INSIDHERLAND Catalogue - April 2017

2017 CATALOGUE
I draw memories to create what I have never seen.
Joana Santos Barbosa

Founder & Creative Director
INSIDHERLAND ESSENCE & JOANA SANTOS BARBOSA PROFILE 7
INSIDHERLAND AMBIENCES 8
IDENTITY COLLECTION 13
. new collection
BEYOND MEMORY COLLECTION 29

. storage & shelving
. tables & consoles
. seating
. lighting
. accessories
107
MATERIALS & FINISHES
Welcome to my Land
I am proud to welcome you at INSIDHERLAND, a creative place that has been
conquering the most adventurous professionals of architecture and interior
decoration. What started years ago as a personal dream of transforming my own
experiences into elegant forms, rapidly grew into a successful international brand
that presents beautifully handcrafted creations to the World.
My collections embody distinct influences to create a unique vision that gathers the
wild side of the natural wonders with a fabulous modern lifestyle. Here you will find
an exclusive Land where everything can happen and anything is possible.
Mountains turn into surprising armchairs, trees become mysterious cabinets, an
architectural detail is captured by a geometric lighting and even a famous painting
is reinvented in a exquisite table.
INSIDHERLAND is today recognized around the globe by the best professionals of

luxury decoration who seek for emotional creations with the power of enlightening
their projects.
Im a strong believer that Im not a creator of objects but a fearless sculptor of

dreams and I hope that you will also feel embraced by the free spirit and profound
meaning of my pieces of art.
Joana Santos Barbosa

Founder & Creative Director
INSIDHERLAND ESSENCE
Created by Architect Joana Santos Barbosa in 2012, INSIDHERLAND is a Portuguese brand of exclusive design.
Drawn with the signature of the creator, the impressive range of furniture, lighting, upholstery and accessories are
connected to her personal memories and have been highlighted for their innovative and soulful designs. Joana
explores several influences from travels around the world to define her own Land as a place that allows her to
translate her perceptions into objects of art.
INSIDHERLAND presents two inspiring collections. Beyond Memory Collection is deeply influenced by organic
forms of nature, legends and traditional cultures, as for the Identity Collection is molded by forms of Architecture
and Art. Both collections are designed as a dialog in which nature meets strong architectural lines to create relaxed
and sophisticated interiors surrounded by natural materials and meaningful art pieces.
Being positioned in strategic markets of high-end luxury decoration, INSIDHERLAND team is proud of working with
the best architects and interior design studios from all over the world who seek for handmade exclusive objects
that arouse emotions and stand out in exquisite spaces. We are dedicated with love and enthusiasm into every
creation to surprise a sensitive but demanding public. Using the expertise of traditional craft techniques, all
creations are made by the hands of Portuguese master craftsmen and jewelers who wisely sculpt them in noble
materials, finalizing every detail with elegance and perfection.
JOANA SANTOS BARBOSA
Born in Oporto, Joana graduated in Architecture at the Faculty of Architecture of the University of Oporto in 2006,
later deepening her knowledge in Interior Design at St. Martin's School of Arts and Design in London. Alongside
with Architecture, the passion for the Detail motivated her to create her own furniture design.
Joana soon saw her talent recognized, being considered as one of the Top 10 Contemporary Designers from
Portugal. Earning her place in the international design scene, she was invited to exhibit at the XX Triennale
International Exhibition in Milan and her work can be regularly seen in the most prestigious design and decoration
events in London, Paris and Milan.
Having a refined intuition and a particular way of feeling, Joana has a vein of attachment to the Land and a
devotion to the senses. Her creative path is a mirror of her personality and results from the profound connections
she early developed with the natural world, the travels that opened her eyes to other cultures and her progress in
classical music and dance alongside with her training in architecture.
From her training she takes the discipline and persistence in the pursuit of the unquestionable accuracy. From the
World she seizes cultures and contexts, dissects memories and rearranges concepts, taking them as starting
points for the creative liberation.
IDENTITY COLLECTION
As trained architect, Joana Santos Barbosa received a variety of influences that defined her creativity. Identity
collection unveils a series of striking modern objects considered as fragments from the contact with architecture
along with other artistic forms such as painting, sculpture and music.
The collection is a defining guidance of a journey that explores the fusion between these disciplines with a
conceptual freedom. If some creations descend from identified images, others seem abstract productions that
interpret awakening details of the creative process.
INSIDHERLAND pieces are made by craftsmen, using handcrafted techniques, which may result in small differences
between pieces of the same model making each piece particularly unique and exclusive.
PIANIST CENTER TABLE
Height. 38 cm|14,96 Width. 130cm|51,18 Depth. 75cm|29,52
PRODUCT DETAILS (image above)

Top: estremoz marble.
Base: handcrafted in oxidized brushed brass with matt varnish.
PRODUCT OPTIONS
Top: other marbles under request.
Base: polished, brushed, oxidized brushed or aged brushed brass/copper/steel.
EIDOLA: weiland Pianist, 1940, belongs to a series of 24 drawings created in the final stage of Paul Klee's life. Among
them, the Swiss painter and musician portrays the souls of musicians who, having lost their instruments, continue to play
music using their own bodies. In Pianist, the keyboard is presented as part of the body, but in detail, Klee's drawing
presents only the piano's black keys, leaving the white keys on invisibility.
I started playing piano at age of nine and know the keyboard by heart. Once I put my hands on the keyboard, I see not
only the cadence of the keys but the gracefulness of the fingers gliding over them. JSB
The Pianist center table, doesn't represent the piano but the hands of the artist, vehicle of technique and emotion. The
brass blades design the shape of the four longest fingers that, on a white keyboard in Estremoz marble, release a melody
hidden within the musical notes.
IONIC SIDE TABLES
ROUND Height. 55cm|21,65 Width. 55cm|21,65 Depth. 55cm|21,65
SQUARE Height. 55cm|21,65 Width. 55cm|21,65 Depth. 55cm|21,65

