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TEST YOURSELF I
6. G string
7. Retuning the string of an instrument. On the
violin: G-D-A-Eb
Strings
1. a. violin: G D A E
b. viola: C G D A
c. cello: C G D A
d. double bass: E A D G
8. When what is played by the third finger in first position is played by the first finger in third position.
For example, in first position on the G string,
the first, second, third, and fourth fingers play
A-B-C-D, respectively; in third position on the G
string these fingers play C-D-E-F.
4. G string
5. D string
11.
$GDJLR
9OQ
&
9OQ
&
9OD
&
"
&
"
&
9OF
'%
12. a. f rog: the lowest end of the bow, where the hand
holds it.
b. heel: the same as the frog.
c. tip: the point or upper end of the bow (furthest
away from the hand.
d. downbow sign: upbow sign:
I
Vln.
&
Vla.
( )
( )
II
( )
( )
Vlc.
( ) IV
D.B.
( )
IV
III
( )&
( )
&
( )
( )
( )
Vla.
( )
( )
Vcl.
( )
( )
23. A violin stops the pitch with the first finger, then touches the node a 4th above with the fourth finger. The cello
stops the pitch with the thumb then touches the node a 4th above, usually with the third (or fourth) finger.
24. The overtone series.
25. a.
b.
c.
&
WORKSHEET 1
Clefs
1.
1
? c
B c
?
B
3
3
3
3
Worksheet 1 3
2.
1
6
8
6
8
B
B
3.
1
B
B
C
C
B
B
4.
Bc
&c
B
&
10
B
&
~~
~~
3
4
&
3
4
B
6
&
B
6.
1
B 68
? 68
B
B
7.
1
B
&
B
&
B
&
Quietly moving
3
4
3
4
Worksheet 1 5
8.
1
&
B
Slowly
c
c
2
4
&
B
2
4
9.
a.
Original
Transcription
B
B
&
4
4
4
4
4
4
B
B
B
b.
1
Original
Transcription
&
4
4
4
4
4
4
&
B
B
&
B
B
WORKSHEET 2
Bowing
1. Since several different variations in bowing are acceptable here we do not provide any one version.
2.
a. Vlc.
b.
c.
?
?
?
Largo
3
4
sim.
3
4
sim.
3
4
sim.
3.
a. Vln.
&
&
Andante sostenuto
1
3
4
Worksheet 3 7
b. Vln.
Andante sostenuto
1
3
4
&
&
4.
a. Vla.
4
4
b.
4
4
&
&
5.
1. d
2. a
3. b
4. g
5. l
6. r
7. t
8. q
9. c
10. e
11.
12.
13.
14.
15.
WORKSHEET 3
String Harmonics
1.
1
&
6
8
&
6
8
&
&
( )
i
f
o
h
j
16.
17.
18.
19.
20.
p
k
m
s
n
&
&
( )
2.
?3
8
Sul A
?3
8
Sul D
&
3.
3
&4
& 43
&
fig041
Menuetto al Rovescio
## 3
& # 4 .
1
Vln. I
Vln. II
Vla.
Vlc.
D.B.
## 3
& # 4 .
B # # # 43 .
? # # # 43
? ### 3 .
4
.
.
.
.
1
Vln. 1
& C
Vln. 2
& C
Vla.
B C
div.
Vlc.
D.B.
?C
dolce
?C
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
Adagio. (= 54)
j
b b b 3 Con sordini
b
& b 8 . . J .
con sord.
b
& b b b b 38 j
con sord.
B b b b b b 38 j
sord.
? b b 3 con
b b b 8 J
? bb 3
bbb 8 J
j
n .
.
J J
j
J .
j
J .
.
. n
j
b
.
J
.
J
j
.
n n j.
j
.
Vivaldi, Concerto Grosso, Op. 11, No. 4, second movement, mm. 105111
Vln. 1
Solo
Vln. 2
Solo
Vlc.
Solo
Vln. 1
Vln. 2
&b
Vla. 1
Bb
Vla. 2
Bb
D.B.
?b
108
Vln. 1
Solo
Vln. 2
Solo
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Largo e Spiccato
.
& b 12
8
p
j
12
&b 8
p
? b 12
8 J
p
.
& b 12
8
105
&b
p
12 j
8
p
.
12
8
p
.
