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02.3.1 10:32 AM
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OUTPUT (L,R)
BASS OUTPUT
BASS INPUT
(for normal bass pickup)
MIDI IN/OUT
PHONES
SUB EXP PEDAL / SUB CTL 1,2
V-Bass Specifications
AD Conversion
DA Conversion
Sampling Frequency
44.1 kHz
Program Memories
Display
Connectors
INPUT: 10 dBu
Power Consumption
INPUT: 1 M
Dimensions
504 (W) x 303 (D) x 101 (H) mm, 19-7/8"(W) x 11-15/16" (D) x 4" (H)
Weight
Output Impedance
OUTPUT: 2 k, OUTPUT XLR: 600 [2 Pin (HOT) - 3 Pin (COLD), 300 2 Pin
(HOT) - 1 Pin (GND), 300 3 Pin (COLD) - 1 Pin (GND)], BASS OUTPUT: 2 k
Accessory
Dynamic Range
*AF Method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.
Modeling Variations
COSM BASS TYPE
ACOUSTIC
ELECTRIC
FRETLESS
VARI BASS
VINT JB
JB
WAVE SYNTH
OSC SYNTH
FILTERED
BOWED
VINT PB
PB
PIPE
CRYSTAL
ORGAN
BRASS
RICK
T-BIRD
ACTIVE
VIOLIN
DOUBLE
M-MAN
TYPE
SINGLE
PICKUP
FRONT/REAR/F+R
POSITION (F, R)
5 to 450 mm
OFFSET Hi - Lo (F, R)
445 to +445 mm
PHASE (F, R)
IN/OUT
CONTROL
TYPE
MIC
PIEZO
PIEZO
Sample Setups
4 3 2 1 String
MAGNET
5 4 3 2 1 String
TONE, LEVEL
CONTROL
SOLID HUGE WOOD VIOLIN SEMI HOLLOW
SIZE, BODY, LEVEL, RESO, BOTTOM
6 5 4 3 2 1 String
POLYPHONIC EFFECT
POLY DISTORTION
POLY SLOW GEAR
Divided Pickup
EQUALIZER
MODULATION
(HARMONIST, P.SHIFTER, FLANGER, PHASER, SUB EQ,
2 x 2 CHORUS, TREMOLO, PAN, PD SHIFT, VIBRATO)
DELAY
CHORUS
REVERB
NOISE SUPPRESSOR
FOOT VOLUME
Options
Welcome to the
Future of Bass Guitar.
INSIDE
02.3.1 10:35 AM
Page 1
Roland's Revolutionary
V-Bass
V-Bass Algorithms
COSM BASS
TYPE
PICKUP
BODY
NORMAL PICKUP
COMP/
LM
WAH
COSM
OD/DS
COSM AMP
TYPE
SP
MIC
EQ
FV
NS
MOD
DLY
CHO
REV
Alain Caron
Divided Pickup