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Art 372
10/24/14
The Dana-Thomas House, built for Susan Lawrence Dana from 1902-1904 was one of the
largest projects Frank Lloyd Wright had taken on since his beginnings as an architect ten years
before. Within a six month period between 1900 and 1901 her husband died as well as her
father, who was the mayor of Springfield. She was left with her fathers house and this massive
renovation was commissioned by Dana for the purpose of housing many people for fundraising
events, parties and receptions. This house has 12,600 feet of living space with 35 rooms, and
16 varying levels. This house contains a collection of more than 100 pieces of Wrights
furniture, 250 glass doors and 100 features of his art glass light fixtures. Today this house is a
As we have covered in class, Frank Lloyd Wright is a very influential domestic architect
from 1888-1959. He never finished architecture school, but he went on to be a student under
the famous Chicago architect Louis Sullivan. After about ten years being a part of Sullivans
company, Wright branched out to make his own architectural company. Over time, Wright
clearly defined his own style by creating houses with his distinct prairie style. This style had
long, shallow sloped rooflines, used local materials, wraparound porches, an open floor plan
and highly decorated elements hidden within the interior and exterior spaces. When walking
around the exterior of the house one can observe the detail in the green, complex, zig-zag
frieze of the upper story as well as the low sloping rooflines that are characteristic of Wrights
style. In the front of the house the roof overhung a wraparound porch and the simple lines of
copper and frieze tracing around the entire outside of the house. The art glass windows viewed
from the outside have the appearance of green, but on the interior looking outside, these shift
to appearing yellow. Upon entering the Dana-Thomas house the viewer can see the three main
levels of the house in the atrium and are visually invited to explore these levels. The layout of
the Dana-Thomas house is very intricate, with winding stairways and hallways leading to some
hidden rooms on the many varying levels. As one walked through the house they would
observe the many pieces of illuminated art glass, art glass windows and furniture, all having a
common color scheme throughout the house, called Sumac. This was a very natural color
scheme of yellows, browns, oranges and greens. The house is mainly made out of wood and
brick, a choice that Wright made because trees and clay are readily available resources in the
central Illinois area. One can appreciate the art glass installation within the structure, lighting
up the interior space with the natural colors and patterns, like the geometric butterfly pattern
that is repeated throughout the light fixtures within the house. There are two barrel-vaulted
ceilings inside the house; one is the gallery room and the other in the dining room. Both were
designed to seat forty people in an open space with an area for musicians to play on the second
story balcony of the room. Within the dining room a painting of trees and nature is featured in
a frieze-like fashion around the perimeter of the room, which unfortunately is now faded due
Overall this house is fascinating in its design, because it is so different than many houses
that we often see or live in today. Wrights intricate attention to detail allows one find new
motifs and surprises within the exterior and interior spaces with his unique architectural
elements, furniture designs, art glass and glass light fixtures. We can learn a lot more in this
fashion of exploration than we could by looking at pictures and hearing about what this house
is like, because one must view this house in person to fully grasp the detail and immense size of
this house that makes it so significant in Wrights career and significant in architectural history.
Sources Cited
State of Illinois. (n.d.). Dana thomas house state historic site [Video file].