Running Head: SHAKESPEARE

Shakespeare: Character and Theme Analysis

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Running Head: SHAKESPEARE

Table of Contents
Macbeth and Banquo.......................................................................................................................3
Macbeth and Lady Macbeth.............................................................................................................6
Macbeth and Inward Macbeth.........................................................................................................7
Theme Analysis of Macbeth..........................................................................................................10

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Macbeth and Banquo

Numerous individuals look at Banquo as the foil of Macbeth. It's actual in the fact that
Macbeth concurs with the three witches' prophecy and helps it along. Then again, Banquo
questions the predictions and perspectives it as abhorrent animals. Macbeth got energized that he
will be the best so he supported that thought. Banquo continued opposing that detestable
frequently offers legacies which will prompt selling out and demolition. He additionally was
imploring bliss for help while Macbeth concurs with the witches' offer of darkness. After Banquo
sees Duncan to bed, he says: "There's farming in paradise, /their candles are hard and fast" Act II.
This feeling of the coming Darkness is rehashed just before he is slaughtered: "it will be rain
today", Banquo tells his child, Fleance.
Banquo demonstrates an alternate response to the prediction. Their responses are depicted
in their words when they first see the witches. It appears that Macbeth considers them more
important. Banquo keeps his ethics, however winds up being slaughtered. He is fearless and
aggressive, yet this is tempered by knowledge. He is one of Macbeth's closest companions,
however after what they experienced, Macbeth fears Banquo on the grounds that it was
forecasted that Banquo's children would become rulers (Harris, 2007).
Toward the starting point of the plot, Macbeth and Banquo appear to be equivalent. Both
are commanders in Duncan's armed force, both have done great administration in the wars
against Norway and were gifted by Duncan for this. Obviously, both have an enthusiasm for the
witches' prediction however, Macbeth may be king but Banquo will be the one to deliver a line
of lords. This creates fiction and will clearly bring about jealousy and desire between them - one
for prompt achievement and one for long haul pick up.

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Indeed, even past the grave, Banquo keeps on working for reality, returning as an
unforgiving phantom to frequent Macbeth's still, small voice and drive him to concede what he
has done.
The real change that their relationship went all through play was from the demise of
Banquo to the beginning. The companionship of Macbeth and Banquo was densed by their solid
contrasts however, they had likenesses at fist which made them sufficiently close. One may say
that huge numbers of their qualities life influenced their results.
They are basically steadfast rulers to King Duncan and have crushed the attacking
powers. Both men are exhibited thusly as brave and unambiguous and have the recognitions of
the old ruler and the admiration of other men. After the witches address Macbeth, Banquo offers
them and address him, since he is normally inquisitive about them and what they may need to
say to him. In any case, Banquo does not head into some marvelous condition of reflection as
Macbeth does, he doesn't lose himself in the prediction. What the prediction does is "tie" Banquo
to Macbeth after the homicide of Duncan, he feels Macbeth has a brilliant rationale in the deed
and considers that Macbeth may have 'played most foul for it.' However, he doesn't do anything,
probably because that he is a part of the occasions that are unfurling, and he trusts his kid will
one day be the best (Brooke, 2008). Banquo just shows up in the initial segment of the play as he
is killed before the crowning celebration feast, so he never turns as Macbeth does to malicious.
He obviously never has a Lady Macbeth character out of sight to stick him to a malicious way
and he sacrifices himself to spare his child. Macbeth has no children so has no such connection
for another. Banquo is even more a family man and less persuaded independent from anyone
elses interest. He is more for the more extensive attentiveness toward his childrens progress.

