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aU TECHNOLOG aru i Satan al ee Rance He ns Ht EW Going Above & Beyond at the Cer ae Cues es Royal Albert Hall Pee THE BEST SOUND, ALL AROUD ) ie X12, MULTI-PURPOSE ENCLOSURE - -ACOUSTICS X SERIES Po 4a CNMUI DSI! ‘Adam Liberman {stechnieal support engineer at Audio Precision le broad range of experience Includes fimand TV production and ost production Sound theatrical sound design radio productionand engineering computer audio testing ‘nd reviening: music and nature ‘und recording; and est, reat and ‘modifiation of preaudie and flmedting equipment en a andbranded content . ow EAE Paul Timmins SIA is zeneraimanage at W Londombased event, company Capital Sound SPEAK UP! honesty thought wel seenthelast oF Munblagatenaerly te years ago hen TV ener had inl calmed downaboutiraudbltyisuesin Arma series suchas lameicaln but mslaswrorg Althaughacouple cofmontshave passedsincethelatest y abostdodgy doaveln Happy nthe Voley,marerecent comments rs BBC rector generalabouttaclngthe problem andthe response tan artic ‘romthe Royal eeisionSecity’s potential beings worryingly recurrent peoblensomehing oeshavetabe done aboutitthstine. Whats sas ustratigas the problemitcelf though istheirmediate Maga Brownie oktion show that ith assumption romseme people atthe “soundprofessonlssipyhavetobe siblefr the whole thing Midway Ina soga the Bees os the probable casseferitall beforeleter chanaingits stanceandacknowedging that there was nth through he on etifed sound Sorsteadofunping to cancusons lltyepasbl factors needtabe considered incudgthe methods ofthe oT y surrisingthat so manysoundtecinians ee dsappontedwhenthe Happy Valley backach rupted andthe decision fam thoseinchargewastorushbockintothe cedtsuiteandpullapartth Ierealydoesseemtobethecaseno thatthean) time theautioprof behind TV shows and flat aryl eaten ram the wie ps nethinagoes rengandthe finger cfblame te painedat them Velie acters thar recognition gv for good work but enter’ a proble i theyrethecentreofatentonandtten for he wrongreacan which themorepainfulihenalatofthe tine theywere deingeverythinetheypossbly couldinverydfcultcrcametances and hea theyfarmsuchasmallpartofacren minted ul teas Butthar’s enaugh fommecnthe sabject~although we dohavemareon thesis inour Opnionsectionateren To restore thebolance after that sightran, andvith sumer now nore oles upon Ui also nthsissve wedi ino aneuly- upgrade pes fcityin (sometimes) sunny Sisto so there Plenty of postity ogo around this ‘manthtoa honest ‘Adam Savage Editor SSYol veil) S11 = 1D) ae iom Me ecg www fullfataudio.com 6 ‘Sennheiser introduces new DSLR mic 8 PreSonus unveils ULT-series active loudspeakers 12 OPINION Producer Matt North gives his take on why some UKTV dramas continue to suffer: 14 The Audio Hunt's Stephen Bartlett explains why sticking to the established ‘rules’ of music production is not always the best way 42 INTERVIEW Deborah Whitfield and Patch Rowland from Final Cut Sound discuss the facility's collaborative approach to post-production @® FEATURES 16 FESTIVAL SOUND ‘As we build up to another busy summer season of live sound, we talk to a few audio rental ‘companies about the challenges they regularly face on site 20 LIVE PROFILE ‘Adam Savage visits the Royal Albert Hall to find ‘out how engineer Tom Howat chooses to handle a tricky show from trance group Above & Beyond 22 INTERVIEW UK recording artist John Newman sits down with. Colby Ramsey for a chat about his influences, ambitions and habits as a producer 24 STUDIO PROFILE Natural history specialist Wounded Buffalo ‘Sound Studios unveils its new Dolby Atmos- ready dubbing theatre me lar audio issues 2 @® TECHNOLOGY HOW TO ‘Adam Liberman from Audio Precision creates a fixture for testing a condenser microphone’s phantom power 28 PRODUCT SPOTLIGHT We highlight some of the latest technologies in the studio outboard market 4 @® PREVIEWS 32 Turbosound iP1000 34 Steinberg WaveLab Pro9 36 AKGK182 38 Avid Pro Tools 12.5 40 © RTWTM3-Primus 10 SHOWNEWS 140th AES Convention/Develop Conference Design for Live Sree be Reet ee Me een Seg ee ee ee oe Ren Nee eee Se em eed the engineer focused on mixing in the moment. Distributed with separate Mislack and Surt edded plugins Redundant hot swappable power supply standard across the range Redundant connections throughout 814 systom inputs and aio networking cards -D: ALLEN&HEAT ALLEN-HES MDLIVE SENNHEISER INTRODUCES MKE 440 DSLR MIC Senaetser used this years NABShow E440, anewsterco camera icroptone designed for DSL Usersthichsavalable from lune Twomin:shotgunmicophones feature supercardldpickuppaterns lone thatoverloptocreate afrentfocus, _noisesuchaswind Themiropbone is ‘alowingtheMKE 440 torecordthe _poweredby two AAAbateries withthe cui fom within the camera greenLEDaf the on/off swtchdubing ke miei AB, MS.o°XY options asalow:batteryindcatr TheLED ll Thetwominishatgunsaremounted _turnredepproximatelyfourhourshefore inaVshape rangement that hobatteris run lat ensuringsuficient predominantly icksupthesoundfrom time tofisichshootng Withinthedtectionet Riningandrejects @ wwwsennheisercom the marty of off ans roise from outside thecamerafocus The mirophonesare shock-meurted Incernally to reduce enyhandingnoise andare protectedaganst wed nls by astanlesstee!micromesh For strongind aspecilhairy coverisavalbleas