12
8
p
12
8
J
p
.
.
J
j
J
#
J
.
J
j
J
.
J
.
J
J
#
J
J
J
j
J
J
J
J
j
b.
J
j
j
J
.
J
.
J
j
#. n
J
b.
J
.
J
J .
&b
Bb
. .
Solo
j j
j
.
pianissimo
J
J
.
J
. b.
# n
&b
#
J
j
.
J .
&b
Bb
.
J
#
J
j
.
.
J
#. n
J
. #.
J .
j j
pianissimo
pianissimo
J
J
pianissimo
j
.
pianissimo
. # n . # .
J
#
#
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
3
& 4
3
& 4
B 43
? 43
? 43
LISTEN AND SCORE 6
Vln. 1
& C
Vln. 2
& C
Vla.
Vlc.
D.B.
B C
?C
pizz.
?C
pizz.
2
4
Vln. 1
&
Vln. 2
&
2
4
2
4
Vla.
Vlc.
D.B.
= 80)
2
4
2
4
1
Vln. 1
3
& 4
Vln. 2
3
& 4
Vla.
B 43
Vlc.
D.B.
cresc.
? 43
poco cresc.
? 43
poco cresc.
poco cresc.
poco cresc.
riten.
11
&
a tempo
&
riten.
riten.
?
?
a tempo
a tempo
riten.
a tempo
riten.
a tempo
Ob.
Cl.
(A)
Bsn.
# 2.
& 43 .
p
1.
b 3
b
& 4
p
? # 43
p
. j .
.
J
5
..
# # ..
Z
. .
Z
.
.
Z
p
n n
p
.
Worksheet 5 13
WORKSHEET 5
Harp
1.
a. D# C B Eb F# G# Ab
b. D# C B# Eb F# Gb A
&
&
&
&
(# ) b
( b )
(# ) b
d.?D Cb B E# F G# Ab
c. Db C# Bb E Fb G A#
fig1029
fig1029
e. D C B# (or Bb) E F# G# A#
( b )
f. D C# B E F# G A
fig1030
2.
n
b
bb # # n n b n # nn
&c
Piano version
bn
#
#
? c b
b
n #
#
String version
? c
3. a. A major or f# minor
b. Ab major or f minor
c. E major or C# minor
d. Db major or bb minor
# n
b
#
.. b nb n nn ..
.
.
. b
n.
b
bb b b b
Harp version
bb
Harp version
b
b b
# # # #
#
b n
n b nb n
b
n
b
bb n
b
nn
b
b
#
n
#
b
#
j # # # n# nn ..
n.
# # ## ##
.
.
~~~~~~~
& c # # # # # n # ##
# n n
# b n
n.
n.
a4
d4
bb3
a3
c4
d5
d4
g4
f4
a4
eb3
bb3
d4
eb4
c4
bb2
bb3
f3
g3
eb3
&
b. flute
&
c. alto flute
&
sounding
d. bass flute
&
&
sounding
e. oboe
&
f. English horn
&
&
sounding
&
h. all saxophones written range
&
Worksheet 7 15
19. A slight break in sound that occurs between Bb4
and Bn4. Bb is played with no fingers covering any
holes while the Bn requires closing all holes except
the vent hole.
i. bassoon
j. contrabassoon
k. oboe damore
&
sounding
WORKSHEET 7
Woodwind Transposition
1.
a.
Sounding
E Cl.
Written
b.
Written
B Cl.
Sounding
4
&4
4
&4
& 24
2
&4
3
3
d.
Written
Engl. Hn.
Sounding
e.
Sounding
D Cl.
Written
f.
Written
A Cl.
Sounding
g.
Sounding
Alt. Fl.
Written
h.
Written
Alt. Sax.
Sounding
? 68
6
& 8
& 44
4
&4
2
&4
2
&4
& 43
3
&4
& 98
9
&8
& 44
4
&4
Worksheet 7 17
? 5
4
i.
Sounding
Ten. Sax.
Written
5
& 4
Written
& 24
j.
Bar. Sax.
? 24
Sounding
&
2 B Cl.
&
Bs. Cl.
&
2 Bsn.
1.
Beethoven, Piano Sonata, Op. 27, No. 2 (Moonlight), second movement, mm. 816
Sop. Sax.
&
Alt. Sax.
