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Sec o nd P l a c e P oet ry ,
M i l l a rd J B i e n ve n u
.
M i l l a rd J B i e n ve nu
.
S us a n H iggs M o nd a y
S us a n H iggs M o nd a y
S usa n H iggs M o nd a y
C i ndy T otte n E l fs paw n ,
T h i rd P l a ce P oet ry
. , G ra du a te D i v isi o n
A l l e n M Fo r d
. S id e E ffects ,
1 98 1
N SU ha s m a ny pl ea s a nt a n d i nte resti ng peo pl e a n d m y ti m e h e re h a s bee n th o ug h
, ,
N ig e l N ich o ls o n
A rg u s E d ito r
S p r i ng 1 9 80S p r i ng 1 9 8 1
, ,
TA B L E O F CO N T EN T S
P h otog r a p h y by V i c k i e G r a h a m 5
P h o tog r a p h y by V i c k i e G ra h a m (3
C a r n a ti o ns , J a n e A P a tterso n 7
E d i to r T ick et P l ea se R en a e Q u i c k
, 8
N ig e l N ich o l so n P oe t ry W ea v i ng C i n d y T otten ,
H awk J i m A l l en
, 9
S a w d ust J i m A l l e n
As s i sta n t E d i to r
,
J a n e A m b l er P a tt e rs o n A ng e l e s a t Fo u r A M V i c k i e G ra h a m
. .
, 10
P h otog ra p h y by V i c k i e G ra h a m
E d i to r i a l Staff A rt A tta ck J i m A l l e n
, 12
S t e p h e n C a m p be l l O n T h e R a d i o J i m A l en ,
C o l l ee n C l a i re C oo k
R u m o r J i m A l l en
, 13
R uth C G uti e rrez
.
A l a rm J i m A l l en
,
S u sa n H a g a
K e ith W oo ds A C o u p l e J i m A l l en
, M
E ph e m e ra L i n d a V e rrett
,
P h otog ra p h y by S u s a n Do l ar
C ove r Des i g n
A l m o st S u m m e r J a n e A P a tte rs o n
, 15
A l l e n M Fo rd
H o ld i ng U p T h e Ac a d e m es J i m A l l en
.
P h otog ra p h y b y C i n d y T otten 18
P h otog r a p h y b y R o b e rt A l l e n 2O
T i m ec a rd S te p h e n C a m p b e l l
, 2t
I l l u s tra ti o n by R u th C G u ti e rrez
Ar g u s i s m u l t i-me d i a ma g a z i n e 22
a
D e p re ss i o n J u l i et S n ow d en
pu b l i she d t d e n t s of
,
by th e s u
N o rt h w e st e r n S t a t e U n i v e r s i ty .
H a ng i n T h e re B a by E l l en Do l l a r
, ,
N at c h i t oc h es L ou i s i a n a
23
.
Pri c e P h otog r a p h y by V i c k i e G ra h a m
C
C opy ri g h t Pen d ing
P h oto g ra p hy by V ic ki e G ra h a m 24
P h otog ra p hy by V i c ki e G ra h a m 25
H a i ku 2o
A l l e n M Fo rd S u s a n H i g g s M o n d a y Ka th
.
, , een S m it h .
V i ck i e G ra h a m J ea n n ette Pr i m m ,
H a i ku 27
A l l e n M Fo rd L i n d a V e rrett S u s a n H i gg s M o n d a y
, , ,
S u s a n H a g a V i c k i e G ra h a m
,
T h e S h a d ow M i l l a rd J B i en ven u
, . 80
P h otog ra p hy by V i c k i e G ra h a m
P h otog ra phy by V i c ki e G ra h a m 35
RN P , J a n e A Pa tte rs o n.
38
La te ly I ve B ee n Loo ki ng U p J a n e A P atte rs o n
, . 89
P h otog ra p hy by C o l l ee n C l a i re Cook
H a rvest of H i l l D a nc i ng S u s a n H i gg s M o n d ay
-
, 40
I l l u s trat i o n by R u th C G u ti e rrez .
T h e C oo k Dott i e B ro d er ick
, 44
S m a l l B ra i ns V i c k i e G ra h a m
,
P h otog ra p hy by C o l l een C l a i r e C oo k 45
th e S u bj ect Ba m b i S ea rs
Wh i l e We re on , 4o
Lo ng -
D ista nce Love Affa i r , Ja n e A . Pa tte rs o n 47
N OR T H WE S T E R N S TAT E
Wh o s Who
1 18 U N I VE R S I T Y
P h oto g ra p hy by C i n dy T otten 5 i
N a tc h i toc h e s .