anaccessoy. CALREC RELEASES BRIO BOARD ‘SMPTE 2022 Dante, AES? Raverna ed Sound Matiformat support protecsthesystemaginst any future fomatsthateneszeandaowsthe console ositonmtiplenetworks simultaneously ifdesred Thecompactallmetal KE 440 attaches tostandardcamera shoe toannounce the M A mounts. andfeaturesathvee level sensitivty sch toads softer and louder sound sourcesvitha svtcable ‘iter eliminate Frequency CCakec Aud new Briconsolelsthe _llectmenber oft Bluefi2sange Theconsolels Ba2mmwide ith 236 duaHoyerfadersurteceanda ‘Is 6inkDouchscreenU Abankot arinatngherdnarerotaryconrals ges Test ond rece contrat Bi'sstandardbnoadcast specie ‘verpwametersdspayed nthe featuresincude touchscreen + 64mono-eqialantlgsthatean BotsentrelyselPcortained with anslgueandigtl OandGPO ulti the surface. 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Itsuppors2bifgckHopeeton sthcomnsctedinterfaces andreas standard fourlanePClEspress cad slotina Windows r Mc computor suppiyredundency Thunderbolt chass Thecard delivers WierdClockYOcomectionsare 2Binutsand iB autputsat 44, ImadewaBNCsocketsandincude 48.88.2andobkHewithunder ans svitchobe termination Duatnetwork andlopueo-analogelatency hen ennecton:srepravidedonlocng \sadwthRedNetAD andD-Aatany etherCONconnectorsandthe dual samplerate PCs aaah or powersupplesECpoversockets _s159090(USMSP, Incudecaleetainingcips @ worn focusritecom NUGEN'S NEW HALO UPMIX 9.1 OPTION NogenAuohas launched option fertsHaloUpmoxplginhich Includes overhead postoningand genertesa712(Doby Atma] bed trade-campatlouemix Thecompanysaysthatwiththis ‘etersion sound desipersandpest groductionengheescanbringessteg -tereocontentmerecaly nt the also afulDoby Atmos mc hile theempanced iu iterfacermakes ovetheadpestonng lear and ntti! ThetalaUpnix a optionisbased confrequency-domainerdtine-domin energy dstrbvtonandrewatnetverk arficalintlignce Producerscan_ Nogesproprietaryneuraoetwork targetvaicusupmigalsincudng _baseddlogurectaction whichcanbe fultablesuraundsexact dover _appllednalupicases frmstereo matching orfuldaloguetsoation. ——_—to5/7iand. Inationtastemendgroup HolUpixisavaaleat $499 for pmbirg producerscanuseHlo both OSandWindos. The upc Upmixscentrechamrelconroland _exersioncanbepurchased fr monagementtofnetuneasitewnd —si9gandisacoavalcleasa mikandtocreateinticetemiueswhen _separateupgrade fr estingHala theretsnoaccesstothecr@jrastems. —Upmixastones. Iscenmechamelcontoliacudes — & wmaragenaudocan, Sana TH E ae an LEVEL PETE en et Ec which has been engineered for new levels of audio and operational performance. It has been designed, developed and perfected over the last six years by some of the most knowledgeable and Oren a enor) Its meticulously crafted proprietary waveguides eRe omeseae ase eesti Dene eens eee Reon cesta ce ete) Rema ue coherency combining to present an espe erste cy which is why Vero is already Ceol pe ence col Ertan PCa Ree) OF TOUR SOUND DU La Ey AKG UNVEILS K872 HEADPHONES new clsed backKop2 master veasdeveloped fame rerandemploys aS Te chest covered aluriiumy copper seundbeyondthe limits thewearershead ensuremaxinumduabiity anda tight earpad: cetended frequency rege rom sez ro54ktewhle delivering thelowest sur retention ear pads ancien qucklock APOGEE ONE FOR MAC ARRIVES IN UK Angee le Sound Tecnology haveanncunced UK higpingofthe ew Apogee ONE for Macautoinserface, ONE orMocisa2inx20utSB utiointerfacenicrophone andl ‘one solitenfor write reordngand smiingmuziconaMa: Thethirdgeneraton nthe Apogee (ONE family andnowstealned fo herttor ithitstinierophone, instrumentendmiingutand haha curput-astheutimate stk onetoalformakinggrofessional recorengsinastuloor onthe a, cordngto Apogee nec amicrohore, onnirectenalmictoeaslycaptre thelemesic itcanabobeusedto recordnithamicrophonebultsnor ectorel andguitar smite Utising Apogee: 24 tio NODA tech euersonandmiceeamp ONE produce’ piste! usc podcast andvoice oes recordings ile alo delivering sto ualty precisenmixngr filtering, anoptionsiOS —_—Wthaninuitveconrler nb nd connectiatykt_seerlesscompatbiltywith Mac 05, ONE tedesignetabe easy tous and (ONE forMac ‘sarelblefor 0 with hebere—_werksithary Core Audocopatbe begererpie, _satnreaplcaton \ vearcanceey — wmapogeedigtokom Pe May/June2015 PRESONUS ULT-SERIES NOW AVAILABLE PreSon ne ULT sere leudspeskersaredesgnedtoconbine ‘thevidesthorontaldspersionof anyleudspeckerin the focused vertical dspesionforan tea long thre Created forbothmobi permanentinstal tive birchenclon ithapondercoated steele egoramichandes a lockinalEC power connector and erat panel pam lnseator LED. The LTI2andULTS offer mit angle endosures fer useas rans or monitor wedees TheLULTseriesis avalable at the followingUS street prices:99005 Tia} s.osg95{UTISjend 99.95 [ATI (@ wompresonuscom witha adef Thefullarge LTi2andULTs feature the manu rotaeblePiorXohom andat2in lon frequency (lassDamplierTheULT gererates ip to DAB SPL, ATs delversip t01364BSPL The ULTBsubHoter Isdtuenby 20000 peak) enclose A proprietary Bn low fequencytranscucer witha anveice col provides mot erivertrvelbefre tver-ekcusionto push more sirandbringmeore' than MULT ldspeaters featurtghteght Baltic JTS LAUNCHES SGM-14 SHOTGUN MIC Then From JTS snow dstrbutor FB signed forENG outdoor ecotingand thes lecretcendenser thereon the JTSSGN 4 canensuebacggeund rnogeiskeptataverylowleve les ful20-0.000H