JVA

ARQUITECTURA
ARCH. JOANNA VICTORIO ABADI
March 5th 1988

ADDRESS

HOLON, ISRAEL

TEL

(050) 994-5711

MAIL

joanna.vict@gmail.com

COUNTRY OF ORIGIN

DOMINICAN REPUBLIC

HISTORIC CENTER, SANTO DOMINGO

When human creations
remain alive after the death
of their creator...
...death becomes life

-Luis Barragn-
 CONTENT

05THESIS
technical institute for women + kindergarden

09HOTEL+OFFICES+TCI
urban integration proposal

13VILLAS AVANDARO
rental houses

16CONCRETE CONSTRUCTION
minimum typologie building

20BATH
remodelation

23LOBBY
remodelation

26ViilumelCHAIR
, furniture competition

29CURRICULUM
life and work
VITAE

OCOA, DOMINICAN REPUBLIC

technical institute for women
+ kindergarden
AZUA, DOMINICAN REPUBLIC

a project that seeks to

express itself through the
conditions that surround it,
and the reality of its location.

collaboration with
Carlos Mota

| 05
 CALLE B

IA
CANCHA

CALLE INDEPENC

CALLE NICOLAS MANON

CALLE 19
CALLE PRIMERA

DE MARZO
CALLE RESP. INDEPENCIA
CALLE SEGUNDA

CALLE TERCERA
TECHNICAL INSTITUTE FOR

CALLE BARTOLOME PER

WOMEN + KINDERGARDEN CALLE CUARTA

CAMPO
DE
BEISBOL
THE CONTEXT

EZ
The main subject of the thesis was Bioclimatic CANCHAS
Architecture. That is why the project is located in one PARQUE

of the hotest cities in the country, with the higest DEPORTIVO

avarages of tempratures. The high demand for

technical training courses for women and the need of PARQUE
CANCHAS
combining studies with help in taking care of the DEPORTIVO

children, were the main objectives of the project; A

pleace that will give a chance to all those women with
no profession. That is how we have designed the
Technological Institute for Woman, offering a day
care service for children.

The concept of the complex of buildings is based on

showing the strength of the woman. The curves Vientos
Nocturnos

dominate the volumetry as an expression of feminini- Brisas N NE 45

ty. All eaves, both to direct the winds and to generate O E

shade, were the results of climatic studies of solar S

Vientos
Diurnos
SE 45

incidence and direction of breezes. Using materials

that help maintaining the temperature outside the
building, green ceilings to relieve the load of the Marzo
101
N

Caribbean sun, high ceilings, openings in the walls to

180

259

O E

8:00

generate cross ventilation, the use of lattice windows

4:00

to not blocking the wind, and the help of the

12:00

landscaping, generated a sensation of freshness in

the environment. 12:00

BRISAS Junio
NOCTURNAS
N

I designed a construction that rejects the concept of

55 8:00
0

285
4:00
O E

articial air conditioning, resulting in less cost of

BRISAS
DIURNAS S

production, lower cost of maintenance, aiming to

become a model of change and consciousness for Zona de ruido debido al
transito vehicular por la Transformador
the community that receives it.
Diciembre N
avenida 124

180

236

O E

Contaminacion producida
Poste de luz
por el humo de los vehiculos 4:00
S 8:00

y el polvo que levanta el 12:00

transito y la brisa.

Linderos del terreno

| 06
Base Plan
1st Floor

SECCION A-A

SECCION B-B

2nd Floor 3th Floor

SECCION C-C

PLANTA DE
CONJUNTO
| 08
hotel + office + tci
NATIONAL DISTRICT, DOMINICAN REPUBLIC

a project that nds its

dialogue within its context,
and its own articulation

collaboration with
Rinat Cohen

| 09
 Havre
ro

Npole
bre
Fe

s
Marsella

lle
de

Niza

rsa
Dinam
27

Ve
arca
Av. Mximo Gmez

HOTEL + OFFICE + TCI

Frontera
Crodba

Morelia
Mrida
Orizaba

cn
Guyamas
o

Male
rer
Feb

Av.
De
27
THE CONTEXT context relation
METRO

UNIVERSITY MARKET

The projects location , is adjacent to the

borders of four featured neighborhoods.
Neighborhoods that live to its center, leaving
the city behind, starting with land use to
typologies, creating no articulation whatsoever.
urban acupunture hotel ofces
Existing green space public building to rehabilitate the zone integratin of the cultural area integratin of corporative area Integration with its border
public space as connector technological center of inovation new clients to existing economy ensures pedestrian flow articulating, intersecting