C o n fess i o n s of a R o ma n ti c
l wa s bo r n to
wea r f l owe r s ro u nd m y h ea d
a n d d a nc e a b o ut a v i l l a g e squ a re
I wa s bo r n to
s i ng s o ngs of m i rth
a n d pa n egy r iz e th e m o r n i ng su n
I wa s bo r n to
d rea m awa y th i s p iteo us wo r ld
a n d s et free th os e v ex e d by rea l ity
I wa s b o r n to
g u id e u n ic o r ns to th e s oftn e ss of po ppy f i e lds
a n d h ea r th e m e l od i o us tu n e s of th e M use
I wa s b o r n to
sp i n n ew v isi o ns i n th e u nd e rsta nd i ngs of th e m e rcu r i a l o n es
a n d m i ng l e th ro ug h c row ds of fa nc i fu l poets
l wa s bo r n to
be a c a ste r awa y of cyn i ci s m
a n d h ea l wo u nds th ro ug h ta b l e
l wa s bo r n to
be l oved a n d
g i ve l ove to a l l th e ea rth a n d h ea ve ns
L es i e G reg o ry
AR G U S A
P h otog ra phy by V icki e G ra h am AR G US 5
P h otog ra phy by V icki e G ra h am
AR GU S 8
C a rn ati o n s
Every wr i n kl e
A g e ntly etch ed m a rk
-
O f co u ra g e a n d e ndu ra nc e ,
P l a ced ca refu l ly
By th e sl ig htly t re m b l i ng h a nd of T i m e .
E a ch g rey h a i r
A rewa rd
Fo r l ess o ns ta ug ht .
A n d l e ss o ns l ea r n e d .
T h ey s it i n a ntiqu e ch a i rs ,
B l a nk sta res a t l o ng pa st ti m es .
C ry i ng l oo ki ng b a ckwa rd
, ,
S ig h i ng l oo k i ng i n wa rd
, .
L ove th e m n ow a n d s m i l e , .
S it a n d l iste n to th e i r ta l es
O f d a ys w h e n l i fe wa s yo u ng .
D o be c a refu l th o ug h , ,
T o a vo id th e i r eyes .
Yo u d o n t wa nt to see
T h e h a u nted e m pti n ess
T h a t l i e s i n wa te ry d e pths .
T h e i r o n ly h o pe l eft is d ea th .
K i nd si r h e re is a ca r n a ti o n
, .
Wo n t you g i ve a d o n a ti o n?
Ca r n a ti o n fo r d o n a ti o n ,
T o h e l p th e o l d a n d dyi ng .
Jan e A . P a tter so n
AR G US 7
T i c ket Pl ea s e
S o m eti m e s
I wo nd e r w hy I wa nt
So m uch .
Why c a n t I be sa tisf i ed ?
I h av e so m uch a l rea dy .
S o m uch m o re
th a n
S o m a ny .
A n d y et
sti l l
I co m p l a i n .
Wh eth e r o r n ot I m pa yi ng a d u lt p r ic es
a t m ov i e s
I m p l ayi ng
C h i l d ish g a m es w ith
M yse l f
.
R en a e Q u c i k
m a k e m y poetry s i m p l e r
you sa id
c o i l th e wo rds tog eth e r
l i k e raff i a bo u nd p i n e n ee d l es
-
th e i r i nsi d e s ou t
c o i l g e ntly f i rm ly
,
th e i nte rn a l r hy m e
th e et ern a l rhy m e
w i l l co m e
a n d s i l e nc e l ay se r pe nti n e betw ee n u s .
C i n dy T o tten
AR GU S 8
H awk
T h e re a re oth e rs
too co m m o n to b e n a m ed
so h o rr i b l e th ey a re i n v isi b l e
u nti l n ig ht
w h e n th ey c o m e i n d reda m s
fo r teth e r .
Jim A en
S awd u s t
I t s m o re l i k e s o m eth i ng y o u b u y
th e
J i m A l l en
AR G US Q
AR GU S 1 0 P h o tog ra p hy by V i c k i e G ra h a m
AR G US i i
Art Attac k
In th is tow n we l i ve
w ith st ra ng e a n i m a ls
n o t q u i te ext i nct
d o g s i n h ea t w ith th e m s e l ve s
squ i rre ls a fra i d of th e i r n ests
f ish wh o a re n ot yet
sa l mo n
O n th is si d e of th e r i ve r
poets h o l d th e m s e l ves
ve ntu r i ng s l ow ly d e l i b e ra te ly
, ,
sc a red of c a rs
of be i ng st r uck d ow n
by s o m e type
of h o rr i b l e m a g ic
i n th e m idd l e
of a s o ng
We a re i n th is p l a c e
w h i ch h o n o rs ti m e .
to b e y o u ng fo reve r
I t is th e k i nd of d ea th 0" Rad i O
n o o n e w a nts
In th e c ity of N ew O r l ea ns
y et we a re w i l l i ng
o n a cc id e nt occu rred
to ro l l o u r ey es to th e sky
a n d c o u nt st a rs
i n vo l v i ng th e re l ea se of
w ith o ut resti ng o r p rete nd i ng po is o n o us ch e m ic a ls
o th e rw is e.
i nto th e wa te r su pply
so m e peo p l e d i ed
J i m A en
It wa s l a te r d isc ove red
th a t th e i nc id e nt h a d
b ee n b l ow n o u t of p ro po rt i o n
by th e m ed i a
T h e h u nd reds wh o h a d bee n
eva cu a ted
ra i l ed a g a i nst th e m ista k e
In such al a rg e c i ty
n o o n e c a re s fo r
s o few d ea ths .
