BYZANTINE HERITAGE AND SERBIAN ART II

SACRAL ART

OF THE SERBIAN LANDS IN THE MIDDLE AGES

B Y Z A N T I N E H E R I TA G E A N D S E R B I A N A RT I I

BYZANTINE HERITAGE
AND SERBIAN ART IIII
Editors-in-Chief
Ljubomir Maksimovi
Jelena Trivan
Edited by
Danica Popovi
Dragan Vojvodi
Editorial Board
Vesna Biki
Lidija Merenik
Danica Popovi
Zoran Raki
Miodrag Markovi
Vladimir Simi
Igor Borozan
Dragan Vojvodi
Editorial Secretaries
Marka Tomi uri
Milo ivkovi
Reviewed by
Valentino Pace
Elizabeta dimitrova
Marko Popovi
Miroslav Timotijevi
Vujadin Ivanievi

The Serbian National Committee of Byzantine Studies

P.E. Slubeni glasnik
Institute for Byzantine Studies, Serbian Academy of Sciences and Arts

SACRAL ART

OF THE SERBIAN LANDS IN THE MIDDLE AGES

Editors
Dragan Vojvodi
Danica Popovi

Belgr ade, 2016

P u b l ished o n the o c c asi o n

o f the 2 3 rd I nternati o na l C o ngress o f B yzantine S t u dies

This book has been published with the support of the

Ministry of Education, Science and Technological Development of the Republic of Serbia

Contents

Cultural Spaces and Sacral Frameworks

On the Boundary among Worlds and Cultures The Essence and Spaces
of Serbian Medieval Art. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Dragan Vojvodi

Byzantium in Serbia Serbian Authenticity and Byzantine Influence . . . . . . . . 41

Bojana Krsmanovi
Ljubomir Maksimovi

SERBIA IN BYZANTIUM THE PATRONAGE OF SERBIAN KTETORS

IN THE BYZANTINE EMPIRE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Miodrag Markovi

Serbian Paths of Rhomaean Culture the Role of Serbia in Spreading

Byzantine-Style Art towards the West and North of Europe. . . . . . . . . . . . . . . . . 75

Miroslava Kosti
Milo ivkovi

The liturgical framework of Serbian and Byzantine religious art. . . . . . . . . . . 91

Vladimir Vukainovi

Pan-Christian Saints in Serbian Cult Practice and Art. . . . . . . . . . . . . . . . . . . . . . . . . 103

Dubravka Preradovi
Ljubomir Milanovi

A national pantheon: Saintly Cults at the Foundation

of Serbian Medieval State and Church . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Danica Popovi

God dwelt even in their bodies in spiritual wise Relics and Reliquaries
in Medieval Serbia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Danica Popovi

I. IN THE WEST OF THE BYZANTINE EMPIRE: on a QUEST FOR IDENTITY

Beginnings of Artistic ACTIVITY in the Serbian Lands (9th11th Century) . . . . . . . 147

Miodrag Markovi

ON THE TRAIL OF UNIQUE SOLUTIONS SERBIAN ART IN THE 12TH CENTURY. . . . . . . . . . . 165

Miodrag Markovi

The Early Period of Illuminations in Serbian Manuscripts. . . . . . . . . . . . . . . . . . . . 183

Jadranka Prolovi

STUDENICA: THE FUNERARY CHURCH OF THE DYNASTIC FOUNDER

THE CORNERSTONE OF CHURCH AND STATE INDEPENDENCE . . . . . . . . . . . . . . . . . . . . . . . . 193

Milo ivkovi

II. ACHIEVEMENT OF INDEPENDENCE AND FINDING AN INDENTITY:

ON THE RUINS OF BYZANTIUM
Serbian Monumental Art of the 13th Century. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Branislav Todi

Raka Architecture of the 13th Century and its Sculptural Decoration. . . . . . 233

Milka anak-Medi

THEMATIC PROGRAMMES OF SERBIAN MONUMENTAL PAINTING. . . . . . . . . . . . . . . . . . . . . . 249

Dragana Pavlovi

Echo of the Ancient Christian Orient in Late 12th and 13th

Century Serbian Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Tatjana Starodubcev

III. COMPETING WITH THE RESTORED BYZANTINE EMPIRE:

AN EPOCH OF DYNAMIC BYZANTINISATION
SERBIAN ART FROM THE BEGINNING OF THE 14TH CENTURY TILL THE FALL
OF THE nemanji state . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Dragan Vojvodi