Mximo Gmez Ave., is the ofcial divider of

two neighborhoods: Gascue , the cultural area,
and La Esperilla, the corporative area. As a high
speed road, it divides the pedestrian flow, and
breaks the node that urban conditions have
created. ARCHITECTUAL relation

By making an urban study, and see the results

that urban acupunture creates, the idea is to
make a lter between these two neihborhoods.
A public space that can rehabilitate the zone,
and create an articulation of uses, people and
green space. open corner central scheme natural lighting and separate uses public space as link
ventilation

So the proposal is based on linking the cultural

area and the corporative through public space.
Fusing not only the urban landscape , but also
the architectual design.
?

orientation toward the corner separate uses invite language transparency volume as intersection

rst intersection second intersection opening the nding the verticality of the nding the horizontality of the public space in
tci conecting both buildings volume intestecting both building building intersection

| 10
 7.5 RECEPCION

MASTER SUITE
RECEPCION

ADMINISTRACION DUCTO
N + 0.60m INST.

N + 0.60m
ESPEJO DE AGUA
N + 0.60m
BAHIA HOTEL

ADMINISTRACION

BY

EGA
LOB BAO
BOD LOBBY VESITDOR
N + 1.20m
EMPLEADOS

ION
EPC
N + 0.80m REC
EGA
BOD

PLAZA
AREA PROYECCION

N + 0.00m
N + 0.40m
ALMACEN
CARRITOS
N + 0.00m

RECEPCION
ACCESO

RAS A
ALE NCI
ESC RGE
EME

EXPOSICIONES 7.5
ESPEJO DE AGUA

BAHIA OFICINA DES

SPE
HUE
VAD
OR
ELEVADORES
BODEGA ALIMENTOS ELE
HUESPEDES

EGA
BOD O
ASE
ESTANCIA LOBBY

EXPOSICIONES
ELEVADORES
SERVICIO
ELEVADORES ELEVADORES
SERVICIO SERVICIO
ESCALERAS
N + 0.60m SERVICIO
ESCALERAS
ESCALERAS
SERVICIO
SERVICIO

BAOS H

TINTORERIA BAOS M ESTANCIA

RECEPCION BAR
CTI BODEGA
PRODUCTOS
N + 0.60m MASTER SUITE

BAOS H
BAR

BAO M
BODEGA
AMA DE LAVES
1

LAVANDERIA

COCINA BAR
AREA DE ESTAR ANDEN
EMPLEADOS CARGA Y
BODEGA BLANCOS
ACCESO OFICINAS DESCARGA

ENTRADA
SERVICIO

10
9
8
7
6
1

5
2

448m2
3

4
4

11
5

12
1
6

13
7

PENDIENTE 12%

14

10
8

20

15

9
8
19

16
9

7
18

17
10

17

6
18
16

5
19

448m2
15

4
20
14

11
ALMACEN
13

12
12

13
11

14
PASILLO BASURA

15
16
17
CARGA Y

18
19
20
DESCARGA
PENDIENTE 12%

BODEGA
PRODUCTOS

BODEGA
GENERAL

base plan lobby plan single room plan

| 11
12
vil as avandaro
ROMANA, DOMINICAN REPUBLIC

houses for rent

in Casa de Campo

| 13
21
 HOUSE 1 195M2 HOUSE 2 235M2 SECTIONS

A
A B D G H I J K B C D E F G H I J K
29.27 29.87
2.65 6.19 1.23 1.04 3.83 3.82 1.04 1.22 6.20 2.65
2.65 5.88 1.33 0.94 3.83 3.83 1.04 1.22 5.89 2.65
1 1

AREA DE SERVICIO
AREA DE SERVICIO
3.81
3.82
A B C D E F
0.38

LAVADO
LAVADO
1.19

0.90
RECAMARA 1
5.12
A
RECAMARA 1

3.55 COCINA

COCINA
2.30
COMEDOR

4
5
COMEDOR
5 1.05

AREA DE SERVICIO
0.70
1.05 6
0.70
0.20

AREA DE SERVICIO
6 2.79

BAO
2.79

LAVADO
7
1.19
7 2.60

LAVADO
25.18
24.25 8
1.19

8 RECAMARA 1

RECAMARA 2

3.56
RECAMARA 1
COCINA

3.56 RECAMARA 2

COMEDOR
COCINA

9
1.05
COMEDOR
9 10
1.05

BAO
10 2.09

2.09 11

1.58
11
12
1.27

12 RECAMARA 2

VILLAS AVANDARO
4.04

3.37 RECAMARA 2

13
13

PLANTA ALTA
PLANTA BAJA Area Planta 134m2
Area Planta 121m2 Area Terraza 36m2
Area Desplante 170m2
Area Terraza 35m2

Villas Avandaro is an extention

Area x Modulo 340m2
Area Desplante 156m2
(ambas casas)
Area x Modulo 312m2
(ambas casas)

project for Casa de Campo Hotel

in Romana City, consisting of two B D
29.27
G H I J K 1
A

2.65
B

6.19
C

1.23
D

1.04
E

3.83
F
29.87
3.82
G

1.04
H

1.22
I

6.20
J

2.65
K

villa typologies intended for rent.

