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March/April

2010

Best in show
Bulthaup’s T.O. showroom
Habitat Valencia
Interior Design Show
Plus: Fab new flooring
BPS_CI_0

1968
1968 S Social
ocial environmental
WHO SHapeS tHe
tH future
movements take hold.
Of green deSign?

You do.

1978
1978 E
Earth
arth Day brings What was once a quiet evolution has
awareness to Earth’s
need for continual care. become a revolutionary force. Your desire
for sustainable design has helped redefine
the meaning of green. Since we began
making nora® rubber flooring over
50 years ago, we’ve evolved with you.

1988 1
1988 1,000
,000 communities Your concern for the environment continues
in America initiate
curbside recycling. to create new standards for designing
in harmony with nature. it is why we
continually explore ways to blend the
best of technology with greener thinking.

1998 E
1998 EPA
PA launches voluntary it starts with you.
programs for energy,
water, indoor air You and your challenges.
quality, waste and You and your world.
smart growth.
You and nora.

2008 U
U.S.
.S. Green
Building Council 800-332-nOra
member organizations
grow to 15,000. www.nora.com/us/green25
BPS_CI_0310RELv7.0.qxd:Canadian Interiors 2/18/10 12:10 PM Page 1

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41

24

COVER — 36
Luminous Column chandelier
by Gregor Herman.
Photo by Chris Harrison 36

Contents SPARKLE AND SHINE — 41


Lux Design gives a pair of university
FEATURES dental offices the old razzle-dazzle.
By David Steiner

Best in Show
DEPARTMENTS
GOOD, BETTER, BEST — 31
There were no bad choices at the 2009 INSIDE — 8
edition of Habitat Valencia.
By Erin Donnelly WHAT’S UP — 11

ROOM TO SPARE — 24 THE GOODS — 17


A careful tweaking of Bulthaup‘s Toronto Floored
showroom puts the focus firmly on the The latest trends in flooring and
kitchen manufacturer’s incomparable floorcoverings.
offerings. By Michael Totzke
By John Bentley Mays
WHO’S WHO — 46 31
AIMING HIGH — 36
With the theme of The Ultimate, the LAST WORD — 50
Interior Design Show 2010 set its sights Baby, it’s cold inside
skyward. Canada’s first retail walk-in freezer.
By Karolina Olechnowicz By Michael Totzke
March/April 2010
VOL.47 NO.2

Publisher
Martin Spreer
Editor
Michael Totzke
Managing Editor
Erin Donnelly
Associate Editors
Janet Collins, David Lasker,
Rhys Phillips, Leslie C. Smith
Contributing Writers
John Bentley Mays, Karolina Olechnowicz,
David Steiner
Art Direction/Design
Ellie Robinson, Lisa Zambri
Don’t throw your money Advertising Sales

out the window!


416-510-6766
Circulation Manager
Beata Olechnowicz 416-442-5600, ext. 3543
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•  Reduce your carbon footprint Senior Publisher
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Around 50% of the money we spend on heating or cooling our homes  Vice President of Canadian Publishing
flies right out the window.  Alex Papanou
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Home Renovation Tax Credit (HRTC) eligible. warmwindowcoverings.com 12 Concorde Place, Suite 800
Toronto, ON M3C 4J2
Telephone 416-442-5600
Facsimile 416-510-5140
Canadian Interiors magazine is published by
BIG Magazines LP, a division of Glacier BIG Holdings Company Ltd.
Tel: 416-442-5600, Fax: 416-510-6875
e-mail: info@canadianinteriors.com
website: www.canadianinteriors.com
Canadian Interiors publishes seven issues, plus a source guide, per year.
Printed in Canada. The content of this publication is the property
of Canadian Interiors and cannot be reproduced without
permission from the publisher.
Subscription rates
Canada $36.95 per year; plastic wrapped $39.95 per year (plus taxes) U.S.A.
$69.95 US per year, Overseas $95.00 US per year.
Back issues
Back copies are available for $10 for delivery in Canada,
$15 US for delivery in U.S.A. and $20 overseas. Please send payment to
Canadian Interiors, 12 Concorde Place, Suite 800, Toronto, ON M3C 4J2
or order online www.canadianinteriors.com
For subscription and back issues inquiries please call
416-442-5600 ext.3543,
e-mail: circulation@canadianinteriors.com,
or go to our website at: www.canadianinteriors.com
Newsstands
For information on Canadian Interiors on ­newsstands in Canada,
call 905-619-6565
Canadian Interiors is indexed in the Canadian Magazine Index by
Micromedia ProQuest Company, Toronto (www.micromedia.com)

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Inside

Good show
Let’s hear it for the Interior Design Show, which, this past January, made a triumphant return to its
original location, the Metro Toronto Convention Centre. The North Building never looked so good, and IDS
– the 12th annual edition – welcomed a record 48,000 showgoers to the opening-night gala and weekend
events. For a glimpse inside the gala (attended by such star designers as Jaime Hayón and Tord Boontje),
see Who’s Who (page 47). And for highlights of the show, see Karolina Olechnowicz’s report, “Aiming high” (page 36).
This year IDS spearheaded the inaugural Toronto International Design Festival, a weeklong celebration of local and international
designers – with venues across the city hosting design events, exhibits, lectures and more. “IDS and TIDF are a way of making
Toronto a must-see design designation,” says Shauna Levy, co-founder of IDS and vice-president of MMPI Canada, creator of the show
and festival. “The events are meant to emulate what we see in cities that are home to a major design fair, such as Milan, Miami and
London.” The ever-popular Come Up to My Room returned to the Gladstone Hotel, while Radiant Dark relocated to Commerce Court.
Other venues included Harbourfront Centre, the Royal Ontario Museum and the Art Gallery of Ontario.
The Design Exchange was home to the week’s key event, an all-day symposium. Conversations in Design: A World Without Oil
brought together 15 preeminent designers and thinkers from around the world for a lively and provocative discussion about sustain-
able design. Dutch-born Boontje was there, in conversation with Enrico Bressen, co-founder of the innovative housewares company
Artecnica. So was Dr. Dayna Baumeister of the Biomimicry Guild, the influential worldwide consultancy for bio-inspired design.
Canadian participants included visionary designer Bruce Mau; Todd Wood, the VP of Industrial Design at Research in Motion, maker
of the BlackBerry; and Mirko Zardini, director of the Canadian Centre for Architecture.
“Mirko did an excellent job setting the stage by explaining how the design community responded to the first energy crisis in the
1970s, and the rest just followed,” says IDS symposium director Rachel Gotlieb. “Architects, designers, captains of industry, museum
professional, academics and students were all there, and it was a great meeting of the minds.” c I