frequency response 'ssuppliedcorpletewith reenand micephone hole © mmjescomen ICONYX IC Live Install ; ® Gen5 Now with Dante™ connectivity, Renkus-Heinz Digitally Steerable Arrays bring intelligibility to the most demanding acoustic environments ICONYX Gens represents the latest in digital beam steering technology, integrating the power of advanced beam steering algorithms with the intuitive control of the new RHAON II System Designer software. Visit us on the web to find out more and hear for yourself at Comm GATHER ROUND With the AES'140th International Convention on the iy PU NEN «iccmicestcome horizon, we take alook at what the Paris eventhas in Le fr atsaasoconminy store for the European audio community. TOSI] teneescnenceagin dics sbjectscurgmuse deeopmercevets tought fovetfarfaldosof practioner fin vindrase theveck cing ceer rererchendtedwesgy —ncogines exper ter ardent recog Satarhinerouswesel tedilgsatdis conpettenandctiges etrestnhepratesnal_Popdr a Scarves Soden deep assnbles nd auciaspectrumhentheindutryhesds are topical papersesions, which toParsfrom4-7luneforthe AES 40th pravdeavaviedaray of signalprocessinglvesoundpractce, International Convention. presentations onaudiofundamentals rendering human fectorsand Cocharedby Michael Willams nd forbeginersandseaconed interfaces, recording nd production Umberto ZangheriatthePalaisdes profesional alike techniques and buman factrs and Congres the event promises abusy Saturday's sessonswllofer@ interfaces inauso. programme of presentations and rurberoftaks onthetopicsoFaudio _Inmersiveaudlopapersessions enginesingbriefsessonsshowcasing equipment andformats instrumentation willbe delveredon the fial day of the warkof over 20 researchers and measurement audio sigal thecomventon alongwith further covering awide range ofissues rocessingandroomacoustics, while _presentationsonpercepton and fromaDrecordngandrepredvction Sunday wifocusonaudoperception, rendering human factors andintrfacs, tobioaurallistening bluetooth lve sound praductin.upmixing auiio’ Sessions havebeenreviewedand technolopes digtalfiter designand quality content managementond cereuatedby conventiompapersco otberhot opis applcationsinaudo.Butthatsnotall. chairs Thomas Goeme, Welfgangkippe Adaitionl workshop events wil Daytiveepapersessionswilbe _BergamePeriam,RobinReumersand bringtogetherpanlsofexpertsto —_steeredtowardsperceptionandaudlo Dejan Todorov assisted a number ther networking opportunities Meare, the Professional Sound Expo(PSE) makes its AES Convention ebut. The expois desienedto edcate andinepice attendees about whatit takes tomake tin the industry through special presentations fromexperts AlsouniquetoAES i40\saseresof special vents called Audio Projections which presents stor withthe cpportunty to takepartinarangect listening axperinces from fpmto7pm nthe Saturday Sunday and Monday. The conferencecentes though “Thursday 4th he actionot ade Tock-sesie diated spmeaudoondmusandgened The Develop Conference returns to Brighton next month specfclytowards game develoers foritsTith year. Focusedon game audiodevelopers, ——_Thssinyakosesthereurnofhe regulars will notice some interesting additions for 2016, _P2#ul'IndicDev Dey Nonintats sith yeacthe lode Daystargeted at smaller heDevelop®ihton Tuesday 2hilyseestheeventhck independent developers mthtalored Canferencecentimesto _offwiththefamedEvolecnference sessions nde networking opportunitios Upholdtsreputatonssa devoted tobreakthoughtecnologies _andanindieDevShoweaseof some of eyeventintheEuropeen _sndgame development alnginitithe the bestnewprojects round genes development rewGamesFundrgFonmandGares The Audio Trackin feotres four calendar Vistorsaregenthe Funding Wrkshop ‘wordlssanoewininggame aia opportunity olen remcencvned TheGamesFundingFoumeliers production wee outofEuropel here famusandtopindenencomersithe _delegatesabetterunderstandngothow therelstuesounedesen playa industry keepingup to-date taaccessfundeg the prosandcensaf space daminatedtachandqueston: withthetcolsondtechniquesthail thedferenttypesoffiningendthe of how pofesionasinthissectorofthe otentillyavethersudeanedge. _atestapportuniescutthere wlethe business do sound Aud Trackrernnds Thisyeasconferencehasbeen GamesFundngWorkshopisadayot _thosetheldustrytoask'ay. picedbysomeoftheindsysleadng practialachicendguidenceantowta ‘These sersoneildemenctrate Ages Wihthefocusfemiyonpracicl preparer raising ance higher levelnotinsoftruesound ‘akeaneynsghsthatvistorscan Wecnsdy'3 iyrarksthe opening design natustakngindiualscund lenployencebackattherdeskthettree- ofthemanDevelopBightoncoference.effectsbut desing scundscape ayeventisspltintavatiousTiecks: —‘Thsyearseestheproduciontack —_withasonic signature, defingwsound Design Art Coding Business Marketing, mergentobusinesstoreflectchargesin teste andlearinghowitcan define ‘ude sndnen fr ths year-VR how developers re workirgtodey anddemarcatethe game wore Attendees analsolemhoorto deserbeor gvea voice toliteralscunds ardhowteanbevsedinanentiely nonalsicemetwvewaytociivethe Playeremationalesponce and work withor against whasbeingseen asa uyeffectve story teling deve, John Broombal do Track curator andehas commented "Ta my ind, Develop Conference inBightonis ‘he premier opportuntyinEuropefor anyone engaged nor intrestedin game auclto mest wththerpeers nto vith the