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L . S . Cousins
Lecturer in Comparative Religion, University of Manchester
Jhdna clearly played a major part in the theory and practice of ancient
Buddhism . The word itself occurs extremely often in the suttas both in
frequently repeated phrases and in more detailed treatment . It becomes a
fundamental category of abhidhamma.l Nor does its importance diminish
later ; most of the first half of the Visuddhi-magga ofBuddhaghosa (c . 430 A.D .)
is concerned in one way or another with the practice ofjhdna . Not surpris-
ingly it has been the subject of scholarly investigation on a number of
occasions . 2 Nevertheless the topic is difficult and much remains to be
understood .
The time seems ripe for an attempt to develop a clearer picture of the
traditional viewpoint of the Theravada school as expressed in the latest
books of the Pali Canon and more particularly in the commentarial inter-
pretations and expansions of the canonical material . In what follows no
attempt will therefore be made to differentiate earlier or `original' mean-
ings of technical terms but rather the commentarial explanations will
normally be followed without further discussion .
My principal sources are then the works incorporated in the Pali Canon
and the commentarial literature . This latter appears to have been put into
writing in Ceylon in Sinhalese Prakrit over a period of some centuries,
but very few additions appear to have been made after the first century
A.D . 3 Although the Sinhalese originals are lost, we possess numerous recen-
sions of this material in Pali translation . These are the commentaries
(attha-kathd) and sub-commentaries (tikd) of later date . Some use will be
made also of the Abhidharma-ko .fa of Vasubandhu which summarizes the
views of the Northern Sarvastivada and Sautrantika schools, since this
often highlights distinctive features of the Theravadin position and some-
times clarifies difficulties of interpretation .
In Childers's Dictionary of the Pali Language (p . 16g) we read under the
heading Jhdna :
all earthly emotions, and detached as it were from the body, which
remains plunged in a profound trance .
of mysticism between carnal love and mystical love bears a family resemb-
lance to the various uses ofpiti . Piti is, however, too central and fundamental
a concept in early Buddhism for any portmanteau translation to be gener-
ally acceptable and it must surely take its place in the list of terms best
retained untranslated.
In the present context the particular importance of piti lies in its in-
clusion in descriptions of the first jhana . This is described in the Majjhima-
nikdya as `abandoning five factors, possessing five factors' . 57 Not surpris-
ingly the former are the five hindrances, while the latter five factors given
here constitute the standard list of factors ofjhdna as repeated in later texts .
It may be noted that we do not find here or elsewhere in the Pali Canon the
one for one correspondence of the two lists cited in the commentaries
` . . . it is said in the Petaka that concentration is the enemy of desire for
objects of sense, piti of ill-will, initial thought (vitakka) of sloth and torpor,
happiness (sukha) of excitement and remorse, sustained thought (vicdra)
of incapacitating doubt . . .' 58 . This passage appears to have been lost
from our text of the semi-canonical Petakopadesa . 5 s
The first two of these factors of jhdna are vitakka and vicara, translated
above as initial thought and sustained thought . Historically these are little
more than two synonyms for `thinking', but in Buddhist usage they are
given a distinct meaning which is followed also by the Yoga-sutra .HO The
first denotes the directing of the mind to an object of thought or imagination
while the second indicates rather the discipline which keeps it there."
They are also described as the requisites for speech (vaci-saikhdra) . 62
The next two factors ofjhdna are piti and sukha . In the technical sense with
which we are again concerned, the former is differentiated as `delight
through obtaining sight of the thing desired' as opposed to sukha which is
`experiencing the flavour of what has been obtained' . 63 The difference
intended appears to be between a relatively excited state (cetaso ubbildvita)
and a more calm and peaceful type of happiness .
The remaining factor cittass' ek'-aggatd, literally 'one-pointedness of
mind', is considered to be synonymous with concentration as a jhana factor.
It refers specifically to a state in which the mind is absorbed in a single
object . In the present context it is the ability to keep the attention, without
wavering or trembling, aware only of the object of meditation. It should
be noticed that this fifth factor, although absent from the ancient formula
of the first jhdna, is clearly implied by the epithet born of concentration
(samddhija) applied to the second jhana .
