4'31"

4'21"

( )
(6 sec. ca.)

bow pressure

extreme
high
normal
none

bow location

bridge
spm
ord
sul tasto

string(s)/
pitch source

I
II
III
IV

approx. bow speed based on change frequency: 4 - 5 sec

6 sec. ca.

poco arco

transition:
unpitched sound

n OX )
( F)

nX

nX
pressure
ratio

extreme
high
normal
none

bow location

bridge
spm
ord
sul tasto

nX
f

n OX
F

SZf

SZp

2
Bow actions in passage F and F' can be performed different from that of score notation if better suitable to
perform the specifications on the sound quality preeminence graph. In contrast to bow changes attached to sffz,
2
the others adds a very subtle sometimes almost imperceptible 'node' to a continuos linear sound.

punta

bow pressure

pitched

(III)

F 4'38"

string(s)/
pitch source

talon

punta

talon

bow pressure in order to follow the sound preeminence graph and dynamics; modulations in sound quality
! Adjust
for this passage are, for the most part, in direct proportion to bow's location.

Desired sound quality: high pitched sound

wih a shadowed low B resonance

I
II
III
IV

nX
? ( nX )
p m o r e n d o . . .

Szp

sound quality
preeminence
Middle line of the three line staff represents a balanced complex sound of high pitched partials along with its shadowed
fundamental pitch; upper line represents those high pitched partials isolated, while the lowest line represents the root.

4'54"
bow pressure

extreme
high
normal
none

bow location

bridge
spm
ord
sul tasto

string(s)/
pitch source

I
II
III
IV

punta

p)

5'05"

? ( nX )
sound quality
preeminence

F'

SzFP

bow pressure

bow location

bridge
spm
ord
sul tasto

fP

nX

SZf

extreme
I
high
string(s)/
II
normal
pitch source
III
none
IV
extreme
high
bridge
normal
spm
soundnone
quality
ord
preeminence
sul tasto
bridge
spm
I
pressure
ord
IItasto
sulratio
III
P
IV
I
II
(*) Extra three line staff represents the pressure rario between the two voices; both of
III are equally affected by the sound preeminence graph.
them
IV

? ( X )

gliss

Zf
p SSZf

SZf

pressure

(*) ratio

5'15"
molto arco

extreme
high
normal
none

nX
nX

Szp

5'30"

1
1

3
3
3

3
3

Zf
SZSSZf

3
SZf
SZf

5'50"

5'34"

tutta forza con espressione

molto arco

bow pressure

extreme
high
normal
none

bow location

bridge
spm
ord
sul tasto

( )

pesante

(*)

extreme
I
high
string(s)/
II
normal
pitch source
III
none
extreme
IV
high
bridge
normal
spm
none
soundord
quality
preeminence
sul
tasto
bridge

? ( X )
( nX )
spm

pressure
ord
I
sulratio
tasto

II
III
IIV
II
III
IV

bow pressure

bow location

string(s)/
pitch source

f SZ fP

6'02"

(espressivo)

extreme
high
normal
none

bridge
spm
ord
sul tasto

? (nXX )
( )
bridge
spm

sound quality
ord
preeminence
sul tasto

>

>

>

bow location

bridge
spm
ord
sul tasto

string(s)/
pitch source

I
II
III
IV

>

from now on, sound quality preeminence remains focused on the

roots of each voice involved, and modulations in sound quality
are back related to bow location and pressure's notation

SZ

SZ

SZ

SZf

SZ F

SZ

SZ

SZ

from this point pressure ratio between the voices remains balanced, the free performance of nuances in between is possible

extreme
high
normal
none

pressure
ratioI

bow pressure

SZ

I extreme
II high
normal
III
none
IV

II
III
IV

SZ

G 6'22"

free bow change

(nXX )
( )

>

>

SZ SZ

SZ

SZf SZf

pressure
ratio
free variations on
pressure ratio

bow pressure

extreme
high
normal
none

bow location

bridge
spm
ord
sul tasto

string(s)/
pitch source

I
II
III
IV

(nXX )
( )

pressure
ratio

SZfp

1
1

SZ

3
3

pP

4 of bow pressure increase

(*) Gradual sound distortion by means

6'40"

approx. bow speed based on change frequency: 3 sec

talon

gliss

nX
p

4
1

punta