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SCORE IN C
The use of percussion in this piece requires a variety of beaters for dierent timbral eects. Provided on the next page is a
table of shorthand symbols which are used in the score as indicators of which beaters to use at a given time. A double bass
bow is required for bowing the edge of the hi hat (bar 7), and also for stroking against the edge of the tam-tam to produce
sounds similar to harmonics (bar 63).
Striking the tam-tam at precise points on its face is a key feature of this piece. This is described in the score according to
clock face times, i.e. 6 o'clock, and written in bold boxed text in shorthand form as .
The instruction to sweep strings in the piano part at bar 62 requires the pianist to keep holding down the notes indicated with
one hand, and to sweep across the piano strings near the centre of the string, inside the steel bar which runs parallel to the
keyboard across the strings.
The ensemble layout is designed to give the tam-tam a central position, as a symbol of the sun imagery of Blake's poem, but also
practically to give the Percussionist a space in which to move around to be able play multiple idiophones simultaneously or in quick
succession.
ENSEMBLE LAYOUT
PERCUSSION KEY
Scrape anti-clockwise around the circumference of the tam-tam
Hard/Snare sticks
Mallet
Triangle beater
DAY
by William Blake
Slow, intense q = 60
4
Piccolo & 4
4
Flute & 4
sostenuto pp
?4 # j j j j j j j j j j j j
Contrabassoon
4 # # # # # #
pp niente
4
Trumpet in C &4
con sord.
sostenuto
?4 j j j j j j j j j j
Tenor Trombone
4
ppp niente
/ 4
Snare Drum 4
Hi and Lo Toms /4
4
4 o
Hi Hat /4 H Y
^ To Hi Hat
4 A o mp
Tam-Tam /4w
4 ppp mp l.v.
Bass Drum / 4
4
Vibraphone
{& 4
4
&4
Piano
{?4
4
Slow, intense q = 60
sul tasto
con sord.
4 w # w w # w
Violin I &4 J J
pp
sul tasto
con sord.
4 #w w #w # #
Violin II &4 J J
pp sim.
sul tasto
con sord.
w # w w #
Viola B 44 J J
sostenuto pp sim.
?4 j j j j j j j j j j j j j j j j j j j j
Violoncello 4
# # # # # # # # # #
ppp
?4 sostenuto
j j j j j j j j j j j j j j j j j j j j
Double Bass
4
pp
2
12
# #
Fl. &
ppp
con sord.
#. . . #. . . J
C Tpt.
&
3 3
mp
To Vibraphone
/ Y
H-H
o mp
<#>w w w # #
Vln. I &
12
niente
# # # n
Vln. II & # # # #
3 3 3 3
# # # # # # n b
Vla. B
Vc.
? j j B
<#> #
niente
Db.
? j j j j
niente
3
18
A tonlos,
soft blowing
Fl. & b b b b
b n n j # #
ppp mp ppp pp mf niente
# b
? b b n
Cbsn.
b
ppp mp ppp pp mf niente p
tonlos,
b>n > . . .
soft blowing
& b b
C Tpt.
b n # j
3
mf p ppp ppp mp ppp
Tbn.
? b b b b
p
ppp mp ppp To Bass Drum
motor
A on
w w w w w w w
w
Vib.
{&
3 3 3
mp pp l.v.
> > >
w n bw w n w
Pno.
{&
sul pp mf pp niente
. . >. . . pont. senza sord.
. . # . . . # . > A ord.
Vln. I
&
.
n w b> b bb b b
3 3
mp pp mp mf niente ppp pp
sul
pont. senza sord.
## n # # J > > ord.
Vln. II & w
3 3 3 3 pp
mp 3 mp mf niente
sul
pont. senza sord.
bord.
b nb n
J
w b > b b bb
Vla. B R
mp mp mf niente pp
b b n
Vc.
B J
ppp mf niente
? b
Db.
pp mf niente
18
4 27
To Piccolo
Fl. &
> w
mp pp
Cbsn.
? j
<b> n .
>
f
con sord.
. . . b . . . J
C Tpt. &
3 3
mp
A
^ j To Snare Drum - have
B. D.
/ w w w mallet ready with sticks
ppp mp
? r j j
nb n nb n # n
Pno.
{ b n# bn
b # l.v.
p sim. mf
b n . . . . . . . . . . . . . . . . . . . . . . . . # b b
b b n> n >
b
> >
# b b # b
Vln. I &
pp pp molto
. . . . . . . . . . . . . . . . . . . . . . . . #
b
>
>
n b
>
b b b b n # # #
Vln. II & # n #
p
> pp molto
sul tasto
B w
Vc.
ppp
27
Pause for
Tam-Tam q =40
rit. Agitated
32 to fade 5
(c. 10") B
n> > 2 . U 4
C Tpt.
