32nd Bienal de so paulolist of works

The present list was completed after the exhibition had opened, which meant we could match it work-for-work against
the original list compiled during production, thus trying to avoid errors, omissions and undue additions. We were able to
have some of the information and translations revised by the artists and owners, which made the final list as complete and
precise as possible. This is the second version of the list of works (October 2016).

Alia Farid Series Misturinhas, 2000-2016. [Little Mixtures]. Mixed media on

Maarad Trablous, 2016. [The Exhibition of Tripoli]. Video 2K.
1426. Support: Shrook Al Ghanim; Rana Sadik & Samer Younis;
Galerie Imane Fars; marra.tein; Amer Huneidi; Mohammed Hafiz;
Ziad Mikati. Director: Alia Farid; Director of Photography: Mark
Khalife; Editing: Malek Hosni, Vartan Avakian; Sound Consultant:
Amin Fari; Music and Sound Design: Nadim Mishlawi; Producer:
Jowe Harfouche; Cast: Nowar Yusuf; Sound Engineer: Karine Basha;
Colouring: Belal Hibri; Production Manager: Jennifer Haddad;
Production Assistant: Rosette Stephan; 1st Camera Assistant: Ziad
Choucha; 2 Camera Assistant: Joseph Rai; Key Grip: Hatem
nd
Chayna; Grip Assistant: Boudi Said; Technical Equipment and Crew
Supplied by: Platform Studios; Distribution: Galerie Imane Fars.
Acknowledgements: Iman Fars; George Awde; Jared McCormick;
Kristine Khoury; George Arbid; Amal Khalaf; Sarah Chalabi;
Wassim Naghi; Farida Sultan; Ginger Beirut Productions; Ziad
Mikati. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Alicia Barney
Valle de Alicia, 2016. [Valley of Alicia]. Installation composed of
metal, wood, paper, PVC, acrylic emulsion. Dimensions variable.
Yamile Velosa/Maria Beln Saes de Ibarra/Departamento Cultural
Universidad Nacional de Colombia Collection. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Ana Mazzei
Espetculo, 2016. [Spectacle]. Installation composed of wood,
painted wood, felt, iron, industrial rubber. 4.3014 m (approx. 70
pieces). Commissioned by the Fundao Bienal de So Paulo for the
32 Bienal (2016).
nd
cardboard. 2025cm (249 pieces). Artists collection.
Brbara Wagner & benjamin de burca
Ests vendo coisas, 2016. [You Are Seeing Things]. Video installation,
4K HD video (color, sound). 16. Support: The Arts Council of
Ireland; Fundo de Incentivo Cultura do Estado de Pernambuco,
FUNCULTURA. Casting: MC Porck, Dayana Paixo and Alan Ka
(Banda Mais Amor), Leydson Dedesso, Singleds Cass, MC Meta
Safado, Dany Bala, Allany Carvalho, Jurema Fox, Jos Junior
(JJ culos), Lucas Santos, Neguin do Charme, DJ Jadson, Fernando
Pato, Victor Ron, Italo Monteiro (ProRec Filmes); Cinematographer:
Pedro Sotero; Assistant Director: Jernimo Lemos; Camera Assistant:
Raphael Malta Clasen; Sound Recordist: Phelipe Joannes, Slua
Oliveira; Electricians: Alexandre Aranha, Fernando Marinho;
Executive Production: Carol Vergolino, Daiana Dultra (Alumia);
Production Assistant: Lara Mafra; Editing: Rodrigo Carneiro;
Finishing: Frederico Benevides; Original Soundtrack: Dany Bala,
Tiquinho Lira (Studio Grife); Sound Mixing and Mastering: Daniel
Turini, Fernando Henna; Sound Effects: Henrique Chiurciu, Srgio
Abdalla, Joo Victor Coura; Dialogue Editing: Cau Shimoda,
Mariana Vieira; Sound Studio: Confraria de Sons & Charutos;
Transcription, translation and subtitles: Daniel Chediek (4Estaes).
Acknowledgments: Thiago Leal (Planeta Show), Vanclcio
Vasconcelos, Jlio Propaganda, MC Leozinho, MC Kaio da Corea,
MC Joaozinho da Patro, MC Tria, Lipinho Dantas, Elvis and PP,
Kelly Alves, Scarllet Lima, Sara Ferreira, Rita Azevedo, Marcelo
Caetano, Gisela Domschke, Edouard Fraipont, Marcio Harum. Shot in
Planeta Show, Recife, Pernambuco, Brazil, June 2015.
Presentation produced in partnership with Sesc-SP.

Anawana Haloba
Close-Up, 2016. Installation composed of rock salts, dishes, contact
microphones and sound. Dimensions variable. Support: The Office for
Contemporary Art Norway (OCA), Nordic Culture Fund.
Brbara Wagner
Series Mestres de Cerimnias, 2016. [Masters of Ceremony]. Mineral
pigment on cotton paper. 16 pieces, 80120cm each. Project carried
out with incentive of the ZUM/IMS Photography Grant, 2015.
Presentation produced in partnership with Sesc-SP.

Antonio Malta Campos Ben Fonteles

Capacete, 2015. [Helmet]. Oil on canvas. 230360cm (diptych).
Assistance by Antonia Baudouin. Artists collection.
Dimenso, 2016. [Dimension]. Oil on canvas. 230360cm (diptych).
Assistance by Antonia Baudouin. Artists collection.
Mapa-mndi, 2015. [World Map]. Oil on canvas. 230360cm
(diptych). Assistance by Antonia Baudouin. Artists collection.
Sim No, 2015. [Yes No]. Oil on canvas. 230360cm (diptych).
Assistance by Antonia Baudouin. Artists collection.
gora: OcaTaperaTerreiro, 2016. Installation with straw roof and clay
walls, collection of objects and artworks; performative activations.
5.2188m.
Carla Filipe
Migrao, excluso e resistncia, 2016. [Migration, Exclusion and
Resistance]. Installation composed of plastic canisters, metal barrels,
concrete rings with two different measures, tires, unconventional food

1
plants and popular plants. Overall dimensions variable. Support:
Fundao Calouste Gulbenkian; Trelleborg Wheel Systems; Repblica
Portuguesa Cultura | Direo-Geral das Artes. Acknowledgments:
Peter Webb, Vera Pezzini, Pedro Coelho, Maf Vieira, Rafael Flaborea,
Pedro Allioto. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Carlos Motta
Nefandus, 2013-2016. Archival inkjet print in Hahnemhle Photo
Rag Satin paper. 76.250.8cm. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #1, 2013. Gold washed
silver figure. 0.51.51cm. Based on graphic illustration of the
Maya culture. Courtesy: the artist and P.P.O.W., New York.
Towards a Homoerotic Historiography #1 #2, 2013. Gold washed
silver figure. 0.721.5cm. Based on sculpture of an unidentified
ethnic Mexican group. Courtesy: the artist and P.P.O.W., New York.
Towards a Homoerotic Historiography #1 #3, 2013. Gold washed
silver figure. 0.81.71.5cm. Based on sculpture attributed to
the Moche culture from Peru. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #4, 2013. Gold washed
silver figure. 0.51.72cm. Based on sculpture attributed to
the Moche culture from Peru. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #5, 2013. Gold washed
silver figure. 0.50.51cm. Based on sculpture attributed to
the Moche culture from Peru. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #6, 2013. Gold washed
silver figure. 1.31.51cm. Based on sculpture attributed to
the Moche culture from Peru. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #7, 2013. Gold washed
silver figure. 0.71.51.5cm. Based on sculpture attributed to
the Moche culture from Peru. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #1 #8, 2013. Gold washed
silver figure. 0.71.51.5cm. Based on sculpture of an unidentified
ethnic Mexican group. Courtesy: the artist and P.P.O.W., New York.
Towards a Homoerotic Historiography #1 #9, 2013. Gold washed
silver figure. 21cm. Fictional depiction. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #1 #10, 2013. Gold washed
silver figure. 0.71.52.5cm. Based on sculpture attributed to the
Quimbaya culture from Colombia. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #2 #1, 2014. Gold washed
silver figure (tumbaga). 1.270.640.32cm. Based on an ancient
sculpture of the Tolita culture. Courtesy: the artist and P.P.O.W.,
New York.
Towards a Homoerotic Historiography #2 #2, 2014. Gold washed
silver figure (tumbaga). 2.221.580.64cm. Based on an ancient
sculpture of an undentified ethnic Mexican group. Courtesy: the artist
and P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #3, 2014. Gold washed
silver figure (tumbaga). 1.270.950.64cm. Based on sculpture
attributed to a culture from Central Mexico. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #4, 2014. Gold washed
silver figure (tumbaga). 1.580.930.93cm. Based on sculpture
attributed to a culture from Ecuador. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #5, 2014. Gold washed
silver figure (tumbaga). 1.270.950.31cm. Based on sculpture
attributed to a culture from Ecuador. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #6, 2014. Gold washed
silver figure (tumbaga). 1.580.950.37cm. Based on sculpture
atrtributed to the Moche culture from Peru. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #7, 2014. Gold washed
silver figure (tumbaga). 1.580.950.95cm. Based on a sculpture of
Xochipilli, the Aztec god of art, dance, flowers and song. Courtesy:
the artist and P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #8, 2014. Gold washed
silver figure (tumbaga). 1.851.9cm. Based on an ancient drawing
of an unidentified ethnic Mexican group. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #9, 2014. Gold washed
silver figure (tumbaga). 1.580.350.35cm. Based on sculpture
atrtributed to the Moche culture from Peru. Courtesy: the artist and
P.P.O.W., New York.
Towards a Homoerotic Historiography #2 #10, 2014. Gold washed
silver figure (tumbaga). 1.270.640.32cm. Based on an ancient
sculpture of an undentified ethnic Mexican group. Courtesy: the artist
and P.P.O.W., New York.
Series Untitled Self-Portraits, 1998/2016. Courtesy: the artist and
P.P.O.W., New York.
Untitled, 1998. Silver gelatin print. 27.9421.59cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 88.9101.6cm.
Untitled, 1998. Archival inkjet print. 76.2114.3cm.
Untitled, 1998. Archival inkjet print. 50.860.96cm.
Untitled, 1998. Archival inkjet print. 50.860.96cm.
Carolina Caycedo
A Gente Rio, 2016. [The People River]. From the series A Gente Rio
Be Dammed. [The People River Be Dammed]. HD video (color,
sound). 30. Support: MAB Movimento dos Atingidos por Barragens
Coordenao Nacional (So Paulo), MAB Amaznia (Altamira),
MAB Minas Gerais (Mariana, Barra Longa, Rio Doce), Movimento
Xingu Vivo Para Sempre (Altamira, Belm), Comisso dos Atingidos
pelo Rompimento da Barragem de Fundo (Mariana), Jornal A
Sirene (Mariana), MOAB Movimento dos Ameaados por Barragens
(Vale do Ribeira), EAACONE Equipe de Articulao e Assessoria
s Comunidades Negras (Vale do Ribeira), Rodrigues Family
2
Quilombo de Ivaporunduva (Vale do Ribeira), Neves Family (Ilha
do Cardoso/Vale do Ribeira), Restaurante Comunitrio Recanto dos
Golfinhos (Ilha do Cardoso), Dona Esperana Quilombo do Sapatu
(Vale do Ribeira), Rios Vivos Colombia, Temporal Films, Veronica
Villa, Estdio-9Voltios, Estdio CVS, Cinedelia, Creative Capital, FAAP
Fundao Armando Alvares Penteado, British Council. Commissioned
by the Fundao Bienal de So Paulo for the 32 Bienal (2016).
nd
A Gente Xing, A Gente Doce, A Gente Paran, 2016. [The People
Xing, The People Doce, The People Paran]. From the series
A Gente Rio Be Dammed. [The People River Be Dammed].
