EXSECROR VECORDIA

TECHNICAL REQUIREMENTS
These technical requirements are for a good operation and development
show
Concept page
P.A. audio system 2
System & monitors distribution 3
Monitor options 4
Input list 5
Backline 7
Lighting 8
Video 8
Electric power generator 9
Location plot 10
Stage Plot 11
Generals 12
Others 12
Doubt 12
Explanatory note 12

Eng. Ricardo Chilian

Phone (+52 1) 55 2098- 3776
E-mail: rchilian@hotmail.com
 P.A. AUDIO SYSTEM
The system must be able to reproduce all frequencies from 20Hz to 20kHz
Must be able to give 10wts by person and/or a absolute 110 average dBSPL@B than measured in
the FOH console must have a visualization in - 10vu or - 8dBFS
Must have Headroom of up to 120 dBSPL than measured in the FOH console must have a visualization
0vu or dBFS without clipping acoustic and/or electric
Must be configured in 4 or 3 stereo format (SubLow, Low, Mid & Hi way)
It should work with processors authorized or recommended by the manufacturer of the system
Include system Front Fill or Delay when necessary
The console must have channels free extras for DJ, VJ, CD, Ipod or whatever is required
The speakers amount and location will be specified to the size of the enclosure and capacity of the
place with a minimum configuration of 2 hearing systems
In case to install linear system it must be aligned, adjusted and optimized when the Sound Check start
The amount of Compressors, Gates and Compressor-Gate specified in the Input List
Not accepted under any circumstances, for any reason and in any option: Peavey, Cerwin Vega, JBL
EON, Mackie Selfpower, Backstage, or similar

OPTIONS FOR ROOM

Linear system
Martin Audio: MSL E.A.W.: 700 Series
Nexus: STM, GEO Series d&b: V, T, Q, Series
Meyer Sound: Lyon, Leo, Milo Series

Conventional system
Meyer Sound: 700-HP & MSL-4 E.A.W.: KF 850 & SB1000

Digital console
Avid Venue: Profile Mix Rack, SC48 Similar with format 48 channels, 16 auxiliary and
Yamaha: CL5, M7CL minimum 8 returns

Analog Console (48 ch, 16 aux, 8 ret.)

Yamaha: PM4000, PM3000, PM3500 Similar with format 48 channels, 16 auxiliary and
Soundcraft: K-2 minimum 8 returns and individual power
Allen & heat: GL 4400 phantom

Analog console peripherals

01 Eq. Klark Technik DN-360, FCS 966 BSS 02 Multiefex Yamaha SPX-990
or Yamaha 2031-A Compression Drawmer, DBX, or BSS
02 Multiefex TC Electronics M-ONE Gates Drawmer, DBX, or BSS
01 Multiefex TC Electronics D-TWO Comp/Gate Drawmer, DBX, or BSS

The amount of compression, gate and comp-gate are specified in the input list
In case of failure console monitors, increase requested for these in PA equalizers
 MONITOR SYSTEM
CAPACITY
The system must be able to reproduce all frequencies from 20Hz to 20kHz
Must be able to give 10wts by person and/or an absolute 110 average dBSPL@B than measured
in the console to heve a visualization in - 10vu or - 8dBFS
Must have Headroom of up to 120 dBSPL than measured in the console to have a visualization 0vu
or dBFS without clipping acoustic and/or electric
In case to install linear system for the Sidefill and Drumfill must be correctly configured and
aligned when Sound Check starts
The In ear for singers should be wireless with headphones clean and new
The In ear for musicians could be wired or wireless with headphones clean and new
The quantity of compressors, gates and Compressor-Gate is specified in the Input List
Not accepted under any circumstances, for any reason and any option: Peavey, Cerwin Vega, JBL
EON, Mackie Selfpower, Backstage, or similar

EXSECROR VECORDIA
MIX & DISTRIBUTION
MIX CANT MUSICIAN OPTION 1 OPTION 2
1 1 DRUMS DRUM FILL
2 2 BASS FLOOR
3 1
4 1 GTR IN EAR FLOOR
5 1 CELLO IN EAR FLOOR
6 1
7 1
VIOLIN & VOX the IN EAR FLOOR
8 1 CLARINET &
IN EAR FLOOR
9 1 GUTTURAL VOX
10 1
11 1 VOX SHE IN EAR FLOOR
12 1 SIDEFILL L
PA SYSTEM
13 1 SIDEFILL R
STEREO
CUE 2 ENGINEER IN EAR
FLOOR
 MONITORS OPTION
Floor cabinets (1)
Nexus: 45N Series d&b: Max12, M6, M4
Meyer Sound: MJF-210, UM-1 p, USM-1 p SIMILAR with minimum of 1X15 Woofer and
E.A.W.: SM15, SM159zi 1X2 Compression Driver