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As I would see it, Banquo thinks ambitious considerations, however he doesn't make an
interpretation of those reflections vigorously. As it were, Banquo's character remains as an
inverse of Macbeth, since he attempted to lead him in the right way yet Macbeth didn't take it.
Banquo has been a devoted companion to his lord. I enjoyed the way that Banquo's apparition
showed up rather than the ruler. I truly appreciated perusing the play which taught me a great
deal of things. I trust my exploration was sufficient to investigate amongst Macbeth and Banquo.
Macbeth and Lady Macbeth
In dissecting the principle characters of Shakespeare's Macbeth, critics have frequently
contended about their actual nature, and subsequently, their internal soundness. Unfortunately (in
spite of the endeavours made), from time to time, the characters are exhibited as they genuinely
seem to be, without the eruption of psychoanalytical hypotheses or other external studies. As a
result, the essential goal of this report will be to talk about and ideally, reveal, the principle
qualities of the coupleand how they relate with each otherwithout utilizing further
apparatuses that a cautious perusing of each of the characters' discourses (Brooke, 2008).
The primary thing that the Macbeth couple shares is the libel impact applied on them by
the Werd Sisters. From one perspective, Macbeth is specifically confronted with the witches,
who predict his new title of Thane of Cawdor (an issue that we definitely know from what King
Duncan said to the nobles in the wake of listening to the draining Captain's report) and more
essential, his future sovereignty, without getting rulers as relatives (I. iii. 66-68). The obvious
satisfaction of this predictionin the entry of Rosse and Angus, bearers of Macbeth's new title
drives the new Cawdor to assess the witches' expectation as great, along these lines liberating
from the darkest corners of his psyche the deadly considerations that he assumes will give him
the Crown. This, on account of Malcolm's new title as Prince of Cumberlandand along these

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lines, legitimate beneficiary to the throne of Scotland. Macbeth wrongly assesses the Witches'
expectation when he says:
This heavenly requesting
Can't be sick; can't be great:
Assuming sick, why hath it given me sincere of achievement,
Beginning in a truth? (I. iii. 130-133)
Then again, Lady Macbeth is acquainted with us in the play when she is perusing the letter in
which her significant other abridges the experience with the witches (I. v. 1-14). Presently,
Macbeth either gaps or neglects to specify to her the part with respect to Banquo's royal relatives,
corrupting his better half of the prescience's entire expansion. Along these lines, Lady Macbeth is
additionally affected by the Werd Sisters, despite the fact that their impact is indirect and applied
through her own significant other (Harris, 2007). To be sure, she proclaims that "Thy letters have
transported me past/This unmindful present, and I feel now/The future in the moment" (I v. 5658). Subsequently, she is presently resolved to satisfy the precognition, which relates to both her
better half and her own desire.
In examination, the distinction between how to accomplish the Crown lives in their
response to killing Duncan. While Macbeth rejects the thought in the wake of having reflected on
it, Lady Macbeth opens herself to the Dark Powers, since she feels its gifts, exhibited by the
witches' activities. Here we have a complexity on the couple: to begin with, Macbeth is as a rule
in a condition of uncertainty in regards to what to doyet not out of ethics or moralsbut rather
out of trepidation of being found. This apprehension is based upon the reason of Judgment and

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outcome that can happen here or on existence in the wake of death, separately (Brooke, 2008).
Despite what might be expected, Lady Macbeth is an extremely down to earth individual, who
dependably picks the besthowever not generally sensibleplan, to resolve the issues
introduced. It is a result of this differentiation that the sensational strain is made between the
couple and that Lady Macbeth turns into the goad that pricks the sides of his spouse's purpose
(Shakespeare I. vii. 25-26).
As a conclusion, both characters agree in their sentiment blame in the wake of having
conferred the murders. In the first place, the phantom of Banquo torments Macbeth (III. iv) and
he is totally bothered by the unpleasant recognitions of his lethal demonstrations. Similarly, Lady
Macbeth is likewise tormented by blame. For her situation, summarized in the sleepwalking
scene (V. i), which communicates the condition of significant cognizance of the profundity of her
activities in which she has fallen, rehashing again and again "The Thane of Fife had a spouse"
(V. i. 40)
As a conclusion, we can perceive how both charactersregardless of their evident
resistanceare firmly synergetic in nature, by supporting and urging each other to pick the
obvious great that ends up being the Greatest Evil, which is, all things considered, the reason
why the play in general has a so epic unfortunate scale.
Macbeth and Inward Macbeth
Macbeth shows himself out in the public to have reasonable character toward the
beginning of the play in contrast to his foul self later on in the play. Macbeth portrays a character
of dedication and chivalry that demonstrates the reasonableness of his character (Brooke, 2008).
In the play, Macbeth displays two diverse faces; he depicts an alternate identity in private and