Satellite photographs, UV print on aluminum dibond. 900300cm.
Support: FAAP Fundao Armando Alvares Penteado, British
Council. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Cosmotarrafas con Cosmotarrayas, 2016. [Cosmotarrafas with
Cosmofishing Nets]. From the series A Gente Rio Be Dammed.
[The People River Be Dammed]. Installation composed of
fishing nets, dyeing, ceramics, seeds, bats, candles, oil, fishing rods,
alpargatas, wool, cotton, embroidery, oars, arpilleras. Dimensions
variable. Support: MAB Movimento dos Atingidos por Barragens
Coordenao Nacional (So Paulo), MAB Amaznia (Altamira), MAB
Minas Gerais (Mariana, Barra Longa, Rio Doce), Atingidas Bordando
a Resistncia, Movimento Xing Vivo Para Sempre (Altamira/Belm),
Neves Family Ilha do Cardoso (Vale do Ribeira), Restaurante
Comunitrio Recanto dos Golfinhos (Ilha do Cardoso), Centro do
Artesanato Quilombo do Sapatu (Vale do Ribeira), ISA Instituto
Socioambiental (Altamira/Par), Rios Vivos Colombia, Creative
Capital, Instituto de Visin (Bogot), British Council. Commissioned
by the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Iguau, 2016. From the series A Gente Rio Be Dammed [The People
River Be Dammed]. Marker over Canson paper. 173.366.2cm
each. Support: Ana Laide Soares, Ailton Krenak, Yuli Diana, British
Council. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Watu, 2016. From the series A Gente Rio Be Dammed [The People
River Be Dammed]. Marker over Canson paper. 173.566.4cm
each. Support: Ana Laide Soares, Ailton Krenak, Yuli Diana, British
Council. Commissioned by the Fundao Bienal de So Paulo for the
32 Bienal (2016).
nd
Yuma, 2016. From the series Be Dammed. Marker over Canson
paper. 173.847cm each. Support: Instituto de Visin (Bogot),
Cesar Reyes Collection (Puerto Rico), British Council.
Yaqui, 2016. From the series Be Dammed. Marker over Canson
paper. 174.547.1cm each. Support: Instituto de Visin (Bogot),
Cesar Reyes Collection (Puerto Rico), British Council.
Elwha, 2016. From the series Be Dammed. Marker over Canson
paper. 173.547.2cm each. Support: Instituto de Visin (Bogot),
Cesar Reyes Collection (Puerto Rico), British Council.
Jornadas de Debate Modelo Energtico Geocoreografias, 2016.
[Journeys of Debate Energy Geochoreography Model]. Public
space intervention. Event held within the 32 Bienal de So
nd
Paulo. Support: MAB Movimento dos Atingidos por Barragens
Coordenao Nacional (So Paulo), Um Minuto de Sirene (Mariana),
MOAB Movimento dos Ameacados por Barragens (Vale do Ribeira),
Restaurante Comunitrio Recanto dos Golfinhos (Ilha do Cardoso),
British Council. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Cecilia Bengolea & Jeremy Deller
Bomboms Dream, 2016. HD video. 1248. Support: British Council.
Camera: Justin Meekel; Additional Cameras: Cecilia Bengolea, Jeremy
Deller; Editing: Justin Meekel; Effects: Arnaud Dezoteux, Maru
Cantos; Dancers: BOMBOM DHQ JAPAN, Shelly Belly. Commissioned
by the Fundao Bienal de So Paulo for the 32nd Bienal (2016) and
the Hayward Gallery, London.
Charlotte Johannesson
Achtung Actions Speak Louder Than Words, 1976. [Attention
Actions Speak Louder Than Words]. Tapestry. 100150cm. Artists
collection. Support: Swedish Arts Grants Committee; Moderna
Museet, Stockholm; Nordic Culture Fund.
Attack Attitude, 1977. Tapestry. 200100cm. Malm
Konstmuseum/Malm Art Museum Collection. Support: Swedish
Arts Grants Committee; Moderna Museet, Stockholm; Nordic
Culture Fund.
Chile eko i skallen, 1973/2016. [Chile Echoes in My Skull].
Tapestry, branches, cinnamon branch. 55100cm. Support: Swedish
Arts Grants Committee; Moderna Museet, Stockholm; Nordic
Culture Fund.
Drop Dead, 1977. Tapestry. 190100cm. Malm Konstmuseum/
Malm Art Museum Collection. Support: Swedish Arts Grants
Committee; Moderna Museet, Stockholm; Nordic Culture Fund.
Frei Die RAF, 1976. [Free the RAF]. Tapestry. 100150cm. Artists
collection. Support: Swedish Arts Grants Committee; Moderna
Museet, Stockholm; Nordic Culture Fund.
Longing, 1972. Tapestry. 200100cm. Private collection. Support:
Swedish Arts Grants Committee; Moderna Museet, Stockholm;
Nordic Culture Fund.
New Wave, 1977. Tapestry. 107156cm. Private collection. Support:
Swedish Arts Grants Committee; Moderna Museet, Stockholm;
Nordic Culture Fund.
No Choice Amongst Stinking Fish, 1976. Tapestry. 6090cm.
Support: Swedish Arts Grants Committee; Moderna Museet,
Stockholm; Nordic Culture Fund.
No Future, 1977. Tapestry. 10594cm. Courtesy: Det Nya Museet,
Sundbyberg. Support: Swedish Arts Grants Committee; Moderna
Museet, Stockholm; Nordic Culture Fund.
Series Original Computer Graphics Art, 1981-1986. Artists
Collection. Support: Swedish Arts Grants Committee; Moderna
Museet, Stockholm; Nordic Culture Fund.
Ahmad Shah Massoud. Apple II and computer (Digital Theatre
Studio). 29.742cm.
Ahmad Shah Massoud. Apple II and computer (Digital Theatre
Studio). 29.742cm.
Arab. Apple II and computer (Digital Theatre Studio). 29.742cm.
Bjrn Borg. Apple II and computer (Digital Theatre Studio).
29.742cm.
Black Hole. Apple II and computer (Digital Theatre Studio).
29.742cm.
Boy George. Apple II and computer (Digital Theatre Studio).
29.742cm.
3
Communication. Apple II and computer (Digital Theatre Studio).
29.742cm.
David Bowie. Apple II and computer (Digital Theatre Studio).
29.742cm.
Design. Apple II and computer (Digital Theatre Studio). 29.742cm.
Dragon. Apple II and computer (Digital Theatre Studio).
29.742cm.
Guardian? Apple II and computer (Digital Theatre Studio).
29.742cm.
Guardian? Apple II and computer (Digital Theatre Studio).
29.742cm.
I Went. Apple II and computer (Digital Theatre Studio).
29.742cm.
Identity. Apple II and computer (Digital Theatre Studio).
29.742cm.
Joseph Beuys. Apple II and computer (Digital Theatre Studio).
29.742cm.
Me and My Computer. Apple II and computer (Digital Theatre
Studio). 29.742cm.
nr.77. Gsta. Apple II and computer (Digital Theatre Studio).
29.742cm.
Our World. Apple II and computer (Digital Theatre Studio).
29.742cm.
Parliament. Apple II and computer (Digital Theatre Studio).
29.742cm.
Programs. Apple II and computer (Digital Theatre Studio).
29.742cm.
Programs. Apple II and computer (Digital Theatre Studio).
29.742cm.
Rainer Werner Fassbinder. Apple II and computer (Digital Theatre
Studio). 29.742cm.
Revelation. Apple II and computer (Digital Theatre Studio).
29.742cm.
Richard Wagner. Apple II and computer (Digital Theatre Studio).
29.742cm.
Rocket. Apple II and computer (Digital Theatre
Studio). 29.742cm.
Safe. Apple II and computer (Digital Theatre Studio). 29.742cm.
Save Us. Apple II and computer (Digital Theatre Studio).
29.742cm.
Self-Portrait 1. Apple II and computer (Digital Theatre Studio).
29.742cm.
Self-Portrait 2. Apple II and computer (Digital Theatre Studio).
29.742cm.
Self-Portrait 3. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 1. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 2. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 3. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 4. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 5. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 6. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 7. Apple II and computer (Digital Theatre Studio).
29.742cm.
Texture 8. Apple II and computer (Digital Theatre Studio).
29.742cm.
There. Apple II and computer (Digital Theatre Studio).
29.742cm.
To Space. Apple II and computer (Digital Theatre Studio).
29.742cm.
Transformation. Apple II and computer (Digital Theatre Studio).
29.742cm.
Victoria Benedictsson. Apple II and computer (Digital Theatre
Studio). 29.742cm.
Vote for Me. Apple II and computer (Digital Theatre Studio).
29.742cm.
Vote? Apple II and computer (Digital Theatre Studio). 29.742cm.
Walk 2. Apple II and computer (Digital Theatre Studio).
29.742cm.
Walk 3. Apple II and computer (Digital Theatre Studio).
29.742cm.
Walk 4. Apple II and computer (Digital Theatre Studio).
29.742cm.
Where. Apple II and computer (Digital Theatre Studio).
29.742cm.
World. Apple II and computer (Digital Theatre Studio).
29.742cm.
World. Apple II and computer (Digital Theatre Studio).
29.742cm.
Terror, c.1972/2016. Tapestry, barbed wire. 55110cm. Support:
Swedish Arts Grants Committee; Moderna Museet, Stockholm;
Nordic Culture Fund.
Trampa entre p grset, 1971/2016. [Dont Step on the Grass].
Tapestry, branches. 100100cm. Artists collection. Support: Swedish
Arts Grants Committee; Moderna Museet, Stockholm; Nordic
Culture Fund.
Utmtt Gods (Make a Distress), 1975. [Distressed Goods (Make a
Distress)]. Tapestry. 100150cm. Private collection. Support: Swedish
Arts Grants Committee; Moderna Museet, Stockholm; Nordic
Culture Fund.
Cristiano Lenhardt
Trair a espcie, 2014-2016. [To Betray the Species]. Sculpture made
from car with internal metal rods. Dimensions variable.
Uma Coluna, 2016. [A Column]. Performance/site specific, various
materials weaved by people. Dimensions variable. Assistance: Luiz
Henrique Chipan; Vocal Preparation: Luciana Freire; Performers:
Cupuau Group. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
Dalton Paula
Series Rota do tabaco, 2016. [Tobacco Route]. Oil painting and
leaves of gold and silver on alguidar. 15cm, 30cm and 50cm (51
pieces). Courtesy: S Galeria, So Paulo. Support: S Galeria, UFRB,
Dannemann, Instituto Identidade Brasil, Associao Quilombola
de Piracanjuba Ana Laura, Fortaleza de San Carlos de La Cabaa,
4
ISA Universidad de las Artes. Commissioned by the Fundao Bienal
de So Paulo for the 32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Dineo Seshee Bopape
:indeed it may very well be the _______ itself, 2016. Installation
composed of compressed soil, ceramics, ash, charcoal, fertility and
restorative herbs, brass, crystals, rope, seeds, flowers, sheepskin,
leather, glass. Dimensions variable. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Donna Kukama
A: The Anatomy of History, 2016. Performance at the Museu
Afro Brasil (9 September, 2016). 15 approx. Commissioned by the
Fundao Bienal de So Paulo for the 32 Bienal (2016).
nd
B: I, Too, 2016. Performance (10 September, 2016). 3h approx.
Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
C: The Genealogy of Pain, 2016. Performance in the Cemetery of
Consolao (7 September, 2016). 20 approx. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Ebony G. Patterson
...doing what they always do... (when they grow up), 2016. Hand
cut Jacquard woven tapestry with beads, appliques, embellishments,
broaches, plastic, glitter, fabric, toys, embellished knapsack, book
and handmade shoes. 314.961092.2030.48cm. Courtesy: the de So Paulo for the 32nd Bienal (2016).
artist and Monique Meloche Gallery, Chicago. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
...he was only 12... (...when they grow up...), 2016. Mixed media
print on hand cut, watercolor paper with beads, appliques,
embellishments, broaches, plastic, glitter, fabric and toys.
193.04337.82cm. Courtesy: the artist and Monique Meloche
Gallery, Chicago. Commissioned by the Fundao Bienal de So
Paulo for the 32 Bienal (2016).
nd
...love (when they grow up), 2016. Hand cut Jacquard woven
tapestry with beads, appliques, embellishments, broaches, plastic,
glitter, fabric, and stuffed toys. 284.48308.6130.48cm. Courtesy: From the series Cortinas, 2016. [Curtains]. Cotton fabric and
the artist and Monique Meloche Gallery, Chicago. Commissioned by
the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
...they were discovering things and finding ways to understand... (...
when they grow up...), 2016. Hand cut Jacquard woven tapestry
with beads, appliques, embellishments, broaches, plastic, glitter,
fabric, toys, embellished knapsack, book and handmade shoes.
208.28287.02cm. Courtesy: the artist and Monique Meloche
Gallery, Chicago. Commissioned by the Fundao Bienal de So
Paulo for the 32 Bienal (2016).
nd
...they were filled with hope, desire, and beauty... (...when they grow
up...), 2016. Mixed media print on hand cut, watercolor paper with
beads, appliques, embellishments, broaches, plastic, glitter, fabric and
toys. 232.41378.46cm. Courtesy: the artist and Monique Meloche
Gallery, Chicago. Commissioned by the Fundao Bienal de So
Paulo for the 32nd Bienal (2016).
Eduardo Navarro
Sound Mirror, 2016. Mixed media. Dimensions variable. Acoustic
tool that connects the sound from a palm tree located outside the
building with the inside of the Bienal Pavilion. Support: Consulado
Geral da Repblica Argentina em So Paulo. Acknowledgments:
M.A.T.A; Daina Leyton, Leonardo Catilho (MAM Educational Team);
Elaine Fontana. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
Emkal Eyongakpa
Breathe II, 2013. Mixed media installation. Dimensions variable.
Artists collection, Intermedia Studios/KHaL!SHRINE. Support: Emkal
Eyongakpa Intermedia Studios; KHaL!SHRINE; Mondriaan Fund.
Rustle 2.0, 2016. From the series Rustle. Installation composed of
plant fibre, surroundsound, metal, kinetic sculpture, text, cables,
plastic, light, electronic interfaces, magnetism. Dimensions variable.
Support: Emkal Eyongakpa Intermedia Studios; KHaL!SHRINE;
Mondriaan Fund. Commissioned by the Fundao Bienal de So
Paulo for the 32nd Bienal (2016).
Untitled XXIV, 2016. From the series Memory Maps for an
Overload. Installation composed of camera obscura, ambient sound,
kinetic sculptures, text, episcope, electronic interface. Dimensions
variable. Support: KHaL!SHRINE; Mondriaan Fund. Commissioned by
the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Erika Verzutti
Branco, 2016. [White]. Oil on papier-mache and expanded
polystyrene. 33590020cm. Commissioned by the Fundao Bienal
Halo, 2016. Oil on papier-mache and expanded polystyrene.
30030020cm. Commissioned by the Fundao Bienal de So
Paulo for the 32nd Bienal (2016).
Nova, 2016. Oil on papier-mache and expanded polystyrene.
33580020cm. Commissioned by the Fundao Bienal de So
Paulo for the 32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Felipe Mujica
Las universidades desconocidas, 2016. [The Unknown Universities].
thread. 30 pieces, 295160cm each. Support: Consejo Nacional de
la Cultura y las Artes; Alex Cassimiro & Valentina Soares (Plat);
Galeria Metrpole; Grupo Bordadeiras do Jardim Conceio.
Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Francis Als
Series In a Given Situation, 2010-2016. Oil, pencil and collage on
tracing paper; mirrors. 14 pieces, 4332.3cm (framed). Courtesy: the
artist and Galerie Peter Kilchmann, Zurich.
Untitled, 2016. Oil on canvas. 25.332.3cm. Courtesy: the artist and
Galerie Peter Kilchmann, Zurich. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Untitled, 2016. Oil on canvas. 25.332.3cm. Courtesy: the artist and
Galerie Peter Kilchmann, Zurich. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Untitled, 2016. Oil on canvas. 25.332.3cm. Courtesy: the artist and
5
Galerie Peter Kilchmann, Zurich. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Untitled, 2016. Drawings and animated paintings; 16mm
projection. Courtesy: the artist and Galerie Peter Kilchmann, Zurich.
Collaborators: Emilio Rivera, Federico Navarrete, Felix de Smedt and
Elena Pardo. Commissioned by the Fundao Bienal de So Paulo for
the 32 Bienal (2016).
nd
Frans Krajcberg
Sem ttulo (Bailarinas), n.d. [Untitled (Bailarinas)]. Sculptures
of wood from burnings and natural pigments. 10 pieces,
dimensions variable.
Sem ttulo (Coqueiros), n.d. [Untitled (Coqueiros)]. Sculptures
of wood from burnings and natural pigments. 62 pieces,
dimensions variable.
Sem ttulo (Gordinhos), n.d. [Untitled (Gordinhos)]. Sculptures
of wood from burnings and natural pigments. 8 pieces,
dimensions variable.
Presentation produced in partnership with Sesc-SP.
Gabriel Abrantes
Os humores artificiais, 2016. [The Artificial Humours]. S16mm
transferred to HD. 30. Courtesy: of the artist and Galeria Francisco
Fino, Lisbon. Support: Fundao Calouste Gulbenkian; Repblica
Portuguesa Cultura | Direo-Geral das Artes. Commissioned by the
Fundao de Serralves, Coleccin Inelcom, and the Fundao Bienal
de So Paulo for the 32 Bienal (2016).
nd
Presentation produced in partnership with Sesc-SP.
Gilvan Samico
No Reino da Ave dos Trs Punhais, 1975. [In the Kingdom of the
Three Daggers Bird]. Woodcut. 74.741cm. Museu de Arte Moderna
Aloisio Magalhes MAMAM Collection.
Recordao de um Malabarista, 1976. [Recollection of a Juggler].
Woodcut. 9035.5cm. Museu de Arte Moderna Aloisio Magalhes
MAMAM Collection.
A Luta dos Homens, 1977. [The Struggle of Men]. Woodcut.
84.546cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Encontro, 1978. [The Encounter]. Woodcut. 73.550cm. Museu
de Arte Moderna Aloisio Magalhes MAMAM Collection.
O Guardio, 1979. [The Guardian]. Woodcut. 9140.2cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
O Outro Lado do Rio, 1980. [The Other Side of the River]. Woodcut.
9047cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
A Me dos Homens, 1981. [The Mother of Men]. Woodcut.
52.469.5cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Fazedor da Manh, 1982. [The Morning Maker]. Woodcut.
57.570.5cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Segredo do Lago, 1983. [The Secret of the Lake]. Woodcut.
56.292cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Rapto do Sol, 1984. [The Abduction of the Sun]. Woodcut.
57.190.8cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
A Primeira Homenagem ao Cometa, 1985. [The First Tribute to
the Comet]. Woodcut. 5590cm. Museu de Arte Moderna Aloisio
Magalhes MAMAM Collection.
O Senhor do Dia, 1986. [The Lord of the Day]. Woodcut.
55.790.3cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Sonho de Matheus, 1987. [Matheus's Dream]. Woodcut.
90.550.2cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Dilogo, 1988. [The Dialogue]. Woodcut. 90.355.3cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
O Enigma, 1989. [The Enigma]. Woodcut. 89.850.3cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
A Fonte, 1990. [The Fountain]. Woodcut. 89.553.5cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
Virgem dos Cometas, 1991. [Virgin of the Comets]. Woodcut.
90.753.5cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
A Queda, 1992. [The Fall]. Woodcut. 35.720.2cm. Museu de Arte
Moderna Aloisio Magalhes MAMAM Collection.
A Criao Homem e Mulher, 1993. [The Creation Man and
Woman]. Woodcut. 90.749.7cm. Museu de Arte Moderna Aloisio
Magalhes MAMAM Collection.
A Dama da Noite, 1994. [The Lady of the Night]. Woodcut.
90.549.5cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Retorno, 1995. [The Return]. Woodcut. 55.590.3cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
A Bela e a Fera, 1996. [The Beauty and the Beast]. Woodcut.
91.547cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
O Sagrado, 1997. [The Sacred]. Woodcut. 5681cm. Museu de Arte
Moderna Aloisio Magalhes MAMAM Collection.
Fruto Flor, 1998. [Flower Fruit]. Woodcut. 9050.2cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
O Devorador de Estrelas, 1999. [The Star Eater]. Woodcut.
93.255cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
A Espada e o Drago, 2000. [The Sword and the Dragon]. Woodcut.
91.548.7cm. Museu de Arte Moderna Aloisio Magalhes MAMAM
Collection.
Rumores de Guerra em Tempos de Paz, 2001. [War Rumors in Times
of Peace]. Woodcut. 91.550.5cm. Museu de Arte Moderna Aloisio
Magalhes MAMAM Collection.
Criao das Sereias Alegorias Barrocas, 2002. [Creation of the
Sirens Baroque Allegory]. Woodcut. 55.591cm. Museu de Arte
Moderna Aloisio Magalhes MAMAM Collection.
A Caa, 2003. [The Hunt]. Woodcut. 92.747cm. Museu de Arte
Moderna Aloisio Magalhes MAMAM Collection.
A Ascenso, 2004. [The Ascension]. Woodcut. 9353cm. Museu de
Arte Moderna Aloisio Magalhes MAMAM Collection.
Julia e a Chuva de Prata, 2005. [Jlia and the Silver Rain]. Woodcut.
9350cm. Samico Family Collection.
A rvore da Vida e o Infinito Azul, 2006. [The Tree of Life and the
6
Infinite Blue]. Woodcut. 9349.5cm. Samico Family Collection.
A Pesca, 2007. [The Fishery]. Woodcut. 9352cm. Samico Family
Collection.
Via Lactea Constelacao da Serpente II, 2008. [Milky Way
Constellation Snake II]. Woodcut. 11680cm. Samico Family
Collection.
Criao das Estrelas, 2009. [Creation of the Stars]. Woodcut.
9350cm. Samico Family Collection.
A Conquista do Fogo e do Gro, 2010. [The Conquest of Fire and
Grain]. Woodcut. 94.851.3cm. Samico Family Collection.
Criao O Sol, a Lua e as Estrelas, 2011. [Creation the Sun,
the Moon and the Stars]. Woodcut. 92.553cm. Samico Family
Collection.
O Delrio ou as Sete Luas de caro, 2012. [The Delirium or the Seven
Moons of Icarus]. Woodcut. 92.553cm. Samico Family Collection.
Estudo colorido para xilogravura, 2013. [Colorful Study for
Woodcut]. Acrylic on cardboard. 11680cm. Samico Family
Collection.