&
Ten. Sax.
&
Bar. Sax.
&
3
4
3
4
3
4
3
4
. .
. .
1
& b 4
Andantino
Ob.
&
Hn.
(F)
p
2
4
p
? b 42
. .
p
Bsn.
.j
J.
. .
.
.
J
.
f
f
j
. n
J
.
.
.
.
.j
.
. .
. ..
. .
.
.
..
..
b 3 . n .
b
& 4
.
.
& 4
Menuetto. Moderato
1
Ob.
Hn.
(B b)
Bsn.
.
? b 3
b 4
p . .
.
p . .
f
.
.
.
n n
.
..
.
.
..
..
2 Ob.
2 Bsn.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
&
3
4
&
3
4
? 43
3
& 4
3
& 4
B 43
? 43
? 43
59
Fl.
&
2 Ob.
&
2 Bsn.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
49
cresc.
1.
cresc.
1.
##
& # C
1
Fl.
&
Cl.
(A)
? ### C
Bsn.
p
w
a2
n w
n
2 Ob.
2 Cl.
(C)
2 Bsn.
& c
& c
& c
? c
cresc.
cresc.
cresc.
cresc.
b
&b c
16
Fl.
2 Ob.
2 Cl.
(B b)
2 Hns.
(B b)
2 Bsn.
b
&b c
p
b c
b
&
&
&
&
&
? b
b
? b
b
c
p
c
p
c j
p p
c
p
c
. . .
p
..
. . n . .
..
..
..
..
..
..
..
. . . .
. . . . . . j . .
. .
. .
. .
. .
. .
. .
. .
. .
# j
. .
. .
j . .
.
.
. #
.
p . .
. . . .
. . . . . . . . . . . . . . . . . . . . . .
. . j
. .
.
. . .
p
.
.
.
bb . . n . . . . b . . . . .
&
J
J
p
p
b
b
&
. .
&
. .
. .
&
. #
.
. .
. . . .
.
.
. . n . .
. .
21
&
&
&
bb
? b b J
? bb j
J
j
. .
. .
. .
j
. .
p
p
j
. .
p
p
. . . . . . . . . .
p
. . . . . . . .
p
B
. . J
J
p
p
. . . .
. . . j B
J .
J .
J .
j
.
p
p
.
.
.
.
. .
j
. .
. . . . . . . .
. . .
.
. . . . .
. . .
. .
. .
Picc.
2 Ob.
2 B Cl.
2 Bsn.
&
2
4
cresc.
&
2
4
cresc.
&
2
4
cresc.
&
2
4
cresc.
&
2
4
&
2
4
cresc.
cresc.
&
2
4
cresc.
2
4
cresc.
2
4
cresc.
B
B
6
&8
4 Hns.
in F
6
&8
6
& 8 .
a2
6
& 8 .
? 68
a2
4 Tr.
in C
1
2
3 Trb.
3
Tuba
4 Tr.
in C
1
2
3 Trb.
3
Tuba
#. . #
. . .
#.
#. . #
. . .
#.
> . > .
. .
.. ..
> >
? 68
? 68
>.
& .
4 Hns.
in F
R
r
& ..
& .
&
? .
? .
?
r
..
..
R
.
R
..
..
.
..
..
.
R
r
.
.
.
.
.
.
..
..
..
r
.
r
.
.
.
.
.
..
.
.
.
.
..
.
.
.
.
..
#
#
R
r
#
#
R
#
# ..
.
.
#.
# .
r
# # ..
#
R
# ..
..
# ..
.
#.
# ..
.
.
..
..
.
#.
# ..
# ..
2 Trumpets
in C
Horn
in F
Trombone
Tuba
b
&b c
F
bb c
&
&b c
F
? bb c
? bb c
F
j
.
j
.
a.
&
b.
&
c.
d.
. J
n #
4. The sixteenth
5. Playing high enough to be able to use an entire
scale. Used in virtuoso trumpet and horn parts,
especially of the Baroque period.
6. A U-shaped piece of pipe inserted into the original
tube of a natural trumpet or horn. It changes the
pitch of the instrument.
7. The horn transposes a 5th down; the trumpet transposes a 4th up.
8. It opens additional tubing and enables the player
to play additional pitches in a new overtone
series.