Tops: nero marquina marble and light grey lacquered with high gloss varnish.
Base: handcrafted in brushed brass with matt varnish.
PRODUCT OPTIONS
Top: other marbles under request, wood veneers, natural, aged or degrade gold/silver/copper leaf or any Ral Classic color
finished in matt, half gloss or high gloss varnish.
Base: polished, brushed, oxidized brushed or aged brushed brass/copper/steel.
Ionic is one of the three orders of classical architecture developed at the ancient Greek temples. Contrary to the Doric, the
oldest order, the columns of Ionic and Corinthian orders were composed by three elements: base, shaft and capital. As
centuries passed by, many of the impressive temples were destroyed or simply collapsed. The remains of Ionic temples
with their beautiful surviving columns motivated the creation of the Ionic side tables, each one with tripartite columns
missing one of its elements. This approach of an incomplete Ionic column presents uniquely the non ornamented forms of
the base and capital as the missing shaft has been replaced by a modern metal structure that embraces the two separated
elements. Countering the construction process of ancient temples, the tapered design allows less contact with the floor, in
allusion to what would be the use of free modern forms in the tripartite construction of a classical temple.
NIEMEYER ARMCHAIR
Height. 86cm|33,86 Width. 94cm|37,00 Depth. 92cm|36,22 Seat Height. 44cm|17,32

Upholstery: INSIDHERLAND Royal Velvet Ref. 1.
Legs: dark oak finished in matt varnish.
PRODUCT OPTIONS
Upholstery: INSIDHERLAND fabrics or client fabric.
Legs: other woods or any Ral Classic color finished in matt, half gloss or high gloss varnish.
The Niemeyer armchair is named after the Brazilian Architect Oscar Niemeyer whose Architecture was spread like
sculptural poetry in the History of humankind. The rounded lines of the armchair are influenced by the remarkable 'Casa
das Canoas' designed by Niemeyer in 1951.
Looking on the human scale point of view, the house glass facade disappears within the tropical forest, however, from an
aerial view, the sculpted concrete flat roof floating on pillars stands out in the landscape. The flat roof offers its flowing
forms to the round velvet seat while the pillars share their black tone with the darkened oak legs.
In detail, the armchair is focused on the roof indented front curve framing a large granite boulder. It is precisely that
backward curved movement that we discover in the seams of the meticulous upholstered work that flows all around the
arms of the armchair.
PERSPECTIVE DINING CHAIR
Height. 96cm|37,80 Width. 52cm|20,47 Depth. 58cm|22,83

Metal: handcrafted structure in stainless steel finished with golden bath.
Upholstery: INSIDHERLAND Soft Velvet Ref. Ivory.
PRODUCT OPTIONS
Metal: under request.
Our perception of space is influenced by Perspective. To draw the way in which objects appear to the eye on a flat surface
requires a technique that represents the three-dimensional spatial relations and reduces the projected size of objects with
distance. After the initial attempt by the Greeks and the Romans cultures to define the spatial depth, it was in Italy that
the renaissance architect Filippo Brunelleschi rediscovered the rules of perspective by observing that with a fixed single
point of view, parallel lines appear to converge at one point in the distance.
The Perspective dining chair is an exercise that gathers both two and three dimensions in one single perception. In fact, as
if we were looking to its own drawn perspective, the lines of the dining chair perform an inflection and visually appear as
converging in order to give the illusion of depth. An intentional way of having the flat image of the drawing transported to
the object and not the other way around.
LOOSHAUS WALL LAMP

Lampshade: carrara marble.
Metal: handcrafted structure in polished brass finished with gloss varnish.
PRODUCT OPTIONS
Lampshade: other marbles under request.
Metal: polished, brushed, oxidized brushed or aged brushed brass/copper/steel.
The Looshaus building by Architect Adolf Loos in Vienna marked a turning point in Architecture by its rejection of
historicism and the evolution towards Modernism. The building states a series of Loos beliefs on his essay Ornament and
Crime (1908) in which he exposes that The evolution of culture is synonymous with the removal of ornaments from
utilitarian objects. and describes how ornamentation can cause objects to go out of style and thus become obsolete.
The radical aesthetic of Loos essay Ornament and Crime implemented on the marble facade of the Looshaus building
ground floor columns triggered a reflection about the purism of materials and forms. The Looshaus wall lamp is austere
both in its massive blocks of carved Carrara marble as in the choice of the brass columns that allow the transparency of an
illuminated gallery in its interior. It is visually pure and minimal in its hidden functionality. No ornaments are needed to
strength its singularity.
SEAGRAM TABLE LAMP

Lampshade: INSIDHERLAND Satin Ref. Pearl.
Base: estremoz marble and brushed brass with matt varnish.
PRODUCT OPTIONS
Top: INSIDHERLAND lampshade fabrics or client fabric.
Base: other marbles under request. Polished, brushed, oxidized brushed or aged brushed brass/copper/steel.
The Seagram table lamp receives the name of the first attempt at skyscraper construction by the acclaimed German-
American architect Mies van der Rohe. Located in Manhattan, New York City, the Seagram building was completed in 1958
and gathers the principles of modernism along with the functionalist aesthetic.
The table lamp is a block of Extremoz marble involved by vertical brass blades carefully inserted as an allusion to modern
metal structures and follows Mies beliefs that a building's structure should be visible as an external expression with no
decorative elements. Although, in fact, for others reasons the original steel structure of the Seagram building couldnt be
visible, Mies used non-structural vertical bronze elements to suggest an outside structure protecting a continuous glass
skin underneath.
UNVEIL MIRROR

Wood: handcrafted structure with sideview finished in walnut veneer with half gloss varnish.
Metal frame: brushed brass with matt varnish.
PRODUCT OPTIONS
Wood: other veneers, natural or aged gold/silver/copper leaf or lacquered in any Ral Classic color.
Metal frame: polished, brushed, oxidized brushed or aged brushed brass/copper/steel.
A persons Identity isnt an immediate perception but, instead, it has to be unveiled. It is fed by external influences and
watered by deep feelings and experiences that can be exalted or just kept as a treasure inside one's heart.
The Unveil mirror portraits the unknowns of human Identity. The simple frame in brushed brass with round corners means
that first look to someone, when, sometimes, we wrongly believe that we already have seen it all. However, we only see
whats allowed for us to capture and so, a small fragment of a more complex formation.
When we get interested to get closer to the Unveil mirror, we certainly discover new perspectives that will enlighten us.
This surprise factor is interpreted by a continuous border in walnut veneer with thousands of natural wood veins to
admire. They not only contrast with the quiet golden frame but actually remain hidden behind it. Because sometimes it's
worth to unveil one's true Identity.
BEYOND MEMORY COLLECTION
The creative eye of Joana Santos Barbosa contemplates the past and changes a distant reality by creating
connections, eliminating the unnecessary and adding details that could have been true. In the Beyond Memory
Collection, the author transforms travels to the past into meaningful pieces that go far beyond what the memory
recalls.
By taking nature's organic forms, the treasures of native cultures or the mysteries of powerful legends, the pieces
of the collection have a natural delicacy and are designed to catch the eye within most sophisticated interiors.
INSIDHERLAND pieces are made by craftsmen, using handcrafted techniques, which may result in small differences
between pieces of the same model making each piece particularly unique and exclusive.
STORAGE & SHELVING
NAVAJO CANYON CABINET