Grada Kilomba
The Desire Project, 2015-2016. Video installation composed of 3
video channels with sound, 3 print form prints with image and
text. 3 monitors with total dimensions 204cm115cm. 237 loop. Culture Point; ifa (Institut fr Auslandsbeziehungen).
Support: Goethe-Institut So Paulo; Repblica Portuguesa Cultura |
Direo-Geral das Artes. Music: Moses Leo; Text Revision: Jlia
Soares Correia; Assistance: Anne Wiegmann; Special thanks: Lann
Hornscheidt, Babala Fbio Felipe Maia.
Illusions, 2016. Performance with screen video projection (1 channel,
sound), table, texts, microphone. Screen stage size of 4 meters.
Approx. 45. Support: Goethe-Institut So Paulo; Repblica
Portuguesa Cultura | Direo-Geral das Artes. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
GuGuOu (Gne Terkol, Gl ztekin & Ouz Erdin) 5, 2016. Inkjet print on photo paper, self-adhesive film, edding
Along Song, 2016. Sound performance. Support: SAHA Supporting
Contemporary Art from Turkey. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Gne Terkol
Series Couldnt Believe What She Heard, 2015. Embroidery and
drawing on fabric. 14 pieces, dimensions variable. Artists collection.
Support: SAHA Supporting Contemporary Art from Turkey.
Series The Girl Was Not There, 2016. Embroidery and drawing on
fabric. 16 pieces, dimensions variable. Artists collection. Support:
SAHA Supporting Contemporary Art from Turkey. Commissioned by
the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Heather Phillipson
TRUE TO SIZE Wind, 2015-2016. Monitors, speakers, giant
soft toy bears, prom dress, umbrella, digital prints on cardboard,
digital prints on vinyl, cardboard, timber, bungee, pillows, fishing
wire and gaffer tape. Dimensions variable. Support: British Council;
The Henry Moore Foundation. TRUE TO SIZE, 2016 by
Heather Phillipson is a 70th anniversary commission for the Arts
Council Collection. Founded in 1946, the Arts Council Collection
is the largest national loan collection of modern and contemporary
British art and includes important examples by all of the UKs
prominent artists.
TRUE TO SIZE Fire, 2015-2016. Monitors, speakers, giant soft
toy bears, prom dress, umbrella, digital prints on cardboard, digital
prints on vinyl, cardboard, timber, bungee, pillows, fishing wire and
gaffer tape. Dimensions variable. Support: British Council; The Henry
Moore Foundation. TRUE TO SIZE, 2016 by Heather Phillipson
is a 70th anniversary commission for the Arts Council Collection.
Founded in 1946, the Arts Council Collection is the largest national
loan collection of modern and contemporary British art and includes
important examples by all of the UKs prominent artists.
Henrik Olesen
1, 2016. Acrylic paint, edding marker, paper, high-density
fiberboard. 210193cm. Courtesy: the artist and Galerie Buchholz,
Berlin/Cologne/New York. Support: Danish Arts Foundation;
Nordic Culture Fund; Nordic Culture Point; ifa (Institut fr
Auslandsbeziehungen).
2, 2016. Inkjet print on photo paper, self-adhesive film, edding
marker, acrylic paint, oil paint, high-density fiberboard. 243210cm.
Courtesy: the artist and Galerie Buchholz, Berlin/Cologne/New York.
Support: Danish Arts Foundation; Nordic Culture Fund; Nordic
3, 2016. Acrylic paint, edding marker, paper, high-density
fiberboard. 220210cm. Courtesy: the artist and Galerie Buchholz,
Berlin/Cologne/New York. Support: Danish Arts Foundation;
Nordic Culture Fund; Nordic Culture Point; ifa (Institut fr
Auslandsbeziehungen).
4, 2016. Inkjet print on photo paper, self-adhesive film, edding
marker, acrylic paint, oil paint, high-density fiberboard. 210193cm.
Courtesy: the artist and Galerie Buchholz, Berlin/Cologne/New York.
Support: Danish Arts Foundation; Nordic Culture Fund; Nordic
Culture Point; ifa (Institut fr Auslandsbeziehungen).
marker, acrylic paint, oil paint, high-density fiberboard. 210830cm.
Courtesy: the artist and Galerie Buchholz, Berlin/Cologne/New York.
Support: Danish Arts Foundation; Nordic Culture Fund; Nordic
Culture Point; ifa (Institut fr Auslandsbeziehungen).
Hito Steyerl
Robots Today, 2016. HD video, environment. 8. Support: Bari
ehitvan; Zelal zmen; Smer Kltr Merkezi Diyarbakr;
Goethe-Institut So Paulo; ifa (Institut fr Auslandsbeziehungen).
Camera: Sava Boyraz; Translation: Rojda Tugrul, vl Durmosolu;
Production: Misal Adnan Yldz, ener zmen; Protagonists: Nevin
Soyukaya (archaeologist, researcher, writer head of the Department
Cultural Heritage and Tourism, Diyarbakr); Researcher, Writer:
Abdullah Yain, Cizre; Dancers: Ibrahim Halil Saka, Vedat Bilir,
Sezer Kl. Music: Kassem Mosse; Postproduction: Christoph
Manz, Maximilian Schmoetzer; Assistant: Milos Trakilovi.
Acknowledgements: Alice Conconi, Andrew Kreps, Smer Kltr
Merkezi, Diyarbakir, Sanat Merkezi, Gunnar Wendel, Esme Buden.
Hell Yeah We Fuck Die, 2016. 3 channel video installation,
environment, HD video. 4. Support: Goethe-Institut So Paulo; ifa
(Institut fr Auslandsbeziehungen). Original Soundtrack: Kassem
Mosse; based on research by David Taylor identifying the 5 most
7
popular words in English song titles since 2010. Robot push recovery,
AI falling simulation and bipedal gait footage with many thanks by:
Thomas Geijtenbeek (www.goatstream.com), Michiel van de Panne,
Frank van der Stappen, Natural Motion, MIT Darpa Robotics Team
(http://drc.mit.edu), Siyuan Feng (The Robotics Institute, Carnegie
Mellon University Team), WPI-CMU, Benjamin Stephens Ph.D work
(Carnegie Mellon University), Zhibin (Alex) LI, PhD (Assistant
Professor, School of Informatics, University of Edinburgh), Mr. Noel
Maalouf and Dr. Imad Elhajj (members of the Vision and Robotics
Laboratory at the American University of Beirut), Seedwell Media.
Dancers: Ibrahim Halil Saka, Vedat Bilir, Sezer Kl; Postproduction:
Christoph Manz, Maximilian Schmoetzer; Line Producer:
Lawren Joyce; Producer and Director Photography California
Robotic Challenge: Kevan Jenson. Assistant: Milos Trakilovic.
Acknowledgements: Alice Conconi, Andrew Kreps, Gunnar Wendel,
Esme Buden. Commissioned by the Fundao Bienal de So Paulo for
the 32nd Bienal (2016).
Iza Tarasewicz
TURBA, TURBO, 2015. Installation composed of a modular system
and the elements: white titanium, yellow iron, red iron, brown iron,
black iron, green chrome, cobalt iron, ash, metal, cement, hemp
fibre, resin, asphalt, rubber mass, water glass, glue; 25 metal hoops
connected to 75 shelves/frames. 1000cm x 1000cm x 150cm. Phoenix, n.d. Paper, pigment, matboard, tape. 18.4115.24cm.
Courtesy: of the artist. Support: Deutsche Bank; Zachta National
Gallery; Adam Mickiewicz Institute; Culture.pl; Goethe-Institut
So Paulo.
Mbamba Mazurek, 2016. Music and dance performance. 50.
Support: Adam Mickiewicz Institute; Deutsche Bank; Zachta
National Gallery; Adam Mickiewicz Institute; Culture.pl; Goethe-
Institut So Paulo. Participants: Cachuera Group, string-player
Filpo Ribeiro, accordionist Gabriel Levy and Iza Tarasewicz.
Acknowledgments: Willian Fernandes, Barbara Alge, Prof. Alberto
Tsuyoshi Ikeda, Accio Piedade, Pula Leme, Piotr Zgorzelski, All
the Worlds Mazurkas Festival in Poland. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016)
Jonathas de Andrade
O peixe, 2016. [The Fish]. 16mm film transferred to digital HD.
38. Support: Funcultura; Governo do Estado de Pernambuco.
Fishermen: Carlos dos Santos (Menezes), Ccero dos Santos (Cio),
Cipriano Batista Alves (Cipriano), Genivaldo Santos de Lima
(Irmo), Gileno Cndido Bezerra (Leno), Jos Ailton Almeida de
Liza (Xau), Jos Dalmo dos Santos (Curi), Jos Elenildo Oliveira
dos Santos (Keno), Romerig Francisco dos Santos (Rom), Ronaldo
Vieira Santos (Ronaldo); fishes: Pirarucu, Tambuacu, Tilpia.
Assistant Director: Jeronimo Lemos; Production: Rachel Daisy
Ellis; Co-production: Jennifer Lange; Production Director: Vanessa
Barbosa; Cinematographer: Pedro Urano; Cinematographer Assistant:
Leandro Gomes, Camila Freitas; Editing: Tita, Ricardo Pretti; Sound
Design: Mauricio dOrey; Sound Mixing: Paul Hill; Color Correction:
Mike Olenick; Finishing: Film/Video Studio Program, Wexner
Center for the Arts; Fish providers: Fernando (Coruripe), Galindo
(Piaabuu), Wellinton (Coruripe); Camera Boat Pilots: Carlos
Roberto Bento e Silva, Chico Pescador, Ronaldo Vieira Dos Santos;
Driver: Marcinho; Set helpers: Gileno Cndido Bezerra (Leno), Jos
Amrico dos Santos (Z), Jos Caetano Santos (Juquinha), Jos
Neoson dos Santos (Neo), Manuel Jacinto de Oliveira (Mozinha);
Special Acknowledgements: Redfish. Acknowledgements: Agns, Ana
Maria Maia, Antnio Amorim, Antnio Jos Pereira (Baixinho), Arto
Lindsay, Bruno Corra Meurer, Barbara Wagner, Camile Reis, Camila
Salgado, Colnia dos Pescadores de Piaabuu Z19, Cristina Gouva,
Cristiano Lenhardt, Eduardo Serrano, Esdras Bezerra de Andrade,
Gabriel Mascaro, Gilberto Falbo, Hernani Heffner, Jairo Dornelas,
Lelo (Olinda), Marie Carangi, Miguel Alencar, Nan Vasconcelos,
Pelado, Pousada Santiago, Pousada Rosa dos Ventos, Priscila de
Souza Gonzaga, Rodrigo Tavares; Produced by: Desvia Wexner
Center for the Arts.
Presentation produced in partnership with Sesc-SP.
Jordan Belson
Abraxas, c.1950. Paper, pigment, cut board, tape. 18.4115.24cm.
Courtesy: Catherine Heinrich.
Elephant Parts, n.d. Paper, pigment, glass, mashing tape, cardboard.
20.9517.14cm (framed). Courtesy: Catherine Heinrich.
Gordian Knot, n.d. Paper, pigment, glass, black tape, cardboard.
24.1318.42cm (framed). Courtesy: Catherine Heinrich.
Horns of Unplenty, n.d. Masonite, pigment, wood, stain.
30.4840.64cm. Courtesy: Catherine Heinrich.
Courtesy: Catherine Heinrich.
Red Cosmic Egg, n.d. Mixed media drawing. 20.3215.24cm
(framed). Courtesy: Catherine Heinrich.