9. a. fi
rst valve: The pitch of the entire series is lowered a whole step.
b. second valve: The pitch of the entire series is
lowered a semi-tone.
c. third valve: The pitch of the entire series is
lowered a tone and a half.
d. first and third valves: The entire series is l
owered a 4th.
f. second and third valves: The entire series is
lowered a major 3rd.
f. first and second valves: The entire series is
lowered a minor 3rd.
g. all three valves: The entire series is lowered a
tritone.
10. The position of the slide. Like the trumpet valve,
the position of the trombone slide, going from
positions I to VII, changes the fundamental by
descending a half step.
Worksheet 11 25
22. a. in Bb: D4
b. in C: C4
c. in D: Bb3
d. in F: G3
23. F#3
11. Seven
13. F - E - Eb - D - Db - C - (Bn) - Bb
14. Bn1
15. It changes the tone quality of the sound and to an
extent its dynamic.
16. Straight
17. Cup; harmon; whispa; solotone; bucket; plunger;
hat or derby.
18. A Wagner tuba is shaped like a horn and sounds
more like a horn than a tuba. Bruckner, C. Rouse,
Schoenberg, R. Strauss, Stravinsky.
WORKSHEET 11
Brass Transposition
a.
Written
F Tpt.
Sounding
b.
Written
B Tpt.
Sounding
& 43
3
&4
& 43
3
&4
fig1051
d.
Sounding
A Tpt.
Written
e.
Sounding
E Hn.
Written
b
4 # nb n b b n
? b b
b . n #
&4
# nb
&
4
& 4 nbb b n b b
n n
bb
3
b b
b & b . n #
6
&8
6
&8
& 43
3
&4
f.
Written
F Hn.
Sounding
4
&4
4
&4
g.
Written
B Tpt.
Sounding
&C
&C
h.
Sounding
D Tpt.
Written
3
&4
3
&4
?
5
? 24
i.
Sounding
F Hn.
Written
2
& 4
Written
& 68
j.
E Hn.
&
6
&8
Sounding
C Hn.
2 E Tpt.
Trb. 1, 2
Trb. 3
Tba.
&
&
&
dim.
dim.
a2
dim.
dim.
a2
dim.
&
1, 2
F Hn.
Allegro giusto
5
4
6
4
5
4
6
4
5
4
6
4
5
4
6
4
5
4
5
4
6
4
5
4
3, 4
&
5
4
3 C Tpt.
&
5
4
5
4
6
4
&
5
4
6
4
5
4
6
4
&
5
4
6
4
5
4
6
4
5
4
6
4
5
4
6
4
Trb.
Tba.
5
Hn. 1, 2
Tpt. 1, 2
Trb.
Tba.
6
4
1.
5
4
6
4
1.
5
4
6
4
5
4
6
4
5
4
6
4
5
4
LISTEN AND SCORE 21
6
8
E Hn. 1, 2
&
C Hn. 3, 4
&
2 E Tpt.
&
6
8
6
8
1
Trb.
2
3
6
8
6
8
207
6
4
5
4
5
4
2 Tpts.
in B b
2 Hns.
in F
2 Tbns.
Bass
Tbn.
Tba.
&
&
&
&
- - - -
- # -
- -
# - - -
. -j
4 .
4
f
44 .
f
44 .
4
4
f
f
Bb 4
4
f
.
? 4
b 4
f
#.
-
J
j
- .
. - -
-- - - -
j - - -
J
- - . - - -
- n - - 4
b 4
f
? 4 .
. -j
b 4
f
?
- - .
-
J
- -
. # - -
J
j
- # - -
b
.
#
n #
- n -
J
lo stesso tempo
senza sord.
C Tpt. 1, 2
2
& 4
Trb. 1, 2
? 24
Tba.
? 24
2
4
S Dr.
133
C Tpt. 1, 2
Trb. 1, 2
Tba.
&
?
?
S Dr.
144
1, 3
F Hn.
&
2, 4
&
C Tpt. 1, 2
&
Trb. 1, 2
Tba.
S Dr.
?
?
1
2 Ob.
2 B Cl.
2 Bsn.
&
&
2
4
2
4
2
4
&
2
4
Vln. 1
&
2
4
Vln. 2
&
2
4
2
4
2 B Hn.
Vla.
Vlc.
D.B.
