Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
11 May 2015
Colleagues,
Each semester in English 0989, 0999, 1101, and 1102, we are responsible for helping better the
writing skills of more than 4,000 of our student-writers. Each year, we work with more than 8,000
student-writers in these writing courses. Through these classes, we also set the tone at UNG of what
writing is and how its accomplished. And lets not forget the financial importance these classes serve
for our Department, our College, and our University. These courses bring in over $4 million annually.1
In our work, we combat the constant narrative that students cannot write. As we combat this
narrative, we would do well to continue looking to national consensus documents that frame how to
approach college-level writing instruction and assessment (such as The Framework for Success in
Postsecondary Writing and the AAC&U VALUE rubric on written communication) and talk with all
university stakeholders about writing development and the role of writing instruction.
With a core curriculum review prompted by our Provost, we may find ourselves in a position where
we need to account for our individual and collective approach to writing instruction. I firmly believe
in what we doin what college writing instructors have done for the past 150 years of working with
college student-writersbut my firm belief isnt enough. I, and the rest of the FYC Committee, look
forward to working with you as we better our curriculum, connect it with best practices in teaching
and learning and best practices from composition pedagogy, and connect it with national consensus
documents.
In this brief report, the Committee outlines our work during the 20162017 academic year. Weall
of us, reallydo more than teach. But everything we do connects back to learning. In the 2013 special
issue of College Composition and Communication on The Profession, Michael Day and colleagues
help readers rethink what scholarly engagement may mean for promotion and tenure guidelines.
Early in their article, they offer a definition of scholarship, a definition I return to often: Being a
scholar, in short, means engaging in reflective, well-informed practices that help us accomplish the
goals of advancing knowledge and sharing our knowledge of what it means to write and be a writer
(186). Thanks for your help in pursuit of this admirable goal.
Michael Rifenburg, Kendra Bryant, Marc DiMaggio, Kathryn Hinds, and Jim Shimkus
1
This number comes an average of the cost of three credit hours according to SP 17 data. The cost for three credit
hours varies according to campus, online or F2F, and bachelor or associate degree seeking.
Total Students
283 93 782
1656
1885
4086
Figure 1: AY 16-17, we taught 8,785 students in English 0989, 0999, 1101, and 1102. Almost 47% enrolled on our Gainesville
campus.
4048
4412
1101 1102
Figure 2: Despite concerns about CLEP and AP diverting students from two sections of first-year composition, most of our
students return for English 1102.
Blue Ridge 5 3 8
Cumming 58 7 65
The number of students shrinks substantially when we look just at students (n = 327) who
receive at least a 3 on the AP English Language and English Literature exam. Again, we can
only surmise that the majority of these students did not take either English 1101 or 1102
with us.
Student Counts
Blue Ridge 1 1
Cumming 6 6
Gainesville 70 1 71
Oconee 26 26
The percent of students who receive AP credit steadily increased over the past three years
and is projected to continue to increase next academic year. This increase holds firm even
when accounting for increased enrollment.
Fall 2017
Two more important data points offered by Michael Leitson with IE:
Of those who take either AP English exam, 5.7% becomes English majors. This is
statistically significant from the overall English majors in the UNG body, which is
1.9%.
Students who take the AP Exam and become English majors have an institutional
GPA of 3.39. This is statistically significant from the overall GPA of all English majors
of 3.23 (3.10 if you include the Associate-English).
For the past two years, the Testing Center provided CLEP pass/fail rates for English 1102.
Because of the deluge of eCore assessment, Testing was unable to send on these pass/fail
rates in time for this report to be released.
These data are only for English 1102. The English 1101 CLEP test requires an essay, which,
in the words of Testing, prevents an immediate score report. The English 1102 CLEP test
does not require an essay, and the test is titled Analyzing and Interpreting Literature. In
the eyes of Testing, English 1102 is solely a literature class.
