Documenti di Didattica
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URBN 371
Dr. Arloa Sutter
12/10/2015
This semester has opened my eyes and expanded my thinking in ways that I have
yet to fully realize and can only begin to articulate. This paper will attempt to explain
some of the ways in which I have grown as a result of my experience studying race,
In a very general sense, I have learned a great deal about my own privilege and
the ways that I benefit from things that I havent necessarily earned. One of the ways
Ive started to understand my privilege is by viewing it in two ways: first, the way that
my outward appearance affects the way I move through the world, the way I am treated,
and the way I expect to be viewed by others. Second: the opportunities, education,
upbringing, social networks, and other intangible factors that have propelled me to a
seminar workshop where I learned about the unique struggle faced by African-American
women. While I consider myself generally well informed on womens and feminist
issues, I was extremely surprised to find that I had been mostly in the dark about an entire
race and gender. I realized that even in a movement that I believed to be uplifting,
empowering, and working on behalf of all women, the collective group has actually
include unique mental and physical health issues, an oppressive stereotype that demands
I realized that if I had engaged the feminism movement with greater awareness of
my own privilege, then I might have been quicker to realize that being a gender minority
did not preclude my white privilege from elevating me even within that socially
subordinated group. In the future, I hope to continue learning about womanism (the social
theory that developed as a reaction to the whitewashed nature of feminism) and help to
be a voice and advocate for all women, regardless of race or ethnicity. Beyond that, I
want to especially elevate and attend to the voices of African-American women within
the movement, in order to avoid perpetuating a feminist version of the all lives matter
between the classroom and daily life. My internship experience was one of those spaces. I
spent the semester interning in the showroom of a high-end fashion company, where I
such as my daily commute, my interactions with clients, and my relationships with the
showroom staff. The learning that occurred in classroom discussions and reading was
emphasized and nuanced through these experiences. I think that this semester will be
within the fashion industry. For a long time, this was an area of tension and conflict for
me because Im fairly well aware of the way the high fashion and luxury industries are
maintained by exclusivity and privilege. A question that I wrestled with throughout this
semester was, how do I reconcile my passions and gifts in fashion with the deep sense of
duty and compassion I feel towards those affected by racial and socioeconomic injustice?
I was surprised to find that, more than anything, this semester confirmed the sense
of calling I feel to enter the fashion industry. Equipped with a renewed understanding and
change and transformation in my future workplace and its surrounding culture. Seeing
people like Terry Truax working from positions of power and influenceand leveraging
me. It renewed the sense of drive and determination I feel to succeed in my career, so that
I might someday have a platform and position from which to advocate for and amplify
the voices of the people who are largely shut out from the industry itself.
A few practical issues that I became aware of include the underrepresentation and
misrepresentation of certain minority groups in the fashion industry. While minorities are
certainly present in the fashion industryin the sense that they are disproportionately
affected by the unfair wages and labor conditions by which much of the capitalist system
is able to functionthey rarely occupy positions of visibility, power, and influence. One
example is the modeling industry. Of the nearly 5,000 looks shown at New York Fashion
Week for Fall/Winter 2014, approximately 80% of those were worn by white models.1
The disparity is even greater in design: Of the 260 shows scheduled for Fall/Winter 2015,
only three with any global reach were showcasing work by African-American designers,
1
Dries, K., 2014. New York fashion week: diversity talks, but white faces walk.
Jezebel.
and of the 470 members of the Council of Fashion Designers of America, only 12 are
African-American.2
society changes, taking on new rules, language, and rhetoric that functionally maintains
the same effects as those perpetuated by the more overt discrimination and laws of earlier
white supremacyaffirming the talents, beauty, skills, and purchasing power of the
wealthy, white majority, and largely ignoring, silencing, and misrepresenting the equally
valuable minority. I have become increasingly angered and disappointed by this fact over
the course of this semester. I want to be part of the force that changes it. True racial
reconciliation and socioeconomic justice will never be possible until all spheres of human
life are penetrated by truth and justicethe fashion industry is one place where I can
begin.
Another thing that convicted me this semester was the realization that, as a person
with a voice in the majority, I have the responsibility to help educate, inform, and
influence others like me to understand what I have been able to see this semester.
Minority groups shouldnt have to keep trying to make their voices be heard among an
ignorant, stubborn majority. I can (and must) use my privilege to help their stories be
listened to, to amplify their voices, and to speak truth to the powers among which I
function on a daily basis. Going forward, this is a duty that will affect everything from
conversations with friends and what I choose to post on Facebook to questions I raise in
class and protests or demonstrations I choose to participate in. Justice must become a way
2
Friedman, V., 2015. Fashions racial divide. The New York Times.
of thinking, speaking, living, and loving in order to begin to cultivate a state of shalom