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When Fiona needs to be moved to Meadowlake and Grant, her husband, is not allowed
to see her in the first month, she forgets about her love for him and becomes infatuated with
another man, Aubrey. Fionas naive infidelity mirrors those of her husband, who had many
affairs but never took into consideration leaving his wife for none of them.
Fiona suffers from memory loss and that is how she becomes interested in another
man. The fact that she is not able to remember details concerning her life, including her fifty
years marriage with Grant, reflects his inability to keep his mind focused on his love for her
when tempted by women from the university. Munro seems to suggest that infidelity can only
appear if one of the partners forgets about the other. In Fionas case, this is triggered by
Alzheimer, thus she is not responsible for her actions and for what might be called her
unfaithfulness. Grant, on the other hand, has no such excuse. He was fully aware of his
repeated treachery and it was his decision to forget, from time to time, that he is married.
Thus, infidelity is possible only when someone no longer bears in mind the memory of the
partner.
When realizing that his wife is getting worse after Aubreys departure, Grant decides
to take action, proving his selfless love for Fiona. Grants decision, to take Aubrey back, turns
him into a character able to realize his mistakes and redeem himself. What is ironic, however,
is that although his choice might be painful for him, he is nonetheless the main contributor to
his wifes infidelity. Grant becomes aware that he must allow her to act the same way he did
in his younger days. He knows that he deserves no better treatment and that he finally has to
pay for his deceptions.
Dimension
Dorees entire life revolved around Lloyd. Used to obey him and depending on his
answers and decisions, she gives the impression that she will never be able to free herself
from him. Lloyds arrogance and self-sufficiency make him sure that she will stand by his
side, since she is strongly depending on him and gives the impression that she has no better
purpose in life. Although Lloyd murdered his children, Doree is so used to playing the part of
the obedient and constant-suffering wife that she sees no escape from him.
Dorees visits are a result of her guild. Lloyd justified his action by placing the burden
of the murder on Dorees shoulders, and she realizes that she has her share of guilt, since she
was constantly under her husbands domination.
Dorees has the chance to finally break free from Lloyd the moment she witnesses an
accident and saves the life of the victim. This triggers in her the desire to find freedom.
However, the heroic action she performs is possible due to Lloyds presence in her life. She
finally has the strength to let go of her past and realizes that her husband does not lie at the
centre of the universe. Better things could be available for her is she decides to make the
move and give up on him.
Runaway
Carla, the main protagonist of the story, tries to escape her husband, Clark, after she
previously ran from her parents in order to marry him against their wish. But she finds herself
unable to leave Clark, even though her friend, Sylvia, is supporting her decision. Carla returns
to him, refusing the chance to escape a bad marriage, but her pet goat appears to be the real
runaway. The title refers to both Carla and Flora, pointing out to their failed escape, an
attempt which provoked the pet goats death and might draw the conclusion that this will be
Carlas fate too.
Clarks words, that Flora may be in search of a partner, suggest that there are
similarities between the animals behavior and that of her owner, Carla. Just like Carla left her
parents for Clark, Flora did the same, deserting their home. However, when Flora disappears
again, is found dead. This might point to the fact that Clark, the potential killer, would do the
same to his wife, who tried to runaway, just like Flora, and could end up sharing her pets fate.
Runaway refers not only to the desire to escape a certain situation, but also to the
mains protagonist choice to deliberately ignore the evidence of Floras killing. Clara refuses
to walk to the edge of the woods and get the confirmation of Floras death. She prefers living
in illusion, denying the reality, running away from it in order to maintain her life as it was
before. By doing so, Clara refuses to face not as much Floras sad fate, but the possibility that
this could be her own in the future.