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Apolinario Malungo
Kathleen Redwine
Understanding Dance
Review Paper
The review presented in this paper consists of brief descriptions of two of the
four ballet dances, Pas de Quatre and The Firebird, performed by Oklahoma Festival
movements, choreography and the dance itself although aspects such as lighting, and
The first performance piece was Pas de Quatre, which highlighted the
essence of the romantic style and performed by four ballerinas. This piece was very
classical and technical resembling aspects of romantic style. The dancers wore white
romantic tutu, which were above their knees, and the stage was very simple with the
lights focusing on dancers while they danced in-group as well as in pairs or alone. The
choreography began very soft with a lot of lightless, sophistication and poise, but it
intensified as the different variation were presented. When the ballerinas were
dancing as group, the movements were more elegant and fluid displaying synchrony
with music, and dancing on pointe. It followed by dancing as pairs in which the
dancers danced with more intensity and energy, which involved lots of jumps, spins
and pirouettes. During individual dancing, the movements were the combination of
fast footwork, jumps and spins, which made the audience to cheer fervently. At the
ending, two gentlemen dressing traditional romantic cloths came to the stage and gave
flowers to the dance. In essence, this piece was very entertaining to see because of
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how well the dancers executed the movements, and positive energy that they
The last performance piece was The Firebird, which told a story about love
and magic in which the prince had to overpass the evil magician in order to marry the
princess. In contrast with the first piece, this piece involved more dancers, and two
different scenarios. In the first scenario, which was a mystic place with trees and dark
cage, began the choreography in which a ballerina wearing a red short tutu danced
alone while the prince was observing her. While she was dancing alone, she was
jumping and moving around, and then the prince got closer, and both showed very
synchronized movements. The prince was lifting her up, and she was doing lot of
fluid arm movement while in the air to seem like a bird flying. Their spinning and
jumping movements did not include much on pointe work as in the first piece. After
the firebird ballerina gave a feather to the prince and left, a group of about dozen of
ballerinas came to stage and start doing some pirouettes, and one of those ballerinas
was the princess. After that, the prince and princess exchanged sensual moments,
showing that they were in love, and all of the sudden dancers in monster costumes
came to the stage and disrupted the loving moment between the couple. The monsters
were imitating moments and sounds of diverse creatures, and the evil magician came
Furthermore, the prince began fighting with creatures in order to be with his
lover, but he was losing. During this fighting, all dancers were doing multiples
choreographed movements all over the stage, and then the prince used the feather that
the firebird gave to him to kill all the evil creatures. The ending, the scenario changed
to something (a castle) much brighter, shinier and gold to symbolize and confirm the
engagement between the prince and the princess. In summary, it was an amazing
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piece because of the story and the way it was interpreted. It was very easy to follow
that all dancers, choreographers and etc. put in every each of four pieces of the night.
Despite the two pieces discussed above, Le Spectre de La Rose was another piece that
I felt was fascinating because of the sensuality of the movements and the story itself.