of a black
ideology that equated black strength and authentic black identity with a militantly
adversarial stance toward American society. In the angry new mood, captured by
Malcolm Xs upraised fist, many blacks (and many more white liberals) began to view
black crime and violence as perfectly natural, even appropriate, responses to the supposed
Without the context of society being racist, affected by its corrupt civil institutions, one
cannot gain the context needed to understand a large part of why these movements happened.
Ignoring these class obstacles still in place from hundreds, if not thousands, of years ago allows
them to continue, and this simple fact is lost in the article. The new racism is to deny that
racism exists.
Zydowicz 3
However, the intent of claiming hip-hop is inspiring crimes is not to regulate or ban hip-
hop, but to equate the people that listen to hip-hop, African-American boys in this case, with
crime. Through this point, the author can posit there is a danger to white people, saying they buy
the most recorded hip-hop. Nor will it do to argue that hip-hop isnt black music, since most
of its buyers are white, or because the hip-hop revolution is nominally open to people of all
colors. That whites buy more hip-hop recordings than blacks do is hardly surprising, given that
whites vastly outnumber blacks nationwide. This litotes is to illicit fear in the reader. The
qualification that white people vastly outnumber black people does two things. It qualifies the
before, is another form of gas-lighting, where the author uses pressure points of the argument he
The attitude and style expressed in the hip-hop identity keeps blacks down. Almost all
hip-hop, gangsta or not, is delivered with a cocky, confrontational cadence that is fast
becomingas attested to by the rowdies at KFCa common speech style among young
black males.
This excerpt invalidates any person of color who adapts anything the reader could
identify as being associated with hip-hop. More sinister, it assumes unintelligence and
aggressiveness on young black males, which is the perpetuating of a dangerous lie that
The language and tone in this article is heavily problematic in how it ignores and
perpetuates racism, and its consequently difficult to navigate. Its unique in that it comes from
an educator at a prestigious university, and this is also especially disconcerting. There are
Zydowicz 4
students who have listened to this person speak and learned from him. There are people who
act as an echo chamber for his rhetoric. Hes a linguist, so hes undoubtedly good at slanting for
his agenda.
At the end of his article, he states Hip-hop creates nothing. This is to say that those that
rap should attend a university, or something, like him at the predominantly white, prestigious
Columbia University in New York. This is to say that the same opportunities afforded to him are
available to all people, regardless of their race, and denies the existence of privilege. One would
Works Cited
McWorther, John. How Hip-Hop Holds Blacks Back. City-journal.org. Summer 2003
<https://goo.gl/3YRkN6>