J i m A l l en
AR G U S i 2
Ru mor
T h e re a re th e th i ngs th a t no one
kn ows a bo ut
th e h i nt of d ea th th e s m e l l
, of l i es ,
T h ey c o l l ec t a bo ut m e
he m
ra th e r th a n fea r I g a th e r th
,
a g a i nst m y b rea st
h e ld l i ke co l o red eg gs
h a tch i ng to f l a m boya nt b i rth
No on e kn ows th e i r fa th e rs
a nyo n e w ith h u m a n ch a ra ct e r istics A l a rm
c o u ld h a ve p rod uced th e m
th e re a re sec rets of pe rso n a l n a tu re
o pe n to m e l i k e b oo ks .
Jim A en
peo pl e s bod i es ,
w ith th e i r m i nds I m
m o re c a refu l to tu r n
o u t th e l ig hts
w h e n I m th ro ug h
H ow th e m a p l i n es
st retch a n d g row
h ow st r i ng a n d sto n es
i n th e g a rd e n a re p i ec es
of th i ngs I ve n ot beg u n
a t tw e nty seve n .
J i m A l l en
ARG US i 3
A C o u pl e
I sa w th e m o n th e st ree t
d ressed a l i k e
T h e way th ey wa l k ed
a n d w e re se l d o m see n a pa rt
fro m o n e a n oth e r
d i s m i ssed a l l spec u l a ti o n
I wa tch ed th e m w h e n eve r I co u l d
a n d d id n t c a re th a t th ey kn ew
wh a t i wa s d o i ng
S uch d i v i n e ly sh a red d ev i a nc e
m u st su re l y g i ve m e r it
to th e w h o l e t ow n .
J m A en
E ph emera
I p ick ed t e nd e r yo u ng f l owe rs
A n d t o ssed th e m o n th e coo l b i l l ow i ng wa ves
, .
A n d a s I wa tc h ed tw o of th e p rett i est
,
I s m i l ed d e l ig ht ed fo r b u t o n e ti ny m o m e nt
, . ,
A n d g ra d u a l l y ,
h e l pl e ss l y .
th e spa c e be twee n th e tw o w id e n ed .
I l oo k ed o n m y h ea rt sig h i ng
, ,
T h i nk i ng of you a n d m e .
Lin da V e r rett
AR GU S 1 4 P h otog ra p h y by Su sa Dal i a
n r
.
A l mo st S u mmer
I nstitute of E duca ti o n
F l oo rs swa l l ow i ng esc a l a to rs .
E sca l a to rs ch ew i ng f l oo rs ,
Wh a t u se a re a m b ig u o us a l l us i o ns to pa st g rea tn e ss
Wh e n to m o rrow a l l th e boo ks co u ld be b u r n ed ?
S i tti n g a m o ng a sh es is ted i o us work .
Aft e r a l l ,
Y ou ca n t d o a th i ng w ith teeth
I f yo u ve n eve r kn ow n a d e ntist .
R e m e m be r th e l i fti ng j oy of t ru m pets b l ow n
P ots a n d pa ns bea te n w ith a spoo n i h ave l i ed
M u d pudd l e s s p l i s hed S ig n i ng m y a utog ra ph
t ry i ng to p rove th a t re petiti o n
T he L ittl e P r i nc e h as i nd eed retu r n ed .
is g ood fa ith
a s I spit th e yea rs of d ec e it
fro m th e l esso ns I h a ve l ea r n ed
I h a ve l eft th e b r id e o nc e m o re
d ese rted i n h er l o n e ly ha l l
of kn ow l edg e
w h ispe r i ng th e n a m es of l ove s
s h e kn ow s w i l l n ot retu r n
.
J i m A l l en
AR G US 1 5
E sca pa ti ve
T he n ig ht wa s d a n k a n d th e m oo n g l obed b riverl y
i n th e spa r studd ed ove rs ky S h ri l l e ry vo ic es of
-
.
p o i n ked th e sti l l y a i r S h i v e rs of ta s ty d a m pn e ss
.
b reat h e by A l l wa s pa l m a n d q u i etfu l a n d a s it
.
sh ou l d h av e bee n .
B u t th e n o rm a lcy of th e sw i l l b og wa s be ru pted
su dd e n l y by th e fr i sta n t so u nds of s m u cky q u ea lthy ,
th a t th ey we re r ig ht ba c kh i n d h i m kn ow i ng th at h e ,
m u st k ee p o n .
s r s t n
q u ite a u pe d a ce a n d h e h a d th e sa me to g o H e
i .
u p aga i n .
Twa n c h es tw i n ted tw i"t h is I eg es tw i p i n g h i m B u t
'
, .
h is fa c e B u t h e k e pt o n T h e ya rk i ng of th e f i nd
. .
d og s co me m o re c l ose rly B u t h e k e pt o n . .
of h is bo dy H e a i l ed h is a rm s futi l e
.
a nd
s l a i n fu l ly , to rri b ly wa s e n g u lv e red co m p i re ly by th e
s l oozy c l i me .
T h e d og s n eve r fou nd h i m .
H e wa s free a t l a st .