In ear singers In ear musicians

Shure: PSM-1000 or PSM-900 Shure: PSM 600 or 400
Sennheiser: 3000 series Sennheiser: 200 series and 300 series

Hearing aids
Singers: Shure is 535 or IE4 Drummer: Shure SRH-440 or be-535
Musicians: Be-425 Shure or Sennheiser IE4 Sennheiser: HD-25 SP II or HD-25-1 II

Digital console
Avid Venue: Profile Mix Rack, SC48 Similar with fOrmat 48 channels 24 auxiliary and
Yamaha: CL5 or M7CL 8 minimum returns

Format analog console for monitors (48 ch, 24 aux, 8 ret.)

Yamaha: 4000 PM, PM 3000 PM 3500 Similar with fOrmat 48 channels 24 auxiliary and
Soundcraft: K-2 8 minimum returns and individual power
Allen & heat: GL 4400 phantom

Analog console peripherals

06. Eq. Klark Tecnik DN-360, FCS 966 BSS 02 Multiefprojects Yamaha SPX-990
or Yamaha 2031-A You buyion Drawmer or DBX or BSS
02 Multiefprojects Tc Electronic M ONE Gate Drawmer or DBX or BSS
01 Multiefprojects Tc Electronic D TWO Comp/Gate Drawmer or DBX or BSS

The amount of compression, gate and comp-gate are specified in the input list

STAGE
01 Snake with sufficient channels for the input list and the proper length for the distance between the
stage and the FOH console
01 Table type cabaret with dark color tablecloth
Gaff tape 2 " Fluorescent tape colors number 1 "
Safety Gaff 2 "(yellow-black) Masking Tape 1 "
Phosphorescent tape colors number 1" More all the need to the stage
 EXSECROR VECORDIA
INPUT LIST
MICROPHONE/ DI
MIX
CHANNEL INSTRUMENT OPTION OPTION OPTION STAND PROCESS EFFECT MONITOR
1 2 3
1 Kick Drum In Beta 91 Similar E-901 COMP/GATE 1
2 Kick Drum Out BETA 52 D-112 E-902 SHORT COMP/GATE 2
3 Kick Drum Front SubKick Moon Mic SHORT COMP/GATE 3
4 Snare Drum Up BETA BETA COMP/GATE 4
SM 57 CLAMP STAGE
5
6
7
Snare Drum Dw
Hi Hat
Tom 1
57
SM 81 C-451
56
ME-64K6P STRAIGHT
COMP/GATE 5

GATE 1
0
1
8 Tom 2 GATE 2
BETA
9 Tom 3 D-440 E-604 CLAMP STAGE
56
10 Tom 4
11 Tom 5 GATE 3
12 Overhead L ME-
SM 81 C-451 Boom
13 Overhead R 64K6P
14 Bass Gtr Line ACTIVE DIRECT BOX -20 dB PAD COMPRESSOR 1
15 Bass Gtr Mic Beta 56 P2 E-902 COMPRESSOR 2 02
16 Electric GTR L DUAL ACTIVE DIRECT COMPRESSOR 3
-20 dB PAD
17 Electric GTR R BOX COMPRESSOR 4 03 &
18 Electric GTR L BETA COMPRESSOR 5
04
P4 E-906 Boom
19 Electric GTR R 56 COMPRESSOR 6
20 Cello Line ACTIVE DIRECT BOX -20 dB PAD COMP/GATE 6
21
22
Cello Mic
Cello Pickup
Beta 98 C-519
C-411
E-908 Boom COMP/GATE 7
COMP/GATE 8
PLATE
05
23 Violin Line ACTIVE DIRECT BOX -20 dB PAD COMP/GATE 9
06 &
24 Violin Mic Beta 98 C-519 E-908 COMP/GATE 10 HALL
25 Violin pickup C-411 COMP/GATE 11 07
26 Clarinet Beta 98 C-519 E-908 COMP/GATE 12 08 & 09
27 VOX HE Beta 87 C5 E-965 COMP/GATE 13 06 & 07
VOCAL
28 GUTTURAL VOX SM 58 D5 E-965 Boom COMP/GATE 14
& DLY
08 & 09
29 VOX SHE Beta 87 C5 E-965 COMP/GATE 15 10 & 11
30 Left spare Beta 87 C5 E-965 STRAIGHT
31 Spare right Beta 87 C5 E-965 STRAIGHT
Multi-frequency UHF True Diversity wireless system with: RF signal level meter, line gauge measured to 0dB,
battery level meter and new batteries at the time of the Show