2.65 5.88 1.33 0.94 3.83 3.83 1.04 1.22 5.89 2.65
1

3.81

3.82

The 195 and 235 square meter

0.38

1.19

houses share the same hotel

11
5.12

6 8 9 10 12 12

3.55

terrain while offering the privacy

5
1.05
0.70
4 6
5 2.79

1.05
0.70

of a home.
6
7
2.79
1.19

RECAMARA 3
25.18
8 1.65
7 2.55
24.25
1.19

3.56
8 0.90
5.5

BAO
The idea is to create modern villas
3.56
9
1.05

10 2.5 2.52
BAO/VESTIDOR

9 2.09

with a rustic feeling, to create a

1.05

10 11

1.58
2.09

RECAMARA PRINCIPAL
12

RECAMARA PRINCIPAL
cozy and luxurious space while
11
1.27

12 4.04

experiencing what the town has 3.37

13

to offer..
13

PLANTA ALTA
Area Planta 65m2
Area x Modulo 130m2
PLANTA ALTA (ambas casas)
Area Planta 34m2
Area Patio 5m2
Area Desplante 39m2

Currently under construction

Area x Modulo 78m2
(ambas casas)

A B C D E F G H I J K
A B D G H I J K 29.87
2.65 6.19 1.23 1.04 3.83 3.82 1.04 1.22 6.20 2.65
29.27
2.65 5.88 1.33 0.94 3.83 3.83 1.04 1.22 5.89 2.65 1
1

3.81

3.82 NPT+2.80m

0.38

1.19

5.12

3.55
A E F
NPT+2.80m

5
4 1.05
0.70
5 6
0.91
1.05
0.70 2.79

6
NPT+2.80m

2.79 NPT+5.20m

7
1.19 2.06
25.18
7 8
24.25
1.19
5.97
8
3.56

NPT+2.80m

3.56
9 3.00
1.05

10

9
2.09
1.05

10
11

2.09 NPT+5.20m
1.58

12
11
1.27

12
4.04

3.37 NPT+2.80m

13

13

PLANTA TECHOS
Area Planta 65m2
PLANTA TECHOS Area x Modulo 130m2
Area Planta 34m2 (ambas casas)
Area Patio 5m2
Area Desplante 39m2
Area x Modulo 78m2
(ambas casas)

| 14
| 15
concrete construction
SANTIAGO, DOMINICAN REPUBLIC

a project that nds the

basic needs in architectual
design.

Collaboration with:
Miguel Hernandez
Rinat Cohen
Madelaine Alcantara

| 16
BASIC NEEDS

ARCHITECTUAL DESIGN

The intention of the project was to create

low cost apartments, without losing its
architectural sense and the comfort of
spaces.

To create apartments with minimal

measures without compromising the feeling
of home and living space.

The idea was to start with the structural

design: create a grid whose vertices delimit
the spaces and converting the property into
two buildings linked by two courtyards.

Consists of 20 apartments, of 65m2 .The

design was based on open public area,
separated by the private area, and leaving all
the instalation together.

| 17
CONCRETE PRIORITY

STRUCTURE DESIGN

One of the challenges was to fully design the

structure of the building by understanding the
materials behaviour within sics laws; and
maintaining still the beauty and simplicity of
the structure: concrete colums, concrete
beams and concrete slab.

These decision allowed us to fully understand

the momentum created and the location of the
steel, the reason for the location of the railings
in relation to column to hold the slab, the
relationship of terrain and the integration of the
structure in it, the thickness of the slab, the
width of the columns and the height of the
girders, the material itself, its homogeneous
creation and its accompaniment with the rods.

A clean simple structure, a pure structure.

A concrete structure.

| 18
DETAILS

BATHROOM

The real architecture is in the details.

Each member took a space to unravel it in

detail. The bathroom was my space.

Small details that improve the sensation of the

space. From how the water goes in the shower,
to the lighting. The detail of the door and the
cutting in walls and floors. How the drawers
open and how the environment is perceived.

| 20

| 19
 bathroom
SANTO DOMINGO, DOMINICAN REPUBLIC

bathroom remodeling in
a private residence

| 20
BATHROOM

A renovation project of an existing

bathroom in a private residence,
in order to give the feel of a
relaxing spa space .