J a n e A P a tter s o n
AR GU S t o
ARG US 1 8 P h otog ra phy by C i n dy To tte n
An oth e r Face i n th e C rowd
Wh e n l
s h e oo ed k in th e m i rro r
she d id n t see h e r se l f .
S h e t r i ed
T o be l i k e eve ryo n e e l se .
Wh e n s he spo k e
T h e vo ic e wa s not he r own .
S he wa nted
to be l i k e eve ryo n e e l se .
An d s he a l m o st
WCI S .
J u i et S n owd en
AR G US t Q
P h otog ra p hy b y R o b ert A I e n
AR G US
De p r e ss i o n
Y o u a p p roa ch a s if i n a d rea m .
Y ou a re su rr o u nd ed
by t ree s
An d s m a l l w i l d f l owe rs .
d ee p
d a rk po nd a wa its yo u .
Fog fa l l s a ro u nd th e d a r k fo re st
s l ow
w ll y .
It i s a d ea f sti l l
, ng
a rr a n gem ntt
men .
Y o u fa l l i nto th e po n
ndd
d
a nd fee l no bo tto m .
You a re be i ng d ra gg ed
d
u nd e n
r
B u t yo u f ig ht to st ay a bov e .
G ra b b ii nng
g th e m ud dy ba n k ,
yo u pu l l y o u r se l f ou t
H a n g i n T here Ba by
a nd wa l k a wa y ,
,
h op i ng
n ot to h av e to retu rn aga i n .
Ju et S n ow d e n
E l l e n Do l l a r
P h otog ra phy by V ick i e G ra h am AR G US 2 3
AR G U S 2 1 1
P h otog ra phy by V i c k i e G ra h am
c rayon me mo ri es
co l l ected b ro k e n fri e n d shi ps
, ,
fra g i l e l i k e s ma l l s h e l l s
A en M F o rd
th eh ea te r wh is pe rs
in th e C a t s n o res .
you s l ee p I l iste n
, .
Su san H i gg s M on d ay
ch i l d h o l d s v i o l i n ,
m us i c fl ows f ro m h e r f i n g e rs"
ea ch o n e h a s a g i ft .
Kath l een S m i h
h ig h on th e l i mb
t a ppl es g row
ou t of d on
whe re you ca n p i c k th e m?
Vi c k i e Gra h a m
I g l a n ce a t yo u
re me m be ri n g yea rs g o n e by"
pl ea se d o n t l ea ve my c h i l d
, .
J ea n n ette Pr m m
'
US 2 o
two b ird syou n g i n fl i g ht
, .
ca u g ht by d a ri n g youth a n d c l a ws
th e cat pl ays d ea d l y
A en M F o rd
th e fa l co n fl i es d ow n b rush ed w i th a iry
on so m e u n s us pect i n g p rey" th e p i n e need l es h o l d l i g ht l y
h i s m ea l fo r th e d ay . th e ir su n ny t rea su re .
L i n da Verrett Su sa n H ag a
n o h o st i l i ty tu n ed to s i l e nt sta rs
A en M F o rd
. A ten M F o rd
.
h o l d l o n g th e p rec i o us g e nt l y w i n d s wh i st l e
b ri g ht eye v i s i on of th e s u n th e n wh i s pe r i n g ree n sea so ns
fo rever n i g ht b l i n d so n g s th rou g h b l a d es of g ra ss
A en M Fo rd
. A en M F o rd
.
m irro rs refl ec t
tru e od o s ofr wet b ri c k s
inn ocent g l a nces sto l e n ri se i n h ot A p ri l v a po rs
v a n i ty of yo uth u rb a n red b u d s ra i n
A en M F o rd
. A en M F o rd
.
c l ea r l y h o l d i n g ra i n s p ri n g sn ows m e l t i nto
c l o ud y th ou g hts sto r m the n i g ht a irs g ush i n g st rea m s
ra i n i n g wa tered th o u g hts w a k e n s fro m h e r d rea m .
A en M F o rd
. Vi c k i e Gra h a m
all w i th
th e i r own
th ese l ea v es b u t i n th e m oo n l i g ht
,
ea ch f i n d s pe rfect i o n .
Su san H i gg s M o n d ay
A RGUS 27
Pi ctu res fro m a S a tel l i te
E nc l o s edi n th e sh a d ows of c o n f i n e m e nt fo r d a ys
W ith th o ug hts rec ed i ng l i k e ti m e esca p i ng th e h a z e
,
Y o u r ba ck ea si ng i nto th e ye l l owed wa l l s ee m s be st
S l ow ly be c o m i ng s o l id a fo u nd a ti o n of re st
, .
L oo k u p b roth e r we lco m e to O pe n a rm s a g a i n
, , .
D i p l o m a ts e m b ra c e th e g l ow i ng fea th e r i n th e i r ca p
B l i n k l i k e ow ls a t th e h oo pl a ya w n d rea m of j ust a n a p
, , .
R o sy f i ng e rs o n yo u r fo re h ea d softly p u l l th e qu i lt u p wa rm
. .
S a fe o n th e i ns id e c l o s e th e sh utte rs to th e sto rm
. .
Hai l a nd h a i l ch ee rs y ou f l i pped a n d wo n th e to ss
, , .