Michael Totzke mtotzke@canadianinteriors.com

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What’s Up

.
MAR./APR.
Awarded in
Alberta
Every two years, the Interior Above and far left
Designers of Alberta honour Newalta Corporation
their own. The 2009 IDA Design Corporate Headquarters,
designed by Walker
Competition attracted 41 Lawson, offers ease
entries, “the highest participa- of collaboration and
tion to date,” notes Karen L. communication.
Robertson (prinicipal, KLR Left and below
Pengrowth Corporation
Interior Design), who orga- Livingston Place,
nized the competition with designed by the
Michele Gunn (associate, MartensGroup, uses
traditional elements
Sizeland Evans Interior in an experimental way.
Design; and IDA president).
After careful consideration,
five judges (from Calgary,
Edmonton, Toronto and
Vancouver) chose 17 winners: 2
Gold, 6 Silver and 9 Bronze.
The big winner was Martens-
Group Licensed Interior Design
Studio, with one Gold, one
Silver and three Bronze. Walker
Lawson Interior Design also
did well, netting one Gold and
one Silver. The other multiple
winner was Shearer Design, responded by using traditional
which won four Bronze. elements (such as columns,
The two Gold projects – the cornices, wall panelling and
MartensGroup’s Pengrowth ceiling coffering) in a new way,
Corporation Livingston Place experimenting with proportion
and Walker Lawson’s Newalta and scale. Says MartensGroup
Corporation Corporate Head- associate Douglas Niwa, “In a
quarters, both in Calgary – design world that can seem a ease of collaboration and though, is that we have made a
were in the category Office little infatuated with the communication, flexibility and major impact on our client’s
Over $80 Per Square Foot futuristic, design can also personal comfort should be operational success. To the
Construction. achieve a surprisingly progres- available to all without Newalta people we tip our hat
According to the project sive and innovative aesthetic by sacrificing the efficient use of and thank them for the
summary for the Pengrowth looking to the past for guid- space.” Walker Lawson’s design opportunity to be part of
office, “The company’s presi- ance. Historical reference when provides an international something much bigger than
dent, unapologetic in his combined with a contemporary aesthetic that is contemporary ourselves.”
request for a traditional design sensibility can produce and timeless. Says Walker
aesthetic for his new premises an exceptionally sophisticated Lawson principal Jane Law-
consisting of 11 floors in a hybrid style.” son, “It is a true honour for our
newly constructed glass office According to the project firm to have won an IDA Gold
tower, requested that our summary for the Newalta award for Newalta Corpora-
interior design solution exude office, “Five employee floors tion, and to have our work
the sense of permanence and were to be designed with the recognized by our industry
solidity.” The MartensGroup premise that natural daylight, peers. More importantly,

March/April 2010 CANADIAN INTERIORS 11

9 3:32:35 PM
Klaus and
company
included in the Financial recently, 85 per cent of its community colleges and
Post’s annual list of canada’s customer base was in corpo- national art institutions, and
50 Best Managed companies is rate america. “Fortunately we provides numerous scholar-
Nienkämper, the Toronto-based had recognized our vulnerabil- ships and internships.
designer and manufacturer of ity to U.S. financial cycles and Nienkämper is focused on
sophisticated high-end began developing our markets creating a workplace and
furniture for corporate offices overseas,” says Nienkämper. public environments where
and public spaces. This is just “We’ve enjoyed particular people can realize their full
the latest in a long list of success in the Middle East, potential. The company chair. he was a major donor to
honours for the internationally which has helped to offset our occupies a sprawling the rOM revitalization project
renowned company and its dependence on our U.S. 120,000-square-foot facility in and the Ontario college of art
founder, Klaus Nienkämper. customers by over 30 per cent.” north Toronto that houses and Design, and has provided
“This country has given me so With many long-service state-of-the-art furniture- funding to the art Gallery of
much – nothing could make me employees, the company – manufacturing equipment, Ontario for special events.
prouder than to be named which is at the forefront of the much of it customized to meet
among its 50 best-managed sustainability movement in Nienkämper’s demanding
companies,” he says. “it is commercial furnishings – design standards.
particularly welcome to have boasts a remarkably low The company’s owner has
this acknowledgement of our turnover rate. investing in always been an impressive
success coming out of the training, Nienkämper offers corporate citizen. Klaus
worst downturn in our both apprenticeships and Nienkämper was a founding
Clockwise from above
company’s 40-year history,” co-op placements to raise the member of the Toronto Design Kloud Serpentine by
it has been a challenging standards of furniture design Exchange and more recently Karim Rashid; Blox
time for Nienkämper, consider- and production in canada. it worked with architect Daniel Benches; the Granger
Collection; Klaus
ing the crisis in U.S. commer- has also formed partnerships libeskind to create the royal Nienkämper with the
cial development; until with many local school boards, Ontario Museum’s Spirit house Spirit House Chair.

12 caNaDiaN INTERIORS March/april 2010


From top Silent Gliss by Brading
Peony;
Wisteria; Smooth, reliable and nearly soundless
Petal
Stripe. operation are the hallmarks of Silent Gliss
curtain tracks. They cover all drapery
weight requirements with a range of
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cord drawn, even motorized solutions are
available from Silent Gliss by Brading. Most
of the tracks can be bent to almost any
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Brading Fabrication
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416-488-6600

Return to
Chelsea
Farrow & Ball, the British
manufacturer of traditional
wallpapers and paint, has
introduced The Chelsea Papers,
a floral collection inspired by
original 19th-century pure silk
woven jacquards. It comprises
three designs: Wisteria, a
trailing pattern featuring the
blossoming flower; Peony, a bold
design that takes its inspiration
from the ornamental flower; and
Petal Stripe, which is meant to
work in harmony with the pair
of florals. Each design comes in
20 colourways, including
neutrals, pastels and metallics.
A selection of unusual
combinations has been included,
where black is paired with
either gold or muted grey
neutrals for a modern look.
All Farrow & Ball papers are
made to order at the company’s
factory in Dorset, England, and
crafted using a traditional block
print technique.
diffuse tile & disperse tile
as it is
written
a new exhibition at the
canadian centre for architec-
ture in Montreal highlights
pivotal moments in the
ongoing relationship between
writing and architecture over
the past 50 years. called Take
Note, it is
the result of
a research
seminar led
by Sylvia
lavin in the pline whose momen-
department tum remains
of architec- unabated to this day.
ture and Take Note offers an
Urban album of snapshots
Design at the of key episodes in
University of that transforma-
california at tion.”