4
2 Ob.
&
2 B Cl.
&
2 Bsn.
2 B Hn.
&
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
2
4
= 88)
sempre staccato
sempre staccato
sempre staccato
sempre staccato
pizz.
pizz.
3
4
Fl.
&
&
3
4
a2
2 Ob.
&
3
4
a2
2 B Cl.
2 G Hn.
&
3
4
Vln. 1
&
3
4
Vln. 2
&
3
4
3
4
2 Bsn.
Vla.
Vlc.
D.B.
3
4
3
4
a2
2 Fl.
&
2 Ob.
&
2 B Cl.
&
&
2 Bsn.
B Hn.
1
2
E Hn.
3
4
2 E Tpt.
3 Trb.
Timp.
&
&
c
c
13
19
2 Fl.
&
2 Ob.
&
2 B Cl.
&
2 Bsn.
B Hn.
1
2
&
E Hn.
3
4
&
2 E Tpt.
&
B
3 Trb.
?
Timp.
TEST YOURSELF IV
Percussion and Keyboard
1. a. idiophones: instruments that produce their
sound by striking the body of the instrument,
thereby vibrating the entire body of the instrument (triangles, cymbals, woodblocks, marimbas, vibraphones, xylophones, chimes, etc.).
b. membranophones: instruments that have a
stretched skin or membrane over a shell, which
is struck by a hand, stick, or mallet (drums).
c. aerophones: instruments that produce their
sound by blowing through a pipe (whistles and
sirens).
2. A definite-pitch instrument sounds an exact written pitch; an indefinite-pitch instrument sound
an approximate pitch, or simply a high, low, or
medium pitch.
3. For pitched percussion instruments, on a five-line
staff. For nonpitched percussion instruments, on a
one-, two-, or three-line staff.
b. vibraphone
&
&
Test Yourself IV 35
c. crotales
&
d. xylophone
&
(sounding 8va)
e. glockenspiel
&
(sounding 15ma)
f. chimes
&
g. timpani
(
()
( )
h. roto toms
&
b. flam:
8.
15.
?
?
16.
b.
&
&
c. drag:
a.
7. a. four-stroke ruff:
d. roll:
or
Pno.
& C
? C
Strings
&
?
15
&
?
Tutti
18
&
?
2. Rossini, The Barber of Seville, Overture, mm. 117
Andante maestoso
&
[
&
&
?
]
&
]
?
dolce
Worksheet 22 37
&
?
10
dolce espress.
&
?
&
13
&
?
&
16
&
?
3. Beethoven, The Creatures of Prometheus, Overture, mm. 115
1
Adagio
3
& 4
?3
4
9
&
?
Tempo I
&
&
147
&
?
&
153
&
?
fig1075
>
b b c
b
&
? b c
bb
>
. >
bb b
&
3
>
? bb
&
b J
>
J
j
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>
>
>
b n b > n >
b n b n
> > >
.
3
> >
>
>
n >
n
j
#
>
>
>
n >
n
>
. n . . . . . . . . . . . >
(curtain)
> >
>
>
>
>
J J
J
J
>
>
>
b >
b
j >
>
>
J
>
>
>
n >
n
>
>
>
>
> > >
>
>
>
# >
#
ww
w
w
w
3
2
Fl. 1
&
Fl. 2
&
2 Ob.
&
2 B Cl.
&
3
2
F Hn.
&
3
2
E Hn.
&
F Tpt.
&
3
2
&
3
2
2 Bsn.
Timp.
Vln. 1
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
3
2
3
2
3
2
3
2
3
2
3
2
marcato
3
2
marcato
3
2
marcato
3
2
marcato
marcato
&
Fl. 2
&
2 Ob.
&
2 B Cl.
&
2 Bsn.
F Hn.
&
E Hn.
&
F Tpt.
&
Timp.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
##
& # # 38
1
2 Fl.
2 Ob.
2 A Cl.
2 Bsn.
2 E Hn.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
##
& # # 38
&
38
? #### 3 .
8
..
..
38 .
.
..
J
.
.
.
..
J
.
&
##
& # # 38
##
& # # 38
B # # # # 38
? #### 3
8
pizz.
? # # # # 3 . . .
8
. . .
j
.
.
.
J
J
. . .
. . .
.
.
j
.