Wi l l th e c a m e ra s re pl a y th e pa rt th ey pl a yed i n a l l yo u r l o ss?
Su sa n H a ga
RGU S 2 8
B ed ro o m o f Da rkn ess
T u rn ou t th e l ig ht .
f l ow i ng everyw h e re
ex c e pt fo r th e c ra ck
u nd e r the d oo r .
S h a pe s sl ow ly beg i n to fo rm
A n d yo u see
T he t ree s i n th e n ig ht
w h ich swa y sl ow ly i n th e w i nd .
T h e l ow hu m of th e ra d i o
a nd th e w i nd i n th e l ea ves
cove r th e
si l e nce
Of th e n ig ht .
J u i et S n owd en
I me ld a L i n are s stared a t th e
l wa s wo rk n g
sh a d ow a s o n e w h o u nd erst ood its
'
t I me ld a re spo nd ed
n oth i ng n e ss I t c o u ld n o t be fe lt
.
q u e st i o n I don
.
to uch ed h ea rd O n ly see n A
. . .
c l oth e s to be ru i I I
p ro l fi era ti ng l i fe l e ss ref, ec
ef ll e o nn of
ctiti o
S i e spe c i a l ly
,
th e t ra c e of a s ig h f l oa ted th ro ug h g oi n g to do "
th e l itt l e ch a mber ber a s a te ns e .
h a ppe n ed to me
q u i ver i ng fra me g rew h eavy iin n S h e stu mb l ed t
q u i e tud e T h robb ing n g l eft th e l egs
.
. n ea rby t ab l e o n
moti o n l et g o off th e arm s a nd fa c e i n h e h a nd
h a nds p reoccu pa ttiro n c ea s ed to
, I me ld a g a z ed
t ax th e m i nd a nd a s sh e c l o sed h er
. th e woma n th ,
mome ntar i ly .
I me ld a "I me ld a " a vo ic e ra tt l ed
th ro ug h th e room I me ld a sh oo k .
w ith a v i o l e nc e th a t se nt th e ch a i r
w i ldly sq u ea ki ng S h e st ra i n ed .
w id e ey ed i nto th e d a rk n e ss
-
.
c ro ss ed two l o ng ro ug h e n ed arm s ,
A g a i n c a me th e c a l l a cco m pa ,
n i ed by severa l m u ff l ed kn oc ks o n
th e h eavy board th a t wa s th e
h o us e s d oor
'
Q u i e n es ? I me ld a c a l l ed
.
th o ugh sh e h a d rec og n i z ed th e
vo ic e S h e sa t q u i etly c om po sing
. ,
h er se l f a s th e ex pect ed a nswer .
th roug h th e a i r S l ow ly I me ld a ro se . ,
to a nswer th e d oor .
O h "D i o s m i o "O h "D i o s m i o " a
b l a c k d re s s e d b l a c k s h aw l e d
-
.
-
f igu re m u rm u red a s it h a st e n ed
pa st th e O pe n ing d oor O h Di o s
.
m i o w h a t am I
,
Ma r i a Co nt rera s sti f l ed h er se l f
a nd cu r i o usly l oo k ed over I me ld a
w ith o n e d own ward swoo p of h er
eye s ig n or i ng th e ti red fa c e a nd
.
P h otog ra phy by V icki e G ra h am AR G US 3 i
A RGUS 32 r
Ph otog ra phy by V i ck i e G a h a m
AR G U S 3 4
4
P h otog ra p hy by V i cki e G ra h a m AR G US 3 5
I t M ust Be L ove C u z I f l t Wa s P o i so n I vy We d A l l Be Itch i ng B y N OW
A poe m S EAm b l e r
SOL I TU D E
d isc ove r i ng l o n e l i n e ss
u nc ove r i ng d espa i r
U nti l S o m eo n e l i k e Yo u
Wh o , m e?
Wh a t is yo u r n a m e a g a i n?
L o ve .
Y es ,i re m e m be r n ow
Yo u h a nd ed m e yo u r h ea rt o nc e
I t wa s b l eed i ng
S o i l ed m y n ew g ree n
d id n t m a tt e r
C rush ed b u t th e E sse nc e is th e re
,
is th e re a ny body wh o kn ows
h ow to h o ld a H ea rt
w ith o ut c ru sh i ng it?
w ith o ut wr i ng i ng it d m f?
a ny b ody w h o c a n
ea se th e b u rd e n of c a rryi ng
mV i nd eDe n D a n ce?
Y e s th e re is
,
C a n We H e l p?
H el p ?
n t Y o u l oo k i ng o u t fo r N u m be r o n e?
bu t a re
O n e is a v ery l o n e ly n u m be r
U n l e ss of c o u r se Y o u h a p pe n to be a ve ry l a rg e rock
i n w h ich c a se Wh o c a res
,
?
AR GU S 3 o
th e th a t o n ly g rows o n
S ta ti o n a ry R ocks
i n very d ee p wa te r
S o Get s o m e SCU BA g ea r
b u t th a t s Ex pe nsi ve "
big
j u m p i n th e wa ter s F i n e
,
I cy?
Co l d?
no . . Tep i d?
no . L u k ewa r m ?