© 2010 Shaw, A Berkshire Hathaway Company


los angeles. The exhibition
“in the 1960s, a small features works from the cca
oppositional element in collection and other archives,
architecture forged its own as well as works from contem-
counterculture by turning its porary architectural studios –
energies away from building including Gehry partners, Greg
toward writing,” says lavin. lynn FOrM, Diller Scofidio +
“in its hands, the page became renfro, Stan allen architect
a site for design and texts and Bernard Tschumi.
became architectural works in Take Note runs at the
their own right.” lavin argues canadian centre for architec-
that architecture has never ture through May 30.
been the same: “This turn
toward writing soon engaged
architecture with broader From top Installation view;
questions of pop culture, mass Bernard Tschumi, Advertisements
media, advertising and for Architecture, 1976-78;
Letter to Adolph Loos from
emerged technologies, setting Bertold Brecht, 1974.
www.europtimum.com in motion a fundamental
transformation of the disci-
diffuse tile & disperse tile

design is unbound
© 2010 Shaw, A Berkshire Hathaway Company

No Rules high-performance cradle to cradle carpet tile is designed


to give you the flexibility and freedom to install as you please.

www.shawcontractgroup.com
To learn more call 1 800 267 2149 ext 2128 or visit us online at www.interfaceflor.ca. Mission Zero and the Mission Zero mark are trademarks of Interface, Inc.
The Goods

1–Psychedelia
Collection Digitalia, designed exclusively
for Abet Laminati by Karim Rashid,
features 27 digital print patterns – making
a strong impression with shapes, signs,
lights and colours. The computer-created
complex 2-D graphic designs, made
possible through the use of new technolo-
gies and software, give the laminate sheet
flooring the perception of 3-D. Digitalia
vividly illustrates the Canadian’s design
philosophy: to arouse feelings and
emotions.
abetlaminati.com
1

PHOTO
FINISH

Floored
The latest trends in flooring and
floorcoverings.
­—By Michael Totzke
To learn more call 1 800 267 2149 ext 2128 or visit us online at www.interfaceflor.ca. Mission Zero and the Mission Zero mark are trademarks of Interface, Inc.

2–Cut And Print


New York–based Trove, best known for
nature-inspired products, has introduced
its first line of photographic dyed carpet-
ing. Crafted using continuous-filament
fibres, and available in nylon or a nylon/
wool blend, these tightly woven carpets
can be produced as wall-to-wall. The
pattern is applied directly on the carpet,
which means the design is not limited by
the carpet’s shape or weave structure. The
collection is offered in Trove’s standard
design and colours, as well as custom
creations in an unlimited colour range.
troveline.com

March/April 2010 CANADIAN INTERIORS 17


1

WOOD
WORKS

1–African Adventure
U.S.-based DuChateau Floors produces
wide-planked hardwood floors that are
distressed, hard-wax-oiled, smoked and
brushed to achieve a true vintage look.
Part of the company’s Terra collection,
Zimbabwe floors (shown) capture the
natural essence of Africa. Since they’re
made with sustainably harvested wood,
all DuChateau products qualify for LEED
credits. duchateaufloors.com 4

2–Cheers!
Armstrong’s Barrel Creek collection was 3–Locked In Place 4–You Must Remember This
inspired by the romance of wine country Quebec-based Model Hardwood’s new Hardwood floor brand Mirage, in Quebec,
and the ingenuity of designers who engineered-wood collection, Modelloc, has added Handcrafted Oak to its product
repurpose wine barrels. Armstrong has offers easy installation, requiring neither line. With the weathered look of tradition-
reinterpreted the look in 2 1/4-inch strips nails nor glue. Its plywood structure is al floors, Oak’s wide boards are available
of premium rift-and-quartered oak. Every made of 9-mm-thick Baltic birch, covered in Carousel, a creamy white (shown);
detail has been considered, from vintners’ with 3 mm of veneer. Manufactured in two Château, a stately grey; and Teddy Bear, a
marks burned into the flooring surface to widths (3 7/16 and 5 3/16 inches), the soft brown. With all it products, Mirage
authentic cooperage stamps. A deep colour flooring is available in birch, red oak, guarantees absolute consistency in
wash enhances the grain and provides an maple, cherry, walnut, jatoba and tiger species, finish, colouring, width and
aged appearance. armstrong.com wood. pgmodel.com thickness. miragefloors.com

18 CANADIAN INTERIORS March/April 2010


2

TEST
PATTERNS

Curve and Hybrid – offer a myriad of


pattern combinations; they can be applied
to both 24-inch modular and low-VOC
Powerbond VCTT (variable cushion tufted
textile). Custom-designed logos or brand
images can easily be incorporated into
inlay sections. tandus.com

3–Skin Deep
Shaw Hospitality Group’s Henna collec-
1–Creatively Speaking detailed pieces reminiscent of traditional tion was influenced by Mehndi, the art of
Creative Matters is a Toronto-based handmade lace. milliken.com henna-painting designs typically applied
boutique company best known for its during Southeast Asian social occasions.
handmade custom carpets that grace 2–Go With The Flow It includes eight tufted and 20 print and
high-profile spaces around the globe. In An addition to Tandus’s Manufactured computer yarn placement (CYP) patterns.
collaboration with Georgia-based Mil- Landscapes collection – inspired by the Shown here in earthen hues, the tufted
liken, Creative Matters has come up with photography of Canada’s own Edward and CYP versions of Henna can be
Willow and Lace – a collection of intricate Burtynsky – Suzanne Tick’s Landscape customized with more than 230 colours,
printed broadloom carpet, which layers Patterns allows designers to build pattern while the print version is available in
modern industrial and urban elements inlays within the floor plane. Three more than 720 colours.
(such as distressed steel) with fine designs – Squiggle Ray (shown), Blade shawcontactgroup.com

