DON PASQUALE By GAETANO DONIZETTI PERSONAGGI CHARACTERS DON PASQUALE, vecchio celibatario tagliato all'an- tica, economo, credulo, ostinato, buon uomo in fondo........ Basso DOTTOR MALATESTA, uomo di ripiego, faceto, intrapren- dente, medico e amico di Don Pas- quale, ed amicissimo di Ernesto aan Baritone ERNESTO, nipote di Don Pasquale, giovane en- tusiasta, amante corrisposto di No- rina Tenor NORINA, giovane vedova, natura slbita, impa- ziente di contraddizione, ma schietta ed affettuosa Soprano UN NOTARO, Basso Servi e camerieri. Maggiordomo, modista e parrucchie- re, che non parlano, L'azione si finge a Roma. DON PASQUALE, an elderly bachelor of the old school, thrifty, credulous, obstinate, but a good fellow at heart Bass DOCTOR MALATESTA, a resourceful man, facetious, enter- prising;physician and friend to Don Pasquale, and very friendly with Er- nesto Baritone ERNESTO, nephew to Don Pasquale, an enthusias- tic youth in love with and loved by No- rina Tenor NORINA, a young widow of lively disposition, spoiled, but sincere and affectionate, ; Soprano Bass A NOTARY Servants and waiters. Majordomos, dressmakers and hairdressers, who do not speak, ‘The action takes place in Rome.Pag. 1 Sinfonia ATTO PRIMO Introdusione Son nov'ore Dottore, Don Pasquale (br,b) 1 Ernesto, Don Pasquale (4b) Cavatina So anch'io la virtd magica Norina (1) Recitative © duetto- Gusle primo Pronta io.son Norina, Dottore (s,br) Indice BSBe ATTO SECONDO 61 Pretudio, seena ed atia Cercherd lontana terra Ernesto (1) 6 Scena e terzetto Via, da brava Norina, Dottore, Don Pasquale (¢,br,b) 85 Scena e quartetto - Gnale secondo Fra da una parte Norina, Ernesto, Dottore, Don Pasquale (s,,br,b) ATTO TERZO 187 Coro d'introdusione I diamanti presto, presto 141 Recitative e duetto Signorina in tanta fretta Norina, Don Pasqui 158 Recitative Qualche nota di eufe Don Pasquale (b) andirivieni ATL Recitative duetto Cheti, cheti, immantinente Dottore, Don: 190 Serensta Com’e gentil Ernesto (1) 196 Notturne Tornami a dir che m'ami Norina, Ernesto (6,1) 199 Scena e ronda finele terz0 La morale in tutto questo Norina (0) Le (be,b) page SINFONIA ...sseseseesserseeeeseerenertee peel FIRST ACT INTRODUCTION. (Doctor, Don Pasquale): Nine o'clock now 9 RECITATIVE AND DUET. (Ernesto, Don Pasquale); Getting m: 3 CAVATINA. (Norina): 1 also know the sorcery of glances EI. 40 RECITATIVE AND DUET. (Notina, Doctor): am prepared, jacking (First Finale) inthe 1oVeysseeseeee 48 SECOND ACT INDEX PRELUDE, SCENE AND ARIA. (Etnesto); Distant lands I shall discover,....... 87 SCENE AND TRIO, (Norina, Doctor, Don Pasquale);Come,take courage,..... 76 SCENE AND QUARTET. (Norina, rnesto,Doetor,Don Pasquale): She, ‘sf ihe (Second Finale) ist part,etcetera,.. 85 THIRD ACT INTRODUCTORY CHORU: 137 Fetch the diamonds,hurry, hury,...... RECITATIVE AND DUET. (Norina, Doctor): Watt, my lady, where ae ¥ 1 riven, 41 RECITATIVE.(Don Pasquale)sIt's some bill for her bonnets ot her laces,,..... 168 CHORUS : Is there no end to this coming and going? seceesees 160 RECITATIVE AND DUET. (Doctor Don Pasqual®: $0 they don't suspect us, <> 171 SERENADE, (Emesto): Ah, what delight is a mid April nightl ..-.-ress.stes7 190 NOCTURNE. (Norina, Ernesto): Tell me again you love me . feeteee 196 SCENE AND ROUND. (Norina); In our story, I may mention, is a'morai ..... 199DON PASQUALE GAETANO DONTZEnT SINFONIA Allegro .Poco pitt (20) Moderato P leggero e stPoco plicalando eV Pia allegro = gee P cresc.a poco_a| poco Pit stretto ZS ast. 6) >..2 Se ~APOE | PEG EG | eGBl Poco pi = oad at cae se ee > apes Bp . = ispZa P it0) Pia allegro onFIRST ACT ATTO PRIMO ° inTRoDUZIONE IVTRODUCTION SCENA I, Sala in casa di Don Pasquale, con porta in fondo d'entrata comune,e due porte laterali che guida- novagll spporament inernt SCENE 1, Livingroom in te house of Bon Pasquale, with the suet door at rea and two side doors leading Sie uietlor Spertments, Moderato 2 calando a Fob DON PASQUALE (parsexsiane collorologi ala mane) vuoTa (pacing with his watch in his hand) (a4) ri . tornoilDottoreesserdovria. By this time the Doctor should be returning.a (ascottando) DON PASQUALE {iisrening) 6 fanta . si-a... for-seilven-to che sof. fia. Im-ag “in = a-tion..or "a gust of windthat bley———_

ry : ‘oh gia = bi-lol noncape inpet - to,in pet ~ foil cor, Wiwiiy: Ch gitkevedrdobghemyed — bespalléstrall. DorroRE : ‘AT = ma in-hocen, te fl > ibYeenand’ inegen-u: tempo a temp |. 5] I. Tempo mede-smai-gno - ra, stia_impa- reg nor - ant of _hergrac_-_ es, qualled is her bon th; ——— Bevan REM = eS Ti -se-H ple-to ‘a, gen-til, dol = ce,arig = To-aa To the poor, she‘dten = der, So" ge — tle, sweet-and ten-det ‘fecel.3 ——_s_ «~~ a = ciel Thafat ta na. sce. ce per far be-a-toun - ‘en hassent her here be~ low Ho bless some wosth-y oF be... - to. un, cor, i gielThafat - ta na- geereperfarbe-a- toun vow beets some-ones feat, __yesHeaven sent her fete Below Nobles soine worthy oh giu_bi.lo! Ohgiu-bi-to! howheaventy! acoel ow heavenly! __ SrE hy corper far be.atoun cot, ilciollhafatta na- scere per far be - heart, to blesssome worthy yes,Heaven senther here below to give a te “sta ‘Oh, rather slightly," {Sa-18 vostra pa - ren - te? Are you and lfere “lat = ed? a x‘: 0 Bmiaso- rel - la. & Ash > eee Allegr. f Sta.se.rasul ere_ ‘This evening when the E quan-do di ve-der-la, quando mi fia con-cesso? AndwhenamI to see her?When may Thave thepleaguse? = go“Ba Bele, i ty "On me, «AH - Selle AGG, ib GORE, BNE -AY HTL: Fro.na.teil vostroardo.re, fre . nateilvostroar Youmustrestrainyour “ardour, “Your mitkeswain Your “fo “Te Tanti = 18, Dot ~t0 Fel — Boortort ive pl-ty on’ mes Doo et lave pi-ty on’ me, Spe esa eaisae cee cael vownoa Mice, Madeaaaaiajawer. = Poumhated dete ca- # - Uf, Dot=to- Fel We pi-ty "on'me, Doc-tor! (con ata dt mister) pi GREE ATES, @ piacere ~ do- fe. Fra ar-dour, , Ere dag” th Fk _froaiy a aby ottoF, per fa =n ~ tal nave. DLP Doctor deart18 secret! 7 ‘im segreto) re crise e Cte Cal. ma . tevi. Mau.di - Con! ol “yourself. But’ lis + Cqmbraces his) eh, (ho abbracel Oh ¢a.ro! Fo! te. a Shon ee feta AGefae Fit? neres‘no | BRE: Shey, & FRNA Lown Stile oO =ae Sone 88 : a, tempo lito vivace dite, mispiedde - 09, pERiTp: slaty, Hae “ | staccato =— tbat anaes ea Was ASU PIS Bas BuReeay Mee cael and Peele Ske “an ~ ii. Dehlcara,af-fret- ta-tl, vie-ni,gpo-i_- nal Eo-co di. bam-bo-li_mez-za doz Wee =: Rerag as mes my dear ide alOby ong = gt Boe Soa de "APA on es Bears te _ ‘cre -se-te,, amed'in - tor - no grow- ing up, toundmeal - tead - 'y € eo thong > ing: SSB Bem springing up, ib ging springing Up, ‘ves 0 acherzar vee 0 na-scere, 30. cre -scere, ame d‘in-tor - no PER, TE Ley TE Aga, aks | IS,2 =go elie ar “P8588 thet play. tf She un foco jp soc TK to mi sent sd-dos:=0, Het= y and passionate love isinsist ~ ing ye ~ ‘3 bao OBE.) be: = 80. lito mi sentoad.dos . so, i ist pil nonpos . 50. pass= ion-ate,love is in~ sist > ing, re tevdst™ = ing. Del -te-!8 vec - chia scordoima- lan - nl, misen-to gio- vi-ne comea ven-t'an- Cates of my old age, ill-ness a. - plen - ty, all) dis-ap-pear and T feel once more twen-ty. — a a ash2A Deh} cata, af-fret-ta-t bam ~ bo-li_mez-za doz,-zi- Hur-ty to! “me, 2 et spo =~ nal Eo-co di si Pasi ingt Dosehior “TH” Suconés Sn 9 be titang = ings —* =sce-re, gid ves cre -scere, a me d'in - t - no yeg- = Bille sass, PE ih SOT, vob a | PPE — “2> sete ao ‘ame d'in-tor, = no veg-go scher- ‘roindinealsread > J “8:80 Tem vegigo gil na, cere, veg-go gil cre-scere, £8388 Blem springing Up, “F886 lem rowing up, S, |S zen, Deh! vieni,af. fret - ta.ti, bella spo. si . nal Gia, giadi DISK mosso HE ~#y 8 ” me,” mydéar bride of my “long > ing! Doz’- ent of > =", Kz > f, bam - bo-li za doz = A a me d'in- tor EE" dRonesseem io! “Be arong’- ig, roindime al!= eed >22 = = ia ae Staenatia ay, bis a a a BEL dear biled WF i zal jong > ingt Boy: bam. boli mezza doz. zi Tit teones seem to be throng - ma, a medin.tor . yo vee. ing ‘round.me tRECITATIVO E DUETTO td RECITATIVE AND DUET BENEDTO DON PASQUALE ERNESTO and DON PASQUALE DON PASQUALE Son ri-na.to. Orsi parlialnipoti-no: afareileervellino ve.da Recitatf}ps *@-¥ivesme! Now tose my little nephew: V'llteach the silly dreamer not to P lapks behind scenes, ) nelle spone. SCENE ua eile ope.) BOENA Ht che siguadagna, | Eecoloap-punto. challe: Herehe is coming. hhallenge his, er op INg. tino ¥ Gimgeten tempo. Stavo per man. ‘i > ely visit Twat Just now <> i> — é -daryiachiamare, Favo.rite. Nonvo'farviun sermone, vidomandoun minutod’attenzione. go-ing tocall you. Your indulgence; I'veno sermon tomenticn, I request but a momentof attention, Is ve-o onon vero chesaranno due mesi, {o v'offersi lamand’una zitellano-bi-le, ricea_e ghis ue or is itnot true that two months have gone by now, since I offered to youa girl to marry,beautiful noble and"ERNESTO Ye-ro. ‘Youdid so, bella? Prometten.do-vi pergiunta unbel'assegnamento,ealla mia morte fo pos. ition, wealthy? Did I promise in add: amost substaritial income,andon my passing, all my pos- i ‘iando, inca.sodi ri _ fiuto,di - se.re.darvi, e,atorviognispe. BuPPeieaten, insaseofyourretusn'aly’ to ~ disIn-hers it? shdendyocren tpec~ mnéa, ammogliarmise’duopo? Or bene, lasposa chevroffersiorsonduemesi, veloftroan. SEtone, ae to harry iineedege: Altrec hen Reffcred you oretinonths agon bebowtal I askonce ‘Nol posso; mo No.ri _ na, la mia fe Teannot! Jove No-ti_= na, Ali my faith,Rispetta.tou.na giovinepo vera, maono- Have fespect fora niiden of fov= erty? “but of con una spian.ta ta. fo 2 ruined -wo-man, wade.ga Wy sdeparocn bl mentee, Siete propriode..ci so? Qrben, pen. ‘Younave made yous decision? Atfghe, Bot: i mi diseac. cia .te? "Tis so you would dismiss me? -sa.te — atrovarviun al . loggio. La vostra osti.na . ‘sider where tolook for new lodgings. Tf youwill be ” so > > t . Fatediprovvedervi: io prendo moglie. lon. Makefor yourself provision: I'm getting married,Prender moglie ting maftied! => Per te la sor . presa... Par Zdonme if I'mas = tonished... a 7 a Pa oR moma Salsa, lie. i. pe.to. moglie. Hhedettoole ri pete. tJ2a To, Pa-squa.le da Cor. ne.to,pos.si - den-te,qui pre. sen-te,qui presente incarne ed thpecagie' eo r=, esa nds tee Fonsanding tending here i Sood and beeps picsees. - pee 5, aa feainee cayineas ie PEN ARE ede ger: he E> ib we . ERNESTO =netohomi vadoadammo.gliar, chemi vadoad ammo . gliar. snevtofaim about to takes er. Tee aise” Sa "Si, si, scher - za.te. Youre sub - “ty” ~ joking Lo ve. dre.te al nuovo > Youwili see be-fore the SS Scherzo un cor . no, Take war = ing:28 4, 7 = fle-aio - mastomabenmelte, conser vaatoy.2 PEUgMS © 12-8? >: , tg ee SEE ESS a ~ Uda We dade oe, Shots > =ri-no, a.ra-teviasfrattar, voifrattanto, signo- iad-die’, “pari-ure shall pre-paré, in the meanwhile little 2 tE a- tevia “part > ture you'll ad GR ES RRA APE He 8 ERNESTO olea questa mahiva i miei piant arovesci SG esas ths md dns Yor nay plans toineet despa to tneee despa), cre, Tall. SP.(So. gnosoa . ve © ca (Dream, "20 enthtali - ing and ten de’ miei primanni, ad di Bra. mai_______rie.chezzee dream of my childhobd, you per T wished for wealth and NS SY RS | BG \ so. lo pert, — ben mi on = ly forhet cher (via veh chogrigi Gaz oN SYR ove. ca. jor and rosbban - - te. - to, ¢ a ‘alone, de = ject _ma le! cho tangheroostina ._ toshetanghero osti- ~"men 7 ied! Ah sbornne fends tae oh hoe ete ae’ 8a — a=’ *_sEo Ge iets =a a ee i Bh. Suse pate! chetangheroostinatochetangheroostina . to! “fendsmet his stubbornness offends ipe, oht,uow the dolt offends me! oy <3 Forhow ? ain contentzedeil he omprchend’ me, thnow why fe is geving aow tat A.dessomanco ma - Je mi arcapa.ci . ta . t¢ ‘bensodave i duo - Jebensodovegli. ee ra, duo. Ie,ma é desso che lovuo. le,maddesso ct grieving, buy "is his own achievingygyr tiehis own achieving and so he can have noone except ‘yuo le,non altri che sé stes.so egli inco] Raneltto ooo eG zioa te, al, ca -ra, ee diy, jes, dearest, fe, pria che yeder - -days be -fore I'dsee you mj - sera,cara tinun sul > fering loved renounge, bensodoye gi duet. Pe ReCT ORE ela arieve,ra, ca. ra, ri. mn . aio, ri-mm . zioa—— ling, 1 “would” te _“nounce “you, re- noun youto tei che se stes - 80 eli incol -par ne de’. oP sl He canhaveno-oneekeepsnmatt "to bisnie. ‘A -des-go,manco ma-le,manco ma-le,manco ma -le, For now” amcontented, Fmcontented "I'mcontent ed; ———__ ri. mum Eloy Bia, chove-der fi mise.ra r- 2 nounce fore Td — Fothow)am contente deerme eRe Ita, ocr ra, a ioverE"18-nstnce you’ wo-dS). I parcapa-ci-ta - tor eno m HB B'febompchendsine: Tmoonented)82 ale ancordi vo.lo. re with your permission, teowadenat Sonquitut.to ad aseol. Tam wait-ing to pay at- Ra Allegro moderato > r Tn - gan - i po. = Je: ben fa. Oho" HEY 7 Make bah WB gla seek some —S acon. si i Iidotto.re Ma. la For ad=vise,iewould be testa ¢ per. sone graveo - nesta. ym. sul pow paZgtae ™ = Testa ren” eon= aa. telo. Vi sconsi - glia? Zeult jth him, He's a-gainst (0? E gid belloe consul . ta.to. His “ad-vice I have in = vit-ed: —_ t (struck to the heart) (colpitissimo), : SSS : Gorme?sa.s We? ghaupsto, ep = 7 ~tra.riosmin.co.raggian’S incan . ta.to, con-ta" ty, en-couraged me, de-light-eq, DO ieee ete) be Sezhidiz-leanl 2 ede k san, A = be la zi-tella... ma si-len_ ziol, but be” st-fent!.”