& 4 J 4
f p
/
42 U 4
Snare 4
To Hi Hat then
pp f pp f fff
Bass Drum in quick
succession
l.v.
fff f l.v. p f sim. ppp fff mf pp ppp p
A%
>j
/
2 U
4
B. D. 4 4
ff
Pause for
Tam-Tam
Agitated bring bow nearer bridge
to fade sul pont.
cont. until pitch is
rit. (c. 10") B q =40 O O
> > > U II
O gliss. movement non-perceptible
col leg
> 2 4 J
O O battuto
Vln. I & 4 j 4
J w b
mf > >. ppp molto p approx. mf mp niente
>
pitching as close mf
as possible
to bridge
bow in (IV)
> arco to sul tasto
B 2 U ?4
st
R #n
Vc. 4 4 r
b . # w gliss.
> n w #
fff
>
f ppp fff ppp
grind bow against
string aggressively
U C
6
# # #
, q. = 70 n n b n # # n >. >. n>. >. >.
# J
42
12 b >. J #>. #
Picc. & 8
3 2 2 2 2
pp p fff pp
U (approx. pitch)
# # # #>
? # J 12
Cbsn.
8
3 3 fff
pp
> (approx. pitch)
# # # # #U
>. >. >.
C Tpt. &
12
8 b. .
J #>. J
ppp fff
> >
pp
U
# . . . #> (approx. pitch)
# #
? J J 12
Tbn.
8
3 3
p fff
A
2 2 2 2 2 2 2 2 2 2 2 2
/ U 12
Toms 8
ff p
>o To Hi and Played with foot
j j j j
A
U
Lo Toms 12
H-H / 8
>
A
fff pp
B. D. / U
12
8
ppp mf
2 2 2 2 2 2 2 2 2
U ? 12 n n n
& 8 #.
b. #.
#.
bn. #.
#.
bn. #.
ff > >. >. >. >. > > >. >. >. >. > >
p
>. >. >. >. >
Pno. trs sec
U
{ ? 12
8
b
n n
b
b
n
n b
> b
b > > #> > n b
>
n
n b
> b
b > > #> > n
>
Furioso arco
sul pont.
>. >. o o o
U , C q. = 70 n n n
12 J # # n # # n #
Vln. I & 8 J >n n > >n n > > n >n > n > #
arco ff
# n> n # n> n
> > sul pont.
f pp
o o
U >. b>. n n
& 12 b # # # n # #> n #
Vln. II
8 J > > > > n > #
> > n
# n> n J # n> n # n> n n n # n> n n n
> > ff
f arco pp
sul pont.
U >. #> >. #> #> > > >
B 12 b ># n n b ># n n ># n n ># n n ># n n ># n n
Vla. 8 n # n # n #n #n #n #
> > J J
f ff pp
>.
gliss. U
? w 12 j j j j j j j j
Vc. 8 b b . . b >
fff >. >. >. >. > >. >. > ppp
> > >
as high as possible ff
on ngerboard
>.
gliss. U
? w 12 j j j j j j j j
Db.
8 . .
fff >. >. >. >. > >. >. > >
ppp
> > >
as high as possible ff
on ngerboard
>. >. >. >. >. >. n>. >. >. >. >. >. >. n>. >. >. >. >. n>. 7
47 > > > >.
>.
n b>. >. >. b >. . #>. #n >
.
b b>.
>
.
>. b .
n # #n b>. b>. >. b >. . n #>. #n b>. b>. >.
J bJ nJ n nR nR
Picc.
&
p
>. >. >. > >. >. > n>. > > >. >. >. > n>. > > >. >. > n
#>. >. bj bj j .
>.
b # # n. b>. b
> n . n b>. . n. #>. # n. b>. b>. . n. #>. #. n>. >. b b nr
C Tpt.
& n
>. n. b. n. >. >.
>. > p
>. >. > > >.
2 2 2 2 2 2 2 2 2 2 2 2
/ >
w
Toms w
sfz
2 2 2 2 2 2 2 2 2 2 2 2
j j j j
H-H /
f
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
? n
#. bn. #. #. #. #.
> >. >. >. >. > > >. >. >. >. >. >. >. > >. >. >. >. >. >. >. > >. >. >. >. >. >. >.
fff
Pno.
{ ?
b
n
n b
> b
b > > #> > n b
>
n
b
n
>
>
>
#b
n .
>
2
>.
>.
2
>.
>.
2
>.
>.
2
>.
o o >. >. >. >. >. >.
n n > ord.
#
Vln. I & #>n #> n
> #
> n
> #
J
J
J
J
J
J
J
# b # b n n n b n# n
n # n> n >n n # n> n
sfz f
o o
n n b>. >. >. >. b>. >. > ord.
b #
Vln. II & #> #
> n
> #
> n J J J J #
# b n n # n n
n
# n> n >n n # n> n >n n J J
sfz f
> > > > >. >. >. >. >. >. ord.
># # n ># n ># n ># n > n
Vla. B n n # n n # n n # n n # b b & n # b b n # # # n n
J J J J J J J n
sfz f
>.