March/April 2010 CANADIAN INTERIORS 19


ISAadDec

TOUGH LOVE

1–Colour Guard
Contract Plus, the latest collection from
Johnsonite, is ideal for use in hospitals,
schools, shops and offices. Featuring a
3
semi-directional design and homogenous
construction, Contract Plus is available in
13 colours, with guaranteed availability
across the company’s product lines. All
colours are available in both sheet and selection of sheet and tile patterns and 4–Second Nature
tile. johnsonite.com colourways, and can be waterjet cut. Nora system’s newest high-performance
forboflooringNA.com rubber floor covering, norament 925 serra,
2–Traffic Pattern was inspired by the dramatic textures and
Offering the best features of textile 3–Nice And Quiet colours of nature’s landscape. Each of the
flooring – comfort underfoot and sound Saga2, the newest vinyl tile from Gerflor, 25 versions – in tones of blue, brown, grey
insulation – Forbo’s Flotex features a comes with an acoustic backing made of and red – is made up of a solid back-
densely flocked surface of nylon 6.6 fibres pure vinyl and cork, reducing impact ground with a fine scatter design of
firmly anchored into a reinforced base noise significantly; it also has a 100 per complementary colour chips. Like all nora
layer of solid vinyl. Designed for heavy cent pure vinyl wear layer of 0.7 mm flooring, norament 925 serra does not
foot and wheel traffic, it is hardwearing thickness to ensure excellent resistance to contain PVC. nora.com
and stain-resistant; completely water- heavy foot traffic. The tile designs – wood,
proof; and features Bioguard antimicro- mineral, textile and natural – are available
bial treatment built into its fibre and in grey, beige and blue tones.
backing. Forbo is available in a broad gerflorusa.com

20 CANADIAN INTERIORS March/April 2010


ISAadDeco3:Layout 1 5/12/08 3:31 PM Page 1

Deco Collection

www.havaseat.com | 1.800.881.3928
The Goods
cr

1 2

photo: WB Products
SUSTAINABLE
STYLE

R
4

3


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tain Bamboo Rug Co. has added durabil- rapidly renewable resources as tree bark is available in 64 colours, ranging from
ity, style and eco-friendly qualities – with
its Bamboo Office Chairmat. Featuring a
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neutrals to brights. It’s part of the
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non-slip felt backing, allowing for use on textures. ecodomo.com modular carpet that is designed and
either hard floors or low-to-medium-pile manufactured with a full spectrum of
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strongest bamboo on the planet. The ticated and environmentally responsible consumer recycled content and a minimum
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lip) or rectangular (without lip), in both with MBDC Cradle to Cradle Certified interfaceflor.com
natural and dark cherry (shown). Zeftron nylon. It is available in broadloom
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w
2–A Natural and ensure ease of installation. Flair
in
Based in Maryland, EcoDomo is a leader comes in 12 colourways that combine
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22 CANADIAN INTERIORS March/April 2010


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photo: WB Products

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Best in Show

Room to
spare
A careful
tweaking of
Bulthaup‘s
Toronto
showroom puts
the focus firmly
on the kitchen
manufacturer’s
incomparable
offerings.

—By John Bentley Mays

24 CANADIAN INTERIORS March/April 2010 Photography by Bob Gundu


In Bulthaup’s new layout, four kitchen configurations (up from three) are distributed in an open plan
behind expansive windows framing the ground-floor site on two sides. The introduction of short
walls perpendicular to the street helps to concentrate the viewing experience.
Best in Show

Remaining unchanged are the solid oak floor and nearly 13-foot-high
ceiling. The cladding of the rear wall in steel-framed translucent glass
has enhanced the lightness and brightness of the shop. Bulthaup’s b3
series – here fronted in grey aluminum – is the company’s flagship line.

26 CANADIAN INTERIORS March/April 2010


Since opening in Toronto five years ago,
the sleek, modernist Bulthaup showroom
on King Street East has been a mecca for
homeowners and designers seeking what
the German manufacturer has long
provided: the finest in contemporary
kitchen design. But the recent $450,000
overhaul of the store by Antje Bulthaup,
granddaughter of company founder
Martin Bulthaup and co-owner (with
husband Stefan Sybydlo) of the Toronto
operation, has improved a space that some
observers thought unimprovable, and
provided a refreshed, chic setting for the
products Bulthaup has to offer its
Canadian clients.
These offerings have been increased.
The older scheme featured only three
kitchen configurations, distributed in an
open plan behind the expansive windows
that frame the 1,915-square-foot ground-
floor site on two sides. In the new layout,
the number of kitchens has risen to four,
and the space occupied by three of them
has been articulated by the introduction
of short walls perpendicular to King
Street, which concentrate the viewing
experience.
The lightness and brightness of the
space has been enhanced by the cladding
of the rear wall in steel-framed translu-
cent glass. Each pane is separated from
the next by a flexible rubber strip, into
which an s-shaped hook can be pushed
and used for hanging pots and pans.
The allotment of furnishings has also
been changed for the better. A meeting
table for 10, formerly installed in the most
exposed corner of the room, where the two
great glass walls of the building meet, has
been replaced by a setting for just six. And
an informal conversation area has been
eliminated altogether in the new plan.
These quiet changes, especially the removal
of the living-room ensemble, have the
effect of pushing the kitchen displays to
centre stage, and reinforcing the mood of a
working atelier throughout the store. The
only elements that have remained un-
changed from the shop’s previous incarna-
tion are the solid oak floor, the nearly
13-foot-high ceiling and the office area.
On display in this renovated space are
excellent examples of the three Bulthaup
lines. The b1 version, which appears here
in white beside the King Street window, is
what Antje calls “the essential kitchen,
less expensive and built in. There is no
compromise on quality, but not much

