Music 37200

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This is a working bibliography for Music 37200, Larry Zbikowski's course in the history
of music theory, Winter term 2005.

N.B.: The abbreviation CHWMT stands for The Cambridge History of Western Music
Theory, Thomas Christensen, ed. Cambridge: Cambridge University Press, 2002.
[ML3800 .C165 2002]
A.

Agawu, Victor Kofi. Playing with Signs: A Semiotic Interpretation of Classical Music.
Princeton: Princeton University Press, 1991.

Agawu, Victor Kofi. The Challenge of Semiotics. In Rethinking Music, edited by

Nicholas Cook and Mark Everist, 138-60. Oxford: Oxford University Press, 1999.

B.

Baker, Nancy Kovaleff. Heinrich Kochs Description of the Symphony. Studi

Musicali 9, no. 2 (1980): 303-16.

Baker, Nancy Kovaleff. An Ars Poetica for Music: Reichas System of Syntax and
Structure. In Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca,
edited by Nancy Kovaleff Baker and Barbara Russano Hanning, 419-49. Styvesant, New
York: Pendragon Press, 1992.

Baker, Nancy Kovaleff, and Thomas Christensen, eds. and trans. Aesthetics and the Art of
Musical Composition in the German Enlightenment: Selected Writings of Johann Georg
Sulzer and Heinrich Christoph Koch. Cambridge Studies in Music Theory and Analysis,
vol. 7. Cambridge: Cambridge University Press, 1995.
Call number: ML3877 .S85130 1995

Barzun, Jacques. Berlioz on the Future of Rhythm. In Berlioz and the Romantic
Century. New York, Columbia University Press, 1969. 2: 336-339.
Call number: ML410 .B6B302]

Beiche, Michael. Tonalitt. In Handwrterbuch der musikalischen Terminologie, edited

by Hans Heinrich Eggebrecht. Wiesbaden: Franz Steiner, 1992.

Benary, Peter. Die deutsche Kompositionlehre des 18. Jahrhunderts. Leipzig: Breitkopf
und Hrtel, 1962.
Call number: ML430 .B46

Benjamin, William. A Theory of Musical Meter. Music Perception 1 (1984): 355-413.

Bent, Ian. The Compositional Process in Music Theory, 1713-1850. Music Analysis 3
(1984): 29-55.

Bent, Ian (editor). Music Analysis in the Nineteenth Century. Cambridge Readings in the
Literature of Music. Cambridge: Cambridge University Press, 1994:

vol. 1: Fugue, Form and Style.

Call number: MT90 .M880 1994 v.1
 vol. 2: Hermeneutic Approaches.
Call number: MT90 .M880 1994 v.2

Bent, Ian, ed. Music Theory in the Age of Romanticism. Cambridge: Cambridge
University Press, 1996.
Call number: M6 .M91 1996 c.1 Gen

Bernard, Jonathan W. The Marpurg-Sorge Controversy. Music Theory Spectrum 11,

no. 2 (1989): 164-86.

Blacking, John. The Problem of Ethnic Perceptions in the Semiotics of Music. In The
Sign in Music and Literature, edited by Wendy Steiner, 184-94. Austin: University of
Texas Press, 1981.
Call number: NX180 .S46S57

Bonds, Mark Evan. Wordless Rhetoric: Musical Form and the Metaphor of Oration.
Cambridge, Massachusetts: Harvard University Press, 1991.
Call number: ML3845 .B60 1991

Boyd, Malcom, ed. Music and the French Revolution. Cambridge: Cambridge University
Press, 1992.
Call number: ML270.3 .M880 1992

Brossard, Sebastien de. Dictionary of Music. Trans. and ed. Albion Gruber. Henryville,
Pa.: Institute of Mediaeval Music, 1982.
Call number: ML108 .B64130 1982

Buelow, George J. Johann Mattheson and the Invention of the Affektenlehre. In New
Mattheson Studies, edited by George J. Buelow and Hans Joachim Marx, 393-407.
Cambridge: Cambridge University Press, 1983.
Call number: ML55 .M436

Buelow, George J. Thorough-Bass Accompaniment According to J. D. Heinichen. Rev.

ed. Ann Arbor, Michigan: UMI Research Press, 1986.
Call number: MT49 .B840 1986 Mu

Burnham, Scott. A. B. Marx and the Gendering of Sonata Form. In Music Theory in
the Age of Romanticism: 163-186.

