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Lab 21 in TFFA06
Holography
NAME
PERS. -NUMBER
DATE
APPROVED
Rev May 07
J.W.
1 Introduction
1.1 Background
The Nobel Prize in physics 1971 was awarded to the Hungarian physicist Dennis Gabor, at the time at
Stanford, for his invention and development of holography a method for producing three-
dimensional images. His first theoretical work on the subject was published as early as 1948 in Na-
ture with the title A New Microscopic Principle. The purpose of this work was to improve the image
quality and resolution of electron microscopes. The recording of the hologram was to be created with
monochromatic (same energy) electrons. The display of an image from the hologram was done with
monochromatic light. This resulted in an increase of all distances in the setup by about 100 000.
A hologram (from Greek Holos = whole, complete) is a complex surface pattern created from interfer-
ence between a reference wave front and a wave front reflected by an object. Gabor showed that it is
possible to store a sufficiently large amount of information in a hologram for the purpose of recreating
a three-dimensional image of the object utilizing a plane hologram.
Initially the holographs had to solve many difficult problems. One was to create a monochromatic
light beam with the same characteristics as the electron beam used to record the hologram. Another
problem was that the aberrations of the electron lens used in the initial exposure had to be recreated in
the light-beam used for displaying the image.
The solution of the latter problem was solved in the early sixties with the invention of the laser, our
most coherent light source to date. In the area of holography the work of E. N. Leith and J. Upatnieks
from 1962 has proven to be one of the most useful developments of experimental laser holography.
They showed that with a laser as light source the photographic plate could be placed off line with light
source and object.
Any wave front can be described as a sum of plane waves (multi-dimensional Fourier-transform) there-
fore the principle of Figure 4 and Figure 5 can be generalized to describe any set of wave fronts. In
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holography the reference wave is typically a semi-spherical wave while the object wave can be of arbi-
trary shape.
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Figure 4: A cutout of the photographic emulsion illuminated by two plane
waves. One could be considered as a reference-beam and the other as an
object-beam. Light grey lines represent positive crests and dark grey lines
negative crests. In points where two waves interfere constructively the film
will turn black and in points where the sum of the two waves always are
zero the film will remain transparent after developing. The photosensitive
emulsion is several wavelengths thick in a typical film/plate.
Figure 5: The reconstruction of the original waves. Due to the fact that the
emulsion is thick only one of the two diffraction waves are recreated.
A mathematical formulation
Using the classical j -method, the intensities of the reference beam R and the object beam O relates
to the intensity at the holographic plate I H as:
2 2 2
I H O R O R OR* O* R
Here A* denotes the complex conjugate of A . Since R is our reference we can define it to be real. If
the plate is developed and brought back to the original position, the effect of this on the reference-beam
can be written:
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IH R O R R O R R R R O R O*
2 2 2 2 2
Here we get all three wave fronts, the transmitted reference beam, the reconstructed object beam and
the conjugated object beam.
Transmission hologram
If the reference beam and the object beam is incident on the same side of the plate the fringes will pri-
marily run normal to the photographic plate, like in Figure 4. Upon reconstruction the image can be
viewed from the opposite site of the plate relative the reference beam. If the reference beam used to
recreate the image has a slightly different wavelength than the original reference beam, the size of the
object will differ. If the reference beam is composed of to many different wavelengths, many images
with different sizes will overlap and all that can be seen is noise.
Reflection hologram
If the reference beam and the object beam is incident from opposite sides of the plate the fringes will
primarily run parallel to the photographic plate. Letting one beam pass through the plate onto the object
and be reflected back from the object onto the plate creates this type of hologram. These holograms are
not transparent to light with a wavelength different from that used to create them, due to Braggs law
for diffraction, so if illuminated by a white point source an image of the object is still recreated.
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t c c Lc
Photographic emulsion
The distance between interference fringes in a hologram is of the order of half a wavelength. This put
substantial demands on the resolution of the photographic emulsion used to record the hologram. Ordi-
nary black and white film has a resolution of up to 400 lines/mm at a sensitivity of 100 on the ISO-
scale. Light has about 2000 wavelengths/mm so the photographic emulsion used must have a much
higher resolution. The emulsion used has a resolution of more than 3000 lines/mm and a sensitivity of
0.3 on the ISO-scale.
Human perception of image contrast follows a logarithmic behaviour, so an ordinary picture looks right
if it has a transfer function that is a line in a diagram where the axes are in logarithmic scales. Holo-
grams require that the amplitude transmittance of the developed emulsion is directly proportional to the
intensity of the interference fringes so the requirement of the transfer function is also different.