CONTINUED ON NEXT PAGE

 EXSECROR VECORDIA
INPUT LIST (CONTINUED)
REASON AND
CHANNEL CHANNEL BENDING MIXTURE OF MONITORING NECESSARY
DYNAMICS
32 22 Monitors EQ 06 & 07
ANALOG CONSOLE:
33 24 Monitors EQ 08 & 09 Cable type "And" 1
34 25 Monitors EQ 06 & 07 strand 2 canon canon
male
35 26 Monitors EQ 08 & 09
DIGITAL CONSOLE:
36 27 Monitors EQ 10 & 11 Make the corresponding
Reinforcement for settings on the entrance
37 26 of the main channel to
room
the channel that you
Reinforcement for want to correspond
38 27
room
CHANNEL PROCESS EFFECT TYPE AUX OUT EFFECT IN
39 EFX 1 L REVERB STAGE L
40 EFX 1 R REVERB STAGE R 01 01
41 EFX 2 L REVERB PLATE L
42 EFX 2 R REVERB PLATE R 02 02
43 EFX 3 L REVERB HALL L
44 EFX 3 R REVERB HALL R 03 03
45 EFX 4 L REVERB VOCAL L
46 EFX 4 R VOCAL REVERB R 04 04
47 5 EFX MONO DELAY 05 05
Microphone to communicate from the room to the monitors
48 Talk Back SM 58 console console
L IPOD
AMBIENT MUSIC Exclusive channels In Deck or Ipod In
IPOD R
IF THE CONSOLE HAS SUFFICIENT RETURNS FOR EFFECTS, PLEASE CONNECT THEM THERE, IF IT IS NOT
CONNECTED IN THE CORRESPONDING CHANNELS.
 EXSECROR VECORDIA
BACKLINE
DRUMS SET

IT MUST BE

conditions lumbar support and adjustable level
to place all hardware (this is so that
they do not move)

If we take our drum set, the employer in advance must ask.

The battery is exclusively for the use of Exsecror Vecordia

OPTIONS
Yamaha: Oak custom Stage custom nouveau Mapex: Tornado, series V
Tamma: Swing star, Rock star RMV: Evolution Xfactor

MEASURES
Kick Drum 22 " Toms 10 ", 12", 13 ", 14" and 16"
Snare Drum 12 "or 14" x 4 "or 6"

CYMBALS
Options: Zildjian, Paiste, Sabian, China: 16 "and 18"
Istanbul, Meinl, TRX, Stagg Ride: 20 "and 22"
Hi hat: 10 ", 11" or 8 "
Crash: 12 "and 14"

BASS
Stand for instrument The Group provides the instrument

GTR
Stand for 3 instruments The Group provides the instrument

CELLO
01 Chair with backrest and height adjustable, non-folding and without armrests

WHEN THE BAND NEED AMPLIFIERS

BASS COMBO 6 x 10 "or 4 x 10"
Glockenklang, Ampeg, Gallien Krueger, Hartke

CELLO COMBO 2 x 10 "

Ampeg, Acoustic Image, Glockenklang

GTR COMBO (format stereo)

ENGL: Invader, Powerball Marshall: JCM 900, Buguera
Mesa Boogie: Dual Rectifier Solo Head Peavey 6505
EITHER 2 MONO UNITS OR 1 STEREO INPUTS
(From our pedal set the stereo)
 EXSECROR VECORDIA
DMX LIGHTING SYSTEM
LED RGB DMX
It must be exclusive to the stage and independent of the enclosure at the time of the show
The minimum watts for mobile lamps is 500, to fans is 700 and the LEDs 1 led

If no structure or ground support for lighting is used

Mobile lamps must be placed from 2 to 3 08-16 Mole 8 Fay
meters in height, without hindering the cast 04-08 Movil Head Wash i575
nor the view of the audience and much less 04-08 Movil Head Spot i575
clogging accesses 01-02 smoke machine
Par 64 lamps must be distributed and 01-02-smoke sink
positioned to stage floor Liquid smoke without scent and not irritable
03 Follow Spot Zenith Lekkos lamps for musicians
16 to 32 Par 64 LED RGB Install more lighting at the discretion