Samadhi, 1967. 16mm film transferred to digital HD. 5. Courtesy:
Center for Visual Music, Los Angeles.
Snake, n.d. Paper, pigment, matboard. 18.4115.24cm. Courtesy:
Catherine Heinrich.
Spools, n.d. Masonite, pigment, wood, stain. 30.4840.64cm.
Courtesy: Catherine Heinrich.
Turbine Wheel, n.d. Masonite, pigment, wood, stain.
30.4840.64cm. Courtesy: Catherine Heinrich.
Untitled, n.d. Mixed media drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled, n.d. Mixed media, drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled, n.d. Mixed media, drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled, n.d. Mixed media drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled, n.d. Mixed media drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled, n.d. Mixed media drawing. 22.8630.48cm. Courtesy:
Catherine Heinrich.
Untitled (Scroll), n.d. Mixed media drawing. 190.530.48cm.
Courtesy: Catherine Heinrich.
Untitled (Scroll), n.d. Mixed media drawing. 190.530.48cm.
Courtesy: Catherine Heinrich.
Untitled (Scroll), n.d. Mixed media drawing. 190.530.48cm.
Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, ink.
19.6819.68cm. Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, ink.
8
19.6819.68cm. Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, pigment,
artboard. 22.2222.22cm. Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, pigment,
artboard. 22.2222.22cm. Courtesy: Catherine Heinrich.
Untitled, c.1952. From the series Brain Drawings. Paper, pigment,
artboard. 22.2222.22cm. Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, pigment,
artboard. 22.2222.22cm. Courtesy: Catherine Heinrich.
Untitled, 1952. From the series Brain Drawings. Paper, pigment,
artboard. 22.2222.22cm. Courtesy: Catherine Heinrich.
Untitled, n.d. Paper, pigment, plastic, tape, cardboard.
20.3215.24cm (framed). Courtesy: Catherine Heinrich.
Untitled, n.d. Paper, pigment, glass, mashing tape, cardboard.
20.3215.24cm (framed). Courtesy: Catherine Heinrich.
Jorge Menna Barreto
Restauro, 2016. [Restoration]. Restaurant designed for the
32nd Bienal, in which the menu prioritizes the diversity of the plant
kingdom of agroforestry origin. Eaters become participants of an
environmental sculpture in the process, to the extent that the act
of feeding regenerates and shapes the landscape in which we live.
Support: Lab.SONAR Laboratrio de Sonoridades, Organicidades,
Nomadismos, Artes e Radiofonias (UERJ); Extension Project Arte
Colaborativa, Sonoridades e Biopoltica (UERJ); Extension Project
Conscincia Contextual: entre o artstico e o ambiental (Secretaria
do Meio Ambiente do Estado de So Paulo). Collaborators: Neka
Menna Barreto, Marcelo Wasem, O Grupo Inteiro, Escola Como
Como de Ecogastronomia, Vitor Braz. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Jos Antonio Surez Londoo
Series Planas: del 1 de enero al 31 de diciembre del ao 2005, 2005.
[Exercises: from January 1 to December 31 of the year 2005]. Mixed
media on paper. 365 pieces, dimensions variable. Series performed
daily by the artist in exercise pages for one year (2005). Support:
Embassy of Colombia in Brazil. Acknowledgments: Emiliano Valds
MAMM, Medelln; Miguel Surez Londoo; Ana Mercedes Surez
Londoo; Casas Riegner.
Jos Bento
Cho, 2004/2016. [Floor]. Slats of various woods, iron, steel cables
and springs. Dimensions variable.
Do p ao p, 2016. [From Dust to Dust]. 25 wood types from
Brazilian biomas that were and are marketed: Angelim, Angico,
Santos Mahogany, Bicuba, Barana, Caixeta, Canela, Oak, Spanish
cedar, Eucalyptus, Garapa, Jatob, Brazilian rosewood, Jequitib
Rosa, Itapicuru, Oiticica, Brazilwood, Pau-pereira, White Peroba,
Peroba-rosa, Roxinho, Tumuj, Vinhtico, Sapucaia, Sucupira. 25
parts of 574291cm. Movedoll (SP). Courtesy: Leon Hirszman Family.
Kathy Barry
Series 12 Energy Diagrams, 2015-2016. Watercolor and pencil on
paper. 12 pieces of 7072cm. Support: Creative New Zealand.
12 Minute Movement, 2016. HD video. 1212. Support: Creative
New Zealand.
Katia Seplveda
Dispositivo domstico, 2007-2016. [Domestic Device]. Installation
composed of: 2 channels video (The Horizontal Man, 2016), model
(White House Lego) and collages (made in 2007-2012) and cut-out
vinyl on the floor. Collages: 14070cm; video: 323; model:
1128cm. Acknowledgements: Felipe Gonzlez. Commissioned by
the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Feminismo Mapuche, 2016. [Mapuche Feminism]. Performance.
Action with the participation of the artist, Margarita Calfio and
Maria Angelica Valdemarra. Acknowledgements: Marta Ormazabal.
Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Koo Jeong a
ARROGATION, 2016. Skatepark. Concrete, metal, paint and
luminescent dust. 1700cm . . Support: Arts Council Korea (ARKO);
ifa (Institut fr Auslandsbeziehungen). In collaboration with
Aleksandrina Rizova. Commissioned by the Fundao Bienal de So
Paulo for the 32nd Bienal (2016).
Lais Myrrha
Dois pesos, duas medidas, 2016. [Double Standard]. Concrete,
brick, mortar, roof tile, glass, PVC tubes, conduits, wires, metal,
wood, palm fiber, bamboo and compacted soil. 800300300cm
each. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Leon Hirszman
Cantos de trabalho Cacau, 1976. [Work Songs Cocoa]. 16mm
film transferred to video. 11. Production: Leon Hirszman Produes;
Brazilian Product Certificate: 233/10.1979; Directed by: Leon
Hirszman; Photography: Jos Antnio Ventura; Video-editing: Srgio
Sanz; Sound: Francisco Balbino; Narration: Ferreira Gullar; Final
coordination: Marcos Farias; Image lab: Lder (RJ); Sound studio:
Tecnisom (RJ). Courtesy: Leon Hirszman Family.
Cantos de trabalho Cana-de-acar, 1976. [Work Songs Sugar
Cane]. 16mm film transferred to video. 10. Production: Leon
Hirszman Produes, Marcos Farias; Brazilian Product Certificate:
234/10.1979; Written and directed by: Leon Hirszman; Photography:
Jos Antnio Ventura; Video-editing: Srgio Sanz. Courtesy: Leon
Hirszman Family.
Cantos de trabalho Mutiro, 1975. [Work Songs Joint Effort].
35mm film transferred to video. 12. Production: Departamento
de Assuntos Culturais (Plano de Ao Cultural MEC); Executive
Producer: Leon Hirszman; Directed by: Leon Hirszman; Adivisory
text: Vicente Salles; Photography, Camera: Jos Antnio Ventura;
Camera Assistant: Francisco Balbino; Video-editing: Raul Soares;
Sound: Francisco Balbino; Location: Ch Preta, Alagoas; Image
Lab: Revela (SP); Sound Studio: Tecnisom (RJ); Photo Compositing:
Lourdes Castro
Series Sombras volta de um centro, 1980-1987. [Shadows Around
a Center]. Artist's collection deposited in the Fundao de Serralves
Museu de Arte Contempornea, Porto. Support: Fundao Calouste
Gulbenkian; Repblica Portuguesa Cultura|Direo-Geral das Artes.
9
Aucuba japnica, 1985. Colored pencil on paper. 5070cm.
Beladonas, 1987. [Amaryllis]. Marker pen on tracing paper.
7676cm.
Camlia, 1985. [Camellia]. Crayon on paper. 5537.5cm.
Cearas / Lentilhas, 1985. [Cearas / Lentils]. Crayon, colored pencil
and collage on paper. 4876.7cm.
Cearas / Lentilhas, 1985. [Ceara / Lentils]. Marker pen and crayon
on paper. 3961.5cm.
Cesto rosas, 1986. [Basket Roses]. Crayon on paper. 56.576cm.
Cesto rosas, 1986. [Basket Roses]. Crayon on paper. 50.370.3cm.
Cyclamen, 1980. China Ink on paper. 5066cm.
Cyclamen de perse, 1980. Crayon and colored pencil on paper.
6646cm.
Folha de palmeira, 1986. [Palm Leaf]. Colored pencil on paper.
9068.3cm.
Folha de palmeira, 1986. [Palm Leaf]. Pencil and colored pencil on
paper. 9068.3cm.
Folhas, 1980. [Leaves]. Crayon on paper. 6650cm.
Folhas, 1985. [Leaves]. Colored pencil on paper. 37.555cm.
Geranium Robert, 1984. China Ink and colored pencil on paper.
38.557cm.
Goivos, 1980. [Brassicaceae]. Colored pencil on paper. 5776cm.
ris, 1980. [Iris]. Crayon on paper. 6650cm.
ris, 1980. [Iris]. Colored pencil on paper. 5066cm.
ris Azul, 1980. [Blue Iris]. Crayon and colored pencil on paper.
5066cm.
Lilses I, 1980. [Lilacs I]. Pencil and colored pencil on paper.
5066cm.
Lilses II, 1980. [Lilacs II]. Crayon on paper. 5066cm.
Lilses III, 1980. [Lilacs III]. Colored pencil on paper. 5066cm.
Malmequeres, 1980. [Marigolds]. China Ink on paper. 45.566cm.
Malmequeres, 1980. [Marigolds]. Litograph, natural elements.
6550cm.
Malmequeres, 1980. [Marigolds]. Pencil of 4 colors on paper.
5066cm.
Malmequeres, 1980. [Marigolds]. Pencil of 4 colors on paper.
5066cm.
Malmequeres, 1980. [Marigolds]. Silver pencil on paper. 5776cm.
Miostis, 1984. [Myosotis]. Pencil on paper. 37.555cm.
Muguet, 1980. [Lily of the Valley]. China Ink on paper. 5066cm.
Narcisos, 1980. [Narcissus]. Crayon and colored pencil on paper.
48.264cm.
Narcisos secos, 1980. [Dry Narcissus]. Colored pencil on paper.
50.366cm.
Primaveras I, 1980. [Bougainvillea I]. China Ink and cutout on
paper. 6650cm.
Primaveras II, 1980. [Bougainvillea II]. Colored pencil on paper.
6650cm.
Rannculos, 1980. [Ranunculus]. China Ink on paper. 5066cm.
Rosa, 1985. [Rose]. Colored pencil on paper. 5638.5cm.
Salsa, 1980. China Ink and cutout on paper. 6139cm.
Sem ttulo, 1980. [Untitled]. China Ink and cutout on paper.
5066cm.
Sem ttulo, 1984. [Untitled]. China Ink on paper. 50.570.5cm.
Sem ttulo, 1984. [Untitled]. Colored pencil on paper. 37.255cm.
Strelitzia, 1985. Crayon on paper. 5070.5cm.
Strelitzia, 1985. Crayon on paper. 37.555cm.
Strelitzia, 1985. Colored pencil on paper. 5537.8cm.
Tulipas II, 1980. [Tulips II]. Crayon on paper. 6650cm.
Tulipas III, 1980. [Tulips III]. Crayon on paper. 6650cm.
Lourdes Castro & Manuel Zimbro
Un Autre livre rouge I, 1973. [Another Red Book I]. Artist book.