gamesindustryat arg nd rnkinthecolectedisdamatastelar line po speakers" Inspiring creativity, so you can do what you do, without limitation Studio People Are you a studio person? Let's connect. www.studiopeople.com / sales@studiopeople.com / +44 (0) 1938 571148 Re eee eet ats WHO'S TO BLAME FOR THE BBC SOUND COMPLAINTS? Producer Matt North offers up a few possible reasons why some UK TV dramas continue to frustrate viewers with inaudible dialogue, and his thoughts on what can be done to prevent future controversy. Pa] ¥ N hecomplontsregardngthe soundquntyaninteligibity of BBC damaresurfaced withthe aingof the second seriesofthecrtially> claimed Happy Valey-proming rmuchdscussen amang bathe general pubicand auc professionals It the ‘hirdseres nlite over to yearsto receivealrge umber similarsound reltedgyievances,soweyareviewers stllexperiecngdalogueailty issues? Whyhacnthecausebeen icentfiedand esohed? Actually Snot ute that ssralhtforward The avsblty icsvercaudinfacthe asumof many conibutingtecncalandatitudal factorscoming together rather than therebeingasinglrsarceto blame Mie Thortants outnesome of thesepotentifactrsinhisarticle over ‘ProTools Expert. which wouldhghy recommensireodig Butrather than simply repeat whathasaleady been heed keto offermy though on acoupleof points that havearsenfrom thesedecinsions LOOK WHO'S TALKING Oneofthemsincaucesliesinthe performance ofthe talent Whea the complaints over mumblingactesin 20id's Jamaica bit themedia many reports began toquestionthe wor andcompetercy of thelecationsound ordist nbichrealy angered me. Actors mumblnglsmest certainly ot _ascundprablen a performance problerythesoundrecordst should ever beheldoccountabl fo poor perforce delivery rintonaton of thetalent Can yauimagine tryingtopoint theblame of nentrapickigtheirnose conadrectorof photography? As auto professionals weknon that t ithe primarycole ofthe scundrecardct tocblanthecleanest ecordingor the dalogueas possible usualyinthe facet many adversities asvellasicentiying, andattempting to solve anyissus tt valutinatelyaffect the quai ofthe soundtrack Seay Icanoniyiagine that such concerns overintellgblty are mostly damissedby drectrs when theyteraisedonset velestcountof thetimesIvebeentold were runing behindon schedule there'snatimefera retake cr"wel xin post” henaiing putida soundlssue Woe appreciate thatdrectorshave many ‘ria decisions tome one they shave the om feedof themixjst thesameas they havea video moniter ‘toanalysethe vsualaspectsof the prfarmence satheyhouldbeaware fade abl topassjudgemenion ry potertial audio complication ‘MISSING THE POINT Another angle an this ithe ‘overfamiiity wth thedlalogue that coudbe taking ploceinsuch stations, By thetimetcemestoturting over onset thedrectormostikelyknous thescriptinsdeoutand ths could itimately bea abeonciusreazon for anydamissls of punblirgmadeby ‘thesound department When wekrow hat ibe ait cogntvely inpickand decipher certain istonatons or susia the dialogue. The ewersathomehoweverwllaever see _acrpt nd maybe not enaugh thought ea ree oe one Pore a i putintohowthe viewer wliitly perceive the logue of tho (nottomertiontheteriblespeakerson modem latscreensets that 1s most ikely toe consumed though. Although today'stechnclogyallowvewersta paseandrenind forcing them todoso because theyarenissingkey points of dalouevill severely damage or indeed brook theimmersianinsicheramae When reedngcetaintvets abou ‘the complaints romdsprutedviewers, ‘mary complained abouthavngtocrank thevolume toundestanthe dialogue, cy thenbeing forced de fr the remate momentslater Somehave argiedthat this de totherecent charges tolouchess metereg nde EBURIZBbroackastspecicationnaw inplce tl wouldarguthatthisie completly untrue Whietheregulations screen thecomplantsontherecenteudness regulation imlemertton ad rather the Issues reall dole before ths stage ofthe rodictionprocess INCONCLUSION Thereare ofcourse, meny ater technical factors and potentalcausesthat could eobe attrutingtotheseiesuerbut think overall ne thingremainclea Acomvesatonneeds to takeplace vithgeoductionte professonalsonhowwe canproceedto rsue tis doesithappeni the future krowtisanunferturate old adege that saundeomes second opictire andi de think these complaints renecessarly goingtochange tat, hopefully they linea are Understand attitude tot the sound productionprocessandthecbalenges facedwhentryingtorecordtnehghest quality dalgueon set sede! have opened up the previously outer boundshestraom For use( or -i0dBFS todgtalzeo) intumlberating bing, iberstocretemore drains, 7 specifications stillrequire the mixer (Matt North Teranecocdenemennn (alien Solero. range of listening for vewers Indeed Norwich, UK he primarily offers eonerstousesnetcres, ——|stetiansordmang ooutctoetecugiegcaty | Meleandesrtin seis mpg a isimised for consumption at the same were.mattnorthoudia.co.uk sfecoamone tering level thoughout Therefore. Se aN eR ee aa ee a ar ed Cee end ee ee ae THE CHALLENGE OF SETTING YOURSELF APART Stephen Bartlett, engineer, producer and founder of The Audio Hunt, explains why sometimes it’s necessary to break the'rules' in order to become successful in this business. Bruna very: moreand ore gear sand fare roame aca ‘modeledinto digta plugin, andevery yer they getcloser hares togetingalmostany sourdyeu couldwant More ancmore people are rmakingmusie easing tandbuling careers Solathe midst ofthis increasing caption andwithinanincreasgly homogenised paygroure of tall Ins howdo you your tracks your ‘abums-standou? 