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2 Experimental methods
2.1 Classification of Holograms
A hologram can be classified by several factors in the production process.
Type of diffraction pattern.
Surface hologram or volume hologram.
Amplitude hologram or phase hologram.
Transmission hologram or reflection hologram.
The reference beam is a spherical wave (point source). The angle between reference and object beam is
relatively large to avoid overlapping of imaginary image, real image and transmitted reference beam.
This large angle results in a high spatial frequency in the interference pattern and therefore requires a
photographic emulsion with very high resolution. Since emulsions used generally have low sensitivity
the exposure time becomes relatively long. The long exposure time and high spatial frequency requires
good mechanical stability. Differences in the object or the optical paths as small as a quarter of a wave-
length during the exposure results in a total smearing of the interference pattern and a total loss of in-
formation. Object, lenses, mirrors and film must therefore be kept at their relative position during the
exposure.
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cycle will have a magnitude of half a wavelength. In other illumination and observation angles the
translation will have a higher magnitude.
From Figure 8 we get that the difference in length is AC AC ' BC BC ' . If the distance AC and
BC is much larger than CC ' (the angles CAC ' and CBC ' are small) the difference can be approxi-
mated by
CC '(cos cos )
And with known wavelength it is then possible to calculate the number of fringes, n , generated by a
deformation d :
d(cos cos )
n
or, to get the amount of deformation from the number of fringes:
n
d
(cos cos )
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3 Assignments
N.B! Do not look into the undiverged beam. Do not touch or clean any mirror- or lens-surface. Do not
move any of the elements in the beam-path unless you have to.
3.1 Equipment
A granite slab with a weight of about 500kg rests upon a spring-bed on a wood table make a stable
base for the equipment.
The light source is a CW (Continuous Wave) HeNe laser with an optical output power of 14 mW with
TEM00 (Transverse ElectroMagnetic wave) parallel to the optical axis, at wavelength 632.8 nm, hori-
zontal polarized. Other equipment include:
Shutter, mounted off the granite-base in order to avoid vibrations
Mirrors mounted onto heavy feet and able to rotate around the vertical axis
Beam-splitter
Spatial filters with a 10 microscope objective that collapses the beam through a diaphragm with
a diameter of 25 m . The diaphragm removes radiation that has been diverged by dust in the air
and dirt on the mirrors
Object
1. Suitable object
2. Water container used in task 3.5
Hologram holder
Diaphragm
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3.2 Processes
Check the beam-paths, that the object is in place and that the difference in path-length between the
two beams is as small as possible by using a thin thread for measuring.
Check that the intensity difference between the two beams is reasonable. The light reflected back
from the object onto the plate should have an intensity of about 1/3 of the reference-beam. Adjust
with a grey filter in the reference-beam-path.
Locate the hologram holder, the metal tank, the laser shutter, the different processing liquids and
set the timer for 5 minutes development.
Close the shutter and turn out the lights.
Fetch a photographic plate from the box without leaving any fingerprints. Hold the plate by the
edges. Do not forget to close the box.
Mount the plate in the hologram holder with the emulsion side towards the object. The emulsion
side feels sticky when touched with a moist finger by the edge. Place the plate in the three holders
so it rests firm in the fixture.
Wait 15s, after the last movement of any equipment on the table so that any vibrations attenuate,
and start the exposure. Be silent during the exposure.
Open the shutter softly for 20 seconds and then close it.
Remove the plate and put it into the developer with the emulsion-side facing up. Develop for 5
minutes. Put the plate in the stop-bath for 20s. Fixate the plate for 5 minutes, after 1 minute in the
fixer some light can be turned on.
Rinse in water for about a minute, for permanent holograms rinse for 15 minutes.
As soon as the plate has dried a reconstruction of the object-beam can be done.
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be viewed with white light. View the hologram with any point source illuminating the plate in approx-
imately the same direction as the reference-beam did during the exposure.
Figure 10: The layout used to create reflection-holograms. Note the differ-
ent position of the plate and that the previous object-beam is blocked out
and only one beam is used.
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4 Further reading:
Practical Holography, Graham Saxby, Prentice Hall 1988.
The Making and Evaluation of Holograms, Nils Abramson, Academic Press 1981.
Physical Optics, S. A. Akhmanov, S. Yu. Nikitin, Clarendon Press 1997.
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