THE MODEL OF EMPIRE THE IDEA AND IMAGE OF AUTHORITY IN SERBIA (12991371). . . . . 299

Smilja Marjanovi-Duani
Dragan Vojvodi

Byzantine and Romansque-Gothic Conceptions in Serbian Architecture

and Sculpture in the 14th Century (till 1371) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Ivan Stevovi

Illumination of Serbian Manuscripts of the High Middle Ages (12991371). . . . . 331

Jadranka Prolovi

Rise of Late Feudalism the Endowments of the Serbian Nobility . . . . . . . . . . . . 341

Smiljka Gabeli

In Encountering Western Culture the Art of the Pomorje

(Maritime Lands) in the 14th Century. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Valentina ivkovi

New Kingdom in the South Art in the Mrnjavevi State . . . . . . . . . . . . . . . . . . . . 367

Marka Tomi uri

IV. ASCENT IN THE NORTHERN AND WESTERN REGIONS:

NEW CENTRES OF BYZANTINE-STYLE ART
Art in the Lands of the Lazarevi and Brankovi Dynasties . . . . . . . . . . . . . . . . . . 383

Tatjana Starodubcev

Artistic Trends on the Periphery the Lands of the Bali,

Kosaa and Crnojevi families . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

Marka Tomi Djuri

In Search of Legitimacy: Ideology and Art of the New Serbian Dynasts. . . . . . . 411

Branislav Cvetkovi

Sacral Building in Moravan Serbia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Ivan Stevovi

Architectural Sculpture and the System of Decoration of Moravan

Churches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

Dubravka Preradovi

Late Medieval Serbian Manuscript Illumination (13711459). . . . . . . . . . . . . . . . . . . . 447

Jadranka Prolovi

V. IN THE SHADOW OF A STRUGGLE FOR SURVIVAL:

art AfTER THE LOSS OF STATE AND CHURCH INDEPENDENCE
ART IN THE SERBIAN LANDS IN THE FIRST CENTURY UNDER OTTOMAN RULE. . . . . . . . . . . 457

Svetlana Peji

The Syrmium Brankovi Dynasty and Founding

the Holy Mount of Fruka Gora. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473

Vladimir Dami

SERBIAN PRINTED BOOK DECORATION IN THE 15TH AND 16TH CENTURIES:

CENTRES AND CREATIVE PRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 485

Miroslav Lazi

VI. CHRISTIAN THEOCRATIC REALM WITHIN AN ISLAMIC

EMPIRE: A GREAT POST-BYZANTINE RENEWAL
Art of the Restored Patriarchate of Pe (15571690) . . . . . . . . . . . . . . . . . . . . . . . . . . . 497

Zoran Raki

THE OLD STATE IN THE FOUNDATIONS OF THE RENEWED CHURCH . . . . . . . . . . . . . . . . . . . 515

Svetlana Peji

Serbian Icon Painting in the Territory under the Jurisdiction

of the Renewed Patriarchate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 529

Miljana M. Mati

Illumination of 16th and 17th Century Serbian Manuscripts. . . . . . . . . . . . . . . . . . . . 541

Zoran Raki

All Holy and Honourable Things Serbian sacral goldsmithing

of the 16th and 17th century. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 553

Mila Gaji

Emergence of Versatile Artistic Personalities Longin . . . . . . . . . . . . . . . . . . . . . . 565

Irena padijer
Branislav Todi

ISLAMIC INFLUENCES ON SERBIAN ART DURING OTTOMAN RULE. . . . . . . . . . . . . . . . . . . . . . 575

Ljiljana evo

Chronology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 581
BIBLIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 585
List of Collaborators and Their Affiliations*. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 629

ASCENT IN THE NORTHERN AND WESTERN REGIONS:

NEW CENTRES OF BYZANTINE-STYLE ART

Artistic Trends on the Periphery the Lands of the Bali,

Kosaa and Crnojevi families
Marka Tomi Djuri

The noble families of the Bali, the Crnojevi, and the Dubrovnik aristocrats, manifested their power and artisKosaa were the most prominent local lords in the territo- tic affinities within the framework of late European feudal
ries of Zeta, Hum and Bosnia. The Balis political domi- court culture, intermingled with the influences from the
nation over Zeta, primarily the Lake Scutari basin and, oc- East and the West of the continent.5 The forms, features
casionally, Zetas other parts as well, ended with the death of and functions of the edifices they erected were indicative
the last ruler