Burnham, Scott. Form. In CHWMT, pp. 880-906.

Burnham, Scott. The Role of Sonata Form in A. B. Marxs Theory of Form. Journal of
Music Theory 33, no. 2 (Fall 1989): 247-71.

Burnham, Scott. The Second Nature of Sonata Form. In Music Theory and Natural
Order: 111-141.
C.

Caplin, William F. Theories of musical rhythm in the eighteenth and nineteenth

centuries, in CHWMT, pp. 657-694.

Carpenter, Patricia, and Severine Neff. Commentary. In The Musical Idea and the
Logic, Technique, and Art of Its Presentation, by Arnold Schoenberg, 1-74. New York:
Columbia University Press, 1995.
Call number: M9130 1995 c.1 Gen

Christensen, Thomas. Ftis and emerging tonal consciousness, in Ian Bent, ed. Music
Theory in the Age of Romanticism (Cambridge: Cambridge University Press, 1996): 37-
56.

Christensen, Thomas. Introduction. In Aesthetics and the Art of Musical Composition

in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich
Christoph Koch, edited and translated by Nancy Kovaleff Baker and Thomas
Christensen. Cambridge Studies in Music Theory and Analysis, 3-24. Cambridge:
Cambridge University Press, 1995.
Call number: ML3877 .S85130 1995

Christensen, Thomas. Music Theory and Its Histories. In Music Theory and the
Exploration of the Past, edited by Christopher Hatch and David W. Bernstein, 9-39.
Chicago: University of Chicago Press, 1993.
Call number: MT6 .M962050 1993

Christensen, Thomas. Rameau and Musical Thought in the Enlightenment (Cambridge,

1993).
Call number: ML410 .R2C55 1993 Mu

Christensen, Thomas. The Rgle de lOctave in Thorough-Bass Theory and Practice.

Acta Musicologica 64, no. 2 (1992): 91-117.

Christensen, Thomas. The Spanish Baroque Guitar and Seventeenth-Century Triadic

Theory. Journal of Music Theory 36, no. 1 (Spring 1992): 1-42.

Chua, Daniel K. L. Vincenzo Galilei, Modernity and the Division of Nature. In Music
Theory and Natural Order: 17-29.

Churgin, Bathia. Francesco Galeazzi's Description (1796) of Sonata Form, JAMS 21/2
(1968): 181-199.

Clarke, Suzannah, and Alexander Rehding, eds. Music Theory and Natural Order from
the Renaissance to the Early Twentieth Century. Cambridge: Cambridge University
Press, 2001.
Call number: ML3800 .M885 2001
Clarke, Suzannah. Seduced by Notation: Oettingens Topography of the Major-Minor
System. In Music Theory and Natural Order: 161-80.

Cohen, Albert. Music in the French Royal Academy of Sciences: A Study in the Evolution
of Musical Thought. Princeton, New Jersey: Princeton University Press, 1981.
Call number: ML270.8 .P2A19

Cohen, David E. The Gift of Nature: Musical Instinct and Musical Cognition in
Rameau. In Music Theory and Natural Order: 68-92.

Cohen, H. F. Quantifying Music: The Science of Music at the First Stage of the Scientific
Revolution, 1580-1650. Dordrecht: D. Reidel Publishing Company, 1984.
Call number: ML3807 .C67 Mu [missing]

Cook, Nicholas. Music Theory and Good Comparison: A Viennese Perspective.

Journal of Music Theory 33, no. 1 (Spring 1989): 117-41.

Cooper, Grosvenor W., and Leonard B. Meyer. The Rhythmic Structure of Music
(Chicago, 1960)
Call number: MT42 .C78

Cumming, Naomi. The Subjectivities of Erbarme Dich. Music Analysis 16, no. 1
(March 1997): 5-44.

Cumming, Naomi. The Sonic Self: Musical Subjectivity and Signification. Advances in
Semiotics. Bloomington: Indiana University Press, 2000.
Call number: ML3845 .C86 2000

Czerny, Carl. School of practical composition: complete treatise on the composition of all
kinds of music, both instrumental and vocal together with a treatise on instrumentation,
in three volumes; opus 600, trans. John Bishop [repr. London: R. Cocks, 1848] (New
York : Da Capo Press, 1979)
Call number: MT58 .C99 v. 1-3

D.

