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re effective practicing, and this is where the groups training experiences began
to diverge. One group s video (the comparison group) trained them in a series of pra
ctice techniques like chaining1 and whole-part-whole2.
Meanwhile, the other group s video (the treatment group) included not just this same
collection of practice techniques, but selDescargar Ed Byrne Jazz Improv
nase a Scribd con una prueba de 30 das gratis y obtenga acceso a ste documento y 60
million ms, incluyendo libros, audio libros y comics.
Escritura creativa
Presentaciones
Ensayoadway Street - Alto Version
0:59 $0.99
You see, the main purpose of learning licks is to gain more jazz vocabulary. Yes
, of course, we have to learn jazz guitar scales, arpeggios, guide-tones, jazz t
ranscriptions, work on comping (and everything in between) ...
... but building vocabulary with jazz guitar licks, in the end, means finding ma
ny interesting contexts for the same melodic line, during improvisation.
Language analogy once again: when you are learning a lick, it's like learning a
word. And a single word of language (a solo line) has applications in countless
sentences and paragraphs and books (your jazz solo!)
So, watch and share this video... and stop making the rookie mistake of ONE LICK
= ONE CHORD TO PLUG IT ON.
Reggie Bellamy
Reggie Bellamy2 days ago
Awesome lesson on harmonic context! I use this approach of options/possibilities
quite often. Thanks for posting.?
Karen Lorenz
Karen Lorenz3 days ago
I was definitely one of those hooked on learning licks. I stopped. But what I fi
nd interesting in your video is the importance of hearing the lick in your head,
or being able to sing or hum it as you did. When you can hold a musical phrase
you can focus on timing / rhythm / groove.?
Thomas Hagelien
Thomas Hagelien3 days ago
2. Broadway Street (Rhythm Section Only) - Alto Version
3:22 $0.99
Along with Gene Ammons and Stanley Turrentine, Dexter Gordon was one of the top
ballad players of the '60s. Having already made his name in the bebop era and as
an expatriate in Europe, Gordon returned to the States to record a series of fi
ne Blue Note discs during the first half of the decade. This edition of the labe
l's Ballads series features Gordon at his peak and in the company of some of har
d bop's best players. Whether melding nicely with trumpeter Donald Byrd from a P
aris date in 1964 ("Darn That Dream") or locking in with the stellar rhythm sect
ion of Sonny Clark, Butch Warren, and Billy Higgins ("Don't Explain"), Gordon de
livers his almost sleepy and smoke-filled solos with regal grace. The same can a
lso be said of the rest of this incredible program, including a latter-day live
cut from 1978. A perfect set for those in need of a provocative after-hours sess
ion in front of the stereo.
3. Cermak Road - Alto Version
e Mc Doofie6 days ago
At 11:40 you left some unwanted audio in.?
54
AqareCover
AqareCover5 days ago
maybe its a secret message from the illuminati?
7
Christian Mckel
Christian Mckel5 days ago
it's not unwanted, it's a feature!?
2
Carlos Torres
Carlos Torres6 days ago
My wife walked through when you were responding to the bass and treble clef ques
tion and said, "pianists read bass and treble clef simultaneously all the time.
Stinkin' whiner babies. Not hatin', just sayin'."
I thought that was funny so I thought I'd share.?
147
Axel Musiconaute
Axel Musiconaute5 days ago
And conductors read all the key at the same time + a lot of transposing instrume
nts. That's way more difficult, but you get used to it.?
1
horowizard
horowizard3 days ago
Forget Pianists! How about Composers and Conductors that need to read through s
cores with multiple parts in multiple clefs written for instruments in multiple
keys? They have to know what is going on with everything at all times.?
Tyrone English
Tyrone English6 days ago
Adam's mum laying the smackdown.?
51
CptnSpicyWeiner
CptnSpicyWeiner6 days ago
Hey Adam, CptnSpicyWeiner here. Please cement my legacy by putting me in one of
your Q and A's. What's your opinion on a musician posting a bunch of videos of t
hem playing on social media and loading it with a bunch of hashtags? Can they re
ally be recognized? Is it a good idea? It'd be very helpful if you go in depth o
n this subject. I love your videos by the way. You know I've been watching them
for a long time?
13
Alex Purkis
Alex Purkis6 days ago
Some guy who isn't Adam here. Could you be a bit more specific? Recognized as wh
at and a good idea in regards to what??