Fully developed, these five factors constitute jhana, but it is important to
note that they may already be present in a weaker form in normal con-
sciousness. So we read in the Visuddhi-magga : `But although these five factors
are also [present] at the moment of access and moreover are stronger in
access than in normal consciousness, they are even stronger here (i .e . in
absorption) than in access and acquire the characteristics of the form
sphere' . 64
How exactly are we to understand this distinction between access con-
centration (upacdra-samadhi) and absorption concentration (appana-samadhi) ?
achieved for a very brief period . 68 The length of time depends at first upon
the quality and length of the preliminary exercises but ultimately upon the
skill acquired in the exercise of the five masteries (vasita) . These are first
recorded as a list in the Patisambhidd-magga, but they have a much greater
antiquity.69 The intention appears to be to habituate the process of entry
into (trance-like) absorption and to bring it completely under voluntary
control.
The first of these, adverting (avajjand), appears to be the ability to bring
the jhana factors into consciousness at speed . In other words the ability to
reach a stage close to access at will . The second, attaining (samapajjand),
is the ability to enter into `trance' as desired . This would however naturally
last a period of time corresponding to the preliminary work . So the third is
will (adhitthana) by which the meditator predetermines the period which
the jhdna will last . Then comes emerging (vutthdna), which refers to speed
in the actual process of withdrawal from `trance' . The last is recollection
(paccavekkhana) which is apparently the ability to maintain the jhana factors
in consciousness continuously . According to the commentary this process
of withdrawal can be compared to waking from sleep .70 Indeed the whole
in its developed form is reminiscent of the ability of some individuals to go
to sleep at will or for a predetermined duration . The final result is apparently
that the individual can enter and leave jhana within seconds .
The meditator may then attempt to achieve the higher jhdnas . This is a
process of gradual simplification by eliminating the factors until only one-
pointedness of mind is left . In the very frequent old formula cited hitherto,
initial and sustained thought are eliminated to attain the second jhana, piti is
eliminated to attain the third, and happiness to attain the fourth and l ast . 71
A variant list is found occasionally in the nikayas, which divides the first
into two and combines the third and fourth into one .72 Sometimes we find
another list in three sections
I . samadhi with both initial and sustained thought, with only the latter,
with neither ;
2. samadhi with or without piti ;
3 . samddhi with delight (sdta) or with equanimity (upekkhd) . 73
The Theravadin abhidhamma organizes this into an alternative list of five
jhdnas . The Sarvastivada preferred to interpose a kind of half-way stage
(dhydndntara) between the first and second jhdnas . 44 In any case the differ-
ence seems to be mainly terminological, as so often with the disputes of the
early schools . Both were clearly based upon the same material which must
therefore be assumed to be of some antiquity .
We should not however make the mistake of supposing that the list of
jhana factors represents the totality of the qualities experienced therein .
The old formula itself adds a number of others at different stages . In par-
ticular we may note internal repose (ajjhattam sampajada) for the second
jhdna, mindfulness (sati) and clear comprehension (sampajdna) for the third
and purification of mindfulness by means of equanimity for the fourth .
According to the commentaries, however, these qualities are present also
Space does not permit any consideration of the experiences of the four
arupa-samdpatti and the psychic powers (iddhi) . We may, however, note
that the technique of attainment ofjhdna is informative as to its general role
in Buddhist practice . It is apparently not possible to go directly from a
lower jhana to a higher ."' In each case it is necessary to return to a more
normal state of consciousness . The interpretation of this seems clear .
Jhana is conceived of as calming and purifying the normal consciousness .
This achieved, a higher jhdna becomes possible, which in turn further
purifies the normal state . The process obviously continues some way, but,
although it could no doubt be quite long-lasting, it cannot achieve a
permanent improvement. To that extent it might seem valueless . However
the improved normal state of consciousness is itself of use in the process of
increasing awareness by means of the vehicle of insight which constitutes
the proper aim of Buddhist practice .
To sum up, jhdna practice involves the systematic induction of a very
specific type of `trance' state under controlled conditions which necessarily
require a previous clarity of consciousness and a well-balanced, happy
frame of mind. It is clear that the use of the term `trance' in this context is
only satisfactory if it is understood in a strictly medical sense as referring to
specific physiological phenomena . Jhana is certainly not trance in the sense
of a dull stupor nor does it involve catalepsy in the sense of `suspension of
consciousness'. Even a lucid trance, if it was accompanied by the five
hindrances, would be considered quite distinct from jhana as an aspect
of Buddhist practice .