Wood structure finished with walnut and sycamore veneers in half varnish. Opening detail and interior of the drawers
lacquered in high gloss Ref. Colorado Blue. Glass shelves.
PRODUCT OPTIONS
Under request.
In the impressive Navajoland territory located in Arizona we find Navajo Canyon, a magnificent cliff formation. The
sandstone waved walls in brownish red and white tones contrasting with Lake Powells blue waters perform an impressive
sight. The cabinet Navajo Canyon reinvents the majesty of cliffs with their twists and turns along the Colorado River.
With the identical proportions and tones of the rock formations sedimented over thousands of years, this cabinet is built
through a complex process finished in full height walnut veneer and its base in white sycamore. By accentuating the long
exterior lines without any visible opening, the apparently solid volume resembles the stone walls. Inside, two glass shelves
go unnoticed while the turquoise silhouette of the Colorado River suddenly appears between the drawers. Taking
advantage of the natural curves, each drawer opens, unveiling its interior totally lacquered in the same hue which gives us
the feeling of jumping in freefall from the top of the cliff to dive in the crystal clear waters of the river.
INTO THE WOODS BOOKCASE

Wood structure finished in walnut veneer in half gloss varnish.
Base and shelves: handcrafted in oxidized brushed brass with glass top.
PRODUCT OPTIONS
Wood structure: other veneers, natural or aged gold/silver/copper leaf or any Ral Classic color finished in matt, half gloss
or high gloss varnish.
Base and shelves: aged brushed or oxidized brushed brass/copper/ steel.
Many years after visited the heart of Sweden, Joana Santos Barbosa created a bookcase to celebrate the charm of Nordic
nature. Into the Woods carries the feeling of a long walk through the forest beneath intertwined branches of huge trees to
reach the top of a mountain. The enchanting path is captured by the angular shape of the bookcase in which four vertical
elements in walnut obtain a slight slope that emphasizes the perspective of the lengthy tree trunks along the way. Each
element is also highlighted by the tapered end, as if we were looking to the slender trees reaching the sky.
In a gentle embrace, each vertical element extends an arm of stylized brass blades designed to freely touch the remaining
tree trunks and create four shelves. Each organic element of the bookcase creates a variety of shadows that move
according to the lights of the surrounding space.
THE SPECIAL TREE CABINET

Top: wood structure finished with exotic veneers in high gloss varnish. Interior finished with satinwood veneer in high
gloss varnish. Glass shelves.
Base, tubes and shelf supports: handcrafted in polished copper.
PRODUCT OPTIONS
This creation will be released in four versions representing the four seasons. Other options are available under request.
The Special Tree is a tree in which two lovers write the promise of an everlasting love; a small tree on the bank of a lake .
Five treetops on top of 'trunks' in polished copper form an imposing grove with the splendor of autumn colors. The
craftsmanship on the exotic veneers emphasizes the rich tonal variations and creates ripples that remind us of the wind
flow among the trees.
In a jewelry work, the base in polished copper, is chiseled with five types of fallen leaves representing each one of the
species, a work that is repeated in the carved recording of the creations name in the trunk of the central The Special
Tree. Inside the volumes, the tone of warm beams of sunlight piercing through the trees is captured in the high gloss
satinwood finish punctuated by glass shelves. Inside of The Special Tree, small wavy copper 'branches' were designed to
appear to be levitating while lifting the shelves.
THE SPECIAL TREE SIDEBOARD

Top: wood structure finished with exotic veneers in high gloss varnish. Interior finished with satinwood veneer in high
gloss varnish. Glass shelves.
Base, tubes and shelf supports: handcrafted in oxidized brushed brass.
PRODUCT OPTIONS
This creation will be released in four versions representing the four seasons. Other options are available under request.
The Special Tree sideboard is a redesign of the original cabinet with the same name. Featuring the Summer season, three
types of exotic roots in their natural color in high gloss finish cover this empowering creation while the interior remains in
satinwood. The base and the tree trunks are in oxidized brushed brass and, in the center, the most special tree preserves
the subtle carved jewelry work with the name of the creation as well as small wavy brass 'branches' lifting the interior
glass shelf.
HOMELAND SIDEBOARD
Height. 118 cm|46,46 Width. 129cm|50,79 Depth. 45cm|17,72

Wood structure manually coated with mass, painted with white satin matt finish. Interior in white lacquer with a matt
varnish finish and drawers lined with white velvet. Perforated central doors, metal frame and handle finished with a semi-
gloss varnish. Inside space lacquered in high-gloss varnish.
PRODUCT OPTIONS
Under request.
Homeland represents the values of the safe place where we are born. Recreating the image of an ancient cottage with
irregular whitewashed walls, Homeland results from a thorough handmade work endowed by unrepeatable details.
Compact in appearance, with a demanding design and a refined woodwork, this piece seems to be an impenetrable "wall".
However, it reveals to be a surprising sideboard.
Integrally covered by hand, the irregularity surprises by the high quality of his satiny touch. The interior includes four
shelves and the upper level conceals two drawers lined with white velvet, one of them a cutlery drawer. The central
perforated doors are light and loose and present a minimal approach. This effect was achieved by the
creation of INSIDHERLAND small pivot hinges . The interior of the central space is symbolizes the warmth of affection in
the splendor of a home in which an intense gold lights the painting in earth tones with a high gloss varnish finish.
TABLES & CONSOLES
THREE ROCKS 2 COFFEE TABLES & 1 SIDE TABLE
HIGH Height. 48cm|18,90 Width. 51cm|20,10 Depth. 40cm|15,75
MEDIUM Height. 45cm|17,70 Width. 85cm|33,45 Depth. 75cm|29,50
LOW Height. 37cm|14,57 Width. 112cm|44,10 Depth. 75cm|29,50