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Iremenber working witht Leonard afew years bad twas session together andlwasired to engines To seyitwas leamingeroerence Balnge understatement Watchinghimprod vasarmarig!Heknew whentochange andubentoleveitohena take was jst righ Halfway thouph thesecand day he asked ff dliketamixaswel ard jmped tis ony condition iasthat let he ‘us evactiyas had eecrdedthem=no rmoreEQ compression verboranything ~soseactlyaslhadthasevenmics lid on cautbelivelt ealnays startedmiingbynstaddingEQand compresionthout thinking busince then Ie become machina fecplnedn andcomeress later JOUNING FORCES Unusual scunds experiments innovation oftenthe combination of unusual gear andpeopleworkingtogetherThegreat thingiththeintertis that nawiveca collaborate araunthe wer acessany gear hatyoucouldpossblyimogine and neskvith people youvenever met. Recentyvasinvahed inthelaunchot ane oniine service TheAudoHunt com wich aongother things camects musiemakers rem areundthewerl andprovidesunprecedenedacessto eamaudl gar thvoughapeer-to-peer cnineraretplace. Ieleve tatthisreresentsan ble opportunity fr thaseho ise toaccept coments alinitation nth cobers Youneierkoonhathey il bregorcontrburetoaprect. WhetheritsaNeveio73aFilight foro orasingsomeone to your rack tis witycansartto break eat. and embeace ok playa Solnapat soba boundaries andereatene forme of innovation Fndnew sounds sure not everthing wilyeldperfection but the reardisfor those who ty Soinanywaythatyouca learnthe res endbreak them Iovate anduse ‘anyandalitoalsandpeogleyoucanfind something sothat you canstandou andive your dream caret. ROU CM aa TP TOR AE PROT ER HE A ee a eae ae We yore ee ea ee ee eee ane io 6 & following for being the most lightweight and versatile ine ara in its e'ass. I vor Orieemeitenet fe meme cull met! eg Sete) ee aor ‘We all love a good festival, and although these events can present crewmembers behind the scenes with all manner of pitfalls, they would surely say the same. After hearing from a group of engineers earlier this year, i's cover to the rental firm bosses to get their thoughts on this area of the live sound business. cone ofthesefancy wignom things ROAD WARRIORS knows stead slummingitwiththerest_Asyou'd maging, there ha festivals. For many of this having organise th ites over theps complete without of us youllstilleavefochome feeling challenges that thas rms haveto one trip to an in absolutely shattered theendofit face taurlet alone an “I suppose Eastern Europe tor field inched all~ guaranteed Uunpredetableevertikea festival not tobe alotmore demanding onthe rowhere that for one weekend a But inthe son last the oldnoiserestrctondlemima equipment=Itsa lathotter duster year tranaformsas ify gicintoa (deal) watching someof your -wellcamecntathatlater Butane and they generally ru ther wonderland of sentlating| Fayourltebandsand kinking beer all thing that canbe easy overseen fre ys."Fr Sziget this goodvibes happy people andarichdaycanbesotiing whet aboutthe _anovtsdersperspectveis the vear they've added another day so medley of exquisite cusine for wh poor guysresponsiblefor ‘iffcutyfacedbythosewhocivide —_we\vegotelpht days consecutive and yourealize yauhaventeatenforthres _ afterallthat heavy, expene thoirfestival seasonbetween domestic that wilrunfrom2pm up toning, days-olltakingplace under blanket equipment wile ensuring ew andinterationalverk-atrendthat —_seitsmere heavy duty of glorioussunshineand clearskies sounds great when there's ail seems tabebeconingincreasingly iF yougotoBudepestin August you Atleast thatSwhat we prayforon things that ean gowrang? Tha’ ‘comsman Pl Timmins generalmanager know that temperaturesare probably riveftraindovn.Asweallknow, right. last year we spake tot Sound which natonly going to getinta the 40s, whichis handles maj UK shows ke hot for alot of auto s0 youve ieParkbutalsothe — makesueth ealty canbe quitediferent,and manufactuces,inMarchwe chat evenifyou‘esomeone howouldonly tothe engineers and ths tml inginapochyurt_turnaf the rental companies. ‘mammoth Sige festivalin Hungary anayzothat se inFngary you canget th the difference thereisthat euneypected and 20 mints offout there as we eehere as when comesinitcanberece think Europeansites canbe ike that buthe intheUK generaly youknon what’ coming andi quterare to etreme indorraln in June a? that Selution ni Aucoin Fra "supplies the countrys Worldwide Festival but alo Boom Festival Pertgal the diferences as you vecentnent amount to alet mere Justthe eather “heroes Europe condition ory enormously highly eguated France rea ofthe production ards ondhas tobe hereveals Thisise P lon Portugalis te opposite etraorinanty ambit anopiesin se profes Throttle Enterta ingequpment vast stances oublesame conditions buthe face alltese obstacles without leaving the ‘county, Tong inurl isnot “Thesheer distances that conbe ext can prove alogisticalnightmare youcanleap fog ones! deadline he expla, youhave alarge show Friday ight inMelbourne andasecondshewa Saturday in Syn. thetrck drive lone emperatureand conditions on some of ourshows Currently have onein particule that bottom aut around fou or ve degres at ight