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public. Macbeth's aspiration is his true tragic flaw, it also causes his destruction. Macbeth
addresses himself saying, "On which I should tumble down, or else o'erleap, /For in my way it
lies. Stars, conceal your flames; /Let not light see my dark and profound desires" (1.4.50-56).
Malcolm, the child of King Duncan, is broadcasted as the Prince of Cumberland and this implies
he is additionally the beneficiary to the throne of Scotland. Macbeth is willing to push all his
standards aside. He realizes that killing King Duncan with a specific end goal to wind up King of
Scotland isn't right. This is the reason he says it is important to hide his "dark and profound"
goals. Macbeth additionally citied that, "To prick the sides of my expectation, yet just/Vaulting
aspiration, which overleaps itself/And falls on th' other" (1.7.25-28). Macbeth admits that the
only thing that is motivating him to execute King Duncan is his aspirations. Macbeth's soul
irritates him all through the story as it is precluding him from overlooking all he thinks about is
right and wrong. Here, aspiration depicts as something revolting and dull. Macbeth cited that,
"Away, and counterfeit the time with most attractive appear/False face must cover up what the
false heart doth know" (1.7.81-82). Macbeth and Lady Macbeth are going over the plan to
execute Duncan. Macbeth advises Lady Macbeth to go out there and entertain their visitor and
make them feel like they are having a wonderful time. They do not know that this is all part of
their plot to kill King Duncan. Macbeth is disguising his actual personality and his actual
expectations. His aspirations at last prompt his cataclysmic ruin.
In private, Macbeth epitomizes a guileful and narrow minded individual. Macbeth's
private self is impacted by the three sister's predictions and by Lady Macbeth in his motivation to
kill Lady Macbeth who blames Macbeth for being frail and not having the "guts" to slaughter
King Duncan. Macbeth answers to her expression, "I set out do all that may turn into a man;
/Who dares accomplish more, is none" (1.7.47-48). Macbeth is saying that he can only do what

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is right for a man to do and if he dares to do anymore than he is not a man at all. He wouldn't like
to do any longer, however he is forced by Lady Macbeth. She even inquiries his masculinity. She
supposes Macbeth is "too full o' the milk of human graciousness" (1.5.16). Macbeth is
rationally frail; this is how Lady Macbeth effortlessly impacts him. Her quality empowers him
toward the beginning. Lady Macbeth demanded that Macbeth, "Resemble the blameless
bloom, /But be the serpent under it" (1.5.67-68). Macbeth is acting honest like a bloom, however
underneath that pure blossom, is the serpent that is holding up to assault. To King Duncan,
Macbeth is his pure and steadfast companion, when really he is the adversary and a venomous
man. This demonstrates looks can beguile.
Macbeth is rationally a powerless character that attempts a radical mental change through
the play. Notwithstanding, Macbeth then acknowledges what he has done and gets to be liable
about it. He proceeds with his dangerous demonstrations to influence his fantasy of getting to be
King of Scotland. His feeling of remorse causes him to fantasize. Macbeth starts to imagine that
he can't rest, "Me thought I heard a voice cry "Rest no more! Macbeth murders rest" - the
guiltless rest," (2.2.33-34). Macbeth trusts that he can't rest since he has executed someone who
is guiltless. Macbeth's cognizant sees Macbeth an underhanded individual now and the
"detestable Macbeth" will just precede do malicious activities (Harris, 2007). Macbeth trusts that
despite everything, he has the blood of King Duncan staring him in the face, "Will all incredible
Neptune's sea wash this blood/Clean from my hand?" (2.2.57-58). The blood staring Macbeth in
the face symbolizes his blame on him for killing Duncan. Macbeth conceives that the entire sea
would not have the capacity to wash away proof of his blame. His private life and doing causes
him to feel regretful as he cited, "I am in blood/Steeped in so far that, if I wade mo more,
/Returning were as dull as go o'er" (3.4.136-138). Macbeth is stating that the circumstance is at a

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terrible angle and he might want to get the circumstance over given that he is tired of holding up
and living in with the blame. He understands that discovering other awful things would not
aggravate things since he would even now be remaining in the same circumstance. He winds up
with a guilty feeling of good and bad. His private life comprises of poor choices and also
voracity and blame; this in the long run prompts his destruction.
In The Tragedy of Macbeth, Macbeth at last confronts hindrances in his open life and in
his private life. Toward the day's end, he encounters demise in view of his greediness and desire.
His private life varies from his public life from various perspectives; his open life comprises of
unwaveringness and honour interestingly with his private life that comprises of poor choices and
in addition ravenousness and blame - this in the long run prompts the defeat of Macbeth. This
demonstrates Macbeth; a driven aristocrat can likewise be a tricky, narrow minded killer who
remains absolutely determined to end up as a ruler and to have addition power (Harris, 2007).
Theme Analysis of Macbeth
The Corrupting Power of Unrealizable Ambition
The principle subject of Macbeththe decimation created when aspiration goes
unchecked by good limitationsdiscovers its most effective expression in the play's two primary
characters (Brooke, 2008). Macbeth is a valiant Scottish general who is not actually slanted to
submit malicious deeds, yet he profoundly seeks force and progress. He slaughters Duncan
against his better judgment and later stews in blame and phobia. At the end of the play, he falls
into a wild eyed, pretentious frenzy. Lady Macbeth, then again, seeks after her objectives with
more prominent determination, yet she is less equipped for withstanding the repercussions of her
indecent demonstrations. As one of Shakespeare's most compellingly drawn female characters,