Wood structure with marquetry work in smoky brown birds eye, rosewood, ebony and olive tree veneers in high gloss.
PRODUCT OPTIONS
Aged mirror, bronze mirror, black glass, black lacquered with brass plate, gold/silver/copper leaf, white lacquered and
walnut veneer (on next page).
Other veneers, natural or aged gold/silver/copper leaf or any Ral Classic color finished in matt, half gloss or high gloss
varnish. Lined with normal/bronze/aged mirror or white/black lacquered glass.
On the center of a lake, a few autumn leaves stand over Three Rocks that sparkle with the water that flows around
them. JSB Fallen freely on each of the three tables, we find small leaves embedded by the hands of a craftsman with the
art of marquetry. The work is performed entirely by hand with wisdom and perfection.
The robust volumes, with their shapes irregularly cut, are finished in smoky brown birds eye veneer in high gloss varnish.
The small dotted nodules of this veneer resembling the texture of a true rock and the high gloss finish to the lake water,
turning these three tables almost an exact picture of the idyllic vision of a lake in autumn.
ROCK DINING TABLE

Top: glass
Base: wood structure finished in walnut veneer in half gloss varnish.
PRODUCT OPTIONS
Base: other veneers, natural, aged or degrade gold/silver/copper leaf or any Ral Classic color finished in matt, half gloss or
high gloss varnish.
The robust volume of Rock dining table entirely finished in walnut veneer on an elegant faceted work that resembles the
irregular nature of rocks, descends from the original designs created on the Three Rocks set of center and side tables.
Completed with a round top is in glass, the construction process is entirely involved with the skills of Portuguese artisans
to achieve the singularity of an exceptional handmade central piece designed for the most distinctive interiors.
ALENTEJO SIDE TABLE

Top: estremoz marble.
Base: feet in cast brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Top: acrylic, wood structure finished in walnut marquetry and white lacquered (on next page).
Other veneers or any Ral Classic color finished in matt, half gloss or high gloss varnish.
Base: feet in cast brass covered by copper or nickel bath with patinated effect finished in matt, half or high gloss varnish.
Alentejo side table is a glimpse over the South of Portugal where thousands of cork oaks trees raise their canopies to the
sky. Overlapped on branches opened in obtuse angles, the canopies are separated from their support bases, being
gracefully balanced above the ground. These typical trees seem like tables spread across the horizon.
Choosing one of the four tops available, we approach the different seasons: Spring in a dark green lacquered, Summer in a
sunburned tone of walnut marquetry, Autumn in an empty space of acrylic and Winter in the white hues of Estremoz
marble. The slender base in cast brass with patinated effect results of a careful sculpted work that highlights the natural
details. Each root lightly touches the ground taking its own direction as shadows that vanish into the landscape.
NA PALI 2 SIDE TABLES & 1 COFFEE TABLE
HIGH Height. 60cm|23,62 Width. 42cm|16,54 Depth. 42cm|16,54
MEDIUM Height. 50cm|19,68 Width. 50cm|19,68 Depth. 50cm|19,68
LOW Height. 40cm|15,75 Width. 90cm|35,43 Depth. 90cm|35,43

Top: glass
Base: wood structure finished in walnut veneer in half gloss varnish. Rings: oxidized brushed brass.
PRODUCT OPTIONS
Top: bronze glass.
Base: white lacquered (on next page). Other veneers, natural or aged gold/silver/copper leaf or any Ral Classic color
finished in matt, half gloss or high gloss varnish. Rings: polished, aged brushed or oxidized brushed brass/copper/ steel.
Mother Nature carved a paradise called Na Pali located on Kaua'i, an island remnant from the force of a volcano with five
million years with its profile drawn by rain and the blasts of winter waves against the basalt cliffs. Spectacular, imposing
and lush, Na Pali that means "the cliffs", is a breathtaking landscape.
The Na Pali tables recreate the incredible natural needle shapes throughout the mountainous slope. The connection
between the pieces of wood structure finished in walnut veneer appears reduced in oxidized brushed brass and the glass
tops assume the central faceted shape, allowing the observation of each individual blade between the empty spaces.
TREE BRANCHES SIDE TABLE

Top: glass
Leaves: wood structure with marquetry work in rosewood, ebony and olive tree veneers in half gloss varnish.
Base: handcrafted feet in hammered brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Leaves: other veneers or any Ral Classic color finished in matt, half gloss or high gloss varnish.
Base: hammered copper or nickel with patinated effect finished in matt, half gloss or high gloss varnish.
Inspired by the trees that in autumn hold their foliage with difficulty, Tree Branches is a side table entirely handcrafted
with traditional techniques like marquetry and hammered metal that transmits the nakedness of the season.
Three vertical 'branches' in hammered brass are elevated by three identical diagonals 'branches' that contact with the
ground, creating the illusion that the vertical 'branches' are keystones to balance the slender structure.
The incomplete crown of leaves allows a better view of small leaves distributed by several minor branches, still resistant to
the passage of the season. All leaves are exquisitely executed in wood with bevelled finish in rosewood, ebony and olive
tree veneer in half gloss varnish, covered by a glass top which reinforces the thin image of the set.
FOUR FOR LUCK CENTER TABLE
PETAL Height. 48cm|18,90 Width. 55cm|21,65 Depth. 37cm|14,57
TABLE Height. 48cm|18,90 Width. 80cm|31,50 Depth. 80cm|31,50

Top: wood structure finished in rosewood veneer in half gloss varnish. Plate recessed into the wood in polished brass.
Base: handcrafted feet in solid polished brass.
PRODUCT OPTIONS
Wood structure finished in ebony veneer with solid polished brass or walnut veneer with nickel (on next page).
Top: other veneers or lacquered in any Ral Classic color finished in matt, half gloss or high gloss varnish.
Base: polished, brushed, oxidized brushed or aged brushed brass/copper/nickel.
Four... for Luck is a special clover with a creative process based on the interpretation of the Legend of the four leaf clover,
in which each petal represents a meaning. The concept of total independence was explored so that the four constituent
parts of the whole - Hope, Faith, Love and Luck - can play a free specific role whenever necessary.
Slender and projected in the air, each petal finished in listed rosewood veneer is like a real leaf in which the organic thin
stem rises dividing it into two parts. This detail of separation that creates the continuity between petal and stem is
emphasized in polished brass. The excellence of materials and finishes combined with the accuracy of the small details
makes this center table a true refined and elegant piece.
FOUR FOR LUCK CONSOLE