March/April 2010 CANADIAN INTERIORS 27


choice.” (You’ll pay roughly the price of a The south-facing showroom is
new mid-sized car for b1.) The simplicity often flooded with light. Every
quarter, the work of a different
of this model, with its long, unfussy lines, artist will be featured;
smooth corners and ergonomic ease, inaugurating the space is “The
makes it particularly appropriate for the Philadelphia Experiment,”
a vivid photo-based piece by
restricted spaces many of Toronto’s
Bob Gundu. Bulthaup’s b2
downtown condominium-dwellers inhabit. (opposite, at left) comprises a
Bulthaup’s b2 is the most exciting and modular stainless steel bench
unusual of the firm’s three lines. Designed with everything anyone needs
for preparation, cooking and
by the Viennese studio EOOS, this series washing up, and a tool cabinet
has been inspired by the craftsman’s for neatly storing basic
workbench and workshop, and it seeks to cookware and tableware.
recall the kitchen’s ancient identity as a
zone of hard creative work. The two core
items in the set are displayed in the
middle of the showroom: a modular
stainless steel bench with everything one occasions. Bulthaup’s massive “mono- Bulthaup kitchens are “really for people
needs for preparation, cooking and block,” an island of seamless stainless who are conscious about themselves, how
washing up; and a tool cabinet for neatly steel and aluminum drawers fronted in they want to live,” Antje says. For such
stowing basic cookware and tableware, smoked oak and lined with linoleum, people, the showroom is key. “They don’t
appliances and utensils. Gone are the commands the centre of one kitchen here, buy only a product. They buy the atmo-
traditional cupboards hanging over positioned toward the east end of the sphere in the place.” c I
counter and stove; b2 is rather a kitchen showroom. Both kitchens on display are
for postmodern living: minimal in style, furnished with a panoply of convenient,
maximal in efficiency and sheer urban ergonomically designed cabinets, drawers
attitude. and shelves.
Two kitchens in Bulthaup’s flagship b3 The new space, however, is not just
line – the Mercedes-Benz option, in terms about kitchens: Bulthaup Toronto will
of price – are featured here. Both are large feature a work by a different artist every
and both honour the Canadian kitchen as quarter of the year. To inaugurate the
the place where the family cooks and eats renovated shop, the owners chose Bob
most of the time, and where guests are Gundu’s large, vivid photo-based piece
entertained on all but the most ceremonial entitled “The Philadelphia Experiment.”

28 CANADIAN INTERIORS March/April 2010


March/April 2010 CANADIAN INTERIORS 29
Something new is in the air.

Showrooms: Montreal - Toronto - Calgary (450) 378-0189 1 800 363-3040 artopex.com


Best in Show

Good,
better, best
There were no bad choices
at the 2009 edition of
Habitat Valencia.
—By Erin Donnelly

It was all about tough choices


in Valencia this past Septem-
ber. When I was treated to
three days in the Spanish city
to attend Ideas&Pasión Feria
Habitat Valencia, it really felt
as if I were being pulled in all
directions. Each morning, it
pained every self-indulgent was plenty at the show that
bone in my body to pry myself was as bright and beautiful as
from my beautiful hotel room what was waiting for attend-
at the Palau De Le Mar. ees outside at the end of each
Equally excruciating was extri- day. The new outdoor section,
cating myself from the break- which created a garden oasis
fast room, and the unlimited right in the convention centre,
supply of unbelievably fresh was well worth checking out;
and delicious Valencia orange and the expansive Sidi section,
juice. And though it was what I exhibiting new products from
was there for, I have to admit associated manufacturers, was
that getting on the bus and certainly a highlight of the
heading to the fairgrounds, show. But, as always, it was
and work, seemed like a the Nude exhibit (the section
terrible insult. With a beautiful for new creators) that out- Cave-in
day in a beautiful city waiting shone the rest. Bigger than Stalactite is a hand-blown glass
lighting fixture from designer
outside the windowless ever, the section showed about Marina Rodriguez and her epony-
convention centre halls that 30 exhibitors, all of which I mous studio, designbymarina.
would be waiting for me, even couldn’t wait to feature. And Named for its obvious inspiration,
the light shines through, rather
the promise of pretty things so the tough choices continued
than into, the tubes, which are
couldn’t stop me from feeling back at home, with the closed at the top to prevent dust
I was getting a raw deal. struggle to decide which of my from getting in. The product is
However, I was pleasantly many favourites to include in intended to be manufactured from
recycled glass.
surprised to find that there this show report.
designbymarina.net

March/April 2010 CANADIAN INTERIORS 31


1

1-Love is all around


FlexibleLove furniture uses an
increasingly familiar accordi- 2
on-like, honeycomb structure
to create durable furniture.
Made from recycled paper and
recycled wood waste, the line’s benches to be built as part of
name comes from the idea of a a program to support people
“flexible love-seat” that could at risk of social exclusion.
hold from one to as many as nutcreatives.com
16 individuals; changing
length and shape with a 4-Hang ‘em high
simple pull at each end. Wanting something fun to
flexiblelove.com counter their not-so-serious
“serious office furniture,” the
2-Bone yard folks at Es-Stres, Estudio De
Created by Jon Marin and Àlex Diseno, created Mus. Hands-
Jiménez of Nut Creatives, the down my favorite thing of the
award-winning Bones is a entire show, Mus is exactly
flat-packed seating solution what it looks like: a bat house.
that can be assembled as the Made of MDF and finished in a
user wishes. The spidery legs, range of matte lacquer colours, 6-Shine on
or “ribs,” are strung together Mus is hung, upside-down, by Shineout is a collection of
with a metal axle as wanted, repurposed leather straps. mirrors from InnEdit – Inno-
and with the use of longer 5-Both sides now Area Design Editions. With new 7-Class act
rods and more cutouts, longer Es-Stres also introduced technology in plastics and New from Capolavori Estudi is
compositions can be created, Gaveta, which puts a fairly lighting, it was time to revisit Class, a modular system for
for indoor or outdoor use. literal twist on office furniture. the concept of the backlit small spaces. There are nine
3-Go for broke The line includes a file cabinet, mirror. In doing so InnEdit pieces that make up the
Also from Nut Creatives, Relaja with drawers on perpendicular created a line of wall and table system: two vertical modules,
was developed in the Canary sides – a bit of a headscratcher mirrors, with a lit perimeter three horizontal, and a collec-
Islands. Upon seeing a surplus when the drawers are closed. that turns on when the mirror tion of “envelopes” or drawers.
of broken stone slabs wasted The other piece is an L-shaped is touched. For those who want With these components, the
by construction companies, the desk, with one set of drawers to keep the surface pristine, system offers infinite construc-
two designed this modular on what might seem naturally cable switches are incorporated tive solutions, without need for
outdoor bench to make use of to be the outside of the desk, on both models, and a motion tools, acting as a bench, a TV
otherwise rejected materials. and another set on perpendic- sensor option is offered on the stand, a coffee table or even a
The designers intend for the ular sides. estudioestres.com wall version. innoarea.com dresser. capolavori.es

