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The literary canon is a concept embroiled with ideologies and grand narratives which seek to
mould and place subjects within an already established framework of power. It is an effective tool
for interpolation, brought into existence by those who have power and seek to maintain it.
However, more often than not, it appears to be insignificant and subjects do not generally ask who
chose the canonical texts and for what reason. It exhibits such an effect by design since it operates
under the pretence that it promotes texts of value while marginalizing those that are inferior. This
is something that is acknowledged without much critical thinking. However, while marginalising
those texts that it deems worthless, it conceals fragments of the truth. Thus it is essential that one
seeks out the answers to the questions of who and why that lurk behind the concept of the literary
canon.
First of all, one ought to begin with the definition of Ideology if one is to investigate its
affiliation with the literary canon. Here we shall draw upon Althusser's definition of Ideology or to
be more precise ideological state apparatuses. 1According to Encyclopedia.com ideological state
apparatuses include social formations like the family and institutions like education. These
institutions instil the values of the state and interpolate subjects that are within their scope while
simultaneously being outside of state control. The aim of these ideological state apparatuses is to
reproduce the means of production the working class. The literary cannon operates from within
the education ideological apparatus and achieves its ends by presenting texts that fit the ideology of
those in power and at the same time keeping texts that might cause problems outside of the canon.
For instance, Martin Green suggests that one could read all the great works of English literature and
never know that England was an empire. This is only one of many issues that can be glossed over
by conviniently altering the canon. If such important issues are not discussed in the canon then the
general public may not even come to know about them. Furthermore, by keeping some issues
outside of the canon, like the subjection of women or homosexuality, those in power keep the lower
classes narrow-minded and steer them as they see fit. For instance, seeing Shakespeare at the
epitome of English literature is something that is preferable to those in power as it is distant from
the issues of the present times such as unemployment. This is the answer to the question: why some
works are preferd to others and it also demonstrates how ideology is channelled through the literary
canon.
As for the who part of the question, one is required to answer many other questions before
one can gain some insight into who creates the canon. A simple answer would be those who hold