##
& ##
10
2 Fl.
2 Ob.
2 A Cl.
2 Bsn.
2 E Hn.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
# n ..
##
& ##
&
? ####
&
&
.
####
# ##
& # .
# .
B ## #
#.
? ####
? ####
.
.
. . .
b ..
n.
n.
#.
n ..
#
.
.
..
..
..
n
J
j
n
j
j
J
j
n.
j
J
pizz.
. . . . . .
..
..
n
n
. n
arco
arco
n
n
Bsn.
Timp.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
& c
?c
1.
?c
Solo
& c @@
@@
@@
@@
@@
@@
@@
@@
@@
@@
@@
B c @@
@@
@@
@@
@@
@@
@@
@@
@@
@@
@@ @
@
& c
?c
?c
B
pizz.
@@
@@
@@
Picc.
&
Fl.
&
2 Ob.
&
2 A Cl.
&
E Hn. 1, 2
&
G Hn. 3, 4
&
2 A Tpt.
&
2 Bsn.
Bs. Trb.
Timp.
Sn. Dr.
Bs. Dr.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
a2
a2
Fl.
2 Ob.
2 A Cl.
2 Bsn.
&
&
a2
&
a2
&
a2
?
3
E Hn. 1, 2
&
G Hn. 3, 4
&
2 A Tpt.
&
Bs. Trb.
Timp.
a2
?
?
3
Sn. Dr.
Bs. Dr.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
3
3
3
3
4
4
2 Fl.
&
2 Ob.
&
2 B Cl.
&
4
4
&
4
4
&
4
4
4
4
2 Bsn.
1
2
4
4
4
4
F Hn.
3
4
1
2
Trb.
3
Timp.
?
?
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
4
4
4
4
4
4
4
4
4
4
4
4
4
4
sehr weich
sehr weich
&
2 Ob.
&
2 B Cl.
&
2 Bsn.
?
cresc.
1
2
&
cresc.
F Hn.
3
4
1
2
Trb.
3
Timp.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
&
cresc.
sehr weich
?
?
&
&
B
?
?
subito
cresc.
subito
cresc.
subito
cresc.
subito
cresc.
cresc.
&
2 Ob.
&
2 B Cl.
&
2 Bsn.
F Hn. 1
2
1
2
Trb.
3
Timp.
?
&
B
?
?
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
&
&
&
2 E Hn.
&
2 E Tpt.
&
2 Ob.
2 A Cl.
2 Bsn.
Timp.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
&
&
dim.
dim.
dim.
pizz.
dim.
3
dim.
dim.
dim.
&
2 Ob.
&
2 A Cl.
&
2 Bsn.
2 E Hn.
&
2 E Tpt.
&
Timp.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
Soli 3
legg.
2 Ob.
2 A Cl.
2 Bsn.
2 E Hn.
2 E Tpt.
Timp.
&
cresc.
cresc.
3
cresc.
cresc.
cresc.
cresc.
&
&
cresc.
3
cresc.
&
&
cresc.
3
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
&
&
B
?
?
cresc.
arco 3
cresc.
cresc.
cresc.
cresc.
&
2 Ob.
&
2 A Cl.
&
2 Bsn.
2 E Hn.
&
2 E Tpt.
&
Timp.
Vln. 1
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
1, 2
Ob.
&
&
&
B Cl.
&
Bs. Cl.
&
2 Bsn.
Cbsn.
1, 2
Hn.
3, 4
C Tpt.
Tba.
Timp.
Xylo.
?
?
&
&
Vln. 2
&
Vla.
Vlc.
D.B.
?
?
3
4
1.
3
4
fl
a2
3
4
3
4
3
4
Vln. 1
3
4
&
&
3
4
&
3
4
3
4
3
4
1.
3.
senza sord.
1. con sord.
3
4
con sord.
senza sord.
3
4
3
4
3
4
pizz.
3
4
pizz.
3
4
3
4
3
4
pizz.
pizz.
pizz.
unis.
2
& 4
Ob. 1, 2
2
& 4
B Cl. 1, 2
2
& 4
Bsn.
? 24
Cymb.
Hp.
Vln. 1
Vln. 2
Vla.
Vlc.
D.B.
2
4
2
& 4
2
& 4
2
& 4
2
& 4
B 24
? 24
? 2
4
pizz.
div.