yt curing the daycanbehashighas 40, Ths creates tunigue esues when tcomestothe ural ofthe gear and tuning” (ne way of aiding your abt to put 'stodowhat North American giant offices, nludinga Nesivile headed upby Paul Owen who county ages theUS,thevecealyis alternative hemsinthngisbeingableto par fest thatonly canbe doneetiinty ith companies thathave multiple location ike whe BackinBlighy wecanceant selves lucky that we dont have canton ike Wed has to deal ith, but that doesr'tmeon ve nsof our ena Is0 contin toma th necessity that wot be goinganay best they an focusing on doing’ seen cos ideration for many yeorsnowrealy and think were agettingbetteranabetter thatbot thats avaliable en 1 desing vith in terms the tech hee Bxyan Grant managing di riaRow Productions tics nsbiet eld, a Rado we'vebeenspproached fryearlyan_playingareashavechangedsowehave myths out there 0 andwe\e had dscussions witht tolook at thesiteagoninitsentirety enphysics but promoters ad vere people whe ere are about eight playing areas welvesad‘allwecondolsedvseyou, there anda abouthow they interact ning hasalaaseena staggering ths isnot gong towrk’ Thats whe rtheach ther. The promoter Seinthenumberof these challenging rental companies can workwiththe dowithths as wllandhow they itesinrecentyears andrevealshow ——clntsand help structure thebil How are you gong the severity ofthese is Asisthenarm nthisindstry forging contain thenoie yavregaingtohave apa sey conierati kethiwille areal loud raucous act playing nen deciding whether afestvalis repeat business and ari close toanact tat ver uit a dhableornot the festal site tat mands lot ofatention with now probably Bout have some kindof enforcement on 60-TOGEAR estivals canbe fullo surprises will ele company has dane thes the offsite levels whereas five ork ‘everyone involve, but atleast totum upand do ainayshave the ch they rom wil performregacessafwhatstromnat precisely trusty equipment. repo rotor intheLK-Ithinkeveryprojectthat _evenasitethat rytimes them. Far Bitania Row Pr comes acrossour desksthatsnewwe inthe past Grant WOMAD Acoustics tis theloudspeaker there tobe [the annual ord alin systemitrlies onabove allele ‘Overthelestthreeyearstherehave —Witselfortastance although isthe "Its thesame reason ve use t oor thee occasions where sme ld the layout of and tourngreally Fest ofaltheaudio z Neve THE DEFINITIVE MIC PRE/EQ Two independent, Class A, genuine Neve 1073® preamps & EQ Exclusive Neve Marinair™ transformers Insert send and return, selectable headphone output, 7 stage LED metering For recording as it’s meant to be heard, it has to be... «Neve - No Question ieee teenie Follow us on Facebook, Twitter, Instagram & YouTube WN oe Po )} THE ROYAL ui as re ee) a cea ker cu ana ive desk agnin 239 J playback he ve opening lego thelr Acoustic our ‘over the audience alleverng. and Inarly May IhIEMLApersideforthemains, _helovesthe fact that he doesithaveto olowingthe successofthe g anotherlaMLAConthesides anda hasslethe rt ghtly increased fawn subeleren seo of four MLX witha ther aed The Geek TheaterinLos Angeles, under strngsecton t's giving options thestageestenson,FOHengineerBen Ive already stuffed the desk fullof indy ~equpped icartistictalentewith _thingewhereyouviantthemanchange _cauldhe confidant ofa nasty scp irstuments alongside an themare the PA ft in. The Ha ensembie of orchestrelmusicins the ast wouldve ven im something levelin2016 witha unit’ nduppedthe ante ta thnk about however, crordngta ofsomecttie intermser sonic quality he says. als senior project manager Matin worldsmostprestigiousconcer thal Connally "The Royal Alber Hal ante Andbecauseitsthe RAM weno ONTHEMOVE a dificultsoundinavenueitcanbe ver wll a the Bow Above Be igaboutjusttreeblokesstanding Noteny desHowathavea prety ferwardt playing noth behind laptops punching the air edstage todeal tt erie spaces ike the Sydney Opera Aoingliteelsehere-thisias setup musicians canbeseenmovingabout and jose and WakkiShel inal but very mich for he venue, ae moni hanging positions thrcughaut the show the RAH can certainly be considered engines Tam Howat explains hs tichof curse canmake eal iststoponatourofthikind altknow the Alb THE PERSONAL TOUCH notoriustyinterestigplacetoget a hattingtoAlIbetorethegig "Weve for themeriter engineer 9017 peopleon stage including four differentsingers There are the inthesek Bact the mito contol packa wed from andfrom thisband’s point Above & Beyond guys ostring see Uhingsistat woof and aneter tal hat hasbeen broug view th ainexpectato ‘0 drummers amultinstromentalis days snap paces ake Howat life tattle bl have that expectation at even bse layer another guitalayer and quitereglartyorwanderoffanplay_easieronthisparticul 1 show =they have avery high stand vena harpist Ita bury ign something eee andthe four vocal personal ming system leo fo dent thin they wala anyone’ terme reaiybutitsnot alltokediferentturesdoinglesdvocals Allen Heath - ahichis being ered doing the sigurless they horrendous-enoughtokeepyourhands.andbacknevocels sot rurnber of usicans onstage a had the opportunity to do something busy allthe time scene intonsve process eplansto ddmoretothekitistwhen ike hs Howat conchues “I's agreat ‘peeking toHow eritorsandtheres thetourmovesacrossThe Atlantic. spotforit hes challenges ik as eedalitellbhand Ho thas feed me because himthe chance