(agitate) (highly agitated) Sua so.rel ! Che maisen - to! Sua so. He's her broth = er! Have I heard you? She's _his Del dot-tor? Del dot-tor? 7 mis i she? Ts it she? Dalle a Mif il destinmen-di-coy 7 . chicredeva, a EB ans Stems ih naoed bev, = g@gpoleichen desta, insag— Cheredevg a Rg in gear Eis SURE: Hen Rok EY his uoublerwoable, weubie cout, b ‘I1.Tempo ri = vo, mi - se - £0, h vi = vo? Ro: m Spee ew: be.ne, haquelcheglicon.vie.ne, ha quel chegli con. vie.ne; _impa.ri_lo sven. trouble, His just des-sertsare double,” his just des-serts are double; He'll learn byhis mis-a ee ee a Toy aar sto >to @ -gualal mio mar= What uit -‘inghas des. - cend a the fain is too "lus P SS -ta.to, losven ,ta.to, lo sven.ta-to a fa.reil bell’u . mor, impa-ri losven- -for-iune his mis- for-tune his mis-for-tune, to show some common sertse. he'll iearn by his mis ‘con-for, =f ft ohana “19 ~ RR Pree P > Tai i> tp.ache vi - vo? ahi why . do I" go lv > ing? | what ———— i Bol by AP Rouble Rouble, ouvle’ Pube, Rouble, mB GUST GSES ‘accel, Grose. pocd a poco oe “aoe BY cede, bce ease — Pa ;vie.ne proprio quelehegli con-vie.ne, im_pa.ri_ Io sven-ta. to, double, deserves to suf-fer dou-ble, _ he'll leat by his mis-for-tune.ang Tar = pe wise uP = eer ings des-cend, the Litt SEL eee Elie we Pia modi! SOUS AE SiMe, BeMie Wai Boh, Bea. Ae Eatnny Hi ft, mr: eh, fa. veilbel . Tu-mor, si ro-da, stow” some com > moa sense, he'll polit, 19} : = 15, 2 su fer-ings jes-cend, the bi Be-ne, be-ne, be-ne,bo-ne be. ne, impa-ri, lo sven «ta rouble, wouble, trouble, trouble, tou © Ble he Team by nis mis-for mar - tor, ein, tensé, reilbel . Yu- mor, im-pa-ri a fareilbellu- some com = mon sense, he'lilearnnow to show some common 239 - tor, al mio mar . tor, al mio mar . is 09 in = tene, jis too in = ah ah! a fareilbel’u-mor, il bel. lu - ‘sense, ah ahi ah ah! to show some common serie, some com ~ mon 1 (Barons)40 CAVATINA NORINA SCENE IV, A room in Norina’s house. SCENA IV. Stanza in casa ai Norina. Andante .. 3 eae ie Zep calando NORINA (asggi8e2, Quel guardoil ca. va. lie. re ‘On “him her gaze had” Ught- ed zSon yo-sro ce = lier. PIP be thy own knight, E tanto e-reinquel guar sa. por di So much he savin" ‘her Glan pombe of heav'n or == so___cheil ca_va-lier Ric - car-do, Rich-ard threw down his "lan ~ces, tut- to da-mor con=quered By love i and tosses aw > fe gette il i Bac TNL eas TR HL Regier: Abeh! shaly rall.Az 29] anegretto NORINA So anch’io la vir-ti. ma. gica d’unguardo ater Tal =solnowthesor-se-ry of glances well @)- calando| Jo - 0, so anch’io come si bru clano i co.ria len.to fo - d'un bre - vesor. creet= ed? "Tal *soknow ol hearts a=fire fromspatkling eyes re-flect-ed? a sec-ret way a aa x t= e : -set . to co,nosco anchioVef fet - to, di, men-zognera la -grima, d'un su . bi-to—_lan. smi“ ing, T know can be b-guil~ ing,” and sighs that fill your eyeswith tearsthat suddenly — de~ ‘o.noscoimiLle modi del-'a - mo.ro . se fro. di, i veaiePar-ti now's thowsand fashions To wak= nich = der pes slot? ale cheat aE43 —$— cor. D'un bre-vesor-ri-set - to ¢0., nosco anch’io lef. heart AY sec-retway of'smil > ing “know ean be be= Pieces P ¢0..no - sco, ¢o. no - sco, dun su. bi-to languor, soanchio lavir- T “know well, I know” well’ the sighs thatsoon de=part, Tal - soknow the in. o.no foo He f. fet.t ge PEE tacepisesmemmor — pe - goo Ke fakin a, alt inspita-re 3°- nfor. yes, aht ate HS apo win aga Sear, He densa tz. garre somprontayi- vac sonpronta, vi va-cobrilla.re mi My head is too flighty?" thivi . va.ce, i Pit mosso "atlas ightatld vivaeloug,and often firaa con forza soo 7 mo mi piacescherzar, Semontoinfu.rore,di radostoal apy ups be say. Tf n= to “ages “in un-itkely Place sther-zar, piacami 7 AiowTibve tobe gq ma inri-so lo sdegno foprestoacangiar. butlayehter soonchasesmy anger a - way. ,2ytrhe. — etal? Yet Staind S: ‘testa blz. zar = Ta, macoreeccel- Jen - But though Tam flight~ = ly? I'm ve-ry good heart- “Zz eo tr, x = -te, macoreeccel.len . Ted) I'm ve-ry good-heaft-¢lano i co. rialen-to fo - dim bre. vesor. ri. set - to co. hearts a-fire from spark-ling eyes ze-fleci sec “ret way” of smil > ing, T -no.scoandhio Vef.fet . to, di - - grima, dun su. bi.to— lan. ae eee Ria = A, Ba TER ARTs dr erm ae ae: Bite len Co. noscoimil.le modi del.I’a. mo.ro . se fro- di, i vemieVar-ti Tknowa thousand fatiions “wai en ten 7 det pass- sons, the charming arisof Hes cpdesesunar, Dyn w-aesey that fg, epamseroanelio[et a afi =, Pris ee Pas SER MUN ALTB.n em Spee P,i no . seo Veffet.to, ah! ca per in spiie -neamor— Puna how herguiling, ake — SHERI? mls — EPRSANSSAENG PR at ane ess, leggerissime> THB gfe “oP OMESYE = Btu, PLB - = ce scherzar, 8 eregy: a48 RECITATIVO E DUETTO-FINALE I. RECITATIVE AND DUET ~ FIRST FINALE NORINA E DOTTORE. NORINA and THE DOCTOR ez = EilDottornonsivede! Ohheimpazienza! Delromlantetoordi.to agabbardonPa. “ReoitSlpig signofthe doctor!I'mso im=pat-ient! OF the scheme he was planning to deceive Don Pa col canto Pp omllahoca.pi.to, ed or Para Iscarce understood it, and nowI' bs (a servantonten giver Keraletter, and exit) (Entra un una lettera ed see.) SOBNA ¥. + — porrors _amand’Erne. sto. mo aLOUENP ay Buone nuove,No.ri-na, I've good tidings, Noting’. ‘con vivacita) (erphaticaliy) Mppedexole mance, {il nostrostrate. gemma... 2 theseaagen Tod peas, Weare R nye(oreRRabb aes) ° “g z ee =: forme: ete) A (ieee pS SE fa? “Mia Norina, vi scrivo colla morte nel cuore Wo GERM. Vi not? Don Pasquale, aggirato da quel furfante (Grazie),da quella faceia dop- pia del Dottore,sposa una sua sorelia, mi seaccia di sua case, mi disereda infine, Amor mimpone di rinunsiare a voi; lascio Roma ogg stesso, € quanto prima ’Buropa. Addio:siate folie; questo ¢ Vardente mio voto. Li vostro Ernesto.» = My Norina,t write to you with death in my heast,Don Pasquale, en typ ne eet and hs ceiven me Goin hus odes forpyer aired Riybve compels me fp renounce opsh leave, Rome thls ven dagen Eukope as sof as posibie,Farewell:be happy thisis my heardelt hope. Etnesto. " ‘Our OF ite paz zie! ‘Nonpartira, V'aceerto, Inguattrosalti Hageabishe PO eat NoMPATHSR, eeesette, Inguattrosaltison de Ini, del-Ia nostra ira.ma Jomettoa parte, ed ei rima.ne, e contanto di -side him, of our lit-tle dra-ma Twill in-formhim He will remainhere, indeed,with all his NORINA si pud saperqual si. m_1_to know the story? _ mire il mi- SJuseto punish hisGia mel, di - iat you have 7 dor ha.deci.: ie, pote) cheopponet alle sue voglie, don isqualeha des soprender mog fed op=pose his tieph-ew, Don Pas-qua-le tomarry is am-! sr-fous, ft Ree Orben, io suodot.to-re, _visto-lo co.si_fermo nel pi cambio rete edt tesa ENGI Shi dition was de chaiging, changed any tat.tica, © tosto nel.linte.res.se vostroe in! pol-i-cy, ar-rang-ing in the bestint restof both iquel 7Er-ne-sto, mi pongo ase.con. and E-est,, toseem en-thu- si ~ vB > a : -adanle. Bon Rusquale sactiotenge slennvente mre Pi Spare Aaa Se nn oO er-n0.8¢0, @ vi pre. sen.to _priachaltri mi pre . ven.ga; yive.de, _resta met you, and mM & ~ sent you, PRetfore an-oth-brs” chosen heseesyot, and we ft NORINA Va benis.simo, ‘Thatiswondepety. cot.to, Caldo cal.do vi spo.sa. Carlot.tomio cu. gi-no ci fara da no_ catchhim, Helll be burning to inafty.” ‘Theno~ta- ty se “léct-ed is mycou-sin Car= -ta.ro.. alresto po- i toces apensareavo. i. Lo fatedisperar... il veechioim. -lot - to... andwhatcomesafter, must be your own in-vei ‘You'll drive him to despair, when he'shall or niet MPL SHRLAR:. ~pazza, loabbiamoa diserezione... allor.. Va beno . era-zy|well have him atour mercy. and then, .. Ie issplen52 Toy — — wo Pron - ta io son, purchionon manchi al.l’a.mor,__ al . Ya. 1” am ptepared, if I'm not lacking in the love, in the /Maestoso a a See del ca. ro be - ne. my dear = est dar ~ ling. a Fa.r6 imbrogli,far6 see.ne,fe.r9 imbro.pli,fa.ré soe - no, Tu BeMansBry‘sreaming,duarrling Tbe angry storming charting, oN =—L 3 CR i a benio quelc/hoda far quelettho d 15 imbrogli far quel. iieovle Rjwardand houghes hie eS) daa thon EW Mig sind ae ito ty ow pO. ‘word and rall.beep a ee ————_ a qo pee far,—si, so_~ben io_quelel’ho dm far, * Gann andes Sh poagbem Jo—gualahihe da fare, eam Seana rau. a tempo ne. jbenio queletzho da Mie tae OV werdand a> 8 et PEP. far, so benio, so benio, 0 ben io ‘so benio, £0 benio, 80 ben io quelcl’ho da seit ypew tel knowin 4 wy tert ue pena we ny well,tinowev ry word and op fone 2a. PP leggeriss, z so ben io quelel’ho da far,so T imowey = Sy word” andthougie,] > > > a Eat Ben rele 8 alo 34) Voi sape-te ‘a tempo7 mi — gli ane? fare SyceRau har ily “Bical re ytende il nost1 imbro. glio, Fe er nae ee mare tic don Parade Pee = SS go.loten.deilna stroimbrogli Bacar tempest what aes if, iodon Pasquale gonp Uellarwojsape:te sod eto sno ae, ben Ban Bon PaSehate hetT ve ame eRets se der gedo sone amicochen sli my q i Peo peor e Va oS TSS vo . gliglo_sa_pe - te, lo__sa - pete;so-lotendeil nostroimbragliodon Pasqualeacor-bel Bless ing, Lo asgures you La ire you; by our-tempest what a les-son Don Pasquale shall be 3—— on a a Tre bed Serpe pen oz Se a Se depcapprte shale RENESAS ie Tee NN 2-2 . ©: aN 2 os s lea don Pasquale acor - bellarco - lo ten - de, —_ solo Bon Pasquale, he'shatt” betaughtwhat 2 Tes Ssontwhata > = iz t NORINA ape Siamointe - si; o.=, 2S A We agree, “then: ten . dedon Pasqua_te,so - loten .de a corbel -lar. les ~son Don Pasquale, by our tempest, he shall be taught, (B5. a ~ Tola parte o-rav’inse TL inst you how to PopeMivoletefio - ra no, lapartenond que . pti no, thatshot atall in Weep > JB¢—— > gS > SSS SS oan ~afdgtoan? ot Ge atte = akg weep > RERMMe NodiiePartenang suastamond qyetatOnd in z= fie > tap haught = V2 pak - ger, m cigar? {a sempli shin” ~ gfStathan Trice Na ‘Rand juesth, rlon © questa;state “un po-co,state un poco ad ascoltar, Convien far la semplicet-t reefing tot in Weeping will youlTecen tor a moment lot me speag Sorter seem naive and simple, ee _ = P =BT -Aatctad, SHIBRH RAZ 2 dn avert gdantzionne Orla, win segno. Collotortobocca vetiethog yout i a eyeswide open show b b (GEREREEB aos) Seem ‘altra azione. hearse the nextexpression, raze... ankyou, ki st z Heavies tlcgneclne enum dot. Maa, asa; BBS: Brava clever'masqueradertVery well you play the'part/ fava, bra = va = say ee ne58 ate op 3 va, je gerva, a eee, a heart, (a tlsnijahoe ai een heartithank you Sndly alae aeran BiRou Sy Tz -si,mabrava, mabrava, mava benis.simo co.si, bene, brava, brava, pattjbut,brava, but bra-va,how ve~ rywell youplay the part, cle-ver, brava,” brava, accel. e cresc. poco a poco......... at das of. 8 aS ae ee 3 A $ x == gra.e, grazie, oon 2i-tol- le grazio cerva, sorva,gra,- gio. sigyou: Pia” hum bie maid iff Rank you kindly shank jou kindly. ah bie-conccelia,bio-con-cel-la, va be-nih-si-me co - Ba, et f li yourplay the part. frsmoceent ek- a = Si... Like this. Brava. Boceastretta,stretta. Bra -va., Smile and show your dimples. — _—ba) g > ory, tet's_go, let's Sur_- ty fo "at =e Cie Rk oe al to Si, cor - ria . mo van ci vet “ts” hu_2_ty, ite aL pie-nohoil Te geous, T si,corriamo,si, corriamalgrancimen - to, _pienohoil tet us hur-ry, in’to bat-te we llbe far ~ ing, ‘I'm cou~ jenohoileo - red’ar_di-men . to; la sa_et ‘geousI'meourageous, I am dar = ing? ‘There's a “thunEp A quel verchi, aff —~ > rf BE warchtepatty. 