Dahlhaus, Carl. Musiktheorie im 18. und 19. Jahrhundert, Erster Teil: Grundzge einer
Systematik. Geschichte der Musiktheorie, vol. 10. Darmstadt: Wissenschaftliche
Buchgesellschaft, 1984.
Call number: ML430 .G47 v.10

Dahlhaus, Carl. Musiktheorie im 18. und 19. Jahrhundert, Zweiter Teil: Deutschland.
Geschichte der Musiktheorie, vol. 11. Darmstadt: Wissenschaftliche Buchgesellschaft,
1984.
Call number: ML430 .G47 v.11
Dahlhaus, Carl. Studies on the Origins of Harmonic Tonality. Translated by Robert O.
Gjerdingen. Princeton: Princeton University Press, 1990.
Call number: ML3811 .D39130 1990 Mu

Damschroeder, David, and David Russell Williams. Music Theory from Zarlino to
Schenker: A Bibliography and Guide. Stuyvesant, New York: Pendragon Press, 1990.
Call number: ML128 .T5D270 1990 Mu

E.

Eckert, Stefan. Ars Combinatoria, Dialogue Structure, and Musical Practice in Joseph
Riepels Anfangsgrnde Zur Musicalischen Setzkunst. Ph.D. diss. Stony Brook, New
York: State University of New York at Stony Brook, 2000.

F.

Fauvel, John, Raymond Flood, and Robin Wilson, eds. Music and Mathematics: From
Pythagoras to Fractals. Oxford: Oxford University Press, 2003.
Call no.: ML3800 .M87 2003

Ftis, Franoise Joseph. Esquisse de l'histoire de l'harmonie: an English-language

translation of the Franoise Joseph Ftis history of harmony, trans. Mary Arlin
(Stuyvesant, NY: Pendragon Press, 1994)
Call number: ML444 .F48130 1994

Ftis, Franoise Joseph. Trait Complet de la Thorie et de la Pratique de lHarmonie.

12th ed. Paris: Brandus, 1879.
Call number: MT50 .F4

Field, J. V. Musical Cosmology: Kepler and His Readers. In Music and Mathematics:
From Pythagoras to Fractals: 29-44.

G.

Gessele, Cynthia M. The Institutionalization of Music Theory in France: 1764-1802.

Ph.D. diss. Princeton, New Jersey: Princeton University, 1989.
Call no.: ML270.3 .G47 1989

Gozza, Paolo, ed. Number to Sound: The Musical Way to the Scientific Revolution.
Boston: Kluwer Academic Publishers, 2000.
Call no.: ML3800 .N9 1999
Grave, Floyd K., and Grave Margaret G. In Praise of Harmony: The Teachings of Abb
Georg Joseph Vogler. Lincoln, Nebraska: University of Nebraska Press, 1988.
Call number: ML410 .V886 G77 1988 Mu

Groth, Renate. Die Franzsische Kompositionlehre des 19. Jahrhunderts (Wiesbaden:

Franz Steiner, 1983).
Call number: ML55 .A67 v.22 Mu

H.

Harrison, Daniel. Harmonic Function in Chromatic Music: A Renewed Dualist Theory

and an Account of Its Precedents. Chicago: University of Chicago Press, 1994.
Call number: ML444 .H3760

Harriss, Ernest C. Johann Matthesons Der vollkommene Capellmeister: A Revised

Translation with Critical Commentary. Studies in Musicology, vol. 21. Ann Arbor: UMI
Research Press, 1981.
Call number: MT6 .M43

Hasty, Christopher. Just in Time for More DichotomiesA Hasty Response, Music
Theory Spectrum 21/2 (Fall, 1999) 275-293

Hasty, Christopher. Meter as Rhythm (Oxford, 1998)

Call number: ML3850 .H37 1997

Hatch, Christopher, and David W. Bernstein, eds. Music Theory and the Exploration of
the Past. Chicago: University of Chicago Press, 1993.
Call number: MT6 .M962050 1993

Hatten, Robert. Review of Agawu, Playing with Signs, and Nattiez, Music and
Discourse. Music Theory Spectrum 14, no. 1 (1992): 88-98.