Top: wood structure with marquetry work in rosewood veneer in half gloss varnish.
Base: handcrafted feet in solid polished brass.
PRODUCT OPTIONS
Wood structure finished in ebony veneer with solid polished brass (on next page).
Top: other veneers or lacquered in any Ral Classic color finished in matt, half gloss or high gloss varnish.
Continuing the interpretation of the Legend of the four leaf clover materialized in the Four... for Luck center table, the
console explores the meaning of Luck. On the top made with exquisite rosewood marquetry work, it is drawn an
intentional chaos under which each four leaf clover is only revealed only with a careful look. The clovers seem to strive for
a major role, overlapping imaginarily on a common plan. Starting with the elegance of these plants removed from the
land, their original proportion is emphasized with total freedom. The long stems in polished brass acquire enormous
proportions that appear to invent a wavy dance that unites them, making them stronger parts of a whole.
If one day we would found a garden of these mystical amulets, the power of the fourth leaf wouldnt be a prize offered by
chance and Luck would become a personal achievement obtained through the watchful eye of each one of us.
SEATING
TREE BRANCHES BENCH

Top: INSIDHERLAND Mongolian Lamb fur Ref. White.
Base: handcrafted feet in hammered brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Top: INSIDHERLAND Mongolian Lamb Ref. Black.
Base: Oxidized brushed brass finished in matt varnish (on next page). Hammered, aged, oxidized or brushed
brass/copper/steel.
The original Tree Branches bench is entirely handcrafted in brass with a hammered technique similar to the irregular
details of real branches. The top in Mongolian Lamb fur completes this creation by evoking the wild side of nature.
Thought to be unique but versatile, the Tree Branches bench fits either modern or rustic interiors and it is also available in
brushed brass, copper or steel finish.
ROCK STOOL

Wood structure.
Upholstery: INSIDHERLAND Bright Velvet Ref. Grey.
PRODUCT OPTIONS
Upholstery: INSIDHERLAND Bright Velvet Ref. Cream, Kaky, Espresso, Grey, Onyx (on next page).
Other INSIDHERLAND fabrics or client fabric.
Rock is a stool with the same form of the smaller table of the Three Rocks set. The irregular shapes of the side table were
originally created to allow that a unique design could have two different functionalities depending on the chosen finish.
The handcrafted upholstery work involves this unusual creation in a soft velvet touch that turns the sharp edges into
smooth transitions.
NA PALI STOOL

Wood structure.
Upholstery: INSIDHERLAND Bright Velvet Ref. Sand.
PRODUCT OPTIONS
Base: other veneers or any Ral Classic color finished in matt, half gloss or high gloss varnish.
The details of the Na Pali stool were originaly designed on the armchair with the same name. Evoking the breathtaking
landscape of Na Pali coast located on Kaua'i Island, this handmade upholstered piece recreates the incredible natural
needle shapes throughout the mountainous slope and its the perfect piece complete any interior.
FIGUEROA ARMCHAIR

Upholstery: INSIDHERLAND Bright Velvet Ref. Ivory.
Base handcrafted in brushed brass with matt finish.
PRODUCT OPTIONS
Upholstery: INSIDHERLAND Bright Velvet Ref. Grey. (on next page). Other INSIDHERLAND fabrics or client fabric.
Base: brushed, oxidized brushed or aged brushed brass/copper/steel.
Knowing Figueroa Mountain for so many years, Ive always admired it as an invaluable painting thats too superb to be
confined in a Museum. JSB
Located in the sunny California on the south-west of the United States of America, the charming Figueroa Mountain is a
magical landscape that led to the creation of the Figueroa armchair. The long curves of this mountain were taken to the
armchairs exterior and the mountainside ripples, that seem to have been dug by large fingers coming from the sky, were
placed on the inside. The top of the armchair features the great bow of the skyline and the yellow tone of the ground is
replaced by the base in brushed brass. Both soft velvet and brass are reunited in the soft curves that go all around this
compact creation. Just like the mountain meets the land.
FIGUEROA SOFA
Height. 90cm|35,43 Width. 180cm|70,86 Depth. 90cm|35,43Seat Height. 43cm|16,93

Upholstery: INSIDHERLAND Bright Velvet Ref. Kaki.
Base handcrafted in brushed brass with matt finish.
PRODUCT OPTIONS
Upholstery: INSIDHERLAND Bright Velvet Ref. Onyx. (on next page). Other INSIDHERLAND fabrics or client fabric.
Base: brushed, oxidized brushed or aged brushed brass/copper/steel.
Evoking the Californian mountain, Figueroa sofa has the same lines of the original armchair. The exterior represents the
long curves of Figueroa mountain while the mountainside ripples were placed on the inside. The top of the sofa features
the great bow of the skyline and the yellow tone of the ground is replaced by the base in brushed brass. Both soft velvet
and brass are reunited in the soft curves that go all around this compact creation. Just like the mountain meets the land.
WESTERN ARMCHAIR

Upholstery: INSIDHERLAND Canyon Ref. Ivory.
Legs: structure in walnut finished in half gloss varnish.
PRODUCT OPTIONS
Upholstery: INSIDHERLAND Canyon Ref. Sky (on next page). Other INSIDHERLAND fabrics or client fabric.
Legs: other veneers or any Ral Classic color finished in matt, half gloss or high gloss varnish.
Western is a captivating armchair that rescues the image of my favorite old cowboy hat standing in a saddle rack while
waiting to go on a horse ride. JSB
The unquestionable form of Western armchair suddenly appeared in the mind of the creator and the creative process had
to be focused on absorbing the most dominant features of the cowboy hat and the saddle rack to transform that simple,
yet challenging, image into a functional Piece of Art. The essential was highlighted after adjusting the proportions
between memory and creative presence. The top of the armchair performs the concave hat with rounded tabs and the
band around it turns into a comfortable cushion. The base in walnut approaches the structure and color of the saddle rack.
WESTERN SOFA

