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This document provides guidelines for part writing and stylistic features at different levels of expertise:
Level D/E features limited harmonic vocabulary and modulations, unidiomatic part writing with unaccented passing notes and simple cadences.
Level C shows more advanced features like secondary dominants and decorated cadences, but still has some "harmonic clichés" and amber alerts around voice leading.
Level B/A demonstrates an advanced vocabulary including diminished 7th chords, smooth modulations, and more complex suspensions, along with strong stylistic features like the phrygian cadence.
This document provides guidelines for part writing and stylistic features at different levels of expertise:
Level D/E features limited harmonic vocabulary and modulations, unidiomatic part writing with unaccented passing notes and simple cadences.
Level C shows more advanced features like secondary dominants and decorated cadences, but still has some "harmonic clichés" and amber alerts around voice leading.
Level B/A demonstrates an advanced vocabulary including diminished 7th chords, smooth modulations, and more complex suspensions, along with strong stylistic features like the phrygian cadence.
This document provides guidelines for part writing and stylistic features at different levels of expertise:
Level D/E features limited harmonic vocabulary and modulations, unidiomatic part writing with unaccented passing notes and simple cadences.
Level C shows more advanced features like secondary dominants and decorated cadences, but still has some "harmonic clichés" and amber alerts around voice leading.
Level B/A demonstrates an advanced vocabulary including diminished 7th chords, smooth modulations, and more complex suspensions, along with strong stylistic features like the phrygian cadence.
Harmonic Vocabulary Part Writing Stylistic Features Cadences
D/E Limited, unidiomatic A number of red Awkward Simple, unvaried,
alerts modulations limited decoration few Unaccented passing notes Limited decoration C Harmonic clichs A number of amber Range evidence of e.g. I-viib-Ib, Ib-viib-I, IVb- alerts Bach fingerprints V7b-I e.g. i-ib-V / V4-3-I 4-3 suspensions Correct distribution of Strong, independent Cadences decorated different chord classes bass line B/A Diminished 7th 7-6 / 9-8 suspensions Smooth modulations Phrygian cadence Secondary dominants Accented passing V7d notes Use of melodic/harmonic minor
Red alert checklist
No 2nd inversion chords other than at a Ic- V-I cadence No diminished chords in root position (vii in major key, ii in minor key) No consecutive 5ths/8ves No augmented intervals between two notes in one part (e.g C-F#, Eb- F#) Incorrect passing note in V7-I Incorrect resolution of leading note S or B: LT resolves up by step; Aor T: may resolve down a 3rd OR up by step. Dont double leading note
Amber warning checklist
No exposed 5ths/8ves (similar motion to an 8ve or 5 th, where the soprano has a leap to the interval) Unprepared 7ths / 7th approached by leap Any chord iii should be followed by chord vi or occasionally IV No repeated chord in the same inversion No repeated bass note The progression V-IV must have outer parts in contrary motion The progression IV-V must have outer parts in contrary motion Avoid progression of chords that rise by a third (e.g IV-VI) Chord ii should be followed by chord V Chord VI should be in root position 7th of ii7b must be prepared 7th of 7th chords resolve down by step Avoid having more than one octave between S-A or A-T Avoid two leaps in the same direction Avoid leaps of more than a 4th in one part (except at cadences in the bass) Avoid leaps to and from a 1st inversion chord