CptnSpicyWeiner
CptnSpicyWeiner6 days ago
Alex Purkis just gaining a decent following. And good idea as in is it practical
. Is it better to get your music out different ways? If being in a band and play
ing shows isn't possible for you in your situation at the moment, is it possible
for masses of people to follow you based on the short clips you upload to socia
l media??
Jpseudo
Jpseudo6 days ago
11:38 a rare Adam Neely edit mistake?
11
Adam Neely
Adam Neely5 days ago
meh, couldn't be bothered to reupload - wifi here at where i'm staying isn't gre
at. enjoy the edit blunder!?
24
Molly Wise
Molly Wise6 days ago
You confused "combination tone" with "difference tone." Combination tones appea
r in pitches higher than two fundamentals. You can add the frequencies, or add
the ordinal numbers on the harmonic series where the lower note of the two funda
mentals is "1st." For example, if you played a C and a G an octave and a fifth
higher simultaneously, the combination tone would be a C two octaves above the f
undamental C. Why? C is #1 on the harmonic series starting on C, and G is #3. Th
e combination tone would be #4 on that series, which is C two octaves higher tha
n the low C. Difference tones are found by subtracting these ordinal numbers.
For example, take the major third ratio - 5:4. This means that the two notes th
at form a major third on the harmonic series are in the fourth and fifth positio
ns. If you were to play a D and an F#, the difference tone would be 5 - 4 = 1,
so the 1st position on the given harmonic series. To find this, you have to kind
of work backwards to figure out what the first fundamental is of this mystery h
armonic series. In this case, it would be another D two octaves below the D in
the major third. TL;DR - combination tones are higher, difference tones are low
er, and they only occur when intervals are beatless (pure).?
9
Simon Gunkel
Simon Gunkel5 days ago
Combination tone is a more general term, the higher one is the sum tone, the low
er one is the difference tone. These are psychoacoustic, your brain fills in "mi
ssing frequencies", as sounds that occur in nature are either unpitched or monop
honic. But it is worth noting that there's also a physical phenomenon that can p
roduce such sidebands. If you have non-linear transmission of sound and you add
two signals A and B, you get terms of the form A*B, which by a bit of algebra ar
e just the differences and sums of any partials. So if A and B were sine signals
at frequencies a and b, this would just be sines at a+b and |a-b|. One of class
ic cases is distorted guitar, where you get very complex signals and fuzz+Jazz c
hords is often a recipe for something that is hard to stomach.
It's also worth noting that beats are in fact a form of difference tone...?
Andreas Valkare
Andreas Valkare5 days ago
The fundamental is the GCD (greatest common divisor) between the sounding notes,
in Adam's example of 440 and 660 it's 220 (220*2 and 220*3). However the effect
is easily lost or at least lessened if the notes have rich overtone series them
selves, then it sounds more like two separate notes. I've heard that that's why
tuning to flutes together is so very hard because of relatively weak overtones t
he can often create subharmonic tones, Just try an interval like a major second
on two recorders at the same time, you'll hear all sorts of crazy bass notes dep
ending on how you tune them.?
murmulho
murmulho6 days ago
11:39 eh... double voiced adam?
10
Raymond Edwards
Raymond Edwards6 days ago
EXTREME ADAM REHARMONIZATION?
77
Sherman Thompson
Sherman Thompson6 days ago
Do you think that jazz or some variant of improvised music will become popular a
gain? Do you even think that it would be good for the art if it did? (with it be
ing subjected to extreme commercialization) I've always just thought that most p
eople when they talk about the era of jazz as the popular music seem too nostalg
ic or praising of it. I feel that the less popular bebop era sent the genre into
way less popularity but also gave it many new artistic dimensions impossible un
der the limelight of mainstream music.?
9
Wheelly
Wheelly4 days ago (edited)
Sherman Thompson you know, I have recently heard to Jazz at Massey. It was recor
ded in 1953 and it had already had all the modern jazz features by that moment.
Mingus even used some rhythmic displacements that are not widely used until toda
y. Not speaking about crazy solos of Parker and Gillespie.
And it was 64 years ago. Do you understand what I mean? Those titans have invent
ed something radically new, and then we have 60 years of repeats. This style has
already became classical. And when something is classical, it is no more contem
porary.
So bebop took it's place on the musical Olympus, but I think it is not sane to s
peak of it as of something, that could be popular again in the feature.