well rrusiclansusing an ME aves me the eae ete TT Pana ae WaveLab is today’s leading mastering and audio editing platform, favored by mastering facilities, music studios, sound designers, journalists and broadcasters, Its comprehensive set of features, customizability and outstanding audio quality are the reasons WaveLab became the world’s most popular professional platform for audio refinement. WaveLab Pro 9 reinvents creative mastering once again by providing a revolutionary new user interface, full M/S mastering support including editing and processing, the superior MasterRig plug-in suite as well as direct Sen cn cee ern rego ©@ steinberg www.steinberg.net/wavelab Roe mae Ne ase STAR Singer and producer John Newman has come a long way since his humble beginnings in the house scene. ree ee et nage ee eure est a wants to be known for more than just his vocal talents when he dropped in for a chat. eee eer) Peed ee eae pee) eas ene coe iotd ee eee are te ee ieee er eee eee ere Peano eee een ee eee) Peet Ct oad peered eee oe) Cede caterers Sa ee) Pe nee) Cee eee een eee eee) Cee) coe ees Pome ety eet ay ene eel ed Peer co eran eee net eo rn Sea end pete eer coe en ere ec eed re) ee oe eee rcs voléeuboardon computer thing er eee ever eee naa ree ery ee ees ere pee era Perri eres eee) Sea eee oe eee Peete et eel Dee eee ree eee ets er etc Ce Sey een Parente ee) Sr ad 4 ee eon eee justly through tones bth or Pomerat ete Re eo ee creer —producingrusicasa side project nd_aboutthat.soundyoucanjustepay eee a cone ees Cee Lad Pasar pene eee ad fade iced corey eee ery Petre eee) Sr eters ee ees Pere eee ere ere eed ee eee eee ents Peete able to put exactly whats inyourhead eee ore eens Seen eeceener eed em ner Ce ceed eee te] Se ed eran ence tay See eee eed een ee Poe eta Pe eee ‘theway anda cath with eens eee Seer) eee eer ts eer eet) eee running atthe moment and do you ee ged ener raat ed erent ‘anew adtontothisane. Tis sounds oe aed ore Peet eee ey es Peer ented Se! ieee or ots three weeksonthcr oun thenthey oe eerste Pere eed eee eee aes ery ee ee ce eee esa Prais ee eee ate) Cee tal Ceca See eee eel Pere et) cee te ei me errr eee Peas er, Perera Hemeisiei ten Ss Te et ee Cee eae pene es eee eet Parco eaten Bee oes oe ear a eee ens eee ee peer) ee eet eee ete ea cy eer eee eee See Cee rere Peserermeerer i tareg ate ti btmore experimental eee ere et ee ee ee prereset eee) ote fenestra) eee etie Dee eee ee Pemereteer ee) Ce ee eS Pre ene eee See the muse Cee rd a mee ined eee ad > ee Peete a eine eee rite feta veer pers Laas at ea Lae eeeaeanenied beriarieeay ae a ORIN iene eerenineny Paieenenninaaes pennant Scogsorere ences ee cet Heise > en en sey eel anata eeoenairn pours elteptee sone rt peaaieseariesanla ay 4 <= Pane eee] See eo eee ers ee ery Crd Pee ene eect Peer ee ern Sed eng ee ey Seta Se eg re eee anddomy own thing Semetimesit’s Se eee et ee rere STUDIO PROFILE” A Keeping up with the technological times can sometimes prove challenging inthis industry, yet wildlife programme specialist Wounded Buffalo Sound Studios has recently unvelled a new addition to its headquarters that brings it Pere eee La ie ke OR ane tural history ac gon from streng soitcomes as nosupris inesswaskeento expand oe ees KEEPING QUIET Andy lin the chet vsionaeybebind 1 designof the theatre itself has bee for over sha built number af mus Inthe studoive sound g studios es hic tine a yetrone as indepthand signficantas ths pat “Ittackme from designtheg ian who was veryhands-enith the Project “There wasa deadline tozet t hing theate remarks ready forthe being pre-mived atthe mament Despite delysin the naling stage ne ‘managed tobringital tet forthe presmixend bere Ly Nature film that's iyhappy with waste frst md hbingthestre the specications ware quite rig explains" il upto meet theideslrequlrements, The orinalbul adtodigdonnas elles wesa prety abby onda we tooktall apart derplnnedthe walls andrebuit to use the theatre be on impressive cling height boss Fr the designs the Dolby asbestos too! tachi crteriafor dibing theatres, which ntl. specifi seta paremeters chground noise twas theelore from nl design aircanditioning system tob quiet aspossile 3 2008) witha the machinery tureden, asi loping the 548] quirement Thercamwacmeasredas | extremely que even vthallthe it ring so were very pleased” sy Allan “Wnicetonot have turnthe ‘AC off especially at certain timesof i nequietend the year henge that ibe super for oher aspect aul post ke Foleyand ADRendv at! adds sound edo ncitedabout andcompany drectorMaxEygyave While the Dynal system nthe currents room had serves purpose thedectcrwas eventual ofr something ferent in theatre inthe formeot aeamlete Soundmonitorng system, Partof ou researchinvai string to several andon studio and considering the cices they ‘made! Alanexplans “Obviously there ‘aresome systems thatvery muchhold sa) when it comes to theatre sud, bute were lacking for something tirngendharsh, and pot quite so baring hetheatre contains 'Ssuroundspeakersmanagedby ‘0X40 bass subs while thela Echamel comprises thee the rmanufacturer=X800C subswith ta Bin outboard gearenda fv 2s Amolehostofstule ecuipped Ac ete thetheatres audio le the dubbing theatres betngusedtomix Doky Atmos Features read thereicalzaasmallfci pst ihichsreay fre andallanan dea “Obviously ou ting thetheatreupaniuring