12 mol . to__—sen - ti - re - mo adi - seop . piar. -gin “ning; its ~ ex = plo * sion wesoon wil ear. testa” que sta vol-taha da gi- taf que-sia vol - th,que - da vol-ta Mest VOl canada fi- spinning’ we “wiliset im on nf” Gar, we will ge himm,we'll be set huniye Will set "3 ha da ln testaque.stavoliahada gi ig spinning,we will set him on__ fis A Qeupsipas, a quel vecchio, affé, la te - sta que-sta vol taha da ri-tat, ‘a quel Yecchio, af ali Sis sis ly head’ is spin-ning’wewillset himon hE ear, will Tis: i‘ rar, ary 7M, at NOTESAEN, 1 stlammeetgatiatade faethe & te ~ sta que - Sta Vol -tahada gi - rar. spin -ning,we will set himon His ear, te - staque_stavol-tahada i-rar. spin Zning,tee wil set “him on fis Gary 2 J= min cloaven - - di-car, = venge is com > = ing neat, = OU jain wert ta fey -fi-te 8! thunder is Paf-read “y dinsning: gute peta vor Pian tole fp eed 10 mgke wet ta i moadi. seg ey Felone ston soon” qyeil = tar, ‘sl, ~ vo" spun = tar, Siar, a, tem ad TT seep > pla, Wear, yes, plo -son wef aa, alll. bg! 2 oT a wo te venieesey. SS alan gl ~pen 20% cs gojJet nu - ty — io Sbacefe, Yar" - ing! — AGS BOS mY ys I 1B SI, cor-fia - mo al gran ci - men - to; a fy, ah, yesueeb hae Be (o8RRde TAS he. — pie. no_____hoil co - resi, pienohoileo . re—dar di-men- to. ee Pyeorriam al, ci-men . to; Pienohoil eo - repienohoileo - redir di us go to bat -tlefar = ing, "m cou-ta-geous,I'm cou-ra-geous,I am > st Pa ee se =~ La sa-et . ta_——fra__non_— mol - to__sen - ti - dar = ing, ‘There's thun - der - bolt be - gin - ning, the ex = NORINA PP. A -re - mo_adi - seop— piar. -plo = sion we soon will hear. PP ei léggerissimo far, questa vol sta, que, sta volta,que-stavoltahada girar, a quelvecchioaff, 1a at, we will get him, we'll be-set hihiyye wilset him on is"ear, ull ie sil ly head is a quelvecchioaffé, 1a Wl his sil lyhead is A. quolvecchioaffé, la te.staque-stavoltahada gi-rar, Till his sil - ly head is spinning,we willset him on his eat64 te - faquesta vol-ta hada gi-rar, a quelvecchio,affe la te - sta que-stavol-taha Ga _‘gi- spin-ning,we will set him on his ear, it his ly head is gpin-ning,we will set him on his te . staquesta voltahada ls te. staque.stavoltahada gi. ‘Pcnngsve wl set him on fear aearey Meat iF lange wil ot im He 7 = 3 rite bie Seog = Win fo-min- cloaven- di —_——— revenge” Ie cgi ang a D _ La. sa.eb-tasen . tire. mdad i . scop. SAy,3 Tees athunderbolt “begin-ning, we will min Ta > clo Se ‘ven- geance Sse ae Beach > SER OS femesd t- scoppiae thete's'@ thin > dér-bolr” be = ginning we wil rp “ageeLun poco —— ~car, @ ven - di- car, Tin - covmin - clo ven - di ca com: ing uta re-vengg “i, Sak 1 - seoppiar Ta get tgien-t- rem 8 soln vit ea thete'sa thunderbolt begun, ad oemea: | = £0 pen = sa don =I con _ditem - po -ra-le a fa inque ~st0 a5) n= sa qua. ie diem — po grad PRE HE ir-tle Bon Pas-qua-le eitempest we ake jone Tt Poco pit, “ a blowing like FZ Ta vor spuntar, 10 make Te chea a =fo sil $00.61 = vesgat, che boccon divem = po 5, ra = Je ql, prepa fain quezsto OW il Explode ihe “s0-inos-pheré, what a°tempest we ate blow ~ing,ikP'a cy-cione it is 3. be, bes af Phe SB 26 eee if ‘it 3 a 5 5 take ar, er-val« clear. wank you rave, vas Wage, *ochissimo ritenuto a 3 A a @ 3 Te = x Pa. er ghia oi fon = UE ne Ya—benis = Simo co-si, be. ne, brava, bra - vabra~- va,si_, me Ve=ry well” you play the part, vehatniging, __Iea = va, bea’ va,’how “you os feat a3 a ——" = ; Bie, oR SP Beate TpBLarmr She, me PF aw - a tas oe: #4, 74. + + : £ pet r * - si, va—benis-simo_co-si, va_benis.simo_eo-si.. ah, Ja sa - part, ve> rywell youlmowthe part, ve rywell youlmowthepari”, meré, i 3 é Creer Fees pr a vo’ spun . tar, ie make SPH" * cleats cet. ta sen. ti. rem, sen fi ram ad i - sep. hun 7 der - bolt ex > plo’ sion we” will ole. z\ a ~~ EN Fine dell’ Atto I. End of Act I.67 ATTO SECONDO SECOND ACT PRELUDIO, SCENA ED ARIA PRELUDE, SCENE AND ARIA ERNESTO SOBNA I. alsin casa Don Pasquale: SCENE 1; Living foom'in Bon PaSquaie's house. Maestoso >ssa eq_sladgoess|) aos sz aa a piacere a69 ERNESTO Bae $Soe te. cute, hg Tes Peers cee, -na.to, mi restevauna.mi.co, euncoper. to ne. mi co — di scoproin Vanished, the one friend who might aid me, is the che who be-tayed me. He” is" re- + P Iu, i, ches?damnimiei con giura. vealed ow ,as one who planned thy downfall. Toher in a letter, MPL: gh Benfeoia est espe! mereinun fogtlo sensimiei. iea= ven! Yes it wasbetter, my feelings I expres aaa sOreipalitracentre de i glommierml, — ¢— traselanar- shvade.laaaaga $7 af Y. lof fy ERNESTO 2. Cerche - ré lon - Dis-tant lands shall ta. ma dis - ter. ra do - ve cov = er, where no a ww ee | yy ey go. mer sco- no. seu. to; Ie - wed col uo. rein afin? ges Tmow” omy ‘Mo = aye There a tro - en fleant -"ed wy ie ey BY | i iy wwe > — 2. oe wii Pe SSSA - rando il ben “plore his loss of gloma—_né__ sor - teame__ne But though des - ti-nyties to -po . sti mon. ti © mar, ti po- tran. no, dol . coa siveen” us moun = tain and sea, sill Iny” love “will” not de ey meee Ste -mi. ca, dal mio co. re _— non ti po. fsert “me, still No- ri =~ na's fi Love wor'tde~ crese, e accel. rall. ay ayes a a d.} -tramno dal mio co.recancellar.nontti potrannogolce amica,dal mio core cancellar. ~ sert me,still No-ri-na's I will be, my love for you will not desert me still Norina's will be.3] Moderato _ _ =. —_—_ ERNESTO P, yr.no il Tov - ing Ego fin chead el.troog. get - to tu ri - vol-gaungi atempé™ if in anew dir= ect~ion you should turn one day P 2 euaeeaeme = -_* __. =~ z = ——e co. re, se mai fia cheunmoyoaf. fot. to speg-na in teVanticoardo- gaz = es, if per- chance a new af - fect-ioncomes to erase theoldlove'stac- ~ = -re, non te. mer chounin. fe - li. co te sper. giura acu. si al Fes never fear that T,” tor- mented would ae ~ cise you, of ought to te WS NE NE ONE | NET ="... . > ciely se tu sei, benmlo, fo. M- ce, sand pago iliuo fo sve; for, my love, Ifyou con”-tent™~ ed! all” ny Tinghas been worth accel-del_ sari pa. goiltuo fe . del sa.ré pa. go iltu.o fe. while, all” my Rit cfBp has been worth-while, all” my Bir, witthave been worth 2H Fr lonta ve ge . mersco. no - Tehall ” dis mo sian = getsinow” my — e se and if atempofia in fia cheadal.troog. ‘anew di = rect -ion get to A ot tu ri. vol-gaungior-no il co. re, so mai you should tum” “one “day lov-ing gaz'-es,”_ if per= chounaLtroaf . fet - to spen-gain teYanticoardo _ -chance a new af - -mer fear sei, love, fect foncames & e-tase the old ove'strac = ce Sete] 2 ett hUC = choun in. fe . li. ce te sper. giura accu. si alciel; that_I__tor- meni -ed would ac = Cuseyou of ought to re-vile: benmio, fo - ~~ li. ¢, sa- if youre con-tent ed all ae goiltuo fe. del, sa. it Eighasbeenworhwitile, ait > ré pago _iltuo fe . del, sa. rd Jy suffling hasbeenworth-whilé, all” my P ra pa.go iltu.o fe.del: se tu my _siff“Hagwillhave been worthwhile; for_my i ‘n [5]Poco meno4 a ee ON aa _, B sei, benmio, fe . li-co sara pa-go iltwo fo . del, si, sa ra love, ifyou'ré con = tent-ed, all my — suff-‘ing hasbeenworth-whilé, yes, all my a a Bom Ee Fl : er _ al tue fe - del il___ RBAdhg, at “my hf 22 ignasbeew worth 2 while, has iY _—__- £ EN EN ~ —~ 2\ 7 s = rele 5 E = = er ar vin > vite al 83 — Ben EN eS Geass16 SCENE AND TRIO SCENA E TERZETTO NORINA-DOTTORE & DON PASQUALE NORINA-DOCTOR ANDDON PASQUALE SCBNA 11. Allegro moderato Yt, ow rasguant falesisass™ avreteintrodotto _ildot.tor Malatesta echidoon ln-i ricor-da-tevi ‘iseit-ors en-ter, my good friend Malatesta and his com-pan-ion, Don't forget iy in- benno, nes.sunoha piidaentrar;guai se la.sciate romperelacon-segna! Adesso an. -structionsslet no one elsecome in; You will re-gret it if youdonot o-bey me! That's all now ,s0CE Seep chenonmisentala sposi-na) convien ~da.te. Per un wom suisettanta,(zit.to... what if my little bride should hear me)one must leave me, For a man nearly seveni(silence.., ft irchosonlesto _ebenportante. Conquestoboccon poi di toilette. se eeimtive aneeuRateacte. And ith thishittle wach to my-toitetis” t he struts about CGiferonepeta} Allegretto some ongacorting. . Ate mi rac.co.man-do, I - me - ne. To you, I now commend me, oh, Hy-men.TORRE Hh SOREGEL ASNT PLS EAA fl Larghetto f HS PR Ton tb her do.not jeave me. disparte, Don Pasquale si aye aaicta- te. Y don Papal a AEB D JDon Pasquale to stand aside, Don Pasquale conceals himseli) Per met PL ie-t8T mel R Br ty mel y inol tr a 6 3 just step accefomesiatetburage, forward. Via, dabrava. Speech Come, take courage Nits: (Abelads SE OBR AR RGAE EERRL i ie y Vi.nol.tra-te. Come step forward. Per pie. Pi ‘Non _te.mete. Do_notwor-ry. (ghe advahces slow) ‘S'avanza lentament met ire a don Pasguales) i= tySar ppte ah PESauatS} ynaturale2ilturbamentoyper naturaun po'selvatica laawi ‘With the convent ust behind her, somewhat bashful you may findheF, like a newly captured animal, ge = A P NORINA (Staa___ You'll ve - de - resistaavede . reovecchiomat - to, —chior. ti dis - cov * er, youwill discov-er,youcrazy cod = ger, 1 will Mos - se, vo __—_—_cemosseyoceportamento, Grac “ious, bear ~—_ing,dulcet voice and eyes toblind you. mos . se, voce,por.ta - mento, tutto,tut to, gracious, bearing, dul “cet voice andeyes to blind you, simple sweemess, > >S=- ser ~ vo,si, si, tiser vo co. me va, ve - give you, yes Twill give you what” is due, You'll dis = tut -todin le : i, tutto 6in leisempli.cita, sim-ple sweet ness, simple sweetmess through and thrqugh. tut toéin lei sem.pli . ci _ ta; a. dichiaroun grany sim-ple sweet-ness through and “through; Alithe virtues Waza con80 P chio mato, stag vede-re! vecchio mat-to, sta.a vede-re veechio cra = “Gy? codger’ youl discover crazy codger,you'l discover, cra-2y ta. mos.se, voce, res to cious beatin wwo.ceportamen to ice nd eyes to byt se risponde la bel.ta, la di-chiaro un granpor ifher beauty is a clue, all the virtues have been con- chor ti servo come ya, chortigervo come, va, al, sta ave dere, sl, _sta.ave coo ey cove Ye cNPL ETS COME, Yards yEybultacateeeyees hdl J “mento, utige injei semplita -ta Tots, voce, = Blind you, simple sweetness all through andthrough, _ gracious bearisig eyes to ten se Fisyonde label.ta, la. dichiaro ungranpor -tignedher, ifher beauty isa clue, ah thevvirtues, _hav€beeheon- eredhio ti serwsi,co.me—va, si, si, ti “zover,t” will». givgyouwhatis due, yes, _yes,_T fo, tutto Pinlei selmpli-€1- blindyou, _ simple sweetness, afi tirougp and through, la bel-t ~tento se Fisponde csignedher if her beauty is @ clue, a — SFm i a voc. youwhat me ya.) Ahfratel.lo! is due.) Astarsolamifa Ah, dear Brother! Ail alone, Tam so todinlei sempli -ci -ta. ple sweetness through and throughs ‘Non temeste,nonte-mete, Do notworry,do not worry. sim rispon.de la bel.ta. herbeauy is a clue. male. fear-ful. Cara mia, solanon sio.te; But, my dearest,you'te not alone here: (ine ‘con verrore) Come? Who Is? cison i.o, cédonPasquale. 