164 p.; 4735cm. 82 sheets of white cardboard and various
shades of red, with various thicknesses; all sheets with collages
whose common theme is the red (clippings from newspapers
and magazines, postcards, packaging paper, photocopies with text
excerpts); 2 serigraphs: sheet 56 ex. 39/50, 1968, and sheet 58 ex.
14/35, n.d. Packed in a carton cover, red, tied by two ribbons. Signed.
Artists collection; Fundao Calouste Gulbenkian Biblioteca
de Arte. Support: Fundao Calouste Gulbenkian; Repblica
Portuguesa Cultura | Direo-Geral das Artes.
Un Autre livre rouge II, 1974. [Another Red Book II]. Artist book.
188 p. ; 4030.5cm 94 sheets of white cardboard with various
thicknesses, except: 10 sheets black; 15 sheets red and 1 sheet green;
cutout of the sheets painted red. All sheets with collages: clippings
from newspapers and magazines, postcards, packaging paper,
photocopies with excerpts from texts in which the common theme is
the red. Packed in a red carton cover, tied with six ribbons. Artists
collection; Fundao Calouste Gulbenkian Biblioteca de Arte.
Support: Fundao Calouste Gulbenkian; Repblica Portuguesa
Cultura | Direo-Geral das Artes.
Luiz Roque
HEAVEN, 2016. HD video (5.1 sound, color). 9. Cast: Mavi Veloso,
Glamour Garcia, Danilo Grangheia, Danna Lisboa, Gretta Starr,
Mait Schneider, Latoya Prado, Dani Pinheiro, Bruno Mendona;
Executive Production: Camila Groch; Written by: Josefina Trotta
& Luiz Roque; Cinematography: Joana Luz; Casting preparation
for Debate: Toms Rezende; Production Direction: Mary Garske;
Direction Assistant: Thiago Villas Boas; Art Production: Adriana
Michalski & Tyaga S Britto; Costume: Alex Cassimiro & Tina
Soares; Make-up: Carlinhos Rosa; Electrician: Bruno Homem de
Mello; Machinist: Weber Cunha Cabelo; Plat: Bruno Possati
& Erik Vtor; Direct Sound: Tiago Bittencourt; Editing: Manga
Campion; Original Soundtrack: Mrcio Biriato; Artists Assistant:
Pedro Gallego; Artists Collaborators: Bruno 9li, Erika Verzutti,
Rodolpho Parigi; Executive Assistant: Joo Metzner; Set Assistant:
Raphael Matos; Contra Regra: Marco Arajo; 1st Camera Assistant:
Andr Keller; 2nd Camera Assistant: Lucas Loureno; 3rd Camera
Assistant: Gabriel Silveira; Logger: Guilherme Castelli; Electrical
Assistants: Joel Santos, Nigria; Machinery Assistants: Ferpa, Nick,
Vinicius Ribeiro da Cunha; Camera: A. Ermel, Base 1 Locadora; Light
and Motion: Electrica Cinema & Vdeo; Drone: Disk Films; Sets
Infrastructure: Estrutura Cine; Image Finishing: Lilit Laboratrio
Digital; Coordination of Post Production: Laura Futuro; Editing
Assistant: Joana Reis; Colouring: Julia Bisilliat; Composition and
VFX: Uriel Arakilian; Sound Editing and Foley Recording: Effects
Filmes; Sound Design and Mixing: Ricardo Reis, ABC; Sound
Editing: Dbora Morbi, Vitor Moraes, Camila Mariga; Secretary of
Production: Andreia da Silva; Sound Editing Coordination: Miriam
Biderman, ABC. Acknowledgments: Alberto Youssef & Bruna Macedo,
10
Aldeia/Julia Bock & Simone Elias, Alexandre Ermel, Auditrio
Ibirapuera/Alexandre Sacchi di Pietro & team, Bar Fama, Big
Bonsai, Breno Trindade, Caio Csar, Casa Juisi, Clarice Cunha, Dudu
Quintanlha/MEXA, FAAP Sergio Moussali & team, Fernanda Gassen,
Fernando Cozendey, Filmland, Gabriel Base 1, Guaran Turismo
(Andra Grynszpan), Jacob Solitrenik, Jos Roberto Eliezer, Mrcia
Rocha, Maxwell Jackson, Michel Zzimo, Nadezhda Rocha, Ncleo
de Pesquisa & Curadoria/ITO, Ovo Design, Pedro Farkas & team,
Psycho n Look, Ricardo Tapajs, Rita Faustini, Rogerio Francisco
& Laika team, Ruy Ohtake, Sabrina Wilkins, Tereza Zzimo, Tiago
Guiness. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Luke Willis Thompson
Sucu Mate Born Dead, 2016. Installation composed of concrete
headstones. 9 pieces, 80040060cm each (approx.). Courtesy: Special thanks to: Gabriela Aguileta. Antonio Alamo Feitosa, Luiz
the artist and Hopkison Mossman, Auckland. Support: Creative
New Zealand.
Lyle Ashton Harris
Uma vez, uma vez, 2016. [Once, Once]. Installation.
Ektachrome Archives (Brazil Mix), 2016. 3-channel video
installation with sound component, continuous loop. 221124cm,
148263cm, 124221cm. Dimensions variable. Courtesy: the artist and Laveronica Arte
Journal #1, 1997 (An Educated Heart), 2016. Archival inkjet print
on Epson lustre paper. 127183cm.
Journal #1, 1997 (Forever), 2016. Archival inkjet print on Epson
lustre paper. 127183cm.
Journal #1, 1997 (Haile Selassie), 2016. Archival inkjet print on
Epson lustre paper. 127183cm.
Orange Journal, 1997, 2016. 90 archival inkjet prints on Epson
lustre paper. 2942cm each.
Untitled (Beachwood Canyon, circa mid 1990s), 2016. Video
installation, MiniDV video (color), video projection onto four silk
panels. 304.8114.3cm each.
Untitled (Blue Snow), 2016. MiniDV video on broadcast monitor
(color and sound). 4.
Untitled (Silver Lake, 1994), 2016. Hi8 video (color). 25.
Untitled (Obsesso), 2016. [Untitled (Obsession)]. Mixed-media
collage. Dimensions variable.
Untitled (Prelude to The Watering Hole), 1991-1996. Gold leaf on
magazine covers. 2720cm each.
Untitled (for Tommy), 2016. Two-channel video installation, Hi8
video (color and sound). 38.
Acknowledgements: Tommy Gear, Producer; Parissah Lin, Studio
Manager; Gregory Carideo, Joseph Imhauser, John Edmonds, Eric
Santoscoy-Mckillip and Dorothy Chi Hung Lam, Assistants; Bonnie
Lane and Mayid Guerrero, Video Editors; Billy Gerard, Video
Consultant; Aniyah McNeal, Intern. Commissioned by the Fundao
Bienal de So Paulo for the 32 Bienal (2016).
nd
Maria Thereza Alves
Uma possvel reverso de oportunidades perdidas, 2016. [A Possible
Reversal of Missed Opportunities]. 6 posters, 3 different models, 3
formats, versions in Portuguese and English (Rio Branco, Aquidauana,
Dourados). Digital print on paper, 21.47m each. Versions for
distribution: 55 posters, 40 colors, 6090cm, offset high brightness
120g paper; 150 posters, 40 colors, A3 (4229.7cm), offset high
brightness 120g paper; 5100 posters, 40 colors, A3 (4229.7cm),
matte couche 115g paper. Commissioned by the Fundao Bienal de
So Paulo for the 32nd Bienal (2016).
Presentation produced in partnership with Sesc-SP.
Mariana Castillo Deball
Hiptese de uma rvore, 2016. [Hypothesis of a Tree]. Installation
composed of bamboo structure based on a phylogenetic tree; paper
rubbings from fossil sediments in the Crato Formation (Araripe
Basin), Museu and Instituto de Paleontologia (Universidade Regional
do Cariri), Museu, Instituto and Oficina de Rplicas (Universidade
de So Paulo); linocut stamps. 9.2 m . Support: ifa (Institut fr
Auslandsbeziehungen). Assistants: Alberto Abascal, Anna Szaflarski.
Eduardo Anelli. Renan Machado Bantim, Juliana Manso Sayao,
Flaviana Jorge de Lima. Commissioned by the Fundao Bienal de
So Paulo for the 32nd Bienal (2016).
Maryam Jafri
Product Recall: An Index of Innovation, 2014-2015. Installation
composed of framed photos, framed texts, plinths and objects.
Contemporanea, Modica. Support: Danish Arts Foundation; Nordic
Culture Point.
Michael Linares
Museu do Pau, 2013-2016. [Museum of the Stick]. Installation
composed of various materials collected by the artist. Dimensions
variable.
Una historia aleatoria del palo, 2014. [An Aleatory History of the
Stick]. Video (sound). 5325. The duration of this video refers to
Brian Pankys world record obtained by holding a stick in balance
for 5325. Acknowledgments: Beta-Local, Olga Casellas, Fabin
Wilkins, Michelle Marxuach, Galera Agustina Ferreyra, Museu Afro
Brasil, Clube de Atletismo BM&F BOVESPA.
Michal Helfman
Running Out of History, 2015-2016. Video. 21. Private collection,
Israel. Courtesy: the artist and Sommer Contemporary Art, Tel Aviv.
Support: Artis Grant Program; Consulado Geral de Israel em So
Paulo; Mifal Hapais for art and culture; Nathalie and Jean-Daniel
Cohen-Luxembourg; Myriam and Jacques Salomon collection, Paris;
Ayelet and Yair Landau; Art Partners; Diane Henin.
Misheck Masamvu
Spiritual Host, 2016. Oil on canvas. 175450cm. Commissioned by
the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Midnight, 2016. Oil on canvas. 175450cm. Commissioned by the
Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Mmakgabo Helen Sebidi
Tears of Africa, 1987-1988. Collage, charcoal and pastel on paper.
195390cm (diptych). Support: Everard Read Gallery.
11
Untitled, 2016. Support: Goethe-Institut Salvador-Bahia.
Commissioned by the Fundao Bienal de So Paulo for the
32 Bienal (2016).
nd
Naufus Ramrez-Figueroa
Series Corazn del Espantapjaros, 2015-2016. [Heart of the
Scarecrow]. Acquatint. 9 pieces, 3729 each. Courtesy: the artist
and Proyectos Ultravioleta, Guatemala. Support: Goethe-Institut
So Paulo.
Corazn del Espantapjaros, 2016. [Heart of the Scarecrow].
Performance and installation (props and costume). Support: Proyectos
Ultravioleta, Guatemala; Goethe-Institut So Paulo. Collaborators:
Wingston Gonzlez (poem); Co-directed by: Martha Kiss Perrone;
Interpreters: Felipe Riquelme, Jaya Batista, Lowri Evans, Natlia
Mendona, Ricardo Janurio; Costume: Valentina Soares, Alex
Cassimiro. Acknowledgements: Byron Figueroa, Wingston Gonzlez,
Jos Luis Blondet, Rita Gonzlez, Pilar Tompkins, Stefan Benchoam,
Dominique Ratton. Commissioned by the Fundao Bienal de
So Paulo for the 32 Bienal (2016) and Los Angeles County
nd
Museum of Art (LACMA).
Nomeda & Gediminas Urbonas
Psychotropic House: Zooetics Pavilion of Ballardian Technologies,
2016. From the series Mycomorph Laboratory. Climate chambers,
series of workshops, mycelium, agricultural waste, metal and PVC.
Dimensions variable. Support: Lithuanian Council for Culture;
Contemporary Art Centre (CAC); School of Architecture and
Planning, MIT; Creative Arts Council, MIT; HASS Fund Award, MIT.
