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Lacanian statements are strictly Freudian and how they constitute the
essence of Lacan's return to Freud.
First of all, if we want to grasp the meaning of those difficult
statements, we have to put them back into their original context. In their
isolated state, they are simply meaningless, just as an isolated part of the
manifest dream doesn't have any meaning at all. They should be
understood within the greater framework of Lacanian theory, more
particularly in relation to the Symbolic Order. As you probably know, the
Symbolic Order is the collection of all signifiers. It is what Lacan calls the
signifying chain, 'la chaine signifiante'. A synonym of the Symbolic is the
so-called big Other. If you don't understand this condensation of the
Symbolic and Other, just think of the idea of mother-language. The
mother, being the first big Other, is also the one that teaches the child its
language. Within that framework of the Symbolic /Other, the child has to
obtain its identity, based on the processes of alienation and separation,
which means: based on the dialectics of desire.
The important thing about this big Other, or this Symbolic Order, is
that it is not an all-embracing one. No! It shows a central lack. The
relationship between the register of the Real and the Symbolic Order is
one of incompleteness, meaning that the Symbolic does not succeed in
covering up the Real completely. There is a structural lack in the Symbolic
through which the Real gazes at us. The Lacanian notation of this
structural lack is the capital A (Autre) or, in English, 0 (Other), with a
slash through it. This negative notation finds its positive counterpart in
the famous object small o, in French: Tobjet petit a', being that part of the
Real that cannot be symbolized. So we can write it as follows:
a
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The important thing to understand right now is that this part of the Real
cannot be symbolized, that this part constitutes the object of desire. What
does the Other want? Answer: he desires that which he cannot have, that
which would procure for him so much jouissance that he would
disappear within it. No wonder that this object small a forms the central
part around which every fantasy circulates, and that it is the point where
the pleasure principle fails. The Lacanian formula shows this circulating
movement in the fantasy:
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subject. It is precisely this last layer that makes free association into the
powerful instrument it is.
schematic: 3
"While these two (the first layers) would be represented (...) by a continuous line, curved
or straight, the course of the logical chain would have to be indicated by a broken line
which would pass along the most roundabout paths from the surface to the deepest layers
and back, (...)". S. Freud, op.cit, p. 289.
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one characteristic that keeps on coming back: it cannot be put into words,
so, it cannot be psychologically elaborated by the patient, nor abreacted.
Freud uses in this context the idea of 'psychische UnzulnglichkeiV,
psychical inaccessibility.
Well, this is the first major point of Lacan's 'retour a Freud': there
is a traumatic nucleus not only at the base of every neurosis, but at the
base of every human being; it concerns that part of the Real for which
there is no signifier, it is the point where the Symbolic order fails, that
which has already been given its proper denomination:
or object small
a. It is precisely this characteristic that explains an important correction at
the end of the Studies on Hysteria. The very first starting point of hysteria
is not the conflict between two groups of representations, rather, its
starting point lies in the opposition between something traumatic and real
on the one hand, and the failing psychical elaboration on the other. This
very idea can also be found in draft K within the Freud-Fliess
correspondence. There we can read that 'the primary hysterical symptom
is the manifestation of fright accompanied by a gap in the psyche'.4 This
citation brings us something new: the basic reaction is one of anxiety. In
the confrontation with that part of the Real where the Symbolic order
fails, the first reaction is a non-mediated anxiety, which is just another
expression for panic.
This brings us to what Freud himself called the 'cornerstone of the
psychoanalytic theory', namely the idea of repression. In his first
publications he uses the term 'Abwehr', defence, sometimes he talks about
primary defence'. Later on these two will of course become repression and
primal repression. This primal repression has almost completely
disappeared in the postfreudian theory. To give you an idea about this
4
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Cf. The important footnote added in 1915 to the "Drei Abhandlungen", S.E. ,VII, p. 219 220, confirmed by another addition at the end of the second section in the second essay, S.E.,
VII, p. 160.
8
S. Freud. Extracts from the Fliess Papers. Draft M, p. 251.
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ibid
S. Freud. Extracts from the Fliess Papers, letter 52. S.E., I, p. 235. See also p. 229-240.
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new relationship between trauma and fantasy. The primal fantasies make
part of the signifying chain, and they have the same defensive function as
their starting-point, the S1: they constitute the attempt of the subject to
signify the unsignifiable. Freud will elaborate this idea in three letters to
Fliess, in which fantasies are defined as protective structures giving
meaning and signification to earlier traumas which were not understood
at the moment of happening. 12 It is within his fantasies that the subject
attempts to construct the female symbolic identity and the relationship
that follows from it. The starting point of these fantasies always concerns
the same question: what does she want, what would satisfy her desire?
Due to the lack of a determining signifier, the question remains open, and
the threat that comes from it, remains. Hence Freud's fundamental
despair in his 'Was will das Weib1, What does woman want? This means
that every subject formulates his or her personal answer to that question,
and, in the meantime, formulates his own identity. Indeed, the defining
in fantasy of the desire of the Other, implies in the meantime the
definition of the position of the subject itself. Some of you probably know
the Lacanian definition of the subject: 'The signifier is that what
represents the subject for another signifier', so the subject itself is nothing
else but the effect of the chain of signifiers. And what else are fantasies but
a particular chain of signifiers?
It is quite clear men that the goal of the psychoanalytic practice has
everything to do with these fantasies. This is what Lacan tried to elaborate
with the idea of 'traversee du fantasme\ the journey through the fantasy.
It is not possible to reach a point beyond fantasy as such, the real remains
real; the goal lies in the 'subversion of the subject and the dialectic of
desire', which is of course one of the leading chapters in Lacan's Ecrits.
12
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reconstruct their identity during an analysis, in which they share the same
experience, namely that their identity or lack of identity, is nothing but an
alienating fantasy, alienated in view of the feared desire of the big Other
and the reduction to being merely the object of this desire. The working
through of this, 'traver see du fantasme', the working through of this
opens up ethics; - Which position do I consciously want in view of the
desire of the other? and opens up creation; - In which direction will I
develop my own answers in view of the lack in the symbolic system,
answers that will make up my identity?
Th^ woman does not exist, neither does The sexual relationship.
This means that there is a choice, beyond neurosis, being the refusal of this
choice, that every subject has the possibility of a choice for creating one.
That's the challenge beyond analysis.
Vakgroep Psychoanalyse
University of Ghent
Henri Dunantlaan 2
B9000 Ghent
Belgium
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