Previous data points below:
CLEP Spring 2015: 417 credit hours awarded
o Candidates passed: 139
o Candidates failed: 5
CLEP Spring 2016: 159 credit hours awarded
o Candidates passed: 53
o Candidates failed: 23
Teaching Circle
Through a Teaching Circle grant from CTLL, the FYC Program held three workshops titled
Designing and Teaching for Writing-Related Transfer. To support our conversations, we
used the CTLL money to purchase copies of Kathleen Blake, Liane Robertson, and Kara
Taczaks Writing Across Contexts: Transfer, Composition and Sites of Writing (Utah State UP,
2014). This text is the most comprehensive study on writing-related transfer. It dedicates
the opening chapters to describing writing transfer and dedicates the second half to
describing a Teaching for Transfer curriculum implemented at Florida State.
Below are the titles of the three workshops. All titles are linked to the presentations for the
workshops housed at Slides.com.
o September 26 (What is transfer and what does it have to do with writing?)
Thanks to Teaching Circle members for the conversation and dedication to becoming a
better writing teacher.
Suzanne Anthony, MCCB
Art Basler, CAL
Matthew Boedy, CAL
Molly Daniel, CAL
Lisa Diehl, CAL
Marc DiMaggio, CAL
Benjamin Garner, MCCB
Laura Ng, CAL
Steve Pearson, CAL
Jim Shimkus, CAL
Anita Turlington, CAL
Observations
Using a peer-evaluation form offered by CTLL, the FYC Program observed nine classes on
three different campuses.
Campus Speaker
On January 5, 2018, Anne Ellen Geller of St. John's will visit our Gainesville campus to
deliver a talk and lead a workshop. Anne is co-author of The Meaningful Writing Project:
Teaching, Learning, and Writing in Higher Education (Utah State UP, 2016), which reports
survey data on students' most meaningful writing project in college. Anne is an engaging
scholar who is committed to writing and supporting writers.
Continued Survey
As mentioned in the previous section of this report, the FYC Committee launched a small-
scale survey to gauge the effectiveness of our stated learning outcomes for English 1102.
We will continue with this small-scale survey and focus our attention on four sections of
English 1101. The SLOs for English 1101 will form the basis of the survey questions.
Dan Melzers Assignments Across the Curriculum: A National Study of College Writing (UP of
Colorado, 2014)
A study of 2,101 writing assignments across disciplines in one hundred American
postsecondary institutions. Quick findings? Sixty-six percent were informative, and
in 64 percent of the writing assignments the teacher-as-examiner is the audience.
Concludes with a strong push for more Writing Across the Curriculum programs.
Anne-Marie Womacks Teaching Is Accommodation: Universally Designing Composition
Classrooms and Syllabi. College Composition and Communication (Feb 2017).
Details how to create a more accommodating composition classroom with better-
designed classroom material such as syllabi. See figure 4 for a revised syllabus that
makes effective use of document design principles and figure 6 for sample phrases
from a cold syllabus and a warm syllabus.
Rebecca Brittenhams The Interference Narrative and the Real Value of Student Work.
College Composition and Communication (Feb 2017).
The interference narrative spins students jobs as deterrents to classroom
performance and graduation. Brittenham counters this myth by arguing, these
work experience powerfully shape the identities students are evolving before and
during college and represent a potentially vital intersection between the university
and the community workplace that surrounds it (527).
Beth Brunk-Chavezs The Framework for Success Goes Online: Integration of
the Framework into Online Writing Courses. In The Framework for Success in
Postsecondary Writing: Scholarship and Applications, edited by Behm, Rankins-Robertson,
and Roen (Parlor Press, 2017).
For our colleagues who teach online writing classes, Brunk-Chavezs article provides
clear guidance on constructing an online class, which aligns with The Framework for
Success in Postsecondary Writing. Table 2 is particularly helpful in that it shows how
the habits of mind necessary for college writing success can be encouraged in an
online class.
John Duffys The Good Writer: Virtue Ethics and the Teaching of Writing. College English
(January 2017).
Duffy continues his important work on virtue ethics here: I do not mean . . . that we
should teach ethics or that we ought to teach practices of ethical communication.
Rather, I am suggesting that as teachers of writing we are always already engaged in