As to others styles of jazz, then yes, they are quite popular and continue influ
encing on most genres. Hip-hip, for instance, share much in common of its roots
with acid jazz. If you ask some Rock stars who are they listen to, you will be a
mazed how many of them will mention some jazz greats like Miles or Mclaughlin. I
don't think jazz will be like popular music, but it definitely lives and fertil
ize others genres till today, as any classical music.?
1
Lucas Key
Lucas Key6 days ago
11:39 opps?
8
Adolfo Cabrera Schmidt
Adolfo Cabrera Schmidt6 days ago
What was that o_o?
3
Mique Celli
Mique Celli6 days ago
frist?
10
Brandon Arens
Brandon Arens6 days ago
ya blew it?
11
Sidney Richard
Sidney Richard6 days ago (edited)
Btw... the verb is "to satirise".. "satire" is a noun. Sorry about that, but it
's not for nothing that I got a Christmas present a couple years back of a T-shi
rt bearing the legend "I am silently correcting your grammar".
And I'll say it again. Love the channel and your lucidity. AND you quote your
mom. That's a beautiful thing.?
7
jfredett
jfredett6 days ago
Re: Good/Bad Music
I had a teacher back in college who made the following argument, which has basic
ally become my way of thinking about the good/bad distinction about art in gener
al.
Whether art is good or bad is fundamentally the wrong question. There may be som
e objective scale, but that scale is comprised of a dozen different variables al
l living on their own dimension, and it's much more interesting to talk about th
ose dimensions, rather than the aggregate. You can talk about whether or not the
thing is 'emotional' or 'stoic', you can ask about it's 'gravitas' versus it's
'frivolity', but ultimately the biggest contributor to whether or not something
is 'good' or 'bad' art, I think, is whether it is successful. The artist, author
, musician, whoever has, ostensibly, some artistic intent with their art. They w
ant to elicit some emotion, accomplish some technical feat, etc. One of the most
valuable things you can consider is whether or not the succeeded. You can term
this "Authorial success." You might also consider what you expected from the art
, and if you received what you hoped for, or were surprised by something better,
or disappointed by something worse; you might call that "Subjective success". T
here are a million kinds of success. For some people, Turkish Microtonal Guitar
music may sound like total crap; to others, it may sound like home, and succeed
immensely in evoking feelings of nostalgia and pride and homesickness. For those
in the former group, the music was unsuccessful, and while it may sound like th
e musician intended, they may have played it perfectly, for that former group --
the piece was unsuccessful.
One of the most valuable things you can do to expand your appreciation of music
is to not let this 'successfulness' metric dominate the 'good/bad' metric so muc
h. Forcing yourself to disregard those subjective feelings of 'did it work' and
listening instead for the subtler things is hard work, but it means you can enjo
y pieces which otherwise would be 'too hard' to listen to or watch.?
7
Guille T.
Guille T.6 days ago (edited)
Notification...squad? Sorry, won't do this anymore.?
6
karsaurlong
karsaurlong6 days ago
Guille T. ah you fixed it. I liked quad better?
1
Guille T.
Guille T.6 days ago
karsaurlong As a non-native speaker I couldn't handle the typo. I completely ove
rsee it the fisrt time I wrote it. You're right, though. It was funnier with the
typo. Me and my overthinking brain...?
Luca Scheid
Luca Scheid6 days ago
Adam, I am a 17 year old who mainly plays guitar, but have been teaching myself
piano, drums and bass as well. I know limited theory (I know how to figure out i
ntervals, key centers, modes, have a somewhat small understanding of harmonizati
on and that sort of thing (even just saying this proves my lack of knowledge)),
from my highschool's basic music theory class, limited guitar lessons, and rando
m youtube videos, yet my main musical pass time is composition. I write music vi
a picking a key, choosing some notes that sound cool together that are sort of b
ased around that key, then figuring out which chords sound good over them, then
figuring out what those chords actually are, so that I can write melodies and ot
her parts of the song. Theres a chord shape I use frequently with my guitar in d
rop d which stacks three perfect 5ths on top of each other, but I didn't know th
at until I had been using the shape for months (just an example). This probably
makes it seem like I'm just writing simple as hell music (neil young, tom petty
sort of stuff), but you would be mistaken. I try me best to emulate bands like p
orcupine tree, pineapple theif, maybe even a bit of periphery. I feel like this
is all the music theory I need to write awesome music, kinda like how 99% of mat
h that people in non math related jobs will use is stuff they learned before hig
hschool. Do you think that basic music theory is enough to write really good mus
ic, maybe even as a career? I know others would, but you seem like the kind of g
uy who would have an interesting opinion on this.