he continues. "Thereare two edt suites tht maybeput upfardky bee dependingonbawbusiness goes arwemay cde tolncide themas od partfthe whole Doly Atmose twee themas tracklyingsuite ANEW ERA Despite Bufflo only recentiy taking th Atmosin this sabiltytouse slkelytoopen up a re: thefelity a ut of possiblitiesendepportunities forthe compan ands on this by explining that the roomis alse backwards compatible wth other formats and could even lak at operating Mo upon econfiguationet the cure erally makestheimagiationrun ni 1 es ahlahspec projector ight sharp mages and great We've gota usticaly Vansparent tjustallloo screen whichis the focelpointand then everthing cerenates frm that Despite potently donning anew craofbusinesswiththenew dubbing theatre Onenshelaves tht the market tegrated aound itand forthoatrialrlesce feature fms ited andimagines that Atmos wil cundbarsbecome eer oce popular cof an affordable Atmas {side of Lande, frat that peop ‘maney wllga furthers inter hop vile ike hee in Brie he says. "The reomis featur copablesoweknow thatpeople willbe abe toget the wholeob done = Syrovecocloes"Itasavery pleased espacially wth what Andy ras abe acoustical Atte timeaf imerviewthadbeen exactly year tothe day since Buffalo iononthe theatre yet (go fanfarevntlitwes began constr Owensand 8 decision it final stages. One thing fr certain ras thateverybody involved worked centremelyhadtoeachthat point vith the Fished product an undeniable testamenttothat CS MEASURING PHANTOM POWER ‘Adam Liberman from Audio Precision shows how to create a fixture for testing ‘the most common powering system for a condenser microphone. ‘Audio Anbar Test iue erooone reanelter an ¢ ein) forbelanced microphone preamplifiers 15150 dhns Many cndensor rmicophones, honeve especially those vithultrton se nese2-1448 SPL have verylow outputimpedances on the rderof 25 0 ohms Performing additional testingusinga Soot sourceimpedance even thoughitisit standard maygivereslts thatbetter represent actualusage Unbalanced micropone inputs are B cto) 7 PERLE LN tested ether at0 or 600-hm 1 sore Wtieen pose ches porate garcia “cepts SssBvphomomponecTiefitwe ——npstncetosigagenestasttl fo pulser somal testedat beh prrapifes-bah shomninfigreisesspedtotentis notaretbedesredovptingeice _vhiecansime gale eh prtesscnlon!ypeofpmerUikaancedcomecton,setngDsceresstosiRO)re conte sandesarecentesed Cmuner-oten—Tancincunerequpnechenie adiedtoprovdeapahtogoundlr 600s hereon wr siplreDColge ‘Paginpoerrsmiavaraons Te theptaonvalogenbenthe geetar eststabewsednthantra backovertesaneniesthetcaryte ptnapesandtcmauesherecanbenotcomectedtoe foie imcoptee thn te sareinpedince ain tspowertbeccatryn aap hate Note ta\CBaniRfeman —_shaddbevettorenc hac condesemizephoes Ofenvten Culatentantocnswctenans ACerautiehaliralotfiny ———_spatngcontons testingmicrophonepreamplifers this componentqualtyisnecessary toavold frequencies. The value chosen for DCvoltageisetherjusttumedoffor sensitvtytoEML whichcoulddegrede CBIslargeenoughtokeeDresporse MEASURING 48V PHANTOM POWER ignored Unfortinatelythiemeansthe theaccracyafnoizemessurements. extremely lat at 20H, and to nat Phantompaverisfadentothe audio testsarenot being done under actu Interact wth the Fite already conduetrsthreugh 0 BB loch operatingconditions.vhichmey obscore ORCUMTDETALS lntemaltomastmicrophane preamps _ressters, hichlimititscurentand problemsor produce maccurateresutts,Thetestficurehasfourmainfestires for blocking phantom poner from rovetitfrom lading dwnthe attached Thisarticedeccribesafxtureyou Couplingcapocitars(CB)blockthe reaching the input stage. ‘microphone The phontom poner with canmaketoenabletestingofboththe _DCphantorn voltage and prevent, noload shouldmeasure 20 VDC(e40 microphone poweriselfandtheaucio, _\tfrombeingloaded downby the SOURCE IMPEDANCE VOC) Some budeet devices arelabeled wherethepowersupplyisgivenareal generato;loadresitorsALJdraw 10 Whenmeasiringmicrophone anbeingcapableof=uppyingphantam worldlond ‘mA(theminimumreqiredtomest preamplifiers the sourceimpedanceof power butuse non-standard otages IEC spectcationsfromthephantem theaudlogeneretormusthecarefuly that donot meetthelEC PaBphartom TESTFOTURE supply: seies esistors(RC)allor, set orelsethenolsemeasurements specication Thesedevcesoften derive Microphone preanplifiersincude the audio sourceimpedance tobe willbeimiald Thisiefortwareasone: mirephone power froman avaible standolonedevces audiombersand accurately sejacksJ2and/3aloo _—thethermalnoisepreducedacross _pawerrallinside the unt anddenothave ‘heinputcicutryincorportedinto ary measurementofthephantom voltage thesourceimpedancecleterminesthe _adedlcated spp. ovicethatincorprates oracceptsa _presentetthe microphone. lonestroiselevelthatcanbeachioved: Figues2and3showtherestsof ceoneclentoemicrophere.Inbalanced —-—Resistorscompensotefortheeffect andinputevcttnasepefermancels_teatngtwodifeentmicrphonepreares. connections found onpofessionaland cfloadresstors,tomaitsintherated _affectedby sourcelmpedance. ‘Thephantom eltageismessuredata semisproequipmert,the mostconmen generator output impedence and Thestandardsourceimpedance for spaemirophoneiputchenne(se ceodenser microphone pweringaystem aleaservetoacidadcltionaloutput testing producngpecifcatins tha speialcablehonninFigure 6)

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