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For the Single Film Study - Critical Study: 'Fight Club' you will need to apply
your own interpretation of the film (close analysis) with the critical approaches
that have been used to understand the deeper meanings at work in the film:
sometimes negatively or positively (reviews/debates).
As the film can be read in many different ways you will be required to
construct an argument for validating your understanding; referring to theory
and how it informs meaning/understanding is therefore a requirement of your
answer.
Approaches will need to understand the complexity of 'Fight Club' in light of
these differing readings and you will need to argue a case for your own
personal opinions.
Content & Structure for Close Study Analysis
Basic Analysis
Jack /Tyler -Managing the spectators identification and sympathies
(Spectatorship)
Distinctive stylistic features and the look of the film
(Colour/Editing/Camera/Performance)
Motifs and their function (Mise-en-scene/Sound etc)
Theoretical Concepts
The representation of modern urban and corporate life
(Philosophy/Marxism?)
The representation of masculinity and its threats (Gender/Postmodern
Identities)
Marla: women as object of scorn? Misogynistic? (Gender/The Male Gaze?)
A psychological representation of Freud's concept of Id,Ego and Superego?
(Psychological)
Social Contexts
A progressive film or a deeply reactionary one? (Opinions)
The social and cultural context of production (Production)
Critical and popular responses to the film (Reviews)
idea that the main character Jack is so terrified by this femme-fatale and
disturbed by her appearance that his masculinity is challenged. In a
neo-noir style, we see the framing of Marla introduced sinisterly via
shadow and with her hat obscuring half of her face dominating the
screen, she also gives the impression of power as it convinces us
through the low-angle. Her character is also, while present during a
scene in which the self-help group has to reflect and meditate, blurred in
the background, while Jack thinks when we are catapulted into the
frantic hallucination of Jack in a cool-blue icy cave, in his head, is
interrupted by Marla smoking (that demonstrates further the hybrid of
noir genre incorporated), she is clearly more dominant. It's as if she is
the masculine one, she uses the word slide and this dialogue perhaps
provokes the idea of Jacks deterioration leading from here into the
audiences mind. When we next see her in the crosscut back to the
church-style environment, it is Jack who is blurred and unimportant.
an angry one of shock and concern over the films fascist, Nazi style
links. The sequence in which we see Tyler and Jack stealing a
liposuction factorys human fat and processing it into soap to sell to the
rich delivers a haunting message that there are still Nazi-style thoughts
born of a generation in need of a disciplinary style of life to stop their
masculinity going downhill. The cinematic means used to portray Jacks
early obsession with self-help groups, such as shot-reverse-shot from
his close up face centred in the middle of the frame looking solemn, and
then to a list of self-help groups not unlike a religious scroll, back to his
face, and paired with organ, church style non-diegetic sound express
the vulnerability of his addictive nature. This foreshadows his steady
decline into being open to fighting and causing mayhem because of his
easy transfixions with things.