128 BUDDHIST JHANA : ITS NATURE
NOTES
An earlier version of this article was read at a meeting of the British branch of the Inter-
national Association of Historians of Religion in September 197 t . Acknowledgements are
due to K . R. Norman, Miss I . B . Homer and B . Poonyathiro for advice and criticism on
a number of points. Abbreviations used are those of the Critical Pali Dictionary, Epilegomena
to Vol. I, Copenhagen 1948. References to the Visuddhimagga are to chapter and paragraph
of the Harvard edition and to the translation of Nlanamoli (Colombo 1964) . Vim Trsl .
refers to the translation (from the Chinese) of the Vimuttimagga by Kheminda, Soma and
Ehara (Colombo 1861) .
1. E .g . the rupdvacara-citta of Dhamma-sangani or the jhana paccaya of Patthana.
2 . The most detailed accounts of Buddhist meditation based upon Pali sources are given
by E . Conze : Buddhist Meditation, London 1956 and P . Vajiraiiana : Buddhist Meditation
in Theory and Practice, Colombo 1962 . I have not had access to F. Heiler : Die Budd-
histische Versenkung, Munich 1918 . See also C . E. Rhys Davids : Buddhist Psychology,
London, 2nd ed., 1924, pp. 105 foil . ; M. Eliade : Yoga : Immortality and Freedom, London
1958, pp . 162 foil . ; 395 foll . (refs.) .
3 . Cf. E . W . Adikaram : Early History of Buddhism in Ceylon, Colombo 1946, repr. 1953,
p. 4 1 -
4 . A brief survey of some P .T .S . translators gave the following : ecstasy, ecstatic
meditation, musing, contemplative rapture, jhana-rapture, meditation . The word is
left untranslated by T. W. Rhys Davids and a number of other scholars .
5 . Contemplation and meditation both refer to specific stages of the via mystica . Recollec-
tion refers to particular states of prayer, while rapture implies seizure and removal
from the body by a divinity . 'Enstasy' is sometimes used in contrast to ecstasy, but
this opposition appears to highlight a rather secondary feature .
6 . L . de La Vallee Poussin : 'Musila et Narada . Le Chemin Du Nirvana', M.C.B . V,
1937, pp . 189-222 . See also Eliade : op . cit ., pp . 173 - 177 .
7 . AN II 157, 1-26 declares that arahatship is reached in four ways :
(a) The monk develops insight after calm (samathapubbah-gamarn vipassanarts) and
the path of sanctity arises .
(b) He develops calm after insight and the path of sanctity arises . The commentary
(MP III 143, 4-6) interprets this as referring to someone who is by nature an
obtainer of insight . At Vism XXII 46 it is stated that at the path moment calm
and insight are 'coupled together in the sense that neither one exceeds the other'
(lrlanamoli) .
(c) He develops calm and insight coupled together, etc . The commentator under-
stands this to mean that he attains the first jhdna and then practises insight in
reference to the experience of that jhana, continuing in this way through all eight
attainments (samdpatti) . At AN IV 422 foll . it is explicitly stated that the goal can
be attained while reviewing any one of these from the first jhana onwards .
(d) The mind of the monk is possessed by excitement with reference to mental states
(dhamm'-uddhacca-viggahitarrs) . When the mind settles down within, becomes
steady, unified and concentrated, the path of sanctity arises . According to the
commentary the mental states are calm and insight and the excitement is that
known as the ten stains of insight (vipassandpakilesd), while according to Patis-a
584, 32 this is pure insight suddha-vipassana) . See Patis 11 92-103, Vism XX so6,
Vism Trsl . p . 739 n ., and Mahasi Sayadaw : The Progress of Insight, Kandy 1965,
PP . 10-13, 46-48 .
8 . Melanges Lanman, 1929, PP . 135- 136 .
g . MP 111379, 7 .
to . AN 111356, 14-21 ; the commentary understands this latter wisdom in two ways, the
first of which is 'insight and path-wisdom (saha-vipassandya maggapa,bldya)' .
i i . AN I so, 11-13 ; according to Mp I 6o, 16 the upakkilesa arrive at the moment of
javana .
12 . E .g . As 14.o, 22-29 ; Dh-a I 23, 15-19 .
13 . Mil 299, 11-301, 6, but see below.