Documenti di Didattica
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and the
Mansara system
Submitted by:
Meenu chauhan 14607 Seerat Sharma 14618
Date:
27th February 2017
Contents.
1. Abstract
2. Introduction
3. Main body of text
4. Conclusion
Abstract
This report aims to analyse the contribution of the vaastu shastra manuscript
regarding manasara system in town planning.
All the salient points of the document have been covered in this report.
Introduction
The literal rendering of Vaastu Shastra will
be the science of architecture but a complete Vaastu Shastra deals with
what is more than generally understood by architecture.
In this the term architecture is taken in its
broader sense and implies what is being built or constructed.
In first place it denotes all kinds of
building-religious, residential and military; and there auxiliary
members
Secondly it covers town planning, laying
out gardens, constructing market places including ports and
harbours, making roads and bridges.
Thirdly it connotes articles or furniture, it also includes making of
dresses and ornaments.
Any artifact or Vaastu is defined primarily by its three characteristics, viz.
size, shape & orientation. Here we explain only size and orientation as a
part of Building Formulae.
Yoni is the connecting link between the two characteristics of Vaastu, viz.
Dimension and Orientation.The prime dimensions in pada unit shall be
divided by 8 (the count of cardinal directions).
The Remainder of shall be denoting the Yoni of the Vaastu. Every Vaastu is
facing the focal point, a prime point which should be considered before
starting the Vaastu designs.
Mansara system
All these matters are systematically treated in the standard work on the subject
known as Mansara, the etymological rendering of the word Mansara is the
essence of measurement sara meaning essence and mana meaning
measurement. In this sense the full title Mansara Vaastushastra would imply a
science of architecture where the essence of measurement is contained, the
standard measurement is followed or the system of proportions embodied.
The system of measurements
From the forefaces of brahma the creator of universe originated in order the
heavenly architect vishvakarman, maya, tvashtar and manu. The foresons are
called respectively sthapati, sutragrehin, vardhaki and takshika, these four
evidently represent the progenetors of four classes of terrestrial artists.
Sthapati is highest in rank. The Sutragrehin is he Guru of vardhaki and Takshika.
Vardhaki is the instructor of Takshika.
Directions are given with regard to four different kinds of hasta given above
Classification of Vaastu
The Village
1. Dandaka 5. Swastika
2. Sarvotobhadra 6. Prastara
3. Nandyavarta 7. Karmuka
4. Padmaka 8. Chaturmukha
The two main streets crossing a centre have houses and footpaths on one
side on the street.
The ground floor of these houses on main streets consists of shops.
The street which runs round the villages also houses footpaths only on one
side.
These houses are mainly public buildings.
All other streets have residential building on both sides.
Drains follow the slope of ground.
Tanks and ponds are dug in all inhabited parts and located where they can
conveniently be reached by number of inhabitants.
Temples as well as public commons, garden and parks are similarly
located.
People of the same caste are generally housed in the same quarter.
The partition of the quarters cannot be said to be quite impartial, the best
quarters are generally reserved for Brahmins and architects.
The habitations of chandalas as well as places for cremation are located
outside the village wall in northwest direction in particular.
The temples of fearful deities such as chamundas are also placed outside
the wall.