Love your stuff?
5
I.C. P
I.C. P6 days ago
Luca Scheid great question?
MaggaraMarine
MaggaraMarine5 days ago
Music theory on its own will not make you a good composer. Music theory is basic
ally an analytical tool - it gives explanations to sounds that are common in mus
ic. It is easier to figure out what's happening in music if you know theory, but
you can of course do it just by using your ears. It's just a bit more abstract
that way. Language is the way we usually make sense of stuff, and music theory i
s about describing music with language.
As long as you have good ideas, it is enough. There are plenty of great musician
s who don't know much about theory (for example The Beatles). But I just don't s
ee a reason not to learn more theory. Learning theory can only improve you as a
musician.
It's kind of the same as asking if only knowing cowboy chords is enough to becom
e a successful musician. Depending on the genre, cowboy chords may be everything
you will ever need, but I wouldn't see a reason not to learn a bit more about p
laying the guitar. It would make you a much more versatile musician.?
Cam Dore
Cam Dore6 days ago
Hey Adam, I've been a strings player since I was six(violin, bass, guitar and so
on) and now I'm in a jazz quartet in college. I've really been trying to improv
e my technical skill when it comes to jazz double bass. I know it's pretty commo
n, and I've seen people I play with, take a solo from a Coltrane, Ellington, or
Davis and transpose it in 12 keys; I've tried this on bass and found it pointles
s with the nature of string instruments and the ability to just move positions.
I've recently started teaching myself alto sax because both mentally transposing
down to an Eb instrument as well as doing the 12 key solo exercise should help.
What are your thoughts on this, will it help or just dilute my focus/take away
practice time? I'd love to hear your opinion on the topic since you seem like an
intelligent person on the topic of musical discipline.?
4
Havok
Havok6 days ago
Cam Dore playing something in all keys is also useful on strings - so long as yo
u play vertically in the first couple positions. Being able to play in certain k
eys using first position - like Ab minor - is a very useful skill. Sure, it's ea
sier to play Ab minor in 4th position - but that defeats the point of excercises
like this.?
2
nacoran
nacoran6 days ago
When do you first hear music as noise?
Four A.M. when you have to get up early and your neighbor won't turn it down.
Or...
When you hit 40 and/or the person performing it isn't.?
5
Pablo Martinez
Pablo Martinez6 days ago
Hey man, I love your videos, really nice... I don't know if I can ask a question
now, but anyway man: how can non conservatory musicians make it in New York? I
mean if you just happen to be a musician and move to New York, how do you make i
t? What can you do??
4
Pablo Martinez
Pablo Martinez5 days ago
For your next Q+A :-)?
Robert Howat
Robert Howat5 days ago
LONDON MEET UP!! LONDON MEET UP!! LONDON MEET UP!!?
3
Jamie J
Jamie J5 days ago
Yes yes yes yes yes yes?
1
The Rachmanioff
The Rachmanioff5 days ago (edited)
That large building behind you is the Shard! The tallest building in Britain?
3
Stove
Stove5 days ago
Emley Moor transmitting station in Yorkshire is taller than The Shard, but I don
't think that counts as a 'building' though :(?
Wheelly
Wheelly4 days ago (edited)
The Rachmanioff sorry, but the three tallest buildings in Europe are located in
Moscow, and then The Shard is fourth...you should be proud ;)?
MrGorsky
MrGorsky6 days ago
That is "The Shard". Our newest skyscraper.?
3
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... y te cuelgas de su liana.
Luis, el gua, comienza la visita al convento de San Antonio de Padua de Izamal.
Sputnik Trio va a
presentar su nueva grabacin Live Betrayal (Sentencia Records) con conciertos
en Madrid, Salamanca, A Corua, Lisboa y Oporto durante los prximos das.
Como previa a estos conciertos, en HDO escuchamos la msica de Ricardo Tejero,
Marco Serrato y Borja Daz en
temas de su nueva grabacin y de la anterior, Sputnik Trio (Raw Tonk Records).
Este lugar se llama Izamal. De gran hospitalidad arquitectnica y gastronmica.
La Ruta sigue y la "felijuventud" tambin. Un abrazo.
