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Big Ideas: Language and text can be a source of creativity and joy.
Core Competency:
Personal Awareness and Responsibility: self-regulation: I can persevere with challenging tasks
Creative Thinking: developing ideas: I make my ideas work or I change what I am doing. I build the
skills I need to make my ideas work, even if it takes a few tries.
Curricular Competency:
Recognize how literary elements, techniques, and devices enhance and shape meaning
Use and experiment with oral storytelling processes
Recognize and appreciate the role of story, narrative, and oral tradition in expressing First Peoples
perspectives, values, beliefs, and points of view
Content:
Story/text: forms, functions, and genres of text
Strategies and processes: oral language strategies
Language features, structures, and conventions: features of oral language
Elements of style
Learning Activities/Assignments:
For learning activities, it centered on creative writing tasks that would match the different sections of
the criteria drawn up by the class after watching examples of Aboriginal Legends. These would be
formative assessments helping to build up students proficiency in each aspect of the final summative
task. Running parallel to this, and depending on the group, there would be a series of Tickets out the
door assessing which areas were less understood than others. This results of this examination would
inform what the focus, and/or area of revision would needed for the following day. For the summative
assignment, the students would according to the criteria they helped to construct, write and perform
their own Aboriginal Legend.
Beginning of unit:
Do students know what a legend is? This will be structured around an Individual-pair share-class
discussion. Individuals will start off by responding to the general question, What is a legend? by
writing their responses on either a piece of paper and/or a post on their Google Classroom. This
achieves two things. On a micro-qualitative level, individual written responses will be collected and
analysed in order to ascertain which students will need to be more closely monitored and their
conceptual understanding tested. On a macro-level, it gives a general indication of both how the class
as a whole feels about the subject, and how to re-organise the seating plan based upon how many
students show
Beginning of lessons:
Mind Map (or alternatives)
Drawing upon previous experiences of creating a Mind-Map that was a part of their assessment. what
they know about an element of the criteria we explored in a previous lesson. Based on my
experiences, any opportunity to test the students knowledge gained from the previous days learning
reaps dividends. This initialising of prior information would not strictly be restricted to Mind-Maps,
but would be differentiated depending on the needs of the class. For example, this would be assessed
on an informal basis. If the students started to show signs of frustration with the Mind-Maps, then the
format will be changed.
In synchronisation with the oral presentation of their legend, students must also produce a hard copy.
The rationale behind this being that those students who are still developing their oral presentation
skills will be given a different way in which to hone/exhibit their presentation skills in another way.
Furthermore, is also provides another resource from which summative assessment can be more
effectively balanced.
Reporting to parents
The summative assessment will be marked according to a rubric. The completed rubric will be
recorded on Google Classroom and the information will be forwarded to their parents.
Rubric
Style -Flows smoothly; -Words are not -Basic words -Uses words
clarity -Uses a variety of overused -Words are too incorrectly
variety sentence types and -Thoughtful word repetitive -Short, lumpy
lengths effectively choice -Little sentence sentences
impact of
language -Language is varied -Uses a variety of variety -Rambling sentences
and often precise sentence types & -Little individuality -No individuality
-May play with lengths
language -Noticeable
individuality
Form -Engaging beginning - Beginning introduces -Beginning describes - Beginning does not
title reveals the story problem, characters; the problem or establish the problem
problem and tries to engage situation and or situation
beginning
introduces the - Generally predictable introduces the main - Series of weakly
middle character(s) character(s)
events are believable connected events
end -Develops conflict within story context -Story develops without a clear
organization through events that through a series of problem or resolution
- Ending is logical
transitions are believable within related events; the - Ending is often
- Characters are partly
paragraphing story context connections among abrupt and may be
revealed through their
-Ending is plausible; some events may be illogical
words and behaviour;
may be surprising, unclear
they may be somewhat -Characters are
humorous stereotypical - Ending often seems identified; description
-Characters have forced or unlikely tends to focus on
-Dialogue may add to
some individuality, plot, characterization - Characters are physical traits
revealed by what they described; stereotypic -Needed dialogue is
do and say -Often overuses or often omitted or
-Dialogue may add underuses dialogue confusing
interest and develop
plot and character