Acknowledgements: Assistant Architects: Paulius Vaitieknas, Jautra
Bernotait; Design: Goma Oficina; Plat (Valentina Soares, Alex
Cassimiro); Research Assistance, So Paulo: Luiza Schulz; Scientific
Research Assistance, So Paulo: Edison de Souza/Brasmicel.
Oficina de imaginao poltica
Oficina de Imaginao Poltica, 2016. [Workshop on Political
Imagination]. Installation and intervention in the form of a public
program (workshops, presentations and debates). Proposer: Amilcar
Packer; Collaborators: Diego Ribeiro, Jota Mombaa (Monstra
Errtika), Rita Natlio, Thiago de Paula,Valentina Desideri.
Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
OPAVIVAR!
TRANSNMADES, 2016. [Transnomads]. Ambulant relational
devices. 7 devices, dimensions variable. Support: Cooperativa de
Catadores da Baixada do Glicrio, So Paulo. Commissioned by the
Fundao Bienal de So Paulo for the 32 Bienal (2016).
nd
Presentation produced in partnership with Sesc-SP.
yvind Fahlstrm
Column no. 1 (Wonder Bread), 1972. Offset lithograph. 7159cm.
Deichtorhallen Hamburg/Falckenberg Collection.
Column no. 2 (Picasso 90), 1973. Silkscreen (26 colors). 7655.9cm.
Deichtorhallen Hamburg/Falckenberg Collection.
Column no. 3 (Chile F), 1974. Silkscreen in colors. 99.569.5cm.
Deichtorhallen Hamburg/Falckenberg Collection.
Column no. 4 (IB-Affair), 1974. Silkscreen (26 colors). 75.956.4cm.
Deichtorhallen Hamburg/Falckenberg Collection.
Den svra resan (fr blandad talkr), 1954. [The Difficult Journey
(for mixed voice choir)]. Mixed voice choir. Performance recorded
live by Swedish National Radio, April, 1972 at Fylkingen, Stockholm.
Installation with wall text suggested by Antonio Sergio Bessa in 2001.
525. Collection Sharon Avery-Fahlstrm.
Elements from Masses, 1976. Baked enamel on metal with
magnets. 69.969.91.4cm. Collection Sharon Avery-Fahlstrm.
Mao-Hope March, 1966. 16mm film. 45. Collection Sharon
Avery-Fahlstrm.
Packing the Hard Potatoes (Chile 1: Last Months of Allende Regime.
Words by Plath and Lorca), 1974. Variable structure. Painted
forms attached to spring wires and magnets. Acrylic and India ink
on vinyl. Painted metal panel. 11221110cm. Museo Nacional
Centro de Arte Reina Sofia Collection, Madrid. Long-term of
Sharon Avery-Fahlstrm.
Sketch for World Map, 1973. Silkscreen print. 55.9106cm.
Collection Helena Tatay.
Sketch for World Map Part 1 (Americas. Pacific), 1972. Offset
lithograph on newsprint. 85.4101.6cm. Deichtorhallen
Hamburg/Falckenberg Collection.
Sitting...Blocks, 1965-1966. Tempera on vinyl mounted on wood. 10
blocks, 383838cm (each). Collection Sharon Avery-Fahlstrm.
Courtesy: Galerie Aurel Scheibler, Berlin.
Sitting...Directory, 1962-1963. Tempera, ink and pencil on paper.
3038.31cm (closed), 66 pages (front and back). Collection Sharon
Avery-Fahlstrm.
Sitting...Dominoes, 1966. Silkscreen in colors on vinyl, plexiglass,
magnets, enamel on metal. Framed: 11583.510.5cm, no frame:
71.8102.61.8cm. Collection Sharon Avery-Fahlstrm. Courtesy:
Galerie Aurel Scheibler, Berlin.
Study for Sitting...The Stamp, 1963. Tempera and India ink on
canvas mounted on wood panel. Framed: 52.858cm. Collection
Sharon Avery-Fahlstrm. Courtesy: Galerie Aurel Scheibler, Berlin.
Study for World Model (Garden), 1974. Silkscreen in colors.
69.299.4cm. Deichtorhallen Hamburg/Falckenberg Collection.
Park McArthur
Sometimes Youre Both, 2016. Stainless steel, various products
made of latex rubber. 25 plinths, 86.448.383.8cm each.
Acknowledgments: ESSEX STREET, New York; Lars Friedrich,
Berlin. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Pia Lindman
Nose Ears Eyes, 2016. Structure of Bamboo and mud; treatment
bench, ink, oil crayon, paper, plants, air, mycorrhiza, tree, soil;
and performative activations. Dimensions variable. Support:
Arts Promotion Centre; KONE Foundation; Aalto University;
Nordic Culture Fund; Frame Visual Art Finland; Nordic
Culture Point.
Pierre Huyghe
Cerro Indio Muerto, 2016. [Dead Indian Hill]. Photograph.
80120cm. Support: Consulado Geral da Frana em So Paulo;
12
Institut Franais. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
De-Extinction, 2016. Film (color, 5.1 sound). 1238. Support:
Consulado Geral da Frana em So Paulo; Institut Franais.
De-Extinction (S.P. Evolution), 2016. Insects. Dimensions variable.
Support: Consulado Geral da Frana em So Paulo; Institut Franais.
Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016).
Pilar Quinteros
Smoke Signals, 2016. Video. Approx. 45. Support: Consejo Nacional
de la Cultura y las Artes de Chile (CNCA), Direccin de Asuntos
Culturales del Ministerio de Relaciones Exteriores de Chile (DIRAC),
Mrio Eduardo de Cico. Director: Pilar Quinteros; Camera: Alexis
Llerena; Video Editor: Pilar Quinteros; Video Editing Assistant: Alexis
Llerena; Assistants: Ignacio Helmke, Hctor Vergara; Tour Guide and
Host: Maurinhio Ferreira da Silva; Boat Driver: Fabio Delcio Tonin
Tanhadera; Locations: Serra do Roncador (Mato Grosso, Brazil);
Rio das Mortes (Mato Grosso, Brazil); Original Soundtrack: Diego
Lorenzini. Commissioned by the Fundao Bienal de So Paulo for
the 32nd Bienal (2016).
Pope.L
Baile, 2016. [Ball]. Endurance performance. 4 days, 24 hours per day.
Support: U.S. Consulate General in So Paulo; Mitchell-Innes & Nash
Gallery. Commissioned by the Fundao Bienal de So Paulo for the
32 Bienal (2016).
nd
Baile: Document, 2016. [Ball: Document]. Landscape that
Michel Temer may have drawn with framed Festa de Debutante
photograph, latex skull, plaster dust, pen, and cut paper in
conjunction with 72-hour performance of resistance. Dimensions
variable. Support: U.S. Consulate General in So Paulo; Mitchell-Innes
& Nash Gallery. Commissioned by the Fundao Bienal de So Paulo
for the 32nd Bienal (2016).
Priscila Fernandes
GOZOLNDIA E OUTROS FUTUROS, 2016. [Cuckoo-land and
Other futures]. Installation with video projection, Inkjet Fine Art
prints, beach chairs and printed fabric. Support: Fundao Calouste
Gulbenkian; Mondriaan Fund; Repblica Portuguesa Cultura |
Direo-Geral das Artes. Commissioned by the Fundao Bienal de
So Paulo for the 32nd Bienal (2016).
Ahahah, 2016. Inkjet Fine Art Print. 200150cm, framed.
Ergonomia do abstracionismo, 2016. [Ergonomics of
Abstractionism]. Teka wood and print on fabric. 12010070cm. Commissioned by Fondation Prince Pierre de Monaco, XLVIme Prix
Gozolndia, 2016. [Cuckoo-land]. Full HD video projection (color
and sound). 1735.
O salto, splash, 2016. [The Jump, Splash]. Inkjet Fine Art Print.
200150cm, framed.
Uma vista em fuga, 2016. [A Vanishing View]. Inkjet Fine Art Print.
200150cm, framed.
Rachel Rose
A Minute Ago, 2014. HD video. 843. Courtesy: Gavin Browns
Enterprise, New York; Pilar Corrias Gallery, London. Support: U.S.
Consulate General in So Paulo.
Everything and More, 2015. HD video. 1031. Courtesy: Gavin
Browns Enterprise, New York; Pilar Corrias Gallery, London.
Support: U.S. Consulate General in So Paulo.
Rayyane Tabet
Ssia, 2016ongoing. Publication and narration in Arabic of the book
Um copo de clera [A Cup of Rage] by Raduan Nassar, translated
from Portuguese by Mamede Jarouche. The novel was written in
1970 and first published in 1978. Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Rikke Luther
Overspill: Universal Map, 2016. Drawings printed on tiles, original
tiles for the Ciccillo Matarazzo Pavilion, toxic mud from Mariana,
slime molds with biotopes, and found and modelled objects.
Overall dimensions: 3.8830.6m (approx.). Support: Danish
Arts Foundation; Nordic Culture Fund; Nordic Culture Point; ifa
(Institut fr Auslandsbeziehungen). Acknowledgements: Instituto de
Geocincias USP; Museu Valdemar Leffre (MUGEO). Commissioned
by the Fundao Bienal de So Paulo for the 32nd Bienal (2016).
Outer Space, 2016. Panel of tiles. 210375cm.
Antarctica, 2016. Panel of tiles. 210375cm.
High Sea, 2016. Panel of tiles. 210375cm.
Atmosphere, 2016. Panel of tiles. 210375cm.
Rita Ponce de Len
En forma de nosotros, 2016. [In the Shape of Us]. Installation
composed of sculptures made of plywood sheets, reinforced mortar
of cement and sand, wire mesh, wood, kraft paper, structured
plaster with burlap and jute canvas, cement finish, clay, glue, audio
recordings and 8 drawings (China ink and pencil on paper). Overall
dimensions: 1650800 cm (approx.). Aknowledgements: Educational
Program (Bienal de So Paulo); Emilie Sugai; Peter Webb; Dorothy
Lenner; Michiko Okano; Tilsa Otta; Yaxkin Melchy; Mauricio de
la Puente; participants of the Dias de Estudo (Lamas, Peru); team of
Waman Wasi, Pratec; communities of Alto Pucalpillo, El Naranjal,
Anaq Churuyacu; Elaine Fontana; Joelle Gruenberg; Arnulfo Rendn;
Vctor Florido; Livia Benavides; Associao Tochigi; Fundao
Armando Alvares Penteado (FAAP). Commissioned by the Fundao
Bienal de So Paulo for the 32nd Bienal (2016).
Rosa Barba
Disseminate and Hold, 2016. 16mm film transferred to digital,
archival material, sound. 20 approx. Courtesy: the artist.
International dArt Contemporain.
White Museum (So Paulo), 2010/2016. 35mm white film,
projector. Dimensions variable. 30. Support: ifa (Institut fr
Auslandsbeziehungen).
Ruth Ewan
Back to the Fields, 2015/2016. Installation composed of plants,
bones, agricultural tools and minerals. Dimensions variable. Support:
British Council; The Henry Moore Foundation; Arts Council
England. Acknowledgments: Museu da Imigrao do Estado de So
Paulo/Governo do Estado de So Paulo; Museu do Vinho Wine
13
Weekend Vinho Magazine Vincola Goes; Museu Afro Brasil; cling wrap, air. 405053cm. Courtesy: the artist and Dan Gunn.