No S h a m poo t e m p e r a t u re?
NO H ot?
NO " P a ssi o n a te?
NO "
"
(Wh a t s a wo m a n n eed wo rds l i ke th a t fo r? "
We l l to a s k th e r ig ht qu esti o ns I
. .
a n d to g et th e r ig ht
N a tu ra l ly
or a t l ea st th e h o n est a nswe rs
R evea l i ng Prej ud ic e
E"po si ng W ea kn ess
D iscove r i ng So ftn ess
l i ke Wa te r?
exa ctly l i k e Wa te r
so m uch l i fe yo u c a n t c o nt ro l it
so m uch st re ngth y o u d o n t wa nt
to
( to"
so m uch c o mf o rt y o u d o n t n ee d
a n d a l l th o se F ish
m i n n ows n ot w h a l es .
u n l ess th ey B e l i eve th ey a re
ea ch U n iqu e b u t al l pa rt of a m uch g rea te r E ntity
So rt of l i k e l og s i n a F i re h u h ? .
I f th e a n a l ogy h o lds T ru e
T H ER E YOU GO AGAI N I I
Oh . A n a l ogy
S h oe?
th e re yo u g o .
S h ut
up and co me H e re I d ra th e r d row n
( i p refe r st ea m h ea t m ys e
, l f "
"
Su e Am b er
AR G US 3 7
RN P
N ot b l i nd
N ot th is l ove
N ot w ith a l l of th e se c o l o rs "
Y o u ve f i ng e r p a i nt ed m y l i fe
-
.
With ch i l d ish wo nd e r
U s ed eve ry co l o r y o u c o u ld rea ch .
Is it h i m th e n ?
,
I d o n t kn ow w h ispe rs B l u e
M a y be m u rm u rs G ree n
,
I th i n k s o m u m b l es Y e l l ow
,
YE S I I sh o uts R ed
S i l ly s o m eti m es
l i k e tick l e f ig hts g igg l es t e l l i ng se c rets
, ,
P u ng e nt
l i k e e uc a lyptus a n d c i n n a m o n ,
l i k e c a ra m e l a n d th e ki sses of
,
ve ry s m a l l ch i l d re n
W a rm
l i k e fea th e r qu i lts a n d su m m e r b ree z es
,
T i m e l ess
l i k e l a ug hte r a n d a favo r ite so ng
,
I am spect ru m of s m i l es
a
A wo nd e rfu l m y r i a d of h a ppy ti m es .
You h a ve m a d e m e a R a i n b ow .
Jan e A P a tte r s o n
R GU S 3 8
L a tel y I L o o ki n g U p
ve B een
I d o n t wr ite poe m s th a t s m i l e .
I m o n e of th o se
Wa ki ng w ith b r ig ht b l u e d aw n wa sh i ng m y fa ce
Yo u r h a nd d ra ped ove r m y wa ist
K issi ng yo u r eyes o pe n
l l ove you w h isp e rs
- -
I -n ee d -you h ugs
I ca ug ht m ys e l f
T a l ki ng to a b utte rf ly th is m o r n i ng
An d I l a ug h ed ou t o l ud .
Ja n e A . Pa tters o n
seemed a s if th e fr ea k sh ow h a d h er l ow ru mb l i ng vo ic e .
a l mo st d id h i m s e l f a m m isch eff i n
sc h i e
'
pee k ed from be n ea th h er c r i m so n
m id -a ct a s h e w h i rr ll e ed d arou nd t0
'
o robes H er a a uu b
. b uu rr n ha i r wa s h e ld u p
exam i n e th e l arg e st h u ma n be ing by two e l abora t e c omb s F i n a l ly h e .
th a t a ny of us h a d e ever s ee n .
m ust ered up a How dy d o
.
M y sist er a nd I l 00 oo k ed a t ea ch Ma a m? a nd a N ic e eve n in a i n t
"
oth er a nd c o n f i rrme
m ed d th e fa ct th a t
i n fo u r y ea rs o n th e roa d a nd Ye s sh e c ooed
,
such a n a ccu m m uu ll a
a ttii on
o n of f l e sh ev e n i n s th is ti m
bo n e s H e f i l l e d tt hh e n a rrow
. th th M
pa ssa g eway w h ere th e suck ers
a l ways stoo d He overf l owed th e.
rape s th a t s e para t ed th e th em
It wa s i m po ss i b l e to te l l i f h is su it
h a d ever rea l ly f it h i m Eve n .
u n b u tto n ed h is ja ck et st retch ed
a c ro ss h i m in a woo l e n h a l f Ne ls o n -
th a t g ave h i m th e u nc omfort ab l e
l oo k of l i ttl e boys i n sh ort pa nts or
tom c a ts w ith be l ls a ro u nd th e i r
n ecks H is t ro users were th rea d ba re
.
a t th e kn ee s B ut h is sh i rt wa s so
.
wa s ma d e of a t l ea st th ree b l u e
ba nd a nn a s (o n e for ea c h ch i n "
a nd pick ed up th e corn fl owe r of h is
eye s w h ich d a nc ed l ik e st ars stuck
,
o n a fu l l moo n .
