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1. What happened in this short excerpt? Try to cover as much as possible in a couple of
minutes.
2. Where did Teju Cole transition to a different story? How did he do these transitions?
(Stories within other stories are called embedded stories. They can also be called frame
narratives or frame stories.)
3. What personal connections did you all have to Teju Coles many stories? Did you notice
any similarities to other stories/movies/books/art you may have seen or heard?
4. If your conversation runs dry, consider this: what parts of Coles story were the most
interesting to read? What images from the story really stuck in your head?
Appendix 2a: https://www.youtube.com/watch?v=lhMSfysVAog
Appendix 5A:
1. He is looking to his left, as he sees his teacher is running away from the building.
2. The girl was rejected by the boy after he was asked by her to the Sadie Hawkins dance.
4. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
5. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
6. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
7. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
8. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
9. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
10. Student Created Sentence example with passive or to be/linking verb instead of active
verb.
When Justin plodded back from the bus stop to his college house, he didnt expect to think of his
father, John. But yet, here he was - about ten years after learning his lessons on leaves, walking,
and listening - thinking about his father and those fall walks on the trails of Goochland county.
He passed the chain link fences on either side of him, branches extending over the path, leaves
crunching underfoot almost as loud as the sound of cars whizzing by. He had his boots on. They
werent meant for the outdoors like the pair his father had bought him a decade ago, but he
couldnt help but practice the heel to toe motion that his father had once taught him.
--
Son, theyre gonna hear you like that. Shh, John whispered. He then paused, crouched
a little lower and slowly turned his head from side to side and listened to the silence of the
surrounding woods. He lifted two fingers into the air and then pointed forward, letting Justin
know it was time to move on ahead. Justin creeped beside his father, staring down at his feet and
making sure that his heel came down first and lifted to his toe. Shuffling was strictly forbidden in
the country and nothing made Justin more embarrassed than seeing his father silently scold him,
finger pressed tightly to his lips and eyes wide and glaring. They were nearing their hunting
stand they had picked from a hat about ten minutes ago. John turned quickly, seeming to burst
forth with new-found excitement. He paused, Justin, come here. He kneeled in the mud and
leaves and looked at his son in his eyes, conveying a strange combination of gravity and levity.
Look, I have been scouting this spot out and were lucky we drew this stand. The dogs are
going to send some deer our way this time. You have to be ready and remember what Ive taught
you, okay? Yes, sir. John cut between two oak trees on the side of the path and lead the way
down the leaf-covered hillside. They both stared into the gully and started towards a downed tree
near the bottom of the hill. John whispered, Theyre going to come right through this little
valley and we have to be ready as soon as we hear the whoopin and hollerin. Then they sat.
Justin kept fidgeting on the rough bark of the branch, partially due to his fathers warning but
mostly because he had yet to kill a deer. He listened intensely, feeling the stillness reverberate
off of the two hills and waiting for the sounds of air horns and Get em up, deer. He could hear
the blood pumping around his ears and feel the cold of his .410s trigger. He was ready to pull
the lever down with his thumb as soon as a deer came bounding down the valley and into range.
It was faint at first, chalking it up to just another squirrel. But then a few sounds became many
and the rustling of leaves was too much to ignore. Jay, Jay, here they come. Get ready, buddy.
John drew first, bringing his .12 gauge to his shoulder. Justin followed his lead, placing the gun
firmly into his shoulder. The deer kept coming. Closer, even closer. Were those antlers? Justin
looked down the barrel of his shotgun, focusing on the gold bead at the end, pointing it at the
shining fur bounding down the valley. 20 yards. 15 yards. 10 yards. Justin, get the big one.
Yes sir. They aimed, took a deep breath in unison. Justin placed the gold bead on the shoulder
blade, always the shoulder blade. And fired. He was shaking; the buck dropped immediately. A
Appendix 6b:
Feedback Steps
Step 1: Go through your partners piece and highlight in blue images that are especially
Step 2: Underline reflection in the story and put expressive writing in italics.
Step 3: Use the comment feature to comment on sentences that could use a better image, or
where the author is telling you something when youd rather be shown with imagery.
Step 4: Use the comment feature to comment on sentences that could use more active verbs.
Step 5: Comment on the last word of the piece leave a few sentences that 1) point out
strengths of their story that you enjoyed as a reader and 2) comment on the overall clarity
of the piece are there any sentences or parts of the story that dont make sense? Is there
an image or a sentence that was hard to get through and could use some reworking?