This week it's Chris' turn to share a song that has inspired him,
he has chosen 'Let There Be Drums' by Sandy Nelson
s nmeros de telfono de Espaa, por ejemplo, constituyen un cdigo 10-ario de
longitud 9:
saludos amigos
Elements of Jazz by Greg Fishman
A Bridge To Be Crossed
MisterKleenhead
MisterKleenheadHace 5 aos
@khaosx12 It was a vintage "Readers Digest" compilation.?
Okin Snave 12
Okin Snave 12Hace 5 aos
What album is THIS one on??
Descargar The Beatles - Complete Scores
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Seguir sin ms parafreaseando a los autores baratos de las redes sociales hasta
encontrar un vocabulario propio que sea todava ms falso. No es tan fcil ser
genuinamente imbcil al escribir un asqueroso poema para las gentes vacas
que valga por lo menos un libro de David Baker o, en cualquier caso, una opcin
a ello
Shut up, amateur!?
kfdisawesome
kfdisawesomeHace 1 ao
damn i can hear where dexter got his influence from. Charlie swings it!! ?
1
jamal jabbar
jamal jabbarHace 8 meses
+kfdisawesome I was listening to Charles Lloyd playing a cut called "Clandestine
" from the Acoustic Masters One CD. You can really hear the Coltrane influence.
It's a deep cut, check it out.?
nffmatt
nffmattHace 2 aos
zie je wel, Caroline??
InterstellarJoe
InterstellarJoeHace 4 aos
This one is 4 u Gerben Dijkstra from the Netherlands!!!! Bebopalulawhambam!?
KrummyBear
KrummyBearHace 4 aos
La era de la estupidez le da voz a los imbciles para que, con un gritero
infernal acallen a aquellos que saben
<DeviceInfo>
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0000-0000-0000-0000-000000000000}"/>
</DeviceInfo>
io CastilloHace 1 ao
Roberto se parece a Mara la del barrio cuando la llevan a la pera por 1ra vez ! ja
jajajaja?
3
Carlos Christian Centeno Gutierrez
Carlos Christian Centeno GutierrezHace 1 ao
+Dario Castillo jajajaja el feliz pifiando y aplaudiendo jajaja que gracia =)?
diego mdc
diego mdcHace 1 ao
menuda patrulla?
1
Sheila Ventura
Sheila VenturaHace 11 meses
mola mucho Aqu no hay quien viva Goya t puedes me encanta mucho tu serie Aqu no hay
quien viva la que se avecina arriba t puedes Marisa nosotras parimos nosotras de
cidimos?
Only One LifeHace 1 ao
2:00 Al final tuvo que hacerlo... ???
3
Javi Gomez
Javi GomezHace 1 ao
:((?
kevin moreno
kevin morenoHace 10 meses
+Javi Gomez chorisoo!!!! :O?
Jose Manuel Gallardo Pastor
Jose Manuel Gallardo PastorHace 1 ao
me encanta aqui no ai quien viva
es mi serie preferida
ace mucha risa?
ristina GarciaHace 9 meses
aprende a escribir por favor?
CarlosArizpe
CarlosArizpeHace 1 ao
Los trenes se van a encontrar cuando el tren de Avila haya recorrido unos 310 km
aprox. Con un poco mas de 5 horas de haber salido. Mientras que el tren de Barc
elona habr recorrido unos 390 km aprox. Poco despus de 4 horas y media de haber sa
lido. En pocas palabras se encontraran a las cinco horas y pocos minutos de habe
r salido el primer tren.?
1
Geir Fredriksen
Geir FredriksenHace 1 ao
Amazing how it sounds soo fresh still today.Sign of real genius!!.The tune is ba
sed on "I got rhythm" Love how Parker is creating his melodies within the struc
ture of the piece.With Miles(trumpet),J.J Johnsen(trombone),drummer Max Roach(th
e great one),pianist Duke Jordan,and bassist Tommy Potter.Composed by another tr
umpet player "Little" Benny Harris. Charlie was at his most creative during this
year of 1947.?
2
vova47
vova47Hace 4 aos
Composed by "Little" Benny Harris, recorded by Charlie Parker.?
Jos Groot
Jos GrootHace 7 meses
I like the lightness of your play alongs. Thanks!?
sandaglad
sandagladHace 1 ao
Love the simplicity of this. Swinging and melodious. Thank you for posting.?