Hatten, Robert. Musical Meaning in Beethoven: Markedness, Correlation, and

Interpretation. Bloomington, Indiana: Indiana University Press, 1994.
Call number: ML410.B4H436 1994

Hatten, Robert. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven,
Schubert. Bloomington, Indiana: Indiana University Press, 2004.
Call number:

Hauptmann, Moritz. The Nature of Harmony and Metre. Translated by W. E. Heathcote.

1893. New York: Da Capo Press, 1991.
Call number: ML3815 .H36130 1990 Mu

Henneberg, Gudrun. Theorien zur Rhythmik und Metrik. Tutzing: Hans Schneider, 1974.
Call number: ML437.H51
Houle, George. Meter in Music, 1600-1800: Performance, Perception, and Notation.
Bloomington, Indiana: Indiana University Press, 1987.
Call number: MT75 .H70 1987

Hoyt, Peter. Review of Mark Evan Bonds, Wordless Rhetoric. Journal of Music
Theory 38, no. 1 (Spring 1994): 123-43. of journal

Hoyt, Peter. The Concept of Dveloppement in the Early Nineteenth Century. In Music
Theory in the Age of Romanticism: 141-62.

Brian Hyer, Tonality, CHWMT

I.

Imig, Renate. Systeme der Funktionsbezeichnung in den Harmonielehre seit Hugo

Riemann. Dsseldorf: Gesellschaft zur Frderung der systematischen Musikwissenschaft,
1970.
Call number: MT50 .I32

J.

K.

Kirnberger, Johann Philipp. The Art of Strict Musical Composition. Translated by David
Beach and Jurgen Thym. New Haven: Yale University Press, 1982.
Call number: MT40 .K604 Mu

Koch, Heinrich Christoph Introductory Essay on Composition: The Mechanical Rules of

Melody, Sections 3 and 4. Translated by Nancy Kovaleff Baker. New Haven: Yale
University Press, 1983.
Call number: MT40 .K774

Koch, Heinrich Christoph. Musikalisches Lexicon. Heidelberg: Mohr und Winter, 1816.
Call number: ML108 .K76

Koch, Heinrich Christoph. Versuch einer Anleitung zur Composition. 1782-93.

Hildesheim: Georg Olms, 1969.
Call number: MT40 .K76 v.1-3

Augustus Frederic Christopher Kollmann, An Essay on Practical Musical Composition

(New York: Da Capo Press, 1973)
Call number: MT40 .K81

Kopp, David. Chromatic Transformations in Nineteenth-Century Music. Cambridge:

Cambridge University Press, 2002.
Call number:
Krebs, Harald. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann.
New York: Oxford University Press, 1999.
Call number: ML410.S34K92 1999

Kurth, Ernst. Ernst Kurth: Selected Writings. Edited and translated by Lee A. Rothfarb.
Cambridge: Cambridge University Press, 1991.
Call number: MT6 .K995E7150 1991

Ernst Kurth, Die Voraussetzungen der theoretischen Harmonik und der tonalen
Darstellungssysteme. Bern: Akademische Buchhandlungen von Max Dreschel, 1913.
(Bern: 1947 [1930])
Call number: MT 50 .K92

L.

Lenneberg, Hans. Johann Mattheson on Affect and Rhetoric in Music. Journal of

Music Theory 2 (1958): 47-84.

Lerdahl, Fred, and Ray Jackendoff. A Generative Theory of Tonal Music. Cambridge,
Massachusetts: MIT Press, 1983.
Call number: MT6 .L61

Lester, Joel. Between Modes and Keys: German Theory, 15921802. Stuyvesant, New
York: Pendragon Press, 1989.
Call number: ML430 .L470 1989 Mu

Lester, Joel. Compositional Theory in the Eighteenth Century. Cambridge,

Massachusetts: Harvard University Press, 1992.
Call number: ML430 .L460 1992

Joel Lester, Rameau and Eighteenth-Century Harmonic Theory, CHWMT, pp. 753-777.

Lewin, David. Two Interesting Passages in Rameau's Trait de l'harmonie, In Theory

Only 4/3 (July 1978): pp. 3-11. (You will find this in the stacksthe call is ML1.I38.)

Lewin, David. Concerning the Inspired Revelation of F.-J. Ftis, Theoria 2 (1987): pp.
1-12.