VIDEO SYSTEM & CLOSED CIRCUIT

Be only and exclusively for the production of the Group
Must have Full HD, SVGA, Super Video, and Composite Video connections
2 video cameras Minimum, each with camera operator and camera assistant
Each camera must be at the same height of the stage
Distance from camera to stage must give the chance to take open shoot
Mixer or Switcher (as more convenient) with operator
Must have everything is need for connection and format conversion
Structure that supports the LED screen (s) or the projection screen (s)
Bases for floor or ceiling (as needed) to put projectors
LED display of 4.00 meters long x 3.00 m width
3 or 5 mm LED
Retro projection at least 15000 lumens projector

Placement of video
If a single screen
Should be placed at the center of the stage in the back, higher and for a minimum of 50 cms head of
musicians

If double screens
These are to be placed on the sides of the stage
If possible at the same height as the stage or more above
 EXSECROR VECORDIA
ELECTRICITY GENERATING PLANT
Must be able to hold the audio, lighting and video requested, as well as having capacity to spare for
any extra
Must be used only and exclusively by band production
Must have 3 phases, 1 neutral, 1 ground
Hold minimum of 60 amperes per phase
Provide continuous and constantly all along sound check an performance 120 volts measured in the
load center of each system
The Spider should be at a maximum distance of 20 meters from the stage and a minimum of 10
meters
Having wiring necessary to gauge 000, 00 or 0 for laying electric where the generating plant is
located to the spider

Direct connection to the electric Panel of the enclosure

The Spider should be at a maximum distance of 10 meters from the stage and a minimum of 5
meters
Each phase must have minimum pill 60 amps
For safety reasons we do not do any kind of direct connection to the Board

If the audio syste and lighting system used in the event is very basic

Build a power line with 3 independent contacts

Each contact must have: phase, neutral and earth ground
Each contact must have 30 amp minimum pickup
 EXSECROR VECORDIA
SIDE & DRUM FILL

MONITOR

ENERGY 110 V
DRUMS

BASS
ELECT
GTR
CELLO GTR

HE
GUTURA SHE
L VIOLIN
CLARINE
 EXSECROR VECORDIA
STAGE BACK LIMIT 10 mts
SNAKE

SUB STAGE
DRUMS
8 mts

8 mts
HIGH 1.50 MT
STAIRS STAIRS
SUB STAGE
CELLO
SUB STAGE HIGH 0.50 MT SUB STAGE
BASS GTR
HIGH 1.00 MT HIGH 0.75 MT
STAGE SIDE LIMIT

STAGE SIDE LIMIT

CONSOLA DE
MONITORES
STAGE FRONT LIMIT 10 mts.
 GENERALES
Stage

The floor should be: smooth, firm, level, stable and uniform color, without obstacles on the same
If you install conventional speakers request is 'Wings' to place such equipment
All stage, stage, wings, and sub stage extensions must be lined with black fabric type apron without
exception
A black backdrop is required to cover the back of the stage
In places like bars, lounges, discos and others, adapt itself to the criterion of the artist's
production. For this purpose it is essential to have a plan of the site in which you specify the three
dimensions of the place with a minimum of 10 days prior to the date of the event

Room

The FOH console must be placed front to the stage to away minimal of 15 mts and
maximum of 25 mts to the Center of the stage.
The c o n s o l e m u s t b e positioned on a stage 0 . 5 0 t o 2 . 0 0 meters of height,3.66
meters of front and 2.44 mts. of background
If is the place closed the console be to the Center of the stage and to into half place.

Monitors

The monitors console be placed to a side of the stage at the same height of the stage, 3.66
meters of front and 3.66 mts. of background
If necessary the mixtures of monitors have with double of guitar of monitoring
The ing of monitors should be a system of monitoring in stereo as cue

OTHER
For any reason will be accepted speakers, amplification and/or peripherals of different brands
A Snake with splitter will be used for monitor console.
The proscenium must be clean and must be any cable
The microphone cables must be one and only piece
Audio And Light cables must be separated
An 80 Kwts (as minimum) electric generator will be requested if is needed.

DOUBTS
If you have any against rider please send it for review and acceptance

EXPLANATORY NOTE
Not us do responsible for of the equipment, development, or time of the show but
meets our needs technical and operating described in anteriority pages