The design modies the distribu-

tions of all the sanitary equip-
ments and nishing details,
culminating with the modern-ele-
gant decor style, which is
preferred by the clients.

May 2015

| 21
 BEFORE

AFTER
| 22
 lobby
NATIONAL DISTRICT, DOMINICAN REPUBLIC

lobby remodeling in a
residential building

| 23
LOBBY

A renovation project of an existing

lobby in a residential building, with
the porpuse of matching the level
status of the buildings residents
and the appearance of the space.

The design modies all the

nishing details, culminating with
the modern-elegant decor style,
which is preferred by the clients.

Under Construction.

| 24
 | 25

PROPOSAL
BEFORE
 vi chair
ILUMEL, FURNITURE DESIGN COMPETITION

Collaboration with
Rinat Cohen

| 26
Vi CHAIR

chair with lumbar protection

The competition basis was to design

a chair that not only satises the
need to sit, but provides something
more.
By making an ergonometric analisis,
we realized that the body needs a
specic position for specic activity.
This is, we use a different position we
use to work, and a different one to
eat or rest.

With this in mind, we took the natural

curve of our lower back structure as
a concept. A simple and continueos
curve that provides us with the right
posture.
chair with lumbar protection
Hence, the design adopts two
curves, one for each of the two
activities considered: work and rest.
Each curve offers the right posture
depending on the activity performed.

As a result, we created a doble

position chair in a single piece.

backed chair without marked curves

| 27
 position a - work position b - rest nished chair

MANUFACTURE & DESIGN

Chair VI, was design for a precise

and simple assembly between parts, silhouette
like a puzzle, without the need for
glue, or any metal to hold it together.

This assembly, is based on three

main pieces: the silhouette, which is
the main piece of the chair; the union,
which is the piece that holds two
silhouettes together; and the cover,
which hides the connections, and
give the clean nish to the chair.

The design of the chair is based on

two postures: Work and rest: unin

Position A- Work: where the hip is

positioned at the same level than the
legs, allowing a straight back, for
more focus.

Position B - Rest, where the hip

position is lower , allowing the legs to
rest, while the back rests in a com-
plete curve.

cover

| 28
 Gender: Female. Age: 28 years old.
JOANNA Made Aliyah from Dominican Republic
on October 2015
VICTORIO 050-994-5711
joanna.vict@gmail.com
ABADI 20 Hadas St., Holon

ARCHITECTURE | INTERIOR DESIGN

ACADEMIC QUALIFICATIONS SOFTWARES

AUTONOMOUS UNIVERSITY OF SANTO DOMINGO (UASD) Autocad
2006 - 2012, Architecture, Cum Laude. Sketchup
SpecializaUon in BioclimaUc and Ecological Architecture. Vectorworks
Cinema 4d
ALTOS DE CHAVON - SCHOOL OF DESIGN
Windows
DOMINICAN REPUBLIC
Mac OS
Gardens and Landscaping Design - 2013
MicrosoP Oce
Furniture Design - 2010
3D Architectural Design - 2008
Interior Design - 2008
Technician Interior Design - 2008
LANGUAGES
EXPERIENCE Spanish
FREELANCE ARCHITECTURAL AND INTERIOR DESIGN / 2013-2015 English
DOMINICAN REPUBLIC Hebrew
Focusing on client tailored design, with experience in residenUal, interior
and commercial spaces. My experience includes small, and large
residenUal, as well as 2 local stores. Design through iniUal site survey to
compleUon, site and locaUon plans, interior design, lighUng design, 3D
modeling and architectural visualizaUons.
GRUPO INDICO / SANTO DOMINGO / 07/2011 12/2012
CONSTRUCTION AND PLANNING COORDINATOR
Responsible for direcUng, planning, coordinaUng and budgeUng acUviUes
related to the maintenance and the construcUon of the largest shopping
mall of the Dominican Republic (SAMBIL), including its faciliUes, structures
and systems of coaUngs. ParUcipated in the conceptual development of
the construcUon project and overseeing the scheduling, organizing and
implementaUon.
MERCANTIL INV. SCOBORO / SANTO DOMINGO / 05/2010 09/2011
MANAGER OF DESIGN AND SALES
Responsible of designing bathrooms in public spaces for the "Bradley"
ParUUons products line in the Dominican Republic. Designing, installaUon
and inspecUon of projects.
RODRIGUEZ SANDOVAL / SANTO DOMINGO / 01/2009 12/2009
ASSISTANT TO THE PRINCIPAL ARCHITECT
Developed projects in urban analysis and design, assisted in planning and
design projects for large scale clients.
JVA
ARQUITECTURA