I fe l t th e g ro u nd sh a k e und er me
a s h e a pp roa ch ed th e pl a c e
w h e e m y sist er a nd I sa t two
r
wome n wea r i ng o n e d re ss si tting
, .
o n o n e ch a i r w ith o n ly o n e se l f
,
betw ee n us A nd th e n we h eard
. ,
th e ru stl e th a t o n ly tw o th i ngs c a n
ma k e"o n e of th em is th e b ig to p a s
it fu rl s up i n th e w i nd a nd th e oth er
too k th e l ea d ho ld i ng ba ck th e w h e n yo u ope ned th e too We
br ush a nd h e l p i ng h er over th e u sed t o watch it by th e h ou r Wh e n .
d ark .
it he lp h er to g e t we l l ?
I th i nk I d be tt er t a k e a l itt l e
Did
'
brea th er R u ben sh e pa nt ed I, .
"
.
No S h e pa ss ed away in
.
Febru a ry du r i ng tth e l a st b ig sn ow of
l ong ti me I wa s a d a nc er o nc e b ut.
, th e w i nt er S h e s g on e t o h er reward
.
.
"
j ust l ik e E ug en e T h a t s my brother
.
.
sl ipped off h er sh oe s II used to be .
th a n sh e ever w wa s o n th is eart h .
. Ma ma d idn t c co
a nd Fath er A t ear
we l l ed up o n h er ch eck a nd . T h a t s Wood r
W h e re d t h e y g o R o s i e ?
M y pa rents were ki l l ed i n a tra i n
wrec k o n th e i r way h ome from m y
A u nt Ka te s in D etr o it I wa s d o ing '
m y bar exercise s o n e d ay w h e n
M i ss Pea bo dy c a me i n a nd t o ld
me S h e wa s so ki nd S h e a sk ed me
. .
to st ay on a t th e sc h oo l s inc e I o n ly
l a ck ed two y ears "n ish i ng Of .
c ou r se I wa s h ea rtbro k e n for a l o ng
,
ti me a nd sh e l et me t a k e a l l m y
,
wou ld d a nc e l ik e a ti ny fa i ry a l l
arou nd th e par l or S h e l oo k ed up .
at R u be n I kn ow it s h ard to
.
be l i eve You c a n l a ug h i f y ou l ik e I l l
. .
n o such th i ng a nd I l l
I l l do
th ra sh a nyo n e e lse w h o tr i e s I m .
j ust st ru ck du mb th i nk i ng abo ut it I .
AR GU S 1 1 2
a l ways f igu red th a t th e A l m igh ty rea ch ed to s moo th h er h a i r a nd
d idn t c are m uch abo ut R u be n
d isc overed h er wa yward cu rl s S h e .
K n otts We l l n o more th a n mo st
. , tu r n ed to s ea rch th e g ro und a nd
ordi n ary fo l ks B ut I wa s wro ng O h . . . fo und R u be n kn ee l i ng in th e l eave s
M i ss Ro se th a n k yo u th a nk yo u so
, , w ipi ng h er c omb s o n h is sl ee ve He .
m uch .
bro ught th em to h er sa ying We l l ,
.
So yo u d id l ik e it?
Ros i e w h a t d o yo u th ink?
,
T h a t wa s d o n t kn ow wh a t
I d o n t c oo k sh e w h isp ered
.
.
B ig g l iste n ing tea rs beg a n to Yo u d e se rve iitt too Yo u th i nk c a u se , .
po u r d ow n Ro se 5s ch ee ks T haf s we re b iig g we d o n t d e se rv e i t? How
n ot tru e R u be e n I c a n t g o d o yo u kn ow th a t we d o n t g et a
, .
He g rabbed h er h a nd a nd
a nyw h ere L oo k a t me No rea l ly extra h el pi n for be i n s o b ig ? Yo u
. . ,
pl ung ed into th e u nd erb ru sh
l oo k I m ci rcus frea k ma
.
a t err i a Il d o n t kn ow I ll o
ove
v yo u Ros e Why
.
, . d ra gg ing h er a l o ng he h i n d h i m .
It s o n th e oth e r s i d e Yo u c a n see it
w ith o u t a ci rcus Yo u re very kind k i nd d o n t yo u sta y h e
. ere w ith me a nd I l l
'
.
.
b ut t h a t is th e pitiitfuu ll tru th lI b
be o nng
e ll o g marry you I l l t a k e g ood c are of . .
from th e to p T h e s u n l l be u p before
.
we g et th ere a nd yo u c a n see it
Natu re s a ccid e nts
room I k e pt it up rea l n ic e
. . .
R u be n s eyes f l a sh ed D o n t ever
th e n I fe lt th e ea rth sh a k e und er my
feet D o n t yo u kn ow w h at th a t
.
I I
mea ns?
It mea ns th a t I a m ma ss i ve
e n ou g h t o sh a k e l arg e h i l ls .
R u be n .
No I t s l ove Rosi e I ve rea d
.
, .
abo ut it i n my mama s ma g a z in es
T h a t s very swee t R u be n
. ,
He g rabbed h er by th e arm s .