? s s. n
g li
Vc.
b > b > n
J & ## bb n # n n b n #
> > > > > > >
rush up string IV J
f fff f
as quickly as possible
47 to end of ngerboard
2 2 2 2
Db.
?
b> > > > > > > >
> > > > > > > > w
>
f ff
8 51
> >. n>. >. >. >. >. >. n>. D b
> b > b > >
To ute
.
b # #n b>. b>. >.
nR 9
Picc. & 8
2
ff sfz ffff ppp molto ( fff)
2
? 9
Cbsn.
8 > > > >
sfz ffff ppp molto ( fff)
>. n>. >. > >. >. > n>. > > > >
>
.
& b
#. # n. b r 9 n
C Tpt.
.> b>. n. 8
> ppp
2
molto ( fff)
ff sfz ffff
2
? 9 # # #
Tbn.
8 > > > >
sfz ffff ppp molto ( fff)
A> > > > > > > > > > > > > > > > > > > > > > > >>
/
9
Snare 8
fff
To Snare & Hi Hat To Tam-Tam
/
9
Toms 8
2 2 2 2
A> > > > > > > > > > > > > > > > > > > > > > > > >o
/ 9
H-H 8
fff l.v.
/
9
T-T 8
>.
2 2 2 2 >. >. >. >. #>. #
#>.
9 j j j j j j j j j j #j #>. # j j j j #>.
?
#.
8 # # J J J J #J
J & # #
> >. >. >. >. >. >. >. . . . . >. J >. >. >. >. J J
>. >. >. >. >. >. > > > >
Pno. >. >. l.v.
> >. >. >. >.
2 2 2 2 j j j j j . #b
{ ?
#b
n .
>
>.
>.
>.
>.
#
b .
>
j j j j j j
>.
.
>
>. >
.
>
.
>.
9
8
.
> >.
#
b .
>
j
>.
j
>.
j
>.
j
>.
j
>.
j
b
#
>
. >
. >
.
>.
.
>
J J J J J J J
51
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
? 9
Db.
b> 8 b
> > > > > > > >.
>.
>.
>.
>.
>.
b.
>
>.
>.
>.
>.
>.
b.
>
>.
>.
>.
>.
>.
b.
>
>.
>.
>.
>.
>.
5" pause, then pause for
Tam-Tam to fade (c. 10") from tonlos breath to uttertongue
56 Sombre ord.
E 9
U U
q = 60 Y w w # 3
4
Fl. & 4 #
3 >. . .
niente mp p
U U 3
Cbsn.
? 4
4 . . . . . . . . . . . . b b. . . . .
p niente
con sord.
U 4 U w w
C Tpt. & 4
pp 3
niente
con sord.
? U 4 U 3
Tbn.
4 w
pp
H To Vibraphone sim.
/ A 4U
% >
T-T
U
4w Y Y
mf l.v pp mp l.v. p mf l.v.
A motor
To Tam-Tam
U 4 U o nw
n ww
Vib.
{& 4 #bww
w
mp l.v
slow
arp.
U U
4 n bn bn bn bn bn n bn n
Pno.
{& 4 b b b
5" pause, then pause for silently press p sweep
Tam-Tam to fade (c. 10") down strings
Sombre
E q = 60 sul tasto
U 4 U # w w w w w w w w w w w
Vln. I & 4 w w w w w w w w w w w
ppp
sul tasto
U U
Vln. II & 4
4 b w
w w
w w
w w
w w
w w
w w
w w
w w
w w
w bw
w
ppp
sul tasto
U 4 U b w
w w
w w
w w
w w
w w
w w
w w
w w
w w
w w
w
Vla. & 4 B
ppp
sul tasto
U 4 U ? wo wo wo wo wo wo wo wo wo wo wo
Vc. & 4
ppp
sul tasto
? U 4 U # ~w ~w ~w ~w ~w ~w ~w ~w ~w ~w ~w
Db. 4
ppp
56
10 70
w w w
Fl. & #
3
ppp
Cbsn.
? b. . . . . . - - bw w w
3
ppp ppp
3
C Tpt. & bw w w
ppp
3
?
Tbn.
#w w w
ppp
6 o'c
12 o'c BASS DRUM U
A
j To Bass Drum A
^
T-T
/
Y Y w w
p mf l.v. pp mp l.v. ppp pp ppp
#b #b #b #b #b #b #b #b #b #b
#b
Pno.
{&
silently press
down
<#>w w w w
w w
w w
w w
w w
w w
w
Vln. I & w w w
niente
w w w nw w w w w w
Vln. II & <b>w w w w w w w w w
niente
Vla. B <b>w
w w
w w
w #w
w w
w w
w w
w w
w w
w
niente
wo wo wo wo wo wo
o
? w wo wo
Vc.
niente
~ ~w ~w ~w ~w ~w ~w ~w ~w
Db.
? <#> w
niente
70
c. 6'05"
London & Oxford,
Dec 2016 - Feb 2017