Upholstery: INSIDHERLAND Canyon Ref. Light Grey.
Legs: structure in walnut finished in half gloss varnish.
PRODUCT OPTIONS
Western sofa is similar to the original design of the Western armchair that represents the image of a cowboy hat standing
in a saddle rack. The top performs the concave hat with rounded tabs and the band around it turns into a comfortable
cushion. The base in walnut approaches the structure and color of the saddle rack.
NA PALI ARMCHAIR

Upholstery: INSIDHERLAND Soft Velvet Ref. Green and Olive.
Legs: wood structure finished in walnut veneer in half gloss varnish.
PRODUCT OPTIONS
Mother Nature carved a paradise called Na Pali located on Kaua'i, an island remnant from the force of a volcano with five
million years with its profile drawn by rain and the blasts of winter waves against the basalt cliffs. Spectacular, imposing
and lush, Na Pali that means "the cliffs", is a breathtaking landscape.
With a strong presence, the handmade Na Pali armchair portrays in detail the mystique of this dramatic backdrop. The
image of this fortress coast is captured by wooden sides extending as cliffs from the bottom to the top and the front feet
get the form of the numerous sculpted needles across the landscape. The handcrafted work in velvet which combines the
variations of the vast range of Na Pali Coast colors resulting from the change of direction of the rays of the sun, the
movement of clouds and the ocean color.
NA PALI 2 SEAT SOFA & 3 SEAT SOFA
2 SEAT SOFA Height. 95cm|37,40 Width. 140cm|55,10 Depth. 82cm|32,30 Seat Height. 43cm|16,90

Upholstery: INSIDHERLAND Soft Velvet Ref. Dune and Camel.
Legs: wood structure finished in walnut veneer in half gloss varnish.
PRODUCT OPTIONS
The Na Pali sofa was designed as the original armchair, evoking the breathtaking landscape of Na Pali coast located on
Kaua'i Island.
The wooden sides extend as cliffs from the bottom to the top and the front feet get the form of the numerous sculpted
needles across the landscape. The handcrafted work in velvet which combines the variations of the vast range of Na Pali
Coast colors resulting from the change of direction of the rays of the sun, the movement of clouds and the ocean color.
BETWEEN WAVES ARMCHAIR, 2 SEAT SOFA & 3 SEAT SOFA
ARMCHAIR Height. 75cm|29,53 Width. 132cm|51,97 Depth. 92cm|36,22Seat Height. 46cm|18,10

Wood structure: exterior lacquered in half gloss varnish. Interior and whelks finished with gold leaf in high gloss varnish.
Upholstery: cotton velvet in shades Atlantic blue, Pacific blue, Indian green and Arctic white.
PRODUCT OPTIONS
Wood structure: exterior in any Ral Classic color available and interior in silver/copper leaf finished in matt, half gloss or
high gloss varnish. Whelks: silver/copper leaf. Upholstery: INSIDHERLAND fabrics or client fabric.
Between Waves is a sofa that celebrates the simplicity of the natural world and the pleasure of an unapproachable luxury.
Raised as a trophy by four hand-carved whelks covered with gold leaf, Between Waves values the concept of protection as
a shell that keeps inside a delicate and undefended being. As sand streaked by the retreat of waves of foam, this shell
is ribbed in a shade of sand lacquered half brightness. The angular hardness of the rocks is mirrored in the geometry of the
volumetry and the carved edges performed with skill. By stealing the soft touch of perfectly polished pebbles from reality,
the loose cushions in cotton velvet in oceans tones contrast with the exquisite interior covered with gold leaf.
A construction detail causes a subtle wave of the side cushions, again bringing to mind the undulating motion of the sea.
LIGHTING
ALENTEJO TABLE LAMP

Lampshade: INSIDHERLAND Satin Ref. Black with Gold.
Base: feet in cast brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Lampshade: INSIDHERLAND Satin Ref. Pearl (on next page). Other INSIDHERLAND lampshade fabrics or client fabric.
Base: feet in cast brass covered by copper or nickel bath with patinated effect finished in matt, half or high gloss varnish.
Alentejo table lamp has the similar conceptual approach to the typical cork oaks trees we find in the South of Portugal,
originally made by the Alentejo side table. Overlapped on branches opened in obtuse angles, the canopies are separated
from their support bases, being gracefully balanced above the ground. The base in cast brass with patinated effect results
of a careful sculpted work that highlights the natural details. Each root lightly touches the ground taking its own direction
as shadows that vanish into the landscape.
INSPIRING TREES TABLE LAMP

Top: handcrafted in hammered brass with golden bath.
Base: handcrafted in polished brass with golden bath.
PRODUCT OPTIONS
Top: hammered, pricked, brushed, oxidized brushed or aged brushed brass/copper/nickel.
I've always been fascinated by trees. JSB

Inspiring Trees is the essence of a personal fascination. Slender, geometric and seemingly minimal, is a lighting piece fully
executed in brass which carries form, image and meaning and wants to pass a message of equality among the numerous
species of trees without highlighting any particular example or feature.
In the 'treetop', the detailed hammered handcrafted work for visual transformation of the material, captures the richness
of light and shadows present in any real tree, leaving a serene brightness take care of its trunk and base.
The light is distributed by the three levels of the 'treetop' and diffuses, controlled by the geometry of several overlapping
pieces, lighting the surrounding space in an unexpectedly way; almost ethereal.
INSPIRING TREES FLOOR LAMP

Top: handcrafted in hammered brass with golden bath.
Base: handcrafted in polished brass with golden bath.
PRODUCT OPTIONS
Top: hammered, pricked, brushed, oxidized brushed or aged brushed brass/copper/nickel.
I've always been fascinated by trees. JSB

Inspiring Trees is the essence of a personal fascination. Slender, geometric and seemingly minimal, is a lighting piece fully
executed in brass which carries form, image and meaning and wants to pass a message of equality among the numerous
species of trees without highlighting any particular example or feature.
In the 'treetop', the detailed hammered handcrafted work for visual transformation of the material, captures the richness
of light and shadows present in any real tree, leaving a serene brightness take care of its trunk and base.
The light is distributed by the three levels of the 'treetop' and diffuses, controlled by the geometry of several overlapping
pieces, lighting the surrounding space in an unexpectedly way; almost ethereal.
INSPIRING TREES WALL LAMP
S Height. 40cm|15,70 Width. 22cm|8,70 Depth. 16cm|6,30
L Height. 60cm|23,60 Width. 33cm|13,00 Depth. 18cm|7,10