1 am with you, and Don Pasquale. Pint allegro t82 ~schina! pre-fto_an-dia-mo, bear It ees ting aPEe, coftetavme, aplam hats, esto tase GH 5 from here; a manherela manher Ce io, nonteme.te. (seeing that Norina wants to 1e box pxsuane oer crate te, ening ha N rina vento legre Dotto_re! ‘Oh, Doctor! dotto_rel... Ah, Doctor! — © vecehio ee > eS sta ayerde sourgeeie Baa ‘Youtl lis = cov = _er,youwill dis- cov D = (Co. mééscal What a_,tas Com’ ca.ra,com’é cara! com’é ca.ra, ca.ra,¢a.ta,ca-ra,ca.ra,mode How ador-a-ble, how charming! How a-dorable, how charming,charming charming, L.Teliipo' yan P ser = vo St, si th ser~ vo. wha ge 7 yd AEM Souter Be Ou” Beta -stina! com’s caraemode - stinanellasuasemplicita, sem_pli - ci - She's socharming shy and stunning sweet and simple through and through, a . fall though anddie) re,impazzi-relo fara a's 1drina !) be crazy when ste's co.mé scaltramalandrina!) what a_tas- cal, sly and cunning) ta, com carae mo.de.stina through, she's sochatming sly ahd stunning, _——_ - : J Ss neLlasua sempli -ci_ sweet and simpletrough at tutta! (Sta a vedere;vecchiomatto,sta a Vederevecchiomattochirtiservocame va,chorti servocome tremble (Youll discover srazy codger youll lscover crazy codget {will gue you what is due dill gh yoy 7 ——— 5 18-8, VO-Ce, ta, tutto e “i se =¢ UEes8isina efesteblind yar, alinple sueeiness aff MBoagh anc | =e Ah!Dotto.re! com’é cara nella sta som, ‘Ah good Doctor! she's so charming, sweetandsimple all SHfou iB ¢ = SRF; ye ar ae = sey Gn MVGothusriitar WE — (0, tutto & in Tei ii SE Ren sR co.m’é cara nel_la sua sempli. ahiGoodDoctor, se Tweliarining, —sweet'and eewin fife” yt wage B® — tutto ¢in lei, = t sem pli -¢i- simple sweetness, = ple “aif | throug! nté cara nel la, nel sua sem pli ci - wats fara melle, , Tae Be , a Sue, SOP Pla Sha — —_——_—. oka come va», or tiservo co.mo =a Tmos-se , yo-€e (fegaa zie a throigh, gracious bearing. (Hem ciazy when he's through.) Pp = guant® caranclla sua, sempli - citi, e's socharming.sweet and simple. through and through. @ piacere Sat ee ee waSCENE AND QUARTET - SECOND FINALE ce SCENA E QUARTETTO -FINALE I. NORINA, ERNESTO, DOTTORE, DON PASQUALE NORINA, ERNESTO, DOCTOR, DON PASQUALE ae to Norina) (Bop Rasguntegusdgestttmgh p powingd DOTTORE (a Norina) pairone eamico mi.o, | dredeigalan, fy patron and good companion, the king of gallant Non abbiate pa-u-ra, _édonPasquale, “Revitaifgy MUS*TC be sofrightened, itsDon Pasquale, %. P Ss _ Opie near et ting as Bow oat ‘senza guardare Don Pasqu Genoa) Gra zie, ser. va. Thank’ you, fund ~~ Wy. “tuo-mni-nt. yndete al SS NF NF a 3 2 ‘NORINA (GSLABSERE. FOE SSS Prensa Son ser - va, mille a Your ser = vant, 'Tamgrate- cod -voleva di that is, Imeantosay, NSZio (rigs and responds in kind, then seats himself once again. Fae GSian'e cothtaponde,pot sede db uovo) cae Volea dir chealla sera la amera la ct 7 Twas say-ing,the ta-dy' mightenfoy. a companion, an the drening. 80 che co.sa_ sia, voltaalte-a-tro? ‘Or to go to the theatre? bramo, havernone. : Sen - timen -ti-ch'io lo_do, mailtem.po —_uopoépassarloinqualchemodo. ‘Those are praiseworthy feel-ings, but some-how, one has to pass a-way the ho-urs. ti ill tempo passa the ho-uss Ay by -ci-re, ricamar, farlacal_zetta, ba-dareal_la cu. ci-. Sew-ing, embroid'ring, or knittingstockings, and man-a-ging the ‘kit-chen’ie, —————— — Tmalan- dil - ng) 5 pPOtare AR: alan: GOON (Reninaahousia eeu) (ea 'BdgAejo9 (Faproprioal caso mi.o!) Quelvelperca.ri til! Ex-act~ ly what! needed!) That veil,in Heaven's namg! Sf. ae ‘Non $-s6 intgccia & : b-bedi-eeo, fa Todarennot, mane greta ther Pmust o- -fronia, rimove-tequel velo. ‘Ve lo co. mando. “fronia, won't you take off that veiling?” But_I_ command you, Cehpeakesattahs ve D (after having looked at her rising sudden- ly,and falling back as if frightened) jo avrlaplardata,loventost a um trafto al ‘dando indielro come spaventato) afte frtine Mi.se-ri_cordia! U_ na Dea? Lord ave mercy! Like | (area, P = bom. ba inmoz.zoal_co.re. Por ca.ri.ta, Dot .to. ito Pombcatch, —saybeateapiod ed” TB Mathth Pa Bete, fhe: = SS P i? 37ditele semi vuole. askher if she will have me, rT DOTTORE -ro-le, sudo... son mor . to! speechless, burning, G T'm dy ~ ing! ORGS) tonto ~raggio, misembraben di Sorel li -na mi Fae Pane tee eeMe cu. LS ae dh oR Sends nee 8 y ‘Andante Ze _Recitativo —————— ith a glane her with hise NORINA (witha glance at Don Bascuale, who i devouring her withhis eyes) Tpaicating DonFasgial9) : ‘Avoonna. Don Pasquale! ffirloho eee. cara, dite... vor_reste?. i 7 Vi pigce? sitel, ell me, youwish it, Bp herr, GUPLalapEr aPiRSSz your90 EES) — si. (Seipureil g sranbiabbio.ne!) (Gam Tasca Bon READ ad Yes, He feally is a bloci ic -sente: 6 vostra. (con tra. pow rasque 60M} Sonssente: yf ‘Oh x Magione (SORTS FS pRRSgeh NBA P $5 giu bilo! be-a-to me! Or pr psi a no - Won-der-ful! How Tam blest! Call duickly the of - da-| ho tol- il mi- och’tin anticame Bifloe BM ine BROIIe, meco ray my no-ta-ry came With me; _he Sinthe entrance Crain. Ne Oh caro! quelDottor pensaa tut to. Oh, perfect! The good man misses nothing.SCENE IV, Don Pasquale and Norina are seated. The servants place a table with writing materials in the middle ofthe stage. On the table is a bell. The Notary bows, eats himself and commences to write. The 94 Doctor stands to the right of the Notary, as if to dictate. ‘SCENA IV, Don Pasquale e Norina sedutii servi dispongono in mezzo alla soena un tavolo col’occorrente per scrivere. So. pra il tavolo,un campanello.Tl Notaro saluta,siede e s'accinge a scrivere.-Il Dottore in piedi a destra del Notaro,come det - tandogii. [12] Moderato > bg be tf Fradauna parte, etcetera, Shg_of the first part, et-ce-te-ra, a sempre staccato Sofro- nia Malate.sta, domi . ciliataetcctera, contut . toquelche Softo- nia Malate-sta, whose dom-i-cile,et-ce-te-ra, what-ev- er all the Edaltra partegtectera, Pasquale da Co1 The oth-er-partyet-ceters, Pasqla~le da Cor- —~ =,et cetera. etcetera, Etcetera. Et-cetera, —~ vo.len - to" en -sn . ti, voln . ti, “sent = ed, arewill = ing, accel. poco a poco Ree se a > ter, Coi titoli secondo ileonsu -¢.ti With titles,as areu-su-al-lystat~ > i = 7 : anu finvé eon serve =, un poo aS 0 rall.93 —> my = vat Bwto be wed, wed. Pal NoAles9 ‘Bon Pasquale. Axete Has that been (Goes to the left of the Notary) (Va a sinistra del Notaro,) eken, = = iS (as though dictain (coneldettandoy”® qual Afb, BER Heke, algun de,celeas, —___ Aone: edim . mo - bili do-natraivi-vi and in- tan - gi-bles, will-ing-ly hands to, with94 - ent us lie di - let, - nil, - BPM Atrmedtbe £848 ERA. Bisa a Be rose BBL SeTe., We Arti, Eiteplgod orang as Staseritto. —_ ‘Tis written, Frage Hlermescitte edgea, olteuestatacgetiars Buonnample, 283: Na. mands, Uta. Knowledged, _itsta, 0 sia. datuttic singoli di ca - sa rive rita... Servi -t9,ed obbe Not = — Lta. tnd (apis) vedo Pecan 6s _ (to ees) (64 ees DOTTORE tg Notina) a Negina) (Percarita. uae (inHeaven'sname, giun to voisietoin punto. - Or-vengalagqo, si-na, Sn Gone Mosopbors chhe-ly Youll mes Hy desarbe how. Poco meno fat om No - rina! i is 1 eh Ne: Hina! Teen eamay — (Maguestonn, Sta zitto, Be silent vouinab st a hemes insentarde rall.100 Sen), m (rene Break a apartey °°) Ab Splat. SP = oi apeatae ma a Moderato mosso ne, 8 tutto per tuo ne: sevuoi No . rina tions, we fur “ther your am tions; if you would ~ lose” No= B 3 NORINA A_des.so ve-ramen fim wembling now in earn: eee nial, sq #05 Fel ‘Stoni "a Yours gi wer - de, ot, pm hal chee oe gull tar. Aj-elmehpen mi far. DON PASQUALE (othe Doctoral Gottore) _ R Gli punge:compa.ti - He huffersyou mus piwith dlSaflS res? Tih BA - nf MHOC SAMEERA - = = "Ss Ze = = = SE = cade Aly SBEOO“ACR BS AE BF: tig, we = Her yi HB P WrekP Matleltee- - La nT yes, __yei,_what De We he oe ra itis, OP ecilibe IG ally SE fe wae Bes GE string, ng . Crese.si da tre. si, what fear I yes) ely rei; BE _ = gis” PAS Se fea Say Ha = Sia SIR PAF Secondalacom-me - _ dia, star, a___ se : Ourcomedy will con = quer tar. Ai yor May’ fe: veal - tar, feels, tar, ca : Teel, ee ci = tanlo vo'ca - what “does ~ he feel,I wonder wha “ee - oi si, he PH Win DRE MH ve east a “2. ee a eo ve Cangas compnny) RFE PAR ARS By IAHR Ahn, yal; MEBs nip Pelt si, lo vo'ca.pa.ci-tar, ca - pai. tar, ye, meee Pet we - oR A he A be he Jeads first Norina, then Eme: i a ry UGénticce's Soifonativere pela Norina fo) Ernesto, D = = WRIA AERA Anaantelegli sposi je ne va) end aa hae des, 1° vita Siete ma-ri_. toe mo - glie. 1%] Moderato mosso Hele’ min tet wife” penne? © yok NORINA (Appena segnato il contratto, prende un contegno naturale ardito senza, impudenza,) having scarcely signed the contract, takeson her natural manner confident without impudence, loa co minciar, the fun _will start.) __ poise (Yall bel vox ensquaue (AR - lap ag - — tuitrien2) li,sen Oh ka - ete, re A rejecting him genth (eden Sadae Se dloeza) N — about ta emacs Newina ome oer (Aptatb ds Doeaclare Nerina) AeARRICMM RE = RB: ah. te : a 2 SE SRB: — SP ek . a> =—Ti = cen 7 per ~mis = slat "(con sommissione)(with submission) Me will Yac-cor.da - te? ‘you per-mnit ~ me’ .3é oe t ERNESTO (ridendo)( laughing) Ah gh ah ah gh ah con entra angi Che c'da ridere, impe te? Partti-te What's there to laugh about, start? “Twantyou ‘geen raga Oi - BoE Oh, fiet subito, immanti-nente, via,fuordi casa. out of hete, go on the “instant, de=part myhouse noid, Fz ce oO = od Wel > af Mon = tes GW bump > dis, va - go{tg Ernesto 105 ad Ernesto) ce Benkuealp aah. Of: HP. Bbama ad? yah fais a Esa fi a Meme Boe cpren-der vi {a ~ 10, ive to learn from me. DOTTORE DOCTOR DON PASQUALE Cayggasieragtion Dot. to-re! —But Doc-tor! calando106 NORINA In fo. domia dal ri. dere fro. nar=mi pia zENEaTO) (8 Bache a ahs Se, 1)” don't know what OP demi hake dee, AB ini ist lume cde atti - te wah & - ae shemmtl Chedir vor_ra? Whatdoes it mean? i<—. (a Don Pasquale (to Don Pasquale) ral. Se nan supe, aword or two. : e. = m_ col canto t, rae, con-dur nope 2 de ss MERCY” not “thelosper Eeertn an” ST egan you Bag giovane de_cen.tementeaspasso. _Bi_sognohodiunbrac. As” T shall need pro-107 (accennando Ernesto) designating Ernesto) N ion, He shall ‘bemy — Se-lect - ion DON PASQUALE lyXeon vivacitay 2 ‘Oh! onl me - stopoi, scusa . te.mi, oh! in-Heed, youll parcdon me, ‘Ohi (treddamente) (coldly) Bop. poo stan? nor-che? que - stonon pud star. Perch’ nol Ino, that can-fot be. 1 do not TE Rohi Ponies -Jen" 2 esas , SS No. ak & = = > = = Fethdne?ireeess Boa Huse on Doce wey rail, On N In mio, vi sup. plico scordar questa pa-ro - - - {Opts as: LAR ae eran Mee Be HS : = Ton. ‘col canto408 (yah ising empbasi Coon entast pp sonents ae SE Su" SS msg 88 Hy fw fe. & A_- F282 ——$ DOTTORE. faa =o TT mo-men ~ mo = ment now DON PASQUALE - sto non can_neyT'lthavéno argu =ment. (Ve. dia - mo aa Ee) Co. (aa ——————~. may... Ta ei, bul But? Be ul - et, oO Ve Wein vo . il Wil ‘You should! he should!140 mipafa aon Fasc co acct Ron Fara au 18, é Provatoho a Te wied so col canto prenderti fi no-racolle buone. —Saprd, sotu mi stuz.zichi,lo | manla.do-pe- arto teat you gently and with patience.Butif " youkeeppro-vok-ing me,for brutal fogce pre-‘ Te Steen GE rma = gtodbimaiotrs <= Jo. DON PASQUALE x inaieteo a erty 2 cost stato? Dreaming? Wale or mistaking? z ——~ Bo Sembraunuom _______cui_man-eail fia He is breath less,struck by thun 2 calei? visions?az FT eh: gem Bs : 7 - guenel ~ le ve - OrVinsri —— blood = [ess,pale andshak ~ ing. Now T un * der stand |” their —s Viao.rag . glo, come'takecour ~ “Sgey = ‘buon per me che mha avvisa.to. well she warned me of my blunder. a ha, neLle yene, nel-le ve,no.0r Va. is bloodfess, pale and shaking, pale and shaking. He can te Kb “I ah, in.co.min . ¢io a de.ci_fra an? nowl see’ “what theyareprepar_ ing. a c= Via,co. Come, take -squa-le, 10, nonvi sta. to asgomen.ta *squa “le, you've norea son tobe des-pair &4 Orvedremcheco.s’avviene, orvedrem che cos'avvien, Now we'll see which way she'staking, nowwe'llsee which way she'll take, 2 2 oy = oe ie148 co or, calando HS & - fas WEBS ea Rt Se Ningico, map-co, ma Gin PRD alan ticle POL de. ci. Ip in - comincioa Be Was Pmeterer He : Ge mp— te 5 ‘ae. D 3 Fag - gio, — 9 Don Pa 2 Ret Don Pa qua Je, non vi sta_tenon vi sta-teasgomen_ Ie; you've no rea" soh,you'venoreason to des or vedrem, ve. drem, ve - dre : . . now we'll see, ell” see,” welll see accel. -_ > > > iF te 2— ral. $81.35 ar |P 18d Hedy ——, oresc. “s aH z i -tar, x Va - mi : man - co jaa —~ Je, si. po- share, fe can tn 2 G@Rndow Bee > Iy'was_ Pe moo mp > frar, fine tri - = co- ary or Mine gaya 60 He : kins P conte She é8 ! ba da be. ae, Bon Fa-squa - le, = best“ be care ful} Don Pa = te, ioe Salar Sle onto WSNM4 tra capa citar, man.coma - le, man-comal, cle =~ -verlit. «=~ tle'smare_whatseemedfol = ly’ was a snare, — Tyr ~ wfledas Glefiate, wifey -__pfd open Aaeree ‘cor - gionmvista . teal wake cd: «=> Relyouvenorea> con Mo des ~ _neba-da ben, Pa.squa best be care = ful, besttakecare Don Pa-squa le, ee ee le Ts Wap > > no,nonon vi Don Pasqua = le, no,youthave no reg, ba, da be ful, best145, cle_- ver lit - tle Ty 3 -min . cio ado. ci. frar, a see What iicksthey pre = pare, what pre , asgo. men . tar, - no, donot des - pair, do not__des_- on Df Se ba. day ‘badabenbada benhiadabenDonPa.squa.le,du-nadonnaafar tre care - ful, best take care, best take care, best take care ,Don Pasquale she’s a lady col canto to be- mar, ba - da ona. da benba.da benckéu.na don . far, afar — tremar, “ware, best take care best take cate,best takecareshe'sa la - dy to scare, to scare, _be-ware rall, atempo cel. poco a poco pitt f a = 3 crese, ¥ ah? =:416 co.or,eo.min . ei frar, derstand, see sea de, iz re-pare? > z a: - sta | teasgomentar, asgomentar, asgomen-tar, rea son. to des-pait, donot despair, do not despair, Z gee ee aE afar tremar, donna, donna afar tre-mar, T should beware, she is. a la-dy to be-ware, m~ FS =— si, si, ca he'll see’ our4A7 10 sup the little bell and (SoReal topes {P ctpanelly¢ Saou [BR] Alleere moderato =p. Binnijelmmanti-nente, la servisa qui é 5, be. EEE Soe = < t Epetaly Este eet x 3 setvant leaves) (two servants enter, (Vengono due servi ¢ (Ch sera parEEye? with a'major-domo.) un Maggiordomo,) Dh lio. SRG Toe me DON PASQUALE Qe cnasee yn lite im bogie.) (Che vuol daLla mia gente?) (What means thisnew difurbance?) Treintut.to? ah ah ahah ah ah! va be- nis - simo, c' po_co da con. Sy, Thee on-ly? ab ah ah ah ah ah! That is mar -velous,its ea~si-er to a “etigmeten9 ‘lla tar, 0% po. coda contar. A voi:daquanto sembrami, voi siete:il_ maj count, it's éq ~si-er tocount, Youfirstfromall appear- anc- es,’ you are the maj-or rs Fs mol canto f4118 (the majordomo bows) (the majordomo out does himestf in bowing) (II Maggiordomo s?inchina) 1 Maggiordomo si conionds in inchin|) -domo. Subitov’inco-mincio Iapagaa raddop piar. O-raattentia_gliordini “domo. First of all,for your sal'ty Ill double the amount. Lis-ten to the orders ny 1 che mi dis;pon-g9 Di ser_viti no - vella pen_satea provve - der.mi; Firstyouwilihavethe duty of find-ing ine new ~ servants siagente frescae bella, tale dafar . cio. choose them for youth and beauty of whomI may be419 Non ho fi-ni-toan - cora. I still am far from finished, DON Fy ek NHS ot Poiquandoavra fi ni.to. Az Doras you havelinishd. .. Cea mgjogdomo) Di legniun pa. io Twocoathes for my zm Ort eee vs ing to . —~ . pox pasquane TaPeotiswellacedRSrichoses, Jia eof I sources, Poiquandoavra fi ee so SE Ae fogi as you haveho fi. ni-toan - co.ra. Butstill 1 ‘have not “finished. La ca.sa? ‘My house is? a. Vo? Fi Dear, deat! La casaémaldi - ‘The house is an-ti- fae Say BP ef ey es. 7SSS54] = . Yi ceubon ing n alive cope a - i deblbon 7 r . . een May ae Bee-me Mam ds, ai Bae ini f * * s Ps : = Vo.di? ti? Watch her? ‘ierien! » egy fe aS an-co-ra.se, in pajucchit. = ieeglie=te wh —‘tarto,an loll ~ ffe- re... ctencuion, . PRET ISSN, tg, jewels, and some-one ‘to cbimb my tresses... gle ie He, par? che te fe_par.che tne — par? outhinkwe've won? ‘Youtlink we've wots you think weve won? che? i a_vete ancor fi . what 7 Nowhave youfin-y iminela a laiip fis an-ger, has ‘Comincia ,lampeg~ fifvansger nas pee — a Q > te fe co - se in te -gorla Bs facciat det all be pro - per - ly or -gin-leda, iso SMe ar,422 (the majordomo leaves with the servants) (I Maggiordomo parte col servi.) Oh bella! Oh, lovely! Chi pa.ga? Who pays this? - , Who. payethist bebe — SP. SS =| —— Sait faye 4 la qui fra no. i, non pago mica. you, just be - tween us, Tam™not paying. is ede SBA) (frst) sio.ne. Padroneov'io co ., Mi fa. com (he ster. You, master wheretim (fiseatdato) A pi- ti-ful Sonoononsonpa . dro.ne? Here amI not the “mas-ter? string. ie bette(2 Bo RAISES com NPE Seedy 128 x ait ae ope amended REL aABAR - fir. lel le =a, intesponendosl { miterposin WOON interne pos Sorel-la... My sister. 7. ve-f0,v‘Rospo- aecel. Poco a poco © crese. oS BESS ba pa s a Rateer malas, EHCT (a Don Pasquale, che sbuffa)(to Don Pasquale, who is puffing up) ate Perca- ni For pop - ufesatic T= o?, yor so-Tp siete Paine Youate the one who's i te unvil- =o, che tq alla ta-gio - hectmerié-re-ca- gu ate a i ouritlearn aes 0 fou area tl ffartfoutfoon___youtifearnates-son that Tknow how t B ; aE cie Tosi fan no Vo-la,co-min cia alai jar, nciaal 5 fin —a getéloudsaregath - er-ingya storm’s_=__ “atbout fo Beak, stormsabout oe Tell Ta, so- fel Te oe Tar, PruTe : a eettiny Se eet! fear Bo a ear awtel be careful, : septa Seek pole paras tale Steveltingap more’ fpore unable 10 speatty jor rage) P = E i 5 “oS ERE FREES Sis Foret '124 ee ie imet tone sa.prd, les~Zon” I can ‘teach, comincia a Jammy 2) storms abouto’ denza, pru-den eet Pe: (fuori ai sa f beside himself) Son T Vivace Smt > HRRsPains ste it che Me omeanded oe BES, mil - le —_furie,miLle furigmille furie,mille furieho dentroil fu - cy fills me,fu-ryfillsme, fury fillsme,by theFuries. Tam ‘qpestinferno anti.ci - pa 've a hell-ish pre-mon-ito non lo vogliosopportar, Finferno antici alfa Married iifeenct for me? Weva hellish prem a2, ide yaetiosopper-ter nor mon Je, yprelio sop-per- tar ney non y $,, ERNESTO (a Norina)(to Norina) yo. ello sop-por - tar. life” “is not for b, (to Ernesto) (aa Ernesto ) NORINA NOR ORBEA TS ARRAS SAVE POA ARE T WA lta HP SR > en, Iborrons (® Don Pasquale X to Don Pasquale) Sie. ten. po.co, sieteunpoco riscal da.to, You're ov-er heated, and upset by your po-si-tion, = sTe BR. Yael, ROMSTLNE ind unfeandeanwarhicetagand wnfckndeaton = 1p dir 1S, TRS FREGB Wa TOF Por’ oni tts o Que = atin - > = solo atier ma consi-fliato solo amor’mvha consi-aliato que - sta ve alone was miy ambition love atone was myambifion,. ji pre- consi lia = TO, GS Was jour _am= °hit — toa, on wor ~ dito, Goh stordi- to, son deena-10, an as_-tounded, I'm in-dig-naritand astounded > “fer = no, uest'inferno anti nell Bh, We a hellish pr arte Te cl - tar, -Rnding woulg gree. to Norina reprov il ! Geringon Teneo) ICTS Sa ste Uonelendagio tee, “ste-i, Tha costei con teda far, __she _will ——shewill answet Fe el EE we aes fez 55ART — SS z= w@ Fe FS: wa as Rae BS Se Boe aa = Pa > is con - found > edt le =e eo = found ~ - 0, millefuriehodentrol pet - - to, i => tion, bythefuries 1 am hound__= > ed, ste 7 SF quest inferno anti-ci - 've a hell-ish pre-mon- = = = I~ =~ " = blind “Wan” ie.- B8 cad Wing When =e bling” with “rage, Yon Me fece—ibh e | muse oS 7 —- 9 — = de, Ramleyogligsoppartar, ,que-stin sfepmean sth ch, Pat. Molde a Be es Ee oa an fe must > wey Gorctgae-red WEP? Goh oe” “he,dina Yin evi = el bling with ” tag vo -glio life, ro “ear. Bie 6. =R=RGp, (to Norina, ironical HG feo Rerinsaceopealiy) Lacasa émal di. Myhouse isantl = quat (disdginfun loon dispetto <.. um: cinguan date! you'Pen-terfainfor eight 7 ei = no Fag ~ ing, sesarcgem iia oe ad af - fo- fhe can = not ig af - fo- no. ing, ie Can-not ‘eaglieimo tute is oUt rile eS instaERNESTO DOTTORE ant Ant watt, i Oi ach PAPA RAAha ‘OW.Pon Pa-saua - Je, ose SF - ser. fo) Pope Bon Pa-sdu Rooke = sounded Oh, Don Pa Squa =1e* pot ve = ret - tol Poor Bon ba-squa =e. Be = _found-edh An-datgun pocoa let = = fa Gorest for your com: 2 igh, ~dito,beffegeiatopbeffer. gato, Sines reeonenes by aitioh, ee poadai fe blind wlth ” sSge, BOSE blind with rage i can hard mio copnato andate alet ~~ ou need rest for your condi - furie, mille furie,mille furie,mille furiehodentroil petto. {ills ne fury fills the fury fiisthe by the Furiestam hobnded130 P, Or tav_ve fuin-giu - stoiltuo —s0- Now you see ~ that your “susp = ciénwas un~grat > ful and un So. noo ca - rasin . ce-ra . tomo. menta - neofuil so- See. Dear, you. con ~ quermy ~ sus-pl = clon,it ~ wasTleet- ingand un At - ten.zio - necheil vee.chiet - tonon vi veg - gaamo - pay at-ten “tion, look around” you,your af - fect - fon he ah Dalla rab - bia, daldispet - to sonvici - no asoffo_car, By a wempest, Tram pounded, Tamdrovning, andail at sear Poco phit a btiraa Meee Ras +: = ty + ty N a a a ¥ ¥ -spet_. to;so - loa_mor mfhacon . si-glia . toque . sta ion Pre par. teare . ci. “ground edjlove’ alone was my "am'Bi - tion in ertend = ing to e ' gE te wer 3 -spet - to,s0 . loa. mor found = ed,love a ~ lone t 2 4-9 » Sa ~gian, attenzion, attenzion, attenzionesheilveechiettononvi ‘see, look around, look around, pay attention, look around you, your affection he will : e £ ft 4. on . — * e+ atiwfze oe » ae 6 Sp 4 son Vi-ci . noasof . fo-car, sism vi-ci . noasof . fo T Mivdrowa “Inga ~ S¢7 S823, yeu" Thrdlowa- Baars 7% —A384 - teare . ci-tar, sigue sta par . teare . ci- -gee, you pre-tend - ed to a-gree, whényou pre-tend= ed to a ee ee eee vo.glio que.stin . fer. no sop-por - sea, no, ‘no, this wife, this mar-ried life is not for ean ko meh aint BEG eB ‘iar, no, no, vi veg. mo-reg. giar, See, NO, Do, en he must not ‘see. tar, no, non —____ i vo. wr . tar, me,’ no, mar ied life, ml eee soPPer See Pit presto wn4132 t. eo partea re.ci . tar, lending to a ~ eo partoa re. ci - tar, ~tend-ing to a ~ gree, ‘2 no, non vi veg No, your af - fec = no, no, nol vo no, mar-ried life # loa - mor a" lone was my star, 2, 0 - loa = mor Whe con sh- shiato. | que - sta ain ~ 85 Bonin pre- ab feBc-itn fe ad ee: tar, noon lo vo - lio, no, no] vo.glio soppor - tar, me, ‘ng. mar > ried life, Siormanied ue Sis ‘ndor ~ ‘me, 1138 L———. Rapion ro-ol - tan. aving to parctea re.ci - tar, “fend no, non vi ve no; your af - fect no, 0,non vo no, married life # x Don Pas- le, - t ci - ngadaf - fo - gar, Do RE “edit: ans wih the, AES Br Ee, mn Pas-qua - le, po - ~ngadaf - fo- ‘Bot Pas da = 1e:98 ~ coat Sasi buoa with age, scan = net abiece = Son at - tenzio - no,at - ten.zio . ne,non fay ‘Sian doay Senet too “Shoal ~ ever lo 1550 SC no, eT ee Ree TERT Ts: me, S,N = vi-el - qoadaf - fo - gar dat = fo- faa wh Shes WEE = Be gfe = not by ane, m= nor Age, fe Cap. ~ ear, ici noadaf . fogar, adaf - a: Be Bg Tate Mah: Brees gL veg - gaamo - reggian, nonoa—vi Wek: GPa - Tm. TE ~ tar, no, 20, 20, nono) posso;non lo 10 jor” me, no, no; no; nowwithsucha wife this adaf . fo. gar, hecan = not” see, ad af fo-gar, not see, vegga,non viveggaamoreggiar, fection, your affection he will see, ‘non lo pos.o, . Hite is het for me.can neyrab-bia, _—daldi-spet _to son vi. ci. no remp™ est Tam pounded, Tam “drowning a he rab. bia, dal di. spet . to sonvi. ci . no a soffo.car, son vi.cinoa soffo. temp-est Tam pound- ed, Tam drown-ing andallat sea, I am drowning,all at > = =136 fe cf 2 pe Bee! oa oe aoe ¢ 4:88 “mo = reg -giar, a mo-tep gar, rust "eb “Se, fie” must not “see! PESTS, =THIRD ACT 137 ATTO TERZO CORO D’INTRODUZIONE INTRODUCTION CHORUS SOENA J, “ata in casa di Don Pasyuale, Sparsi sui tavoli, sulle sedie, per terra,articoli di abbigliamento fommi file, abiti,cappelli, pellicee, sclarpe, merietl, eartoni ece bon Pasquale, seduto aclia massima eosternazione da Yanii una tavola piena zeppa di liste e fatture; vari Servi in attenzione.- DalPappartamento di donna Norina esce Un garruechiere con pettin. vomato,ciprie, ferri per arrlociare, ece,attraversa la. scens,e via per la porta di mezz0. SCENE I=‘Room in the house of Don Pasquale, Spread on the tables, the chaits and the floor are’articles offem- Inine apparel, dreqoess ats, furs, soatves, faces, boxes, cic. “Bon Pasguate, seated in utmost consternation before @ fable cotered with bills ard Invoices: varfous Servants aré in attendance’ from Norina’s apartinent emerges ¢ Finbar cout, pomades, powder curing tngsyexe. He Grote the sage ad Jeaves By the center doa ~ crese. a poco a poco SSNS SS 3 SIPARIO EE) AHA 2A = a ten. (grvan and pas, vo come and see (eaearand made vaso ee aR? (slo voieg te na La cut. Here's the (ws Bas SERVANTS. CAMERIERT I diamanti, presto, presto. etch thediamonds hurry? hurcayy > = > ——re. sto. ty Bur = rye sto, tines carrog amo .gushered into Norina's chamber (the milling carrying 2 mato bexee gf Sarton, one ntreusita nelPappartamento a1 Norina,) wi uuetof flowers, = er Vengaavan ti. (in peliicoiay mazzo di fort, She may ent er. (another) eee, che consegna a un servo.) Wa altro) In carroz.zatut - to jp, These mustgo " in-tg" the rr 45 \t (BRR Here the toon air) (another (un atro)(2nothe) THe veM$29, (un atroy¢anotheny FHSeSH> questo. I guanti, presto, sur-rey. The gloves,hete, hur-ry,” l -(Un’altraX another) 139 Presto, pre-sto. Hur-ty, far-t¥ un attro) (another) Pre - sto. Pre-sto, _pre~st0. Hur = Ty. Hur-ty, PUr-"Yitre © quattro) three or four) caval - li sul mo-men-to or-di-na-te dvattac- def in-siantely the hor- ses to be harnessed up to — a rae DON PASQUALE CHESS Ge) Chemarea,chestordi . ‘Through the House a cyclone Presto, prestopresto, presto. (ass eile Fresloprestopresto, presto kre o quattro! Pi tc ste sto. Reesjpresapreroy presto — H0, pie -a00, ple-w, Hx ~ Sry; furry,’ -ty, -men.to! Suna ca.sadaimpaz.zar, éu-na ca sadaimpaz.zar, sidaimpaz. ss;_here the winds of madness blow’ Here the winds of mad-ness blow, yes, here they ih ie Siete. Ta caroz-2a. Cau thecamiage, He140 ~2ar, daim paz . zardaim . paz . zar,daim blow, cy = clones” blow, cy = clones” blow, cy : ch) Fo Pre : Sto, sho, pre. ay fe_—_—_____” ame yp Fre - sto, ty A) — _ ———, sto, pre- yy,” hur 2 Pre : sto, Mur : ry, hur : tye hur = fe (oh BSE la, earrer.zaprest ca Se darslagh hash har resto, "rey. pre -sto, la, carroz.za) restopresto, pre ry, alt the carriage, hurr}, hurry:hurry? Phar > = -sto, i caval.li, restoprestoprest ry,” call the horse’, rey hurry hue=ry, Sees eee e 2 =RECITATIVE AND DUET RECITATIVO E DUETTO NORINA DON PASQUALE uy’) NORINA AND DON PASQUALE Vediamo: dLlamo. jatol Alcarrozziere sei. #'ssee now this is one-hundred for the seamstress, Very gen- Yous! And for the coaches, sIx f Recitatt6o' thee | J 141 (examining the D.PASQUALE™ ,cento, Pocaro.ba! _Nove-centocin¢ inguanta al giaiel - jot Fer, hundred. such a wi-fle!’ Here is “the hundred fif-ty, to pay the Allegro S pz. (Chrovs the bill down enraged. and rises) Getta la nota con stiaawe si alza.) Alde_monio i cavalli, i mer-canti_eil matrimonio! to the’ devil with the carriage,with the merchants, and with the marriage! Per cavalli jpotses cara cits ococheladuriinquestomodo,miocarodon Pasquale, a rivederci RAFAEL ARB eg Rect. (Pensa thinks) resto dil'ospedale. Che cosavorra dir questa grangala! PBothoue to pay your folly Andante Recit, What ever can it mean, this prepat- a-tion!(thinks) Uscirsolaaque;stora, nelprimodidinozze? Going out, at this hour,’ the first day of our marriage? (risoluto)(resolutely) debbo oppormiaognicostoed impe-dirlo. Ma. sifaprestoadirlo. co - T must'viop het indeed,{ tust notper-mit it. Bute. itmustbe admitted; the -le.i hacertiocchiacci, certo fardasultanal.. dogni modo vo'provarmi; se la = dy hascertain man-ners, that are fright'ningly regai.. what-ev-er happens, I will ty it; I'll P fal-liscell ten-ta ~_ti-vo. Ec-cola; a no-i andthen if it's a fail-ure.’ hereshe is; go ‘to it, Allegro fe = z ete oem corte ere nua Petra yn gees oy Biagio res Bisnate nites 3 FA presen ee443 Si.gno-rina, in tanto fret.ta Wait, my Yp-ay. where are you dri-ven, es mosso NORINA, Euna co.sa, 6 ustacosapresto det.ta: al te. ‘That's a question’ _whose answer Can be quickly given: to the vorreb-be dir-mi? IPyouhi ects me? Mailma.ri.to, congua pa.ce, nonvo. But your husband, “at the mornext may not P > i ma.ri.to vedee ta.ce; P put my fusband will not coniment, potriatal volta. to give perimis-sion. f144 parlanons‘ascal -ta.. (imiating he) El-mlandtoquande parla noni imitandd| Ev-en spokesno one would listen. Nonsiascol . ta? ‘None would listen? (wteaatleserebcdnte) = —« = ‘Anon metiermi al c! must learn who gives You Ble autogto, ien-f0, a non jhetter mi al cl-men-to, si-gno-qi - ta, 1a con- orders, you must learn who gives the orders, miaddim,do not’ ay my iiaJade = da in ca-mera al mo -men-to, vada iy ca- mera al mo- AMRSW GS eS your quarier’, you wil How govt your ith a mocking air NORINA Cet aie RE Les eto) A starche to enonfar sce - ne To be qui = et, to act dis-creet- ly ~mento, ellainca.sa reste ares MNS, aS ne a twaiay, . SeSE IP gethaGlive” i: BOR BE - Rew, Hel Beer 25; = > = si parle = fh, va - daa fet-to, vada @ lettn,dorma be-ne dorma, dorma, dorma an-firer “day, go "0" * Keaton gStobebinan sumbersveety suaiber wees um * : Sa asda eo a BE AEA SEE oR SEAR, By rall, pal doman a jecan talkat da a letto, 20°80 ted Sites ® col canto146 AE? ieee x aS i B bay i the Tere Ye-tamen - tel gar that aa Ta ART ee BERR ialSe BQ __,_..._./$-4.¢ © rg 8 == Nonsi sor- te. So _ no stanco. You'll go no- where. ela pablo T “shall rest now. (Ane) stu. fa. Non viascol - to. rest_~" less A T__hear no_= thing. i Non si sor - te, Poco pit > You'll go no where. must (Satan Patorey = no sty - am rest = stan . co. ,ci= vet = tel Test, now. 1g Wayward wo P, dives him a slap) Hirai uno’ suhitto) a el nen - Pren - di, sult’ “my Pren ._di -rprendi suchebenti , sta, al 4 re YOuget your just desserts! Lat Ah! ti = Galette stein autto himself, half weepin; 147 (Casto, ainst plangend) © att Fata Ba Hate Sul bntded Baia - ‘Larghetto P ~squale, hai-bel romper-tila te-sta,hai bel rc rr th la, “sauale: ES Hen L2RUed irolen-heatted broken hedded broken P fa-re nonti testa! Aluo a fa-re nonti -sta, altro een A TRaDOD ac Git TEA ATRIIN ae ANS hope atnow departed, eve che d’andarti ad affo-gar, che d'andarti ad aflo- ‘All that’s Tete you is tovdrdwn, all that left yous to NORINA (fra 98 (to herself) — « du. ret .'ta la le - io - ne, ‘That was” quite “2” _force= Jes -_son: Afb cttta See148 don Ba si, re Sona = Sduale, jes, Stow de arte and (o- Pal tnae Met jot eayouls S= eaten 10, la vit - to - Ha ive, I must pin the ¢ fi-ni- tae fini ta, alttqafa~senonti re—stached‘andard ad affo- gar, don Pa~ Bohn an a endcC il End 24, Sv aYHopeMtasnow departed aitiaeslenjouts vo Gtoim, — on'Ps- —— —~S pp am BB ee ee. A. ——— cu. ran or bi na ry” dowh, to, be 8y don Pasquale, altro a fa-renonti re-sta, pins i re-sta che d'andarti ad affo- Bon Rabhuale’ ev" 'cjnopehasnow doparted.ev> fy hope Row deparied, sil shats tek you fe 00 — | =z — Et ~~ don Pasquale ‘don Pa - squa-le, ih, e fi- ni-ta, aia sftp, SRM, GRRE af MS, eg la ieeo, —— So Ez se149 . = pg N] f —— $. a= -} zB > fia, fa vit ~ toria as hs, Emust — ‘pin'vie pS 3A 7 che d'and: i ad aff - id af ~ fovgar. altro.a far on fi parted, alt that's Tet youisto down, gues YOUNES wn ey nope fas de ao _ = ——_ ~~ __Pocopii > abe a == = re - che dai -pae- &d, GP thats “rar, dow, = alg a far ev= try hope. re - sta aowh, Bae de pe if part - ed, ‘ail che d's at safe of che teat is __> ne Ba af ~ fox ar. i go and diovh.) that's fel la our af “Ba = th adaf - aH ee vit ra ob -ject = ive, a450 ta _pu-re, manon facciapia ri - a ofice, thén, put you'll not re=tum, take t Ci vedremoal nuoyogiorno. Twill See you lr the Sorin, Por . ta chin.sa tro. ve . ¥pu wilt find! “the d i vedre wil see ~ta chiy-sato- ve~ pyouwill find the door is (yee pleases(eon civetter (egquettishly) Via,ca . (ro Gl Deat'Wus >and, Vivace, ma non troppo 2 Vaa let - to, bel non i, sila che- Dear “Grand - pa sleepsound 9: iy, go slum- > -toil tuo son no; per tom poa sve. @llar. “ber ‘pro = found > lyi__you'll find when you” wak ~ .. SSS SEF 2 spo-sa ver. ra,va,__ va, va, vaa let. Your witehomea-galn’ gor Bor 2 deat grand iss s—bel non sleep sound > ly,’ efter ~ poa sve.ghi -ti Ja sposa-ver. rh. ing en you Swale = 5 rh, your Wife home again. DOW PASQUALE ai Di -vor- Di = vorce (s)- fay tio! di - vorzio!Che let.to! che spo-sa! me! Di =vorce me! What wifel What a matriage! b 0 S. > Fe epee ——_ -sor.zio di questo non vha, peg - gio force “me to keepthis. do main, No” “tev zy enh153 —_— p sto non wha, Oh po.ve-ro this do- main. Oh, pi-ti~ ful soloceo! se durin cer-vel-lo con que.sto mar-tel-lo, mi ra-col sa - rd, ani a nit =wit! Tf _youdon't go ~ un: it wi NORINA ;fa-col sa - ra, Give you “insane, hus -ra. sane, a tempo 2 won-dér, she'll drive you in ~ sane, she'll via, dear i,;fa-0ol $a.;7&, con que.stomar.tel-Jo mi. ra-col sa - jelidrivé you in-Gane,’ it will be” no. won-der “it~ you" go. in- Tall, un poco. - mill ti - ran. such a 7 ty =1, tl let 7 ygur age -vor.zio! di-vorzio! Di ~ vorzioldi . vor Svorceme! di-vorce me! Di__ vorce mel di“ vorce N= vorce me! di - >> f sciocdo} mits wit! 0a sve when you toil tuo son ber Ho; per tem 0 ~ found youll find se, durin cer - vel.lo sto, con Jue.sto mar - You're Sure to" go” un-der, Boe iy,’ To, ‘one wil P i Ta. $p0- $8 BH yed Paces que- so mar - tél-lo mi.- ri -ra-col h po -ve - TO scioccolse RAAT $2 AS" © Won-deraf you goin - sane, fat ~ at-wid te P155, z oe ee ec ne Toe E tts Ronis duriincer. vel-lo mi. ra.col sa. ra, si, mi - ra-col sa - will be no "wonder if” you go _in-” sané, shé wilt @rive you in- ¥ pores -ra, Vaa let. to, ma . ri - to. Vaa let. to, bel ~Bajp. To bed “with you, “hus - band. Sleep sound-ly, dear P ra. Non so. no ma. ri. to, - Hoses Tam not your hus-band. Boco pit 2 > > Sf ‘non, = Ho. Vaa let grand- pas: sleep sound gon vor sito nonzng.. $e du-goip cer - vel-lp con que-go mar- am not your grand-pa. ff = T dont go un-der “Kt will be non sand st thr dhe156 >> > > a.. Mid, Mhaly, deh Bo van Net ate me et Non so.no ma. ri. to. Tam not your” hus = band > — Tet= . sound- os vea let > toa sleep sound = t Bae GR PRS Gee ae grand- mi, - fa she'll drive la spo.sa, la spo. $a, svegliarti sa_pra, la spo . si la your wife will, your wife will —a-wake you ‘a-gain, yourwife will, , your i va eal sa - 8, sl, con Que-sto_mar- sien dttve fe dt > sané,yes, 92" WP BE "To157 spo.sa svegliarti wile “will “a-wake you, sapra, $i, Ia spose sve-gliar ‘again’ yes, your wife will ‘a= wake e = -tel.Jo mi. ra-col sa. ra, mi. ra wontder IP” Y* "Go jin’ sane’, i - el sa >A tel” dite mein SP: BR Shs, our SRA SY2- yh He GROAN AYe- a Eke aD AP = he, sy Ru (ipring departs tering, fall Norina pafto, well'atte fe ‘at you Tl, ra a> a, she'll drive in sane. SS ab tous Pandan yee aa ea zs = Ae be Nae @ la raccoglie,)158 RECITATIVO RECITATIVE DON PASQUALE (Legge) reading) ae Gualchenotadi cuffioe dimerletti chelasi nora qui lascidper caso... sAdorata Sofronia fe bill for her bonnets or her laces such as te lady tikes to leave behind her.My adored Sofronia = a 5 E —_—— —— 2 ES = 5 ———s (Legge) (reads) Ehilci! cheaffaree qu Hey hey now! What ava feading? "Between ine and teninthe eventig, Tal be outse in the garden. SP = = SS che, a settentrione. Per maggior precauzione fa, se puoi,dintrodurmi perla porta Sn the side facing the North: To take the utdnost precaution’. ide me ins if you eah, By te secre’ door + — A noi daran ricetto securo l’ombre del boschetto. Mi scordavo di dirti che an- ‘The shadow of the grove will give us a safe hiding place. Tforgot to tell you, I will sing159 -nunzieré cantando il giunger mio. | Mi raccomando. Il tuo fedele, Addio». to signal my arrival. ‘Your faithful one awaits you. Farewell”, Ppige pags ‘emote co. ste-i mi vuolmortoar.ra . bia.to! Ah!nonnepos.so is is too Much; that gitlwouldhave me per- ish of - fu = ry. Ah, T canbear no (al servi che entrano) (6c28%p2Rnanao) (i ahs sepa ag enten ji, per-dola testa! © SichiamiMalatesta. CorretedalDot.to.re, _di-teglichesto more. I'm go~ing cra-zy! T'ilsendfor Malatesta. Go running to the Doctor, teii him that [am (Bsce(exit) mal, chevengatosto.(Ocre-pareofinirla, ad o-gnii costo.) Tit,” fe musCattend me. Lethim kill meor cure me. this must be ended.) Allegro160 CORO a2] SRNA nr. CHORUS Allegro vivace ~—> Sop. f> aq Er] 33 Che interi -na -Bi-fe an -at- fi 24 here m0 “end fo thie oming and 93 > st sor fe > aS > f> Ge ert ollie GP termi i ass Che intermi- Is there no >164 sna - bi -le an~ di -ri,- vie - nit end to this coming and go - ing! ong ~ bi =le an = di - ri_- vie - ni! end to this coming and go - ing! aa bi th an = di “By vie ay nto thls Goming” and going ‘Tintindi qua, tin tin tin tin. Ring-a-linghere, ding ding ding ding. Ton tondi fh, fon yon tpn Bite! Sing titte, Song dang dong Tontondi la, ton ton ton og Dingo ng these ong dong dong Tnpaceun at. timo si sta. ‘an. instant tesit down and rest ippaceun at-timo giammai si jeter an” instant torsit down and Inpaceun at. timogiammai si _=y Never an instanttositdown and1a Ug ad ng. Tag de ella ek jer an So Bea Tone aia. p tere oe Bong dong Song dong. Bots Ging Song dong. i _pace un at > at- timo mai non si “ta, Teheran fngeant to'at down and reét, ing, dig, = mo mat non at, sta, in, (p, stant 1S Re dBwn dnarestding dig, di at-timo mai pon sista, in pace un at - tl - mo mal pon si sta. instant'to sit down and rest, ne aes jer an instant 1 Rt down andrest ding ding ding ding, at-timo mai non si_sta, in pace un at- t-momai non si sta, tn, tin, tin, tn, instant tosit down andrest, ne-Jer an ‘in -stant'to sit down andrest ding ding, dig,ding, SS eg. ee te > > P in gn tintin, Ma..,ca2 ang ding ding ding Bun tis “a fom, adam dong fon yon ton top ton, te, dongdong dong dong. o.f; pl £163 0 ‘Heuag in grap - .g funidn, ouseot pand_-— et: buona, montataingran - de, mansion, ahouseof grand _- eur. Si, _ca.sa buo.na, montatain Yes, ‘tis. a mansion, a house of eee —— Sigpendee span, de; 6 da scia-lar. fst. squand= er; and $9 It" goes... Sispendee span - de; 8 dascia-lar. Gold fs to squand = et and so it goes.. Sh Bn oEkeitod pyan = 20) ade futon Finitoil pran . 