Manuel Silveira Corra; Helena Isola; Museu de Geocincias IGc/USP; A Dream Deferred (Mandela Balls), 4/95 Genghis Khan Cack
Fabio Pugliese; Famlia Geld; Museu de Anatomia Veterinria da Handed Sperm, 2014. Butchers paper, The International Herald
Faculdade de Medicina Veterinria e Zootecnia da Universidade de Tribune, blank newsprint, The Mercury Racing Tab, packaging tape,
So Paulo; Museu do Instituto Biolgico do Estado de So Paulo. acrylic gel, plastic bags. 437552cm. Courtesy: the artist and
Dan Gunn.
Sandra Kranich A Dream Deferred (Mandela Balls), 5/95 Placebo Domino, 2014.
Times Wire, 2010. Knitted electric cable, firework and electric Powered stones, wire, plastic bags, blank newsprint, The Sunday
ignition. Dimensions variable. Support: ifa (Institut fr Times, The International Herald Tribune, paper towel, acrylic paint,
Auslandsbeziehungen); Goethe-Institut So Paulo. packaging tape, acrylic gel and conservation glue. 426655cm.
R. Releif 7, 2016. Lacquered metal reliefs, fireworks and Courtesy: the artist and Dan Gunn.
electric ignition. 1881446cm. Support: ifa (Institut fr A Dream Deferred (Mandela Balls), 7/95 Eye & I (maquette),
Auslandsbeziehungen); Goethe-Institut So Paulo. Commissioned by 2016. Cardboard box cameras, monster ball, acrylic paint, elastic
the Fundao Bienal de So Paulo for the 32nd Bienal (2016). band. Dimensions variable. Courtesy: the artist and Dan Gunn.
R. Relief 8, 2016. Lacquered metal reliefs, fireworks and Commissioned by the Fundao Bienal de So Paulo for the
electric ignition. 1881446cm. Support: ifa (Institut fr 32nd Bienal (2016).
Auslandsbeziehungen); Goethe-Institut So Paulo. A Dream Deferred (Mandela Balls), 9/95 For the Olive People: How
R. Relief 9, 2016. Lacquered metal reliefs, fireworks and long is a peace of string?, 2013 ongoing. Medium: Floss, string,
electric ignition. 1881446cm. Support: ifa (Institut fr cord, ribbon, thread, rope, line, drawstring. Dimensions variable.
Auslandsbeziehungen); Goethe-Institut So Paulo. Courtesy: the artist and Dan Gunn. Commissioned by the Fundao
R. Relief 10, 2016. Lacquered metal reliefs, fireworks and Bienal de So Paulo for the 32nd Bienal (2016).
electric ignition. 1881446cm. Support: ifa (Institut fr A Dream Deferred (Mandela Balls), 10/95 Viral virus: The Mandela
Auslandsbeziehungen); Goethe-Institut So Paulo. Effect, 2016. Acrylic paint, glue, beach ball, newspaper, drawings and
prints on Hahnemhle paper, plastic domes. Dimensions variable.
Sonia Andrade Courtesy: the artist and Dan Gunn. Commissioned by the Fundao
Hydragrammas, 1978-1993. Set composed of approx. 110 objects Bienal de So Paulo for the 32nd Bienal (2016).
and their reproductions in slide with a word in Portuguese or French. A Dream Deferred (Mandela Balls), 11/95 Mud on [the] Dans
Dimensions variable. floor, 2016. Charcoal, chalk, mosaic tiles and mirrors, rubber ball,
Presentation produced in partnership with Sesc-SP. chains, tape, soil. Dimensions variable. Courtesy: the artist and Dan
Gunn. Commissioned by the Fundao Bienal de So Paulo for the
Susan Jacobs 32nd Bienal (2016).
Through the Mouth of the Mantle, 2016. Installation composed FALSE FLAG: A deed in 2 acts (Mandela Balls) 8/95, 2016. From
of compressed sand, HD video (sound), glass, motor, lazy susan, the series Mandela Balls. Rubber, glass, tape, glue, pen, air, plastic.
aluminium, gallium. Dimensions variable. This project was supported Dimensions variable. Courtesy: the artist and Dan Gunn, Berlin.
by the Victorian Government through Creative Victoria and the Mandela Balls 6/95 (Strange Fruit #JeSuisPatriceLumumba), 2015.
Victorian College of the Arts, Australia. Commissioned by the Plastic, plant (strelitzia reginae), tape, Belgian chocolate on wood
Fundao Bienal de So Paulo for the 32nd Bienal (2016). board. 306042cm. Courtesy: the artist and Dan Gunn.
Portrait for a Young Black Man, 2013. Mixed media on paper.
Till Mycha (Helen Stuhr-rommereim & Silvia Mollicchi) 240210cm. Courtesy: the artist and Dan Gunn.
The First Decade of June, 2016. Text, print. Poster graphic design by
Eliza Koch. 5984cm. Support: Consulado-Geral dos Estados Unidos Ursula Biemann & Paulo Tavares
da Amrica em So Paulo. Commissioned by the Fundao Bienal de Forest Law Selva jurdica, 2014/2016. 2 channel video projection,
So Paulo for the 32 Bienal (2016).
nd
assemblage of documents, soil samples and publication. 41. Support:
Pro-Helvetia. Commissioned by Ely and Edythe Broad Art Museum,
Tracey Rose State University of Michigan.
A Dream Deferred (Mandela Balls), 1/95 Health Vitality Skin &
Care, 2013-2014. Papier coll, plastic and tape. Dimensions variable. Vctor Grippo
Museo Nacional Centro de Arte Reina Sofa Collection, Madrid. Analoga I, (2da. versin), 1970/1977. [Analogy I, (2nd Version)].
Courtesy: the artist. Installation composed of 400kg of potato, zinc electrodes and copper
A Dream Deferred (Mandela Balls), 2/95 A Rock and Hard Place:, electrodes, electrical cables, electric meter DC voltage, electric push,
A TRIBUTE #16061976, 2013-2014. Papier coll, plastic and tape. chair, white linen tablecloth, text, wood, wooden easels, synthetic
Dimensions variable. Museo Nacional Centro de Arte Reina Sofa enamel and white paint. Dimensions variable. Jointly acquired
Collection, Madrid. Courtesy: the artist. by The Art Institute of Chicago, prior gift of Adeline Yates; and
A Dream Deferred (Mandela Balls), 3/95 An Exercise in Colour the Philadelphia Museum of Art, with funds contributed by the
Control, 2014. Handmade Paper Capellades 100% cotton, butchers Committee on Modern and Contemporary Art. Support: Consulado
paper, newsprint, acrylic paint, packaging tape, black garbage bag, Geral da Repblica Argentina em So Paulo.

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Naturalizar al hombre, humanizar a la naturaleza, o Energa Cotidiano, 1984. [Everyday]. Acrylic on canvas. 7050cm. Artists
vegetal, 1977. [Man Naturalization, Nature Humanization, or collection.
Vegetal Energy]. Installation composed of 400kg of potato, 8 or 10 Santa Teresa 1 com elefantes, 1984. [Santa Teresa 1 with
kinds of lab flasks, rubber stoppers, cotton swabs, drawing ink of Elephants]. Acrylic on canvas. 10073cm. Artists collection.
different colors diluted with water, white linen tablecloth, bronze Santa Teresa 2, 1984. Acrylic on canvas. 10073cm. Artists
plaque with text, wood, sawhorses and white paint. Dimensions collection.
variable. Courtesy: the Estate of the Artist and Alexander and Bonin, Santa Teresa 3 com cristais, 1984. [Santa Teresa 3 with Crystals].
New York. Support: Consulado Geral da Repblica Argentina em Acrylic on canvas. 10073cm. Artists collection.
So Paulo. Rio de Janeiro com cristais, 1986. [Rio de Janeiro with Crystals].
Acrylic on canvas. 160190cm. Artists collection.
Vdeo nas Aldeias Cotidiano, 1993. [Everyday]. Ink and ecoline on paper. 10072cm.
O Brasil dos ndios: um arquivo aberto, 2016. [The Brazil of the Artists collection.
Indians: An Open Archive]. Installation with 81 video fragments Cotidiano, 1993. [Everyday]. Ink and ecoline on paper. 10072cm.
from the archive material of Vdeo nas Aldeias, produced in its Artists collection.
30 years of experience with the indigenous peoples in Brazil, and Morro Dona Marta 24 horas, 2016. [Dona Marta Hill 24 hours].
sequences of films of filmmakers, activists, indigenous leaders, partner Colored pencils on paper Fabriano. 25 pieces, 2523cm each.
institutions and collaborators, between the years 1911 and 2016. Artists collection.
Concept, research and video-editing: Ana Carvalho, Tita and Vincent
Carelli. Commissioned by the Fundao Bienal de So Paulo for the Wlademir Dias-Pino
32nd Bienal (2016). Enciclopdia Visual Brasileira, 1970-2016. [Brazilian Visual
Presentation produced in partnership with Sesc-SP. Encyclopedia]. Digital collages and collages on paper installed on
6 painted walls. 14 reproductions and 397 original collages, A3
Vivian Caccuri & KEYZuZ, Ghalileo, Kuvie, MensaHighlife, format approx.
Mutombo Da Poet, Panji Anoff, Sankofa, Steloo, Wanlov, Outdoors, 2015-2016. Acrylic on wood. 20 images, 220160cm.
Yaw P Invited Curators: Tobi Maier, Leandro Nerefuh; Assistance: Caetano
TabomBass, 2016. Subwoofers, amplifiers, software, wood, candles Carvalho, Octvio Ferran; Collaborator: Regina Pouchain.
and stereo audio. Dimensions variable. Support: Dubverso Sistema Presentation produced in partnership with Sesc-SP.
de Som. Commissioned by the Fundao Bienal de So Paulo for the
32nd Bienal (2016). Xabier Salaberria
Presentation produced in partnership with Sesc-SP. Restos materiales, obstculos y herramientas, 2016. [Material
Remains, Obstacles and Tools]. Wood, iron, concrete, mineral
Wilma Martins water, photography; artwork from the Fundao Bienal de So
Cotidiano, 1975-1984. [Everyday]. Artists notebook, 144 Paulo Collection (Animal, 1963, by Liuba Wolf. Bronze sculpture,
p./1815.62cm; 62 fac-simile prints. Artists collection. 966149cm). Dimensions variable. Support: Accin Cultural
Interior, 1974. [Inside]. Acrylic on canvas. 10073cm. Artists Espaola, AC/E; Etxepare.
collection.
Cotidiano, 1974. [Everyday]. Acrylic on canvas. 10073cm.
Collection Frederico Morais.
Cotidiano, 1976. [Everyday]. Acrylic on canvas. 10073cm.
Artists collection.
Cotidiano, 1978. [Everyday]. Acrylic on canvas. 10073cm.
Collection Frederico Morais.
Cotidiano, 1979. [Everyday]. Acrylic on canvas. 7550cm. Private
collection.
Cotidiano, 1979. [Everyday]. Acrylic on canvas. 7550cm. Artists
collection.
Cotidiano, 1981. [Everyday]. Acrylic on canvas. 10073cm.
Collection Frederico Morais.
Sem ttulo, 1982. [Untitled]. Vinyl paint on canvas. 100.373.3cm.
Collection Gilberto Chateaubriand Museu de Arte Moderna do Rio
de Janeiro.
Sem ttulo, 1983. [Untitled]. Oil on canvas. 65.354.3cm. Collection
Joo Leo Sattamini Netto (Museu de Arte Contempornea de
Niteri).
Cotidiano, 1984. [Everyday]. Acrylic on canvas. 7050cm. Artists
collection.

15