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she sticks her better half cruelly to execute Duncan and urges him to be solid in the homicide's
repercussions. However, she is later on headed to diversion by the impact of Macbeth's repeated
gore on her still, small voice (Harris, 2007). For every situation, desireaided, obviously, by the
insult predictions of the witchesis the thing that drives the couple to perpetually hostile crimes.
The issue, the play recommends, is that once one chooses to utilize savagery to further one's
mission for force, it is hard to stop. There are constantly potential dangers to the throne
Banquo, Fleance, Macduffand it is continually enticing to utilize fierce intends to remove
them.
The Relationship Between Cruelty and Masculinity
Characters in Macbeth every now and again harp on issues of gender. Lady Macbeth
controls her better half by scrutinizing his masculinity, wishes that she herself could be
"ungendered," and does not repudiate Macbeth when he says that a lady like her ought to
conceive children just to young men. In the same way that Lady Macbeth urges her significant
other on to murder, Macbeth incites the killers he contracts to execute Banquo by scrutinizing
their masculinity. Such acts demonstrate that both Macbeth and Lady Macbeth compare
manliness with exposed animosity, and at whatever point they speak about masculinity, violence
soon takes after. Their comprehension of masculinity permits the political request defined in the
play to drop into mayhem.
In the meantime, the meeting of people can't resist seeing that ladies are likewise
wellsprings of savagery and wickedness. The witches' predictions start Macbeth's aspirations and
afterward, energizes his vicious conduct; Lady Macbeth gives the brains and the will behind her
significant other's plotting; and the main heavenly being to show up is Hecate, the goddess of

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witchcraft. Apparently, Macbeth follows the foundation of confusion and wickedness to ladies,
which has driven a few experts to contend this, is Shakespeare's most genderist play (Harris,
2007). While the male characters are generally as fierce and inclined to abhorrent as the ladies,
the animosity of the female characters is additionally striking since it conflicts with winning
desires of how ladies should carry on. Lady Macbeth's conduct absolutely demonstrates that
ladies can be as yearning and remorseless as men. Whether due to the imperatives of her general
public or in light of the fact that she is not sufficiently valiant to execute, Lady Macbeth depends
on dealing and control as opposed to brutality to realize her appearances (Brooke, 2008).
At last, the play puts forward an overhauled and less damaging meaning of masculinity.
In the scene where Macduff learns of the homicides of his significant other and child, Malcolm
reassures him by urging him to take the news in "masculine" design, by looking for retribution
upon Macbeth. Macduff demonstrates the young beneficiary obvious that he has a mixed up
comprehension of manliness. To Malcolm's recommendation, "Debate it like a man," Macduff
answers, "I might do as such. Be that as it may, I should likewise feel it as a man" (4.3.221223).
Toward the end of the play, Siward gets news of his child's death rather carelessly. Malcolm
reacts: "He's worth more distress [than you have expressed]/And that I'll spend for him"
(5.11.1617). Malcolm's remark demonstrates that he has taken in the lesson Macduff gave him
on the conscious way of genuine manliness. It additionally recommends that, with Malcolm's
crowning ritual, request will be re-established to the Kingdom of Scotland.

Works Cited:

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Brooke, Nicholas (ed.); Shakespeare, William (2008). The Oxford Shakespeare: Macbeth.Oxford
University Press. ISBN 978-0-19-953583-5.
Harris, Jonathan Gil. "The Smell of "Macbeth"." Shakespeare Quarterly 58.4 (2007): 465-86.
Print.
Shakespeare, William. The Tragedy of Macbeth. Vol. XLVI, Part 4. The Harvard Classics. New
York: P.F. Collier & Son, 190914; Bartleby.com, 2001.