0, vi furon Right af-ter Tin ner, there was a ee dascia.lar. that's how it goes, > S164 ‘sce - ne. Di- ceil ma. fighthere First "paid see - ne. fight”here. Comincian pre - sto. Con.tate un po? ‘They'restarting ear = ly. But ‘what a= bout? P = ri. to: estarcon-vie-ne. Di - cela Husband: Stayhometonight;dear, Then" said the ST166 fant ing —— Bie AY wand “ng, “TT. f EP Py wond= Ying. =e =i, a pen - sie Whey, ESE co Tig, P ar che il ma~ Feelsior het Par che il a= Ca ay ee cre erese:.167 Z Lo conti po. co. Tit-the comphs-dion, ‘Hils-balfa HR -8R Bin = pBE-SSR: WR -A8 Em -ARSTSH, i. to Jo conti ; his © ind uitede eon Pan, a >. =—, P Zit ti, peu. den iz ev, Phe Al.cu.no vie. ne. Hush! some -one's mov-ing. Sista; ra bem are iim. prov=ing: Bieta aan qare| a | |168 da sia = lary A ait +t, at - t, ind ‘So “it” "goes: si -lenée, ‘si -lente, "3 da sla ~ lar: att mot, att, Rina SSH “gees. UF letice, it “tetlce, “at letice, ao gon At Whee, a bice ee = t a sela-lar: Sts He fe age: fa scla~ lar; shgteliow it goed: ff ‘fats Noe Se. r z {16} iL169 P — ai stark be - ne: % “hings ate im-prov-ing, thatshiow it goes, a stark be - per things are improv- ing, fa scja ~lar, thagshowit goes, Stara be = ne: c'® da scia - lar, wnlige ME imp Se AE od bal seia . lar, Peed $8 dan ea si, @ da scia.lar, zit.ti, prtsshatshow it goes: Hvletce, si, 8 da scia. lar, ziti, Yel, that'show it goes, silence, ce da scia-lar, eé da scia-lar, zit That's how it “goes, that'show it “goes, sl $568 18170 fol, femveste, Ata, gta Ce tat 2 Me Eiaee, sotheMSoonte Hikee, Hees M Ta, ge, xitti, _alcun vie - ne, Siclence, some-one’s moving, zitti, ziti; ¢édascialar, cé. si-lence, si-lence:and soit goes, that’s __how “ti, tr, ee dati dar ait, atte, al-cun since, > dake, lars now Te” goeksat-letice, Hietiee someone's (con mistero)( mysteriously) calando Oo : ar: 8, fes,thar's How sia - la, sty a i el ni it tits, 98s cats here is 8 viene. zitsti, zit si, ce Moving Islettce. Sisiente yeé that's leatando fT oT Oo EC? t. seialar. = anh sie sola. lar. ow BF Boe u dascia lar. thay show it goes: a tempo tfRECITATIVE AND DUET RECITATIVO E DUETTO “a SCENATY. DOTTORE H DOK PasguaLe scene wv, noses DOCTOR AND DON PASQUALE (Gul limitare della porta)(on the threshold of the door) Sta_be.ne, Oraingiardi.no scendoafar Jamia parte. Tis-settied: Now tothe gafden for my part in the project. Siamointe,si Mentr‘io fo qui la Reoit,1s aareed then, .While am playing Nonte,mere. jennot Worry. Suil But che tn nd mi-a, Soprattutto cheil vecchiononticonosca. wvenirei sent... my part. It¢above all the old man won trecognize you, Appena’ Assoon as youhear uscomning... P (Bsce.) (goes off) mariiiibepertect, & tempo t a entinachiamata, mi provacheilbiglietto delcon-vegnonotturno Root. Chany, _ sincPhetutdenty tied me-our ister ott onight assignation hasdone its472 Be-foleh:, — omidmalides d.esspt mompembrapiile., stesso. mene famed oa Pp ig; Now WP iny bedside manner fyinpaditic. ie dante. P CENA V. SCENE V. (andando incontro a Don Pasquale) (going to meet Don Pasquale) ale. nmifa-te lan ON 1 Bon Pascuale... (con tristezza solenne) (with solemn grief) Nenmila-te lane, Co. gnato, inmeve.de-te unmortochecam.mi-na. Mj" Botiee,_uime youlsolon ‘saesdinsn whe lsmaiking. _guire aquestomodo Coane badargll b same Paskiuidle eG _Bigon ridottoa questo! Mille No. Pen . sarche,perunmise.ro "To think that for a fool to Don Pasqual Crinee ea Bon Pasquale) Mispieghereteal_fin.. -rine a-vessi datea Ernesto! ‘Mezzaentratadinanno thousand Nor-in-as for Er-nes~ tol Half ofa year'sincome given f1138 THEE SS ie ey wines Bon tems TSA er nea eA Aen cdet — F°~ ae U- no schiaffol! id she strike youl Pe == ike mando... © colla man i di sul vi.so, si, si. ‘otdered..._andwithmy face veurdie se etal jevyesin- f vo himselt) (to Don Pasquate Copii Ce Rea sSataTS Cokie, WRB fronja® dop-na tale, che-nok pub, che non (Sa ENon Mowers Ay—ing:_SoiHronla © SW Wo gfhclus; ever would, ever ~gno.rel abet st evuol far mate: Prefesti pergacciarlayiadi cas Hebe pignaclon Ro throwher from your house youwista peetext.histale younave a ii td174% vent ae a p= fel capice a voll perdereIilspeva Don eRs sium My pooralsters toWreat you dimes €e spectfully orcruelly? Lagumeiaétesti.monio: il tutto bear the mark to prove it:{ tell you, too CAREER (a ne oe ee c.count, (ERS R ELE Ma sevoifate perderlapp-zienza! Loschiaffoe Tei youre Mos atangely short of patience. theblowwas P # (EIR POR GES i Sega ese prean ao bs. adheres ; To son di sasso. (Secondiamo) Macome! miaso. ives him the lett) (OWddia tetra) 1° Stn anoundedlithegurletinnHoweouldahe 5 = nujla, vé dipeggioan.co.ra: _leggete. nothing, there isworse to follow: _Justread it, iF '175 i ‘Che sia colpevol son ancora in- “Tue, angen ble fed ECU Sara buonapervo.i, permeno cero, ‘May be good for her brother but not her husband. Tosoncosi sieu-rodelde-lit.to, chevhofattochiamareespressa-mente qual te-sti- Lam so positive thatshe isguiity, _T have sent for you with the firm intention that you shall Vaben... ma riflet . te-te, Allright! , butdo con-sid -mo.nio deLlamia vendetta, Ho tutfopreve -duto... __ maaspet. witesshow Itake my vengeance. Thave made the arrangements; pay at~ eam pe, MG Bae tbe Bate. But Fonte ine) ‘Don Pasquale showssignsof uneasiness) tate, se. diamo. Tention, _be seated.ti they don't sus- », che-ticheti, ii_nente nel giardino discen.diamo;, we will steal where none expect ts through the garden and agpund it, jome.co la mia gen - = te, prondome co la mia ith my servants to pro-iect. og 53 gu Wintinysewvantto pro og and SR RE gen-te,il boschettocircon-diamo qectus soon the grove will be surrounded B—~, F SP Tam micgeme [maT Ay ~ Bae, fap ~tureat m} ii" capyute. o> Fe a e228 —177 iocon-di > a, coppia sclagu~ HERE, ‘we witl"con dice them to oe EAR fa RSPR GURY zm = be -ra.ta,aun miocennoimpri.gio_na-ta, senza per-dereunmo.mentocon . duciam dal po - de - Zap-iure at" my sig-nal_We Wil cap-ture sight away Wewillconduct them to” a judge without — de~ Pp = S Taira per dere wy Wo meno comdieim dal pode a pease wy Me TGR AGS Seu Canal cents age MAAS GS Ey, oa RS) Me OR ral, FT ZO Io direi..sentiteun po - men socm-ducam dai PREGRAAMALR HE: col cante A D : co. Noi dueso-li,noi due so_li,noidueso_liandiam sul lo.co; nel boschetto ci aj spe. Aen eee station ae y re OR eg- mo, noi dueso. liciap. po-stiamoed a tem.poci mo. 5 g/g them, through the rove we hd will mint them,at the proper time cen cstriamo. white ta ti-ntc - ced ayvertir -fioat then. weil asdf Stn lites Ne eats capa 3 1. _——— ~The Ret ‘on am Sogn vmét = terche lgco,- sage.- sti 1, © tra preghi, tra mi--nac-ced'awvertir 1" Prom ise that the whole affair will ceabe, we'll per-suade them with entreaties, treatsof: 3. oN, et > SP in. i =o 1G > Pe. . D 7 .ta, ci facciamdaidue pro.mettere che la co . sare - sti Ia, ci facciam dai due pro. ale, GLURGGRE REINS. Eta promises at the wooie Stak wil ceatk, wil uty ge et wt enor = 5 ==ieeks stuart die, ath cede dgro mete eras Botwa eat “vill ~Rgtade aie col canto a coate, DON PASQUALE al fatto selogll- mento,poco pena qlua-di- ‘hacls Hue SoPbe- aye te al ey wouie eye Poco pitt P Riflet-tete,amia so - rella, But,consid-erishe's my ~ sis-ter, Yada fuor di ca_sa | mi-a, va.dafuordi ea. sa Frommyhouse she mustbe banised,from my house she must be samy pel mento. cuay me, Eunaffaredeli . catodelicatodeli sacdorpol ben seer ponds, Its a teklishsituation, very Bieky sit-u- ation, it Fequires sohe con Ti-a,altri patti non vo" far, banished and on that I must insist. mae180 a mnderato,ponde_rato. cee ne RE etcentation. Ponde.ra.te, _0-sa.mi-na.te, ma Gon-centtaté, then, andeon-temn-platete, But —— no sean the ‘scan faite non la vo} ontwantherin my house, SERPS! Bait oe Rh WRRSUAYHE - Be mepate then Hei Dnieper de eee (Rintetto intante\ reflecting a while) be = ne: al.tro modo,altromodocerchero. Go” Thome-thing better something better must be Plagned, (imitandoloy tmnttgring him) Nonstal ‘Do not - vie. ne...ma ae enemitie. - Res-ane lp trae 'Bpoiasing. at Wis cheek, (both of them ponder) 181 (Pensano tutti e due.) scateamt I.ePHiaFan' Ker wana Moderato ¢ 5 . A) (asf i. Be. - . to! Jodineasitar.. Peete ~ det, tet, A I.Tempo-Mosso 8 Pp - FP. ~schet . to quat - tiquat . ti ciap. po . stia- mo, di ‘la tut. tou.dir pos. gove welloft =ly ip. = toe to” bur” ‘sta’ Won, ov ~ ehear"their-con - ‘ers > Spby by tradi. men.to, la caceia. te su duo nit >ed, you. may throwher out at. > S8 co-stan-teil ‘sa =tion, If thelov~ ers are u~ > > SP, SP SP pic? DON PASQUALE Bra.vo, bra Bravo, bra va be - no son con. that is per rm de- by be . no . meson conten - to,son 1s 7 pet Tfeetim “Gelight = edct'tDOTTORE ;ten-to, -¥9, bra. vo, bravo, “ijght“ed? be bea = vo, bravo; Pp P (Asaper-ta,a - spet- ta, cata apo- ai Rfuiaven = det - te gid sav pinceon my pict tyldance,it-Be vi - peri thhavenc’ ~ Se > yBuhnpaythe Moderato mos#o pes yay > * a ; — ~of = eg Bi BS, aie fA yh. rap- gi > fe, yutte fn un pup ~ io Thal da scop- pl winy Fen ~gea willov=gk= Qiks” you,fiow it win eEak “you, how yeuwil P. Fl = No use now, ieee ifés and an-ta-lizé, nowllesand Ta-grime, 7 verdral se gio vi-no, ve-drar witeher" 3 i te - 9 -=pi- ri 1 no use pre-fend “ing with Sighs LeSand Sites Gin tal f ler smilestanrte-ffa-ihy and BBE, in184 Pano Ro endef ANP ysl git, pr gato a Pam nel - Ble, Twill ‘a - venge it “Slag e[ nea —Wappos iva} gate camel el pel wappg vial ie “vee ALyShET By RC nD gl McG Ry Haase nan oom Tamla ven ~ det - ta gil tha rag - giun - fo, fate in up. pun. fo [fal da son soonnow ny — Ven-geanc’ wile aNe yo hows (Pt Bes you, how youl seeee > . =, SN fowl afake” youstitmakeyou pay, ea ste Yeu, Re agar DOCTOR DOTTORE pongajlme, sch - apart Ya. (ll po.ve , ri . no sognaven Pook na he's shoring venfeanee'e-ies “int RORY BENE 1B 23) ~tar.) ay.) a tempo“pet taiin-ya-no fie - me, invan sar rab- bis, € chiuso SARS MRA MTS - Ebb? dong Sains he .- iso ip gab la Tag > ingiwe've jonethe §g° ing > ion fs mud scap- FC he'll P Tir vanoac - cu-mu-la pr et Ge cal-co- Hi, im-vano ac-cu-mu- I Vain“ly te eal-cusiatest es 2a es Sts and Sand pe- var-I-cates,vain-fy he eal-cu-latespletsand pre et Tie Fabbri = “selina =r = ay fon vede, il sem-pli-ce, non vede, il we fab ti-cates Some wwevap ‘or ate: fe tle the ‘simple -toa, 1s ale the ce, che nel- fa fapy me - de — im nel-la__wappo- a Tie SSasees AS diple?’R- nae ufta a - snated dle een get ict nimn-Seie 1S Ea » Be: ; . be ae chenelia gappols da «E mede sin ave a get-tar, Tn- van ened eten sees his di ety ashimensnared and he edit getaway. Vain ‘Is bag @ iow Lite =r186 — rab . bia,in-va_no fre . me,s’échiusoin - bia,nonpudscap_par, sé chiusoin sp: Uavaannae, te - me ciiueja gab - Bepemmaisepsps, ae ini SS ae: BORGES, SER ineh- Beoumtssppay IF La caceia - te su due pie? e la tol. ge Ya con Dox rasguatep tuow her ouraconce,you fay ‘wih ogr = 4y Yat 2" sonconten - to,son con. I'm de-light= ed, I'm de~ ‘Va be.no - ne,soncon.. ten .to, ‘That is per~ fect) I'm de-light- ed, IS . iquat ti iappostia. mo, di Ta tut . t wine Qettiqut i forUhrsta™ fot, ov-er hear all. juatti quat - ti ‘ciappo-stia-mo, w. dir pos. Seth a to bur and ovler wf 353 af oo. at187 tutto,tut to... ~ conversation.» » — Tutto, tut_~ u- dir oveet Hear” all the con in-vano accumula progettie Caleo-li, in-vano accumula progettie Vainly he calculates, otsand prevaricates vainly hecalculales plots fedrai se giovinoragairt Fale, sonri- al te-ne- 11, sospiri e (Ske nowP tender sighs so Lies and wickety, ho smiles to tantilt eno wileand Gal-ro.