S Handcrafted aged brushed brass finished in gloss varnish.
L Handcrafted brushed stainless steel finished in gloss varnish.
PRODUCT OPTIONS
Aged brushed brass/copper/steel, oxidized brass/copper and brushed brass/copper/steel.
Hammered or pricked brass/copper/steel.
Inspiring Trees table lamp is reinvented into a wall lamp. Geometric and seemingly minimal is fully handcrafted in brushed
brass finished in gloss varnish and recreates a vertical treetop. The light is distributed by the several levels and diffuses
controlled by the geometry of the overlapping pieces, lighting the surrounding space in an unexpectedly way; almost
ethereal.
TREE BRANCHES WALL LAMP

Handcrafted in hammered brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Hammered copper or steel with patinated effect finished in matt, half gloss or high gloss varnish (on next page).
The Tree Branches wall lamp handcrafted in hammered patinated brass is a conceptual approach, designed to recreate
the sunbeams that pierce the density of forests. The clean lines of this stylish piece have the same technique of the
original side table, using a more detailed approximation as if we were closely looking to a single branch that hides us from
the sunlight while we stand in its shadow. Therefore, the light only appears on a secondary plan, brightening the wall
around it.
ACCESSORIES
ALENTEJO MIRROR

Handcrafted frame in cast brass with patinated effect finished in matt varnish.
PRODUCT OPTIONS
Cast brass covered by copper or nickel bath with patinated effect finished in matt, half or high gloss varnish.
Alentejo mirror has the similar conceptual approach to the typical cork oaks trees we find in the South of Portugal,
originally made by the Alentejo side table. Resembling the same angular structure of these trees, the mirror is embraced
by two grand tree trunks which branches are opened in obtuse angles. In fact, this creation was once again influenced by a
particular tree standing near a lake that naturally reflects a perfect match of itself in the water mirror.
The structure is in cast brass with patinated effect and results of a careful sculpted work that highlights the natural details.
TUNA KVARN MIRROR

Handcrafted frame in cast brass with aged effect finished in gloss varnish.
PRODUCT OPTIONS
Under request.
After creating the bookcase Into the Woods to represent a long walk through the Swedish woods towards the top a
mountain, Joana Santos Barbosa conceived the mirror Tuna Kvarn to show her vision when she reached the top.
The irregular forms of the frozen lake, created by a mirror, are as faithful to reality as the distant memory allowed. The
complexity of thick grove around the lake collects 88 pieces in cast brass, each one presented as a single tree, in a
handcrafted detailed process of adaptation and connection between the pieces. To complete the intention, the aged
effect adds the finishing touch to the contrast between the shadows and the lit treetops seen from above.
The rectangular shape of the mirror frame allows the viewer to look at the landscape directly from the camera's
viewfinder to recover the exact moment that Joana didnt get the chance to photograph, but instead, remained forever in
her memory.
OSANI MIRROR

Handcrafted wood structure finished in ebony veneer and aged gold leaf in high gloss varnish.
PRODUCT OPTIONS
Other veneers, natural or aged gold/silver/copper leaf or any Ral Classic color finished in matt, half or high gloss varnish.
The Osani game is played by Ef children of the Ituri tropical forest in the Republic of Congo. Sitting in a circle with feet
touching in the center, each child in turn names a round object and then names a figurative expression of round, like the
circle of the family or the cycle of the moon. As players fail to come up with a term that is circular they are eliminated
from the game. In the end, only one will remain and tradition says this player will live a long and prosperous life.
The human circle inspired Joana Santos Barbosa to create a round mirror that represents the spirit of mutual help in this
tribe, thought to be one of the oldest on earth. The ebony veneer captures the effect of the childrens outstretched legs
around the center, and the aged gold leaf brings to mind the soles of their feet and their sun-bleached heads. The circle is
the perfect form in which no side stands out. Like every child, every part of this mirror becomes essential to its balance
where the flow of energy around center is identical and of equal value; without beginning or end.
Osani Circle photo by anthropologist Jean-Pierre Hallet,1960s (All Rights Reserved: S. Fassberg, ConnectingDotz.com).
TREE BRANCHES MIRROR

Wood structure with marquetry work in rosewood, ebony and olive tree veneers in half gloss varnish.
PRODUCT OPTIONS
Other veneers or any Ral Classic color finished in matt, half gloss or high gloss varnish.
The mirror Tree Branches adds the missing piece to the wreath of leaves left incomplete in the side table with the same
name. The handmade traditional art of marquetry is the queen of the set by putting together three different tones and
shapes of burned rosewood, ebony and olive tree in half gloss finish that perfectly imitate the dry touch of autumnal
leaves. The beveled details allow each leave to detach from the wall, in a seemingly disorganized set that honors the
splendor of the season.
FALLEN LEAVES MIRRORS
1. Height. 77cm|30,31 Width. 43cm|16,93 Depth. 7cm|2,80 1 5
2. Height. 62cm|24,41 Width. 32cm|12,60 Depth. 7cm|2,80
5. Height. 45cm|17,72 Width. 36cm|14,17 Depth. 5cm|2,00 4 2 3

Hand carved wood finished with copper leaf (black degrade) or gold leaf (red and black degrade) in high gloss varnish.
PRODUCT OPTIONS
Natural or aged gold/silver/copper leaf or any Ral Classic color finished in matt or high gloss varnish.
Fallen Leaves were removed from the water still dotted with small drops reflecting the surrounding as real mirrors.
The natural aging revealed by the broken tips of these leaves is created by the hand carved structure with the wisdom of
master craftsmen, whose hands give life to the natural details, and the gradients in warm tones of gold and copper leaf
extol the reflection of water between brushstrokes coming from the spectacular palette of autumnal colors.
Even at the end of life, leaves with beautiful burned and aged edges by the passing of the seasons are a paradox with
more vivid colors than ever. Bringing these autumnal leaves to the comfort of the interior, the orientation of the five
mirrors is free as if we photographed the leaves in free fall, creating many combination possibilities.
FALLEN LEAVES MIRROR SPECIAL EDITION