32 CANADIAN INTERIORS March/April 2010


6

March/April 2010 CANADIAN INTERIORS 33


1

1-Hold this
Capdell showed off the new 3
Culmen table, for hospitality
installations. Suitable for
indoor or outdoor use, the legs
feature adjustable cleats to
create great stability on
whatever surface the table is has a little more spring to it
placed. Available in square, than one expects, gives the
round and semi-circle configu- user a light, weightless feel.
rations, the defining feature of danielgarciasanchez.com
each is the two integrated
“claws” that offer a visible 3-Two is better than one
place to store belongings, such Moma is a new indoor/outdoor
as purses and coats. series from Vondom that
capdell.com combines the functions of a
table and a flowerpot. The line
2-Springing up is made up of four pieces: High
The Air is a simple two-seater (stool height), Medium (as tall
couch designed by Daniel as an average chair’s seat) and
Garcia Sanchez. Composed of Low, which is complemented
durable black elastic and steel, by the Puf seating element, at
the Air looks pretty heavy duty. the same level. A self watering
Clearly suited to indoor or system can be incorporated.
outdoor use, the comfy piece vondom.com

34 CANADIAN INTERIORS March/April 2010


New York Chicago Boston Toronto www.nienkamper.com 800.668.9319
Best in Show

Aiming high
With the theme of The Ultimate,
the Interior Design Show 2010
set its sights skyward.
­—By Karolina Olechnowicz

The Interior Design Show 2010 did its best


to wow design professionals and consum-
ers alike with this year’s theme: The
Ultimate. Seeming quite comfortable in its
new location, the Metro Toronto Conven-
tion Centre, the “ultimate” design show
offered the crème de la crème of design
from the moment visitors passed through
the doors. Suspended from the hall’s
ceilings, like fruit waiting to be picked,
was Bruno Billio’s installation of Vitra’s
Vegetal chairs. And the ultimate dream
car, the Audi R8 V10, was on display as a
more forbidden fruit. From the practical
to the fantastical, IDS had something to
satisfy everyone’s appetite. Drew Mandel’s cool and calming
In line with the show’s motif, four installation was designed “as an abstracted
teams of Canada’s top design talents each architectural journey,” in the words of the
created their interpretation of the Ulti- Toronto architect. “It unfolds as a series of
mate space. From the Calvin Klein Eupho- interconnected spaces and forms, animated
ria–inspired his and hers bathroom by by movement, light and material texture.”
Arren Williams to the luxurious art and The construction materials were largely
detail-infused lobby of the Bisha Hotel reused, including the living wall plantings,
and Residence by Munge Leung and walnut veneer panels and stone cladding
Charles Khabouth, the spaces were a (used here as floor finish material). Says
must-see. Mandel, “The design process was an
Rolling Hills, by the Ministry of the experimental reprieve from more practical
Interior’s Jason MacIsaac, was like an office work, with the intent to strip design
experiential journey through a wooden down to the almost indefinable.”
castle of natural materials. Essentially In addition to the Ultimate concept
three spaces joined by a passageway, spaces, more than 300 exhibitors and
Rolling Hills was a synergy of architec- design features filled the show, which
ture and abstract landscape. The walls branched out into a new initiative this
and ceilings were a combination of a year: the Toronto International Design
variety of solid woods. Each of the conical Festival. Spread over a full week, the
spaces was of a different height and had inaugural fest encompassed more than 20
open ceilings to cast light into the space. events and exhibitions across the city.

36 CANADIAN INTERIORS March/April 2010


Starlight
The Moooi Raimond light, designed
by mathematician Raimond Puts, is
as captivating to look at as a starlit
sky. Transparent lenses are
specifically designed to emit warm
white light and spread it in every
direction. A series of spheres in the
fixture transmit current throughout,
and LED terminals join the paths to
create an atmospheric ambience.
The Raimond light is made of
stainless steel and polycarbonate
and has a discrete, transparent
supply cable. It comes in three
Clockwise from below Drew diameters of 35, 24 and 16.9 inches.
Mandel’s Ultimate space; moooi.com nienkamper.com
Vegetal chairs by Ronan and
Erwan Bouroullec for Vitra;
Rolling Hills by Jason MacIsaac.

March/April 2010 CANADIAN INTERIORS 37


1

38 CANADIAN INTERIORS March/April 2010


amber plyboo with solid
Russian olive drawer front
from a naturally felled tree;
American black walnut with
white lacquer interior and
black walnut drawer front
(naturally felled); eco-friendly
3
teak taboo veneer with solid
reclaimed teak drawer front.
asedodesigns.com

Dominion objects are coated 6–Column of light


with a UV compound allowing With his new Luminous
for a continuous reflective Column series, Gregor Herman
envelope on the inside, while – who has been working with
maintaining transparency from glass for 25 years and runs his
the outside. The reflective own hot-glass studio in
ceiling plane creates a mir- Toronto – explores how light
rored double reflection, interacts with various textures
parallel to the original. Look of glass. Each custom-made
2
for the Dominion fixtures to be chandelier is site-specific and
sold by Klaus by Nienkämper. functions as both lighting and
Jaga Climate Systems. With its nienkamper.com sculpture. Always looking
soft, rounded corners, it is forward, Herman is developing
safer than traditional rads – as 4–Caving the way new colours and shapes,
its surface is cool to the touch The Stalac coffee table, by the exploring mixed media, and
and its heating components Practice of Everyday Design, is experimenting with ideas for a
1–Go With The Flo out of reach of small, curious a design derived from the room divider or screen and an
The Flo chair by Sia Zanjani fingers. Play combines five organic forms of stalactites. outdoor canopy.
from After 6 Design is made individually polyurethane- Using a natural cave as a gregorherman.com
of 36 layers of laminated painted MDF boards in a model, the Stalac coffee table’s
plywood, cut with the preci- simple, easy-to-detach design, rectangular section is designed 7–Almost famous
sion of CNC technology. It and can be fitted to either wall like the cave ceiling with the Katherine Morley’s Low Profile
appears smooth and sleek, or floor. It comes in white or table legs protruding down Bowls pay homage to under-
with the lines in the plywood black, or in colour combina- like stalactites. The table is celebrated Canadians. Each
curving softly around the tions. jaga-canada.com made of fibreglass, measures bowl base is shaped to
contours of the sitting area. 23.6 by 35.4 inches, and is resemble the profile of a
The chair’s hollow shape 3–Infinitely alright 11.8 inches tall. notable national (shown are
allows for storage of the Inspired by the Toronto- everydaydesign.ca Celia Franca, Pierre Berton,
accompanying footrest/side Dominion Centre, Michal Jane Jacobs and Chief Dan
table, which tucks neatly Maciej Bartosik created 5–Side Effect George), carefully chosen for
within. The laminated glass Dominion, a series of light Aaron Asedo of New Jersey– their accomplishments and
backrest is removable for objects. A similar grid to the based Asedo Designs special- contributions to Canadian
space-saving purposes. one in the TD Centre is located izes in modern furniture forms culture. The angles and curves
after6studio.com in the base and acts as the that integrate eco-friendly of the faces sweep outward
light source that gets reflected materials with a natural, craft and upward toward the oval
2–Kid-friendly from each face of the fixture. edge. His series of side tables rim, giving each handmade
Specially made with children The grid appears to infinitely is the first in a line of limited- earthenware bowl a
in mind, Play is the newest stretch beyond the fixture’s edition products he hopes to distinct shape.
low-temperature radiator from dimensions. The five faces of introduce. Shown, from top: katherinemorley.com