Now y ou l ist e n to me I ve wo rk ed
, .
h ard a l l my l i fe a nd d o n e r ig ht most
of th e ti me I d es erve l ove w ith a l l .
th e tri mm i n s Ea rth sh a ki ng a nd a l l
. .
ARG US 13
T h e C oo k
T he c oo k w h i l e i n s ea rch of s o m e fu n
D ec id ed to wo rsh i p th e su n .
N ot be i ng a p ru d e .
S h e b a th ed i n th e n u d e
N ow d a res n ot to b a re h e r b u r nt b u ns .
Do tti e B ro d e r i c k
S ma l l B ra i ns
Wh e n put to th e test .
Y o u kn ow a l l th e re st
T h ey cl a i m th a t th e i r t ea ch e rs a re l oo n ey "
V i c k i e G ra h a m
P h otog ra p hy by Co ee n C a i r e C ook ARG US 4 5
Wh i l e We r e
on th e S u bj ect
No
D rea m s
T o m o rrow s
Pro m i se s
H o pe s
M a y be s
B uts
R oo m fo r C h a ng e
I k ee p te l l i ng m y se l f it s ti m e to wa d e th ro ug h th i s j u n ky a rd
a nd l oo k fo r a m ea d ow .
I k ee p te l l i ng m y se l f it s ti m e to m a k e a n oth e r c o n n ecti o n
a as .
Y es a to e n d .
N otth a t I th i n k we sh o u l d be h a sty .
Wh a t d o y o u th i n k ?
Lo ng -D i s ta n ce L ove Affa i r
C a n t h e l p th i n ki n of y o u
Fo r th e u m pt ee nth ti m e tod ay .
Wh o a re you ta l ki n
to?
La dy of to n ig ht .
H a i r so b l o nd h ea rt s o b l u e. .
C ryi ng i n yo u r b ee r .
L a u g h i n a t th e fa t e of M a n
Wa nd e r i n h ow ofte n yo u th i n k of m e
A n d w h a t y o u th i n k w h e n you d o .
As k w h e n I m c o m i ng ba ck to yo u
J ust a l o ng d ista nc e l ove a ffa i r .
It s n ot h e l p i n m uch to wo rry
, .
Ove r a n d ove r I a s k m ys e l f
I f yo u c a re e n o ug h to l ea v e h e r .
S o m eti m es I w ish
ou r g oo d bye s we re fo reve r .
Wish I co u l d l ea ve yo u be h i nd .
I nstea d I m wo lti n fo r th e ph o n e r i ng
to .
T h is y ea r n i ng I ve g ot isn t k i nd "
It s t ea r i ng o f m y l i fe
-
T ea si ng m y o n e t ra ck m i nd .
S o s e nd me o n e m o re l ette r
s ea lit w ith a kiss
A n d l et s g et o n
J a n e A P a tte rs o n
AR G US 1 17
WH O S WH O
S oc i ety C o n fe re nc e .
RO B E RT A LL EN R o b e
- rt Al l e n is a g e n e ra l stud i es m a j o r a nd is a cti ve i n th e u n i ve rsi ty
th ea t re .
SU E AM B L ER S u e A m b l e r is a j u n i o r b usi n ess a d m i n ist ra ti o n m aj o r w h os e i nte rests
i nc l ud e d ra w i ng wr iti ng a n d h a i rd ressi ng
, , .
M I LLARD J .
-
B l ENVEN U A g ra d u a ti ng s e n i o r i n E ng l ish e d uca ti o n M i l l a rd h a s a ,
C o l l eg e W r ite rs S oc i ety C o n fe re nc e w ith h is sh o rt sto ry T h e S h a d ow
DO TTI E B RO -
DER I C K A
p rofessi o n a l stud e nt D otti e B rod e r ick is , a g ra du a ti ng s e n i o r i n
psych o l ogy w ith pl a ns to e nte r g ra d u a te sch oo l i n th e fa l l .
STEPH EN CAM PB E LL A s e c o nd s e m e ste r fresh m a n S te ph e n C a m p be l l i s a B usi n ess
,
1 9 8 1 A rg u s .
E LL EN DOLLAR- E l l e n D o l l a r a s i xt is
ee n yea r o l d j u n i o r a t N a tch itoc h es C e nt ra l wh o
-
P oet ry i s o n e of h er p a sti m es .
study i n F ra nce th is su m m e r .
ALL EN M FO RDA l l e n M Fo rd
. . , d ito r is wo r k i ng o n a s ec o nd ba ch e l o r s
or fo rm e r A rg u s e ,
.
,
GU S 18
KATH L EE N -
S M I TH K a th l ee n i s a p o st g ra d u a te stud e nt a t N SU With a B A a n d M A fro m
-
. . .
a n d s o c i a l stud i es i n C l o uti e rv i l l e
.
pu b l ish e d i n th e fa l l A r g u s wo n h er re c e nt h o n o rs i n th e L o u isi a n a
,
th is fa l l .
L I N DA -
VE RR ETT A s e c o nd s e m e ste r fresh m a n i n j o u r n a l is m Li nd a h a s h a d wo rk
-
,
T ex a s C h r isti a n U n i ve rs i ty th is fa l l
.