Hand carved wood finished with gold leaf (red and black degrade) in high gloss varnish.
PRODUCT OPTIONS
Natural or aged gold/silver/copper leaf or any Ral Classic color finished in matt or high gloss varnish.
This special edition of the Fallen Leaves mirror number 2 is made with the same materials and finishes as the original.
Created on a much larger scale, this piece reflects the customization possibilities of the INSIDHERLAND team.
MATERIALS & FINISHES
All INSIDHERLAND creations are made by the hands of our team of Portuguese artisans, using handcrafted
techniques producing unique and exclusive pieces of furniture. This essential component of our work adds high
value to our creations and also gives them high sense of art, uniqueness and luxurious.
INSIDHERLANDs creations are bespoke furniture, allowing our clients do change the materials and finishes to
adjust our portfolio to their projects. This customization will highlight the exclusivity of each creation.
WOOD VENEER
FINISHES AVAILABLE IN HIGH GLOSS VARNISH, HALF GLOSS OR MATT
PALISANDER IRONWOOD ROSEWOOD EBONY WALNUT
CHERRY OLIVE TREE SATINWOOD BIRDS EYE MYRTLE ROOT
ELM ROOT OLIVE ASH BURL SYCAMORE
LEAF
GOLD LEAF SILVER LEAF COPPER LEAF GOLD LEAF DEGRADE SILVER LEAF DEGRADE
AGED GOLD LEAF AGED SILVER LEAF AGED COPPER LEAF COPPER LEAF DEGRADE GOLD LEAF BLACK&RED
DEGRADE
LACQUERED
LACQUER IN ALL RAL COLORS

METAL
FINISHES AVAILABLE IN GLOSS VARNISH OR MATT
GOLDEN POLISHED BRASS POLISHED COPPER POLISHED ST. STEEL
HAMMERED GOLDEN HAMMERED BRASS HAMMERED COPPER HAMMERED ST. STEEL
PRICKED GOLDEN PRICKED BRASS PRICKED COPPER PRICKED ST.STEEL
BRUSHED GOLDEN BRUSHED BRASS BRUSHED COPPER BRUSHED ST. STEEL
OXIDIZED BRUSHED BRASS OXIDIZED BRUSHED COPPER
AGED BRUSHED BRASS AGED BRUSHED COPPER AGED BRUSHED ST. STEEL
METAL
EXCLUSIVE (TREE BRANCHES PIECES) FINISHES AVAILABLE IN GLOSS VARNISH OR MATT
HAMMERED BRASS HAMMERED COPPER HAMMERED ST. STEEL

MIRROR & GLASS
MIRROR BRONZE MIRROR AGED MIRROR GLASS TRANSLUCENT BRONZE

GLASS
WHITE GLASS BLACK GLASS
MARBLE
ESTREMOZ CARRARA NERO MARQUINA LIGHT IMPERATOR DARK IMPERATOR
BRONZE ARMANI ONYX GREEN GUATEMALA

FABRIC
EXCLUSIVE VELVET (BETWEEN WAVES SOFA) 140CM - 55,1 | 100% COTTON | MARTINDALE 40.000
ATLANTIC BLUE PACIFIC BLUE INDIAN GREEN ARTIC WHITE
BRIGHT VELVET * Cigarette-Test Pass 140CM 55,1 | 100% POLYESTER | MARTINDALE 100.000
IVORY CREAM SAND KAKI TAUPE BROWN ESPRESSO
SOFT VELVET * 140CM - 55,1 | 95% POLYESTER 5% COTTON | MARTINDALE 60.000
CAMOUFLAGE GREEN CIPRES OLIVE MINK AQUA ESMERALD
CANYON * Cigarette-Test Pass 140CM - 55,1 | 94% POLYESTER 6% LINEN | MARTINDALE 40.000
OYSTER WHITE IVORY SAND BROWN LIGHT GREY GREY ANTHRACITE
LEATHER *
BEIGE CIPRIA MARRONE AZZURRO ACCIAIO GRIGIO NERO
* consult www.insidherland.com to view the complete range of colors available.
Note that all wood, metal and fabric swatches are only a reference and may differ from reality.
INSIDHERLAND reserves the right to change at any time and without notice the specifications or discontinue any
products of the catalogue. Consult us on info@insidherland.com to receive more information about
INSIDHERLAND creations.
ALL RIGHTS RESERVED FOR ALL PRODUCTS, IMAGES, LAYOUT AND TEXT | COPYRIGHT @ INSIDHERLAND, 2017
OFFICE & SHOWROOM - TRAVESSA DA PONTE 266 R/C FRENTE 4435-403 RIO TINTO, PORTUGAL
T.+351224056582 +351914471689
INFO@INSIDHERLAND.COM | PRESS@INSIDHERLAND.COM
WWW.INSIDHERLAND.COM
JANUARY 2017

INSIDHERLAND Catalogue - April 2017

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2017 CATALOGUE

I draw memories to create what I have never seen.

Joana Santos Barbosa

BEYOND MEMORY COLLECTION 29

INSIDHERLAND is today recognized around the globe by the best professionals of

Im a strong believer that Im not a creator of objects but a fearless sculptor of

Joana Santos Barbosa

JOANA SANTOS BARBOSA

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I've always been fascinated by trees. JSB

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I've always been fascinated by trees. JSB

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PALISANDER IRONWOOD ROSEWOOD EBONY WALNUT

CHERRY OLIVE TREE SATINWOOD BIRDS EYE MYRTLE ROOT

ELM ROOT OLIVE ASH BURL SYCAMORE

LACQUER IN ALL RAL COLORS

GOLDEN POLISHED BRASS POLISHED COPPER POLISHED ST. STEEL

HAMMERED GOLDEN HAMMERED BRASS HAMMERED COPPER HAMMERED ST. STEEL

PRICKED GOLDEN PRICKED BRASS PRICKED COPPER PRICKED ST.STEEL

BRUSHED GOLDEN BRUSHED BRASS BRUSHED COPPER BRUSHED ST. STEEL

OXIDIZED BRUSHED BRASS OXIDIZED BRUSHED COPPER

HAMMERED BRASS HAMMERED COPPER HAMMERED ST. STEEL

MIRROR BRONZE MIRROR AGED MIRROR GLASS TRANSLUCENT BRONZE

WHITE GLASS BLACK GLASS

ESTREMOZ CARRARA NERO MARQUINA LIGHT IMPERATOR DARK IMPERATOR

BRONZE ARMANI ONYX GREEN GUATEMALA

ATLANTIC BLUE PACIFIC BLUE INDIAN GREEN ARTIC WHITE

IVORY CREAM SAND KAKI TAUPE BROWN ESPRESSO