= HI. non, s¢ phe fab-Fei-caa-sielfi in a -# a, tpn vede,tT sempll-ce, non vedi ~ Var-feates,castles fie’ {ab-ri-cates doomed toe- vap-or-ate, ‘it-tle the simple-torl, Hit-te the CPS ae we ET Bg gs lovand HELL BS tec ional bee @ tg a . Tail. me, ve-dral se glo- vino, ve-dral se gla vi- no sori te —ne with mpli- ce, non vede.il sempli-ce_ che pel-] 7k ~de- ee fSERENADE 190 SERENATA ERNESTO ton uo 4 Don Paaguate a sinita delipspetatore grandinata che SCENA VI. Boteteiia'iefie in gataitior a dria, belvedere:Blccolo cancelto in fo os rove i ‘den adjacent to Don Pasquale’s house;to the audience left, steps leading from the SCENE VI. A stove i ehSaflenion the rightea summetfotse;e small gate, at ear- ne RNESTO ~— 8 (from within) (ai deatro) Com’ gen. Ab,whaf de= Andante mosso (Chitarre) ——= => lanotteamezzoApril! "| Bazzurroil ciel Ja It-naésen.za Apri night! ‘Through azure skied, the moon unveils her sempre arpeggiato vel: ttt Jan gore camistero.a. eyes! it ate peaBefutimyst ty ad Eazzurroil ciel,la lunaé senza_ vel. ‘Through a~zure skies,shine the moon's unveiledeyes. a Tnterno) Eazzurroil ciel,la lunaé senza vel. ‘Through a-zute skies dhine the moonsunvei led eyes. CHORUS (within) CORO Bassi Bazzurroil, eiel,lalynaé senza vel. ough azure skies shine the moon sunveilea éyes, tf191 a -mor!_______ Benmiopercha________ ancornonvienia me? ove, But dar-fing why, do you not fly to. me? =~ fe sospi-ri Va. tre damoreaceen . ti, delrio nel mur-mure. to lov-ers shiv-erlow, with love entrain = ing, the murm'tingriver flows, ————— at cli, Rap Sueabg gh a_i tareling why = pct ada we RE gay 7 AE ae Ben mio,per.chéan-cornonyienia me? iy darling why dojo noe ly oe me? ancornonvienia me? percha, per-chd ancornonvieni a doyou not Ay to me? ‘ah, why, say WhY, = you'donot' fly” to192 5 > > 5 —= ——S== me? Poiquandosa.rd mor . to hbascome toclaim me, ma ri-chiamarmiin BF. 3 Pochissimo pit mosso ora. i, yo 25 = ky Bae, Sh- Shlamanmlin P —~ vi . ta_______ non po-tra _ i. -call me — with your sigh = ing. > Poi Weel, SUR H9.82, EB, ROE” Ip Seon din” SE —— Jb BPE ss 78 Mor - to, me to claim me’, Poi quan~ who Sathiise So yon BABS Poiquandosa- ri mor - to, pian, - WhenBeathhascometoolain me, Fou" ge - = ap = ub, Bat ySb-Cuemartet th - We aR Re H, y > s >. > > -ra . i, ma ri-chiamarloin vi . ta, nonon po.tra ery = ihg, but you can-not re ~ call ~ me, with? allydur sigh >ERNESTO 198 —, Sem, erat dpnctts mezzo April La lala Ja la la la la la lala la la lala ia la lala la La lala la la la la la la lala la la la la Ja la lala la La lala la la la la la la lala la la la la la la lala la I.Tempo sempre arpegg: PI Ea: tO ciel,_________, Ja lunaésenza vel: tup-t'e lan- TAREE? 2 — al BS loge eee la lala Ja la lala lola ia fa Jala la lalalalalala la Ja lala la la lala lala lala Ia fa Jala la lalalalalala Ia la lala la la lala la la lala la fa lala la Malalalalala fa t= ===. 7 -atero, 91 ~ Ren mnio, per-cht — aco mystiy and ov Biy dar Bingywhy la la la la la la Ja la la la la la lala la la la lala la la la la la la la la la la la lala la la la la la la la la lala la194 => a —ancornonyieniame? do you not fly. to me? tuo fe.de - lo sistrugge di desir, — Tlove so"ta = iy, Prong fer you and sigh ja lala la la lala la la lala la la la Ja lala Ja la lala la fa fala a la lala Ja la lala le la la fa fala ta. la dala la lala la Ta la lala la lo lala la lala Ja la ee = : x fina crude le, Nina erudel_——____________il tuo fe Nina, tis cruel’- ty, Nina, so cruely may love is hohe lee fafa fe lula la la jlafa la Ta lalalalala la Ja Jala la la lala la Ia lala la fa -lada Ja Ia lalalalala Ja lala Ja la lala la Ja Jala Ja Ja lala Ia Ia Jalalalala x =~ =~ _ Ni = na cru-det, ii = na, so ctuel ———— ____ si strug-ge-di de-sir; mivuoivedermo, stilt In 8i8ving T sigh: would you then see me la la la Ja la lala Ja la lala Ja fh fala lala lala la la la la lala lala la la lala lala lala la la lala la la lala la la la la Ja la lala Ja Ja lala la la lala la la Tala la195, = >—, — -rir?— Poiquando sa _ rd mor . to_______ piange.ra - die? When Deathhascome toclaim_me, ou'll i, ma ri-chiamarmiin =" ing, but you _can-not__Fe- Be la. pEinicsimo pit mosso ae £ — with on o.tra . i, Your sigh” ing’ = > of quan-dosa —rh Mor = top jeathhascometoclaim me, Su RS ate sn-do sa -r8 mor jepthhasgome toclaim To, Be, Sst Pol when SeabecComeretaim me, yb RS So > > —— ma ti-chiamarmi in vi - ta, —_n9,nohy i. ne - ta = SSE VST Ah Ha aca a when ' eR ee fig. ing, Bit ygu carnage ve-daul ag witht all your sigh {, mati-chiamarmi in vi - ta, 7o,fon po. aa Bik Voreahrnot™ re" Gaur me witt'all your sigh StNOCTURNE NOTTURNO : era ete et eect oo msc 6 meme dn CCatlocetnes V Aevoite is un mamdllo che lasers cadre $e * SPEC 84 Emestoyche ene (Norina comes antigay from one side of the summerhouse, and goes to admit Emesto, who appears behind the 3 196 Noh comes canola oe of hs ey Larghetto . Mid p PF =~ aqld 39) ve a NORINA namiadir— che m’a . mi, Tell __"___meva- gain ——you love "me, eR eGN ERNESTO - namiadir__ che ma . mi, Tell mea-gain—— youlove ~ me? — michemio tu se - jo tuo ben mi ‘methat youaremineon - ly; tum to Heav'n a- —=_ = mi chemia tu se me that you are mine on197 — la vita addoppiin me. La vocetua si me, when ten-derendearments Thear. Soft - lyyour voice iste —_—— eee la _vitaaddoppi in me. when tender endeatmtents I hear. rall. N ; = 7 cail co.re op-pres - s0,i1 co.re op - ing the fears that surround me the feats that sur~ vovetu.a si ca - ra rin-fran . ca il 0. lyyourvoiceisre = sound = ing, dis pelt ing EF — as - - -80,ah si. curaate— dappres.. so, mé,I'm safe withyourarms a-round me’, a=_— REN E -so,ah si . curoate_dappres . so, ings fm safe with yourarmis a-Found me, A Tall. ‘a tempo.198 —= 2B = ue - jmolontan da te, si cura ate dap- wemb - — lingwhen youre not néar soft with your arms a> xs “a ‘your arms.a- —~ ma = me lontan | da Te S sh - cua.a te, dap wemb - — lingwhen youre hot néar soft with your arms P : [cen iota he one Manet al we ue, -_ jmolontan date. ueiib- ~ Hngwhen you're not néai. » Slpecamom P ‘gota te te, ae re no To desiree oie, ine EE — iby whe pee a lon-tan, date, ie = mo Jon- when yourenot neat, ing, when RD Pe trae tree e “tan la te, da te, da te, da ic. yoite not neat, nest, AOt neat me_pdeat—————— =a you're date, da de re. te, da te, da not _neat,not neaf, not near me — dear.SCENE AND RONDO - THIRD FINALE 199 SCENA E RONDO-FINALE IIL nox agli alberi per ae ‘suo tempo.) vd with darkened 11 a Ithily through the gat ADLER ATS eR ge forte ames, neing sea ty dongh se gases DOTTORE DOCTOR _ iano dal caneollo; si perdon dietro Miraceo - That, youmay D. PASQUALE Eo_coli! _at-tenti ben. ‘thee theyarel Dowtinisea ting. mando, Count on, Allegro moderato oe" = SCENA VII, SCENE VIL. NORINA nobis, chicky’ §Sh A. iu. to, a.iu . to, a- the lantern on Notina’stace,) Oh, help,some-onecome to my fla lantemna intaccia a Notina) Alto li! Do not move! NS4, Coliche stavaquiconvoiamoreg. Mecit. whereisthe manwit whom you shared our (tech SSSaETaR) N —— ignormio, mimera-viglio, quinonveraalcuno. Honored husband, amastonished, here there hasbeen (Don Bagquale and the Doctor start thelr investigation ‘Ough the grove:Ernesto stealtiily ships into the house.) D> "_tostal) statement!) (D. Pasquale e il Dottore fanno indagini nel boschet to; Ernesto entra pian piano in casa) jementirstacciatol apf ben Io wo-varlo, iat outrageousiying! ButY'l kn 1ow hove tgfind him, Allegro SPB ip ip ip NORINA iripeto che quindnveraaloun, chevoi So.gnate, Ul repeatit, that no onehas beenhere,, you must be dreaming. on tegee eee Recit.St ndendy ft frese secking the"ev Suing freezes (explosively) = chefa.ce . vate? Ifresco! Ahldonnaindegna! what were youdoing? ‘The breezes|_Un-worth-y wo-man! hi,ehi, “iharito, ton la prendete? Hey “heyinow fy dear lord Kusband,whava tone you ate ta fuoridicasamia, 0 ch’io. Useite, 6 Out of my house forever, or_I shail... ____ Begone now and Nomumenper sogno.Hi easamia, vi resto. Iwould not dream it, The house is whine .'m stayin, (Doni la. (Don Pasquale, leave Corpodimilie bombe! Lord, iow the bombs are bursting! -sciate fareame; so.lo ba. datea nonsmentirmi; hocarta bianca..) ev-'ty-thing tome? _on-lytakecare not_to dis-pute me? _I must have free hand... Bint Ciao e202 bello a.des.so viene.) best part now is coming.) (plano a NorinaX softly to Nosina) (Stu. por, mistodisdegno; attenta bene.) Sorella, uw - (Be shockell, al- so dis-daimful/and be con-vincing.) __Mysis-ter, —_at- P —— SSS ees} Ameuno My be-ing foparlo pervostro ben; vorrei risparmiarviunosfrogio, Tsay this for yourown good.’ I'd help to a-void be-ing wounded. oe asquale is followin; equate tione alvtre the dialogue with; al dialog eat interest, ‘con grande interesst sfregio! wounded! (Benis - simo.) Do. mani in questa ca_sa en.trala nuova spasa.... (That’swonderful,) To-mor- row _in this household _comes,as a bride, an-oth-er... fs Unaltra donna! Ame uniingiuria? S) jwaltra donna: ingiuria’ Spee An-oth-er woman! 'mthus in-sult-ed? the (Eccoilmomento di montarein furia,) (Now is the momentto fly into furry.)GoanhaSeeeaied, chi? Quellavedovascaltrae civettina! groom? ‘That conniving and scheming flirt of widow! D'Emnesto, la Nor-i- na. Siamoacavallo. Ernestossné 7 Weare succeediiig, DON PASQUALE’ AEE Ree) ere setae jorinaedi.o sottoVistes#o tet.to? Giammaii! gra - ta den Woes,” tn ~ => no.iee doglie, doglieo no - _ agg ~ vation, | ins dig na = quan - i - ey woes” n= told, ——— a mo.ra.leémol.to bel . label . la, DOTTORE fetes a inor~al'. in “our end ~ing, nap" py, a ,mo.ra.leémol .to bel, - la,bel - la, D.PASQUALE, jere's a mor - al in ” our end’ ing,hap-py, La, mo.ra.leémol.to bel - la,bel - la, ‘There's a mor ~al in ~ our end’-ing,hap-py, > SNS al P209 Zab, P F ee Te ot £- # : BE perf p et hts bel -la,bel- la, bel. lajdon Pasqual Yappli cher, don Pa.squal_— ap pli-che- ap Yoyo: py" end “ing? Don Fe-eales es“ son how, Don_Pasaig_—_ i Tes-tn 0 peters pet pss Ys i. ra, Pas 1__ Pappli-che. Bele tephel Pa-squalTapalt - che ra fen be-eduel— TopRaicche A —— Bees qo oe = ee if i. - i sta, - pli- le si el - larbel - lay del i lasap - pli-car-lagaud diciese? a2 “Ay “fevssen'tosid dis- hms = Tech & foe Pee oe Gib ter te pe le el = SS pe aa | a _ > > > > “Be eee =F SS = —— Quella. oaks briceon - cella a Pid noi aimer, 1e°%pre-tend=igg, more Mt he $—f fhe or or oe gee 6 = Se # # 7 Quella cara briecon lunga—piidi noida Slows, though this charmer, spre tending, morethan ‘allot us she , 4 fe > ’ PSS SSE = —<—_——| staSeipurfi napricconcel . la, -_ vi.to co.me close:Youreacharm = er,though pretend = ing’, youhave taughtme how it Sopr. Quella cara briccon . cella linga plidi —noila 7 She's a charmer when pre “tending, morethan all of us she & z FASE 5 ees mee y= eS SS te + # Cj juella cara. briccon . cella Iw pid di noila | she's a charmer when pre-tending, more than ‘all of us she f = = = 8 npg bee PS Pa juellaca.ra briecon . cella lunga She's a charmer when pre-tend-ing, more than f 35 Ete Effés Eftes Ffte » Etta, Ffee é = t PE a a a es210 NORINA tr, AR salunga pidlunga plidi— noila— sa, silun.ga pii_— la da. umownore arallnocethanalfof us, she KnoWsmlch me anil, she ows, sa,lunga piilunga piidi_ noila_ | sa, silun_ga pit la ootismneee than allsttore than allt us, sie knows,much more thin ail, she come va, how it goes, -ralein—— tut-to questoé_— as-sai fa_cil— di tro. varsi:__ ve la sto- ry, 1 may mention, isa moral that is clear now: if you aE ioe di_co— presto presto se vi pia . ce da - scol-tar. careto pay at-ten-tion, I'll ex-plain ~ for all to hear. ‘Any 1.2a sce.mo. cer .veflo__- chi s’am-mogliain_" vecchiae - ta, si; man fas lost his’ “sen-ses_whowolild marty when he's old’yed, a scar col. ampa- nello__noiee pe. neinquan - ~vites what then dom“men “ee: ag-gra-¥a- ton, woes P ben 8 sce-mo. di cer - vel-lo. chi s’am_moglia in—_veechiae- an-y manhas lost his ~ sen-ses who would “mar“ry when he's = Yaa cer_carcol. m-pa nel - 10 no - fee do- glicinquan . tf - jhe” “in-vites what sn gom=men “ces, ag = gta - va- tion, woes : i dogii ie . ek eeein-quan - and woes a jie inquan . ti-ta. and woes un-told. Fine del”Opera END OF THE OPERA