March/April 2010 CANADIAN INTERIORS 39


Announcing the 13th annual
bEst of canaDa DEsign coMpEtition

Try your luck

T ry yo u r l u c k

Details and entry forms available now at canadianinteriors.com. Entries due 5 pm, May 13th, 2010.
Sparkle and shine
Lux Design gives a pair of
university dental offices the old
razzle-dazzle.
—By David Steiner

Photography by Amanda Scott and Jason Cremasco/See Photography March/April 2010 CANADIAN INTERIORS 41
42 CANADIAN INTERIORS March/April 2010
Overleaf In Dr. Garber’s If you’re a university student and your in an atmosphere of “sparkle, shine and
McMaster University teeth hurt, or need a polish, you’ll want a glamour,” in the words of his interior
dental clinic, a large,
dentist nearby. Students are busy, their designer, Isabelle Glinka. Lux Design,
ornately framed
mirror opens up the mobility is frequently restricted and Glinka’s boutique design firm, was hired
space, while sheer schools often help pay dental costs. With to turn the bones of each space – already
white curtains allow this captive audience in mind, Dr. Dean fitted with the necessary walls, chairs and
light to filter softly
through. The marble- Garber opened two dental clinics: one at plumbing – into a kind of after-hours
topped desk is fronted in McMaster University in Hamilton, Ont., dentist lounge. Garber anticipated that
mirror and black metal. and the other at the University of Water- students would be taken by “bright, white
Opposite A pair of
custom chandeliers loo (also in Ontario). Both are located in and simple,” with sassy accessories and a
at McMaster add their respective university student centres sophisticated vibe. In both clinics, a small
a touch of glamour. and neither are what you’d expect. area is made spacious by the exposed
Above At the University
A typical dental office is a strange kind concrete slab above. Ducts and overhead
of Waterloo location,
ducts and overhead of space, neither cozy – given its intimate services are left exposed and painted
services are left exposed purpose – nor stylish, which might be either white (Waterloo) or black (McMas-
and painted white. expected, considering the high cost of ter – where the slab is 20 feet above,
service. Up front is a reception area likely making the clinic feel far larger than its
displaying outdated magazines, with 485 square feet).
workaday drilling rooms somewhere at The clinics share a distinct visual
the back. The decor is often prosaic: beige identity despite their different size and
paint, a plastic laminate reception desk, shape: blizzard white walls, a custom
an ominous wall of charts and records reception desk with a mirrored front and
and inexpensive drop-in-panel ceiling tiles a few Philippe Starck furnishings. Both
everywhere above. entries are marked by a large mirror in an
Garber created Campus Dentist so ornate frame and sheer white curtains,
students could get their teeth attended to hung against the white walls, making

March/April 2010 CANADIAN INTERIORS 43


Tktk Tktk

everything feel softer. A perfect white


plaster hand, cupped or pointing, is
mounted on a wall of every operatory as a
quirky coat hook. For glamour – often
absent from the T-shirt- and sweatpant-
clad university crowd – a series of
Baroque-inspired chandeliers are hung in
the short hallways.
The chandeliers at McMaster, custom
made by Bob King in St. Catharines, Ont.,
generated the clinics’ style. Garber
ordered them before any design work
began – “I have a chandelier fetish,” he
confesses – and showed them to Glinka, so
she and her team would understand the
theme. During the initial technical design,
Garber requested chandeliers for task
lighting. It wasn’t feasible, though, so
giant fluorescent light boxes were hung
above each operatory chair, contradicting
the delicacy of the rest of the decor. It
would have been magnificent, had it been
possible, for students to lie back and have
their dental work done by the light of an
ornate glass chandelier. c I

What could be more


appropriate for a
dental office than
the Tooth Stool by
Philippe Starck,
here in triplicate?
The low lounger sofa,
covered in a stylized
metallic damask, was
custom made to fit
a curving wall in
the Waterloo location.

Piane
447 Pr
P: 514
44 CANADIAN INTERIORS March/April 2010
Pianeta Legno Floors Canada, 2010 Quebec Trade Show Schedule:

• March 19-28 The National Home Show / Place Bonaventure-Montréal,


Booth #1888

• May 27-29 Sidim / Place Bonaventure-Montréal,


Booth#352, 354, 451, 453

Pianeta Legno Floors, Montreal Showroom:


447 President Kennedy Avenue, Montreal QC, H3A 1J5
P: 514 844 1200
Who’s Who

1 2

3 4
5

Winter cheer
—By David Lasker

SEVEN SINS
Urban Mode Leeza, the Montreal-based hard-surfac-
John Christakos, co-founder and CEO ing specialist, chased away winter blahs
of hip furniture maker Blu Dot (based by throwing a Seven Sins–themed party
in Minneapolis), and Urban Mode at the Spoke Club in Toronto.
owner Myrlene Sundberg celebrated
1—Robert King, partner at Norma King Design; Prolific
the launch of Blu Dot’s new home Marketing’s Linda Zuber; and interior designer Richard
at the venerable Toronto design Eppstadt.
boutique. 2—Guests would down shots of Sambuca, look at the
number at the bottom of the shot glass, and body-paint
1—Joan Redfern, CEO, Redfern Promotions the same-numbered spots on models Anna and Shannon.
(promoting home decor products), and interior 3—Leeza’s Mark Hanna, president; Terry Lynn Young,
designer Rafaell Cabrera. Ryan Tisdall and Kelly Bates, sales; Mark Murphy, sales
2—Mike Kingsborough, creative lead at interactive manager; and Kathy Ware, marketing manager.
design studio Kolody; Matthew Rutherford, regional 4—Shawn Newman of One Shot Events; Leeza’s Tom
sales manager, Design Deli; interior decorator Sasha Nemeth; and Andrew Pike and Justin Kersten of Andrew
Wright; and Ben Leoni, art director, Design Pilot. Pike Interiors.
3—Urban Mode owner Myrlene Sundberg and guest 5—Gail Pearson Calluori and Arlene Williams, account
of honour John Christakos, co-founder and CEO, managers at Prolific Marketing, flank interior designer
Blu Dot. Trevor Kruse of Hudson Kruse.

2 3

46 CANADIAN INTERIORS March/April 2010


1

2 3
5

REMEMBERING SAARINEN Interior Design Show


Knoll sponsored a Design Exchange New venue; new vibe. This year, the
lecture on mid-century design hero Interior Design Show moved to the Metro
Eero Saarinen by Brian Lutz (author of Toronto Convention Centre, a more cozy,
Yale University Press’s new The intimate setting than Exhibition Place.
Furniture of Eero Saarinen), after
1—Jewelry designer Rabie Matar, society hairdresser Jie
which everyone decamped to George
Matar, and interior designer Moe Razi.
Brown College’s School of Design to 2—At the VIP lounge’s champagne reception: CBC TV’s
toast its Saarinen exhibit. Steven and Chris co-stars Chris Hyndman and Steven
Sabados flank former CityTV news anchor Anne
1—Carolyn Laidley Arn, sales rep at Lennard Mroczkowski.
Commercial Realty; architect Sean Lawrence of Kohn 3—Klaus and Beatrix Nienkämper.
Architects; architect Thomas Tampold of Tampold 4—Loraine Buyar, A&D manager at Teknion; interior
Architects; Esther Shipman, architecture and design designer and Kasian principal Dean Matsumoto; and
curator at Cambridge Galleries in Cambridge and Kasian senior designer Liana Butt.
wife of Lawrence; and Barb Woolley, design director 5—The Cupcakery’s sweet Cupcake Lady (a.k.a. Courtney
at visual communications agency Hambly & Woolley. Douglas).
2—Author Brian Lutz; Luigi Ferrara, director, George 6—Enrico Bressan, co-founder, art director and CEO of
Brown College School of Design; and Knoll’s Greg Los Angeles–based design company Artecnica, and
Rapier, regional manager, Canada, and Fabiana designer and Artecnica collaborator Tord Boontje flank
Stubrich, director of business development Spanish artist and designer Jaime Hayón.
7—Eric McClelland, partner at interior designers
Fleur-de-Lis and Room boutique on Eglinton West; Rob
Jarschke, team leader, Figure3; and Jarschke’s wife,
Corinne Drobot, marketing manager, PR, at HOK.
8—John Tong of 3rd Uncle Design and designer/
2 developer Del Terrelonge.

March/April 2010 CANADIAN INTERIORS 47


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19/10 9:31 AM
Last Word

Baby, it’s
cold inside
Canada’s first retail
walk-in freezer.
—By Michael Totzke

How cool is this: Ruscio Studio, the art, 7.8-by-7.8-foot freezer. Once inside,
Montreal-based design studio, has made the customer sees an adjustable tempera-
history by creating Canada’s premier ture gauge, which he or she can set to
retail walk-in freezer. Working closely whatever sub-zero temperature he or she
with the marketing team at Mark’s Work needs to withstand. A pair of fans blow
Warehouse in Edmonton, Ruscio devel- icy cold air to simulate conditions up to
oped the T-Max Freezer for the apparel -40 degrees Celcius, while an ice-block
store’s location in the city’s South Edmon- step allows the customer to test a pair of
ton Common retail centre (the first of serious winter boots. An interior camera
Mark’s new Clothes That Work concept allows the customer to view his or her
stores). It allows users to simulate own frosty image via a live feed to an LCD
extreme cold temperatures in order to test screen positioned in front of him or her.
winter garments for sale in the store. Simple buttons and dials make the
“Our product developers and buyers experience an uncomplicated one, while
have designed some innovative technolo- clever design elements (a frosted-glass
gies into our outerwear,” says Mark’s acrylic wall and self-frosting mirror) add
president Tom Ranieri. “We wanted a way a touch of engaging realism. A vertical
for the customer to test how these innova- grab bar, located adjacent to the ice block,
tions work, in-store, hopefully helping assures the retailer that the customer’s
them to make an informed purchase safety is top priority.
decision.” (To that end, they also installed a “The response has been overwhelm-
footwear test ramp, covered with different ingly positive,” says Ranieri. “The freezer
kinds of flooring and roofing materials.) is being used as expected by all types
Says Ruscio Studio president Robert of customers. We will be retrofitting a
Ruscio. “We strive in our designs to provide number of existing stores across
a way for the customer to have a really Canada with this new concept and other
authentic experience in a tactile environ- innovation-testing features. Adds Ruscio,
ment. Since Mark‘s slogan is Clothes That “If retail design is about creating a
Work, this was the perfect opportunity for shopping experience, this one is certainly
customers to test how well the clothes engaging and memorable, as customers
work in extreme temperatures.” have a story to tell that goes along with
Straight-forward instructions are their purchased items.” c I
posted on the outside of the state-of-the-

50 CANADIAN INTERIORS MARCH/APRIL 2010

CI_TMGPicP
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A flooring brand for every space.

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09.0304 CDN_INT_NovDec_Foun_06FA.qxd 10/28/09 3:35 PM Page 1

© 2009 All Rights Reserved. Global Design Center 09.0304 Shown in Biscotti (BTW) and Mocha (MCW) with Silver Glimmer base (SGR).

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