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of sound that is a foretaste of Strauss. The first movement develops in more formal terms, with a strongly
contrapuntal element in the sequences and thematic references to the Fatherland. The slow movement starts with
a strongly felt theme, moving to music that is more gently lyrical in feeling, developed contrapuntally and
dramatically, with due reference to material from the preceding movements. The declared drama of the fourth
movement leads to an emphatically patriotic statement and in the end to the sombre tread of the final Larghetto
sostenuto, that goes on to contrasting moods of patriotism and gentle lyricism before culminating in a spirit of
national triumph. In spite of its considerable length and apparent digressions, the symphony is, all in all,
remarkably unified in structure, in thematic material and in general intention.
The Rhenish Philharmonic Orchestra
The Rhenish Philharmonic Orchestra was established in 1945 as the symphony orchestra of Radio Coblenz, and the
following year became the orchestra of the newly re-opened Coblenz Opera. In 1973 it became the official
orchestra of the State of Rhineland-Pfalz. The orchestra has undertaken a number of tours in Germany, to
Salzburg, and to Belgium, France, the Netherlands, Spain and Switzerland.
Some 25 records have been made and there have been frequent appearances on radio and television.
Musicians who have worked with the Rhenish Philharmonic Orchestra include Aram Khatchaturian, Eugen Jochum,
Gunther Wand, Carlo Zecchi, Salvatore Accardo, Christoph Eschenbach, Henryk Szeryng, Wanda Wilkomirska and
Alexis Weissenberg. Since 1981 the Principal Conductor has been the Scottish musician James Lockhart.
Samuel Friedman
The conductor Samuel Friedman was born in Kharkov in 1940 and graduated from the conservatory there as a
violinist in 1964, continuing his studies as a conductor at the Leningrad Conservatory. Between 1967 and 1973 he
held various conducting posts in the Soviet Union, serving as permanent conductor of the Irkutsk Philharmonic
Orchestra until 1970 and of the Kazakhstan Orchestra. After success in various conducting competitions and
performances throughout Russia, Friedman emigrated to Israel in 1973 and was appointed Principal Conductor of
the Haifa Symphony Orchestra, a position he held for two years, before embarking on an international career with
a tour of the U.S.A. in 1975 with the Israel Chamber Orchestra, followed by tours of South Africa in subsequent
years and engagements throughout Europe with orchestras ranging from the New Philharmonia and the B.B.C.
Symphony Orchestras in London to the Italian Radio Orchestras of Rome, Turin, Florence and Naples.
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