Lewin, David. Some Investigations Into Foreground Rhythmic and Metric Patterning.
In Music Theory: Special Topics, edited by Richmond Browne, 101-37. New York:
Academic Press, 1981.

Listenius, Nicolas. Music (Musica). 1549 ed. Translated by Albert Seay. Colorado
Springs, Colorado: Colorado College Music Press, 1975.
Call number: MT5.5 .L771
Lobe, Johann Christian. First-Movement Form in the String Quartet [:Beethoven: Op. 18
no. 2 in G: Allegro], in Fugue, Form and Style, vol. 1 of Music Analysis in the
Nineteenth Century ed. Ian Bent, pp. 197-220.

London, Justin. Hastys Dichotomy, Music Theory Spectrum 21, no. 2 (Fall, 1999):
260-274.

London, Justin. Rhythm in twentieth-century theory, in CHWMT, pp. 880-906.

Lussy, Mathis. Musical Expression. Translated by M. E. von Glehn. London: Novello,

1892.
Call number: MT 75 .L922

M.

Adolph Bernhard Marx, Musical Form in the Age of Beethoven: Selected Writings on
Theory and Method. Edited and translated by Scott G. Burnham. Cambridge Studies in
Music Theory and Analysis, vol. 12. Cambridge: Cambridge University Press, 1997.
Call number: MT6 .M313 1997

Marx, Adolph Bernhard. Die Lehre von der musikalischen Komposition, praktisch
theoretisch. 4th ed. Leipzig: Breitkopf & Hrtel, 1841-47
Call number: MT40 .M39 v. 1-4

Masson, Charles. Nouveau Trait Des Regles Pour la Composition de la Musique. With
an introduction by Imogene Horsley. 1694. New York: Da Capo Press, 1967.
Call number: MT40. M42

Mattheson, Johann. Der vollkommene Capellmeister. Edited by Margarete Reimann.

1739. Dokumenta Musicologica, 1 Reihe, Druckschriften-Faksimiles, vol. 5. Kassel:
Brenreiter, 1954.
Call number: ML96.4 .D63 v.5

McClary, Susan. Conventional Wisdom: The Content of Musical Form. Berkeley:

University of California Press, 2000.
Call number:

Jrme-Joseph de Momigny, Cours complt d'harmonie et de composition, d'aprs une

thorie neuve et gnrale de la musique (Paris: Chez L'auteur, 1806)
Call number: MT50 .M78 v. 1-3, special collections

Morgan, Robert P. The Theory and Analysis of Tonal Rhythm, The Musical Quarterly
64/4 (October 1978): 436-440.

Monelle, Raymond. Music and Semantics. In Musical Signification: Essays in the

Semiotic Theory and Analysis of Music, edited by Eero Tarasti. Approaches to Semiotics,
121, 91-107. Berlin: Mouton de Gruyter, 1995.
Call number:

Monelle, Raymond. The Sense of Music: Semiotic Essays. Princeton, New Jersey:
Princeton University Press, 2000.
Call number:

N.

Nattiez, Jean-Jacques. Music and Discourse: Toward a Semiology of Music. Translated by

Carolyn Abbate. Princeton, New Jersey: Princeton University Press, 1990.
Call number:

Neff, Severine. Introduction. In Coherence, Counterpoint, Instrumentation, Instruction

in Form, by Arnold Schoenberg, xxiii-lxxii. Lincoln, Nebraska: University of Nebraska
Press, 1994.
Call number: MT6. S316 Z9130 1994

Neubauer, John. The Emancipation of Music from Language: Departure from Mimesis in
Eighteenth-Century Aesthetics. New Haven: Yale University Press, 1986.
Call number: ML3849 .N47

O.

P.

Palisca, Claude V. Ut Oratoria Musica: The Rhetorical Basis of Musical Mannerism. In

The Meaning of Mannerism, edited by F. W. Robinson and S. G. Nichols, Jr. Hanover,
New Hampshire: University Press of New England, 1972.
Call number: Nx450.6 M3M48 gen

Palisca, Claude V. Scientific Empiricism in Musical Thought. In Seventeenth Century

Science and the Arts, edited by Hedley Howell Rhys, 91-137. Princeton, New Jersey:
Princeton University Press, 1961.
Call number: Q171 .R48 (Crerar);

Palisca, Claude V. The Florentine Camerata: Documentary Studies and Translations.

