Conservatorio Superior de Msica

Manuel de Falla
HISTORIA DE LA MUSICA 2
(Nivel Superior/ Plan 222 y Plan 2015)
HISTORIA Y ESTETICA DE LA MUSICA II
(Nivel Superior/ Plan 1586)

PROFESOR GERMAN PABLO ROSSI

Cursada 2016

Primer Trabajo Prctico:

Comparacin bibliogrfica: CLASICISMO y
PRINCIPIOS DEL ROMANTICISMO
A) Elaborar un resumen de estudio que contenga una sntesis
del apartado del libro asignado del libro:
Taruskin, Richard. The Oxford History of Western Music. Oxford University Press. Oxford,
2005. Vol 2 y 3: Music in the Seventeenth and Eighteenth Centuries and Music in the
Nineteenth Century.

B) Comparar el enfoque de Taruskin sobre los temas descriptos

en el punto anterior con la propuesta de los otros autores que se
detallan a continuacin:
Downs, Philip G. La msica clsica: La era de Haydn, Mozart y Beethoven. Madrid: Akal,
1998.
Fubini, Enrico. La esttica musical desde la Antigedad hasta el siglo XX. Madrid: Alianza,
1988.
Pestelli, Giorgio. Historia de la Msica, 7. La poca de Mozart y Beethoven. Turner Msica,
1977. (1986)
Rosen, Charles. El estilo clsico, Haydn, Mozart y Beethoven. Alianza, Madrid, 1986.
Rosen, Charles. Formas de sonata. Labor, Barcelona, 1994.
Plantinga, Len. La msica romntica. Una historia del estilo musical en la Europa
decimonnica. Madrid, Akal, 1992.
Robertson y Stevens. Historia general de la msica. Madrid, Istmo, 1967.
Burkholder J. P., Grout, Donald J., Palisca C. V. Historia de la msica occidental. Madrid:
Alianza Editorial, Sptima Edicin 2008 (versin en ingls 2006).
PUEDE UTILIZARSE EN SU LUGAR: Grout, Donald J. Historia de la msica occidental.
Madrid: Alianza Editorial, 2006 (1996).

La mayor parte de la bibliografa se encuentra en la biblioteca del

Conservatorio Manuel De Falla. La FOTOCOPIADORA DE GALLO cuenta con
una copia de los mismos.
Los puntos propuestos deben desarrollarse en aproximadamente dos
carilla A4 TNR 12 interlineado simple (POR PUNTO).
La entrega ser va email y los resultados del trabajo se pondrn en
comn en clase.
Temas por equipo:
Tema 01

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 8 The

Comic Style

Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s;

Empfindsamkeit; Galanterie; War of the Buffoons

You cant get there from here The younger Bachs Sensibility The London Bach
Sociability music Nature Intermission plays The War of the Buffoons

Tema 02

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 9

Enlightenment and Reform

The Operas of Piccinni, Gluck, and Mozart

Novels sung on stage Noble simplicity Another querelle What was

Enlightenment? Mozart Idomeneo Die Entfhrung aus dem Serail The Da
Ponte operas Late works Don Giovanni close up Music as a social mirror
Music and (or as) morality

Tema 03

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 10

Instrumental Music Lifts Off

The Eighteenth-Century Symphony; Haydn

Party music goes public Concert life is born An army of generals The Bach sons
as symphonists Haydn The perfect career The Esterhzy years Norms and
deviations: Creating musical meaning Sign systems Anatomy of a joke The
London tours Addressing throngs Variation and development More surprises
The culminating work

Tema 04

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 11 The

Composers Voice

Mozarts Piano Concertos; His Last Symphonies; the Fantasia as Style and as
Metaphor

Art for arts sake? Psychoanalyzing music The symphonic concerto is born
Mozart in the marketplace Composing and performing Performance as self-
dramatization The tip of the iceberg Fantasia as metaphor The coming of
museum culture

Tema 05

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 12 The

First Romantics
Late Eighteenth-century Music Esthetics; Beethovens Career and His Posthumous
Legend

The beautiful and the sublime Classic or Romantic? Beethoven and Beethoven
Kampf und Sieg The Eroica Crisis and reaction The Ninth Inwardness

Tema 06

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: Chapter 13 C-

Minor Moods

The Struggle and Victory Narrative and Its Relationship to Four C-Minor Works of
Beethoven

Devotion and derision Transgression Morti di Eroi Germination and growth

Letting go The music century

Tema 07

MUSIC IN THE NINETEENTH CENTURY: Chapter 1 Real Worlds, and Better

Ones

Beethoven vs. Rossini; Bel Canto Romanticism

Deeds of music The dialectical antithesis The Code Rossini Imbroglio Heart
Throbs Realism Bel canto Utopia

Tema 08

MUSIC IN THE NINETEENTH CENTURY: Chapter 2 The Music Trance

Romantic Characterstcke; Schubert's Career

The I and the we Private music Altered consciousness Salon culture

Schubert: A life in art Privatizing the public sphere Crossing the edge Only
connect New cycles B-minor moods Constructions of identity

Tema 09

MUSIC IN THE NINETEENTH CENTURY: Chapter 3 Volkstmlichkeit

The Romantic Lied; Mendelssohn's Career; the Two Nationalisms

The lied is born The discovery of the folk Kultur Lyrics and narratives The lied
grows up: Haydn, Mozart,

Beethoven Schubert and romantic irony Representations of consciousness

Romantic nationalism The liturgy of nationhood The oratorio reborn
Mendelssohn and civic nationalism Nationalism takes a turn Epilogue: Two
prodigies

Tema 10

MUSIC IN THE NINETEENTH CENTURY: Chapter 4 Nations, States, and

Peoples
Romantic Opera in Germany (Mozart, Weber), France (Auber, Meyerbeer), and
Russia (Glinka)

PEASANTS (GERMANY) Mr. Natural Der Freischtz

HISTORY (FRANCE) Opera and revolution Bourgeois kings Grandest of the grand
Vagaries of reception

PEASANTS AND HISTORY (RUSSIA) A newcomer to the tradition

Tema 11

MUSIC IN THE NINETEENTH CENTURY: Chapter 5 Virtuosos

Paganini and Liszt

Stimulus Response The concerto transformed A divided culture

Tema 12

MUSIC IN THE NINETEENTH CENTURY: Chapter 6 Critics

Schumann and Berlioz

The public sphere What is a philistine? Literary music How music poses
questions Anxiety and recoil Instrumental drama The limits of music Varieties
of representation Discriminating romanticisms

Tema 13

MUSIC IN THE NINETEENTH CENTURY: Chapter 7 Self and Other

Chopin and Gottschalk as Exotics; Orientalism

Genius and stranger National or universal? Or exotic? The pinnacle of salon

music The Chopinesque miniature Nationalism as a medium Harmonic
dissolution Playing romantically The Chopinesque sublime Sonata

later on Nationalism as a message America joins in Art and democracy

Stereotyping the other: Orientalism Sex la russe The other in the self

Tema 14

MUSIC IN THE NINETEENTH CENTURY: Chapter 8 Midcentury

The New German School; Liszt's Symphonic Poems; Harmonic Explorations

Historicism The new German school The symphony later on But what does it
really mean? The new madrigalism Art and truth Art for art's sake