New Haven, Connecticut: Yale University Press, 1989.
Call number: ; MT5.5 .F630 1989 Mu;

Palisca, Claude V. Moving the Affections Through Music: Pre-Cartesian Psycho-

Physiological Theories. In Number to Sound: The Musical Way to the Scientific
Revolution, edited by Paolo Gozza, 191-99. Boston: Kluwer Academic Publishers, 2000.
Call number: ML3800 .N9 1999
Palisca, Claude V. Was Galileos Father an Experimental Scientist? In Number to
Sound: The Musical Way to the Scientific Revolution, edited by Paolo Gozza, 191-99.
Boston: Kluwer Academic Publishers, 2000.
Call number: ML3800 .N9 1999

Powers, Harold. Language Models and Musical Analysis. Ethnomusicology 24, no. 1
(1980): 1-60.

R.

Rameau, Jean-Philippe. Treatise on Harmony (1722). Translated by Philip Gossett. New

York: Dover, 1971.
Call number:

Rantala, Veikko, Lewis Rowell, and Eero Tarasti, eds. Essays on the Philosophy of Music.
Acta Philosophica Fennica, vol. 43. Helsinki: Philosophical Society of Finland, 1988.
Call number: ML3800 .E8 1988;

Ratner, Leonard. Harmonic Aspects of Classic Form. Journal of the American

Musicological Society 2, no. 3 (Fall 1949): 159-68.

Ratner, Leonard. Eighteenth-Century Theories of Musical Period Structure. The

Musical Quarterly 32, no. 4 (October 1956): 439-54

Rehding, Alexander. August Halms Two Cultures of Nature. In Music Theory and
Natural Order: 142-60.

Rehding, Alexander. Hugo Riemann and the Birth of Modern Musicology. Cambridge:
Cambridge University Press, 2003.
Call number: ML423 .R45R44 2003

Renwick, William, ed. The Langloz Manuscript: Fugal Improvisation Through Figured
Bass. Oxford: Oxford University Press, 2001.
Call number: MT59 .L36 2001;

Riemann, Hugo. Handbuch der Harmonielehre. 2d ed. Leipzig: Breitkopf & Hrtel,
1887.
Call number: Microfrm MT 37

Riemann, Hugo. System der musikalischen Rhythmik und Metrik. Leipzig: Breitkopf &
Hrtel, 1903.
Call number: Call number: MT42 .R55;

Riepel, Joseph. Smtliche Schriften zur Musiktheorie. Edited by Thomas Emmerig.

Wiener Musikwissenschaftliche Beitrge, vol. 20. Wien: Bhlau, 1996.
Call number: fMT40 .R62 1996 v.1;
Roeder, John. Review of Christopher Hasty's Meter as Rhythm, Music Theory Online 4/4
(July 1998)

Rothfarb, Lee A. Ernst Kurth as Theorist and Analyst. Philadelphia: University of

Pennsylvania Press, 1988.
Call number: ML423 .K96 R8 1988

Rothstein, William. Phrase Rhythm in Tonal Music. New York: Schirmer Books, 1989.
Call number: MT42 .R840 1989 Mu

Rousseau, Jean-Jacques. A Complete Dictionary of Music. 2nd ed. Translated by William

Waring.[Reprint of the 1779 ed. printed for J. Murray, London] New York: AMS Press,
1975.
Call number: ML108 .R824 1779a

S.

Saslaw, Janna K. Gottfried Weber and the Concept of Mehrdeutigkeit. Ph.D. diss. New
York: Columbia University, 1996.
Call number: ML410 .W479S37 2002

Schellhous, Rosalie. Ftiss Tonality as a Metaphysical Principle: Hypothesis for a New

Science. Music Theory Spectrum 13, no. 2 (1991): 219-40.

Schenker, Heinrich. Harmony. Ed. and annotator Oswald Jonas. Translated by Elisabeth
Mann Borgese. Chicago: University of Chicago Press, 1954.
Call number: MT50 .S32

Schoenberg, Arnold. Harmonielehre. Leipzig: Verlagseigentum der Universal-Edition,

1911.
Call number:

Schoenberg, Arnold. Fundamentals of Musical Composition. Edited by Gerald Strang and

Leonard Stein. London: Faber and Faber Limited, 1967.
Call number: MT40 .S35

Schoenberg, Arnold. Structural Functions of Harmony. Rev. ed. New York: W. W. Norton
& Company, Inc., 1969.
Call number: MT50 .S37 1969

Schoenberg, Arnold. Models for Beginners in Composition: Syllabus, Music Examples,

and Glossary. Los Angeles: Belmont Music Publishers, 1972.
Call number: MT40.S36 1972
Schoenberg, Arnold. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by
Leonard Stein. Translated by Leo Black. New York: St. Martins Press, 1975.
Call number: ML60 .S3715; ;

Schoenberg, Arnold. Theory of Harmony. Translated by Roy E. Carter. Berkeley:

University of California Press, 1978.
Call number: MT50 .S365 1978

Schoenberg, Arnold. Coherence, Counterpoint, Instrumentation, Instruction in Form.

Edited by Severine Neff. Translated by Severine Neff and Charlotte M. Cross. Lincoln,
Nebraska: University of Nebraska Press, 1994.
Call number: MT6. S316 Z9130 1994

Schoenberg, Arnold. The Musical Idea and the Logic, Technique, and Art of Its
Presentation. Edited and translated by Patricia Carpenter and Severine Neff. New York:
Columbia University Press, 1995.
Call number: MT6 .S316M9130 1995 c.1 Gen

Sisman, Elaine. Small and Expanded Forms: Kochs Model and Haydns Music. The
Musical Quarterly 48, no. 4 (October 1982): 444-75.

Smither, Howard Elbert. Theories of Rhythm in the Nineteenth and Twentieth Centuries
with a Contribution to the Theory of Rhythm for the Study of Twentieth-Century Music.
Ph.D. diss. Ithaca, New York: Cornell University, 1960.
Call number: microfm ML 593

Stevens, Jane R. Theme, Harmony, and Texture in Classic-Romantic Descriptions of

Concerto First-Movement Form. Journal of the American Musicological Society 28,
no. 1 (Spring 1974): 25-60.

T.

Tarasti, Eero, ed. Musical Signification: Essays in the Semiotic Theory and Analysis of
Music. Approaches to Semiotics, vol. 121. Berlin: Mouton de Gruyter, 1995.
Call number: ML3845 .M9760 1995

Thomas, Downing A. Music and the Origins of Language: Theories from the French
Enlightenment. New Perspectives in Music History and Criticism. Cambridge:
Cambridge University Press, 1995.
Call number: P116 .T470 1995

V.

Vogler, Georg Joseph. Tonwissenschaft und Tonsetzkunst. 1776. Hildesheim: Georg Olms
Verlag, Kuhrfrstlichen Druckerei, 1970.
Call number: MT40 .V88
W.

Waldbauer, Ivan. Riemanns Periodization Revisited and Revised. Journal of Music

Theory 33, no. 2 (1989): 333-91.

Walker, D. P. (Daniel Pickering). Studies in Musical Science in the Late Renaissance.

London: Warburg Institute, University of London, 1978.
Call number: MT6 .W19S91

Walker, Paul. Theories of Fugue from the Age of Josquin to the Age of Bach. Rochester,
New York: University of Rochester Press, 2000.
Call number: ML448 .W25 2000

Wason, Robert W. Viennese Harmonic Theory from Albrechtsberger to Schenker and

Schoenberg. Ann Arbor, Michigan: UMI Research Press, 1985.
Call number: ML444 .W260 1985 Mu

Weber, Gottfried. Theory of Musical Composition, Treated with a View to a Naturally

Consecutive Arrangement of Topics. Edited by John Bishop. Translated by James F.
Warner. London: Messrs. Robert Cocks and Co., 1851.
Call number: MT40 .W365 v. 1 & v. 2

Wuensch, Gerhard. Hugo Riemanns Musical Theory. Studies in Music from the
University of Western Ontario 2 (1977): 108-24.
Call number: ML5 .U59 v.1-2

Y.

Z.

Zaminer, Friedrich, ed. Ideen zu einer Geschichte der Musiktheorie. Geschichte der
Musiktheorie, vol. 1. Darmstadt: Wissenschaftliche Buchgesellschaft, 1985.
Call number: ML430 .G47 v.1

Zbikowski, Lawrence. Conceptualizing Music: Cognitive Structure, Theory, and

Analysis. New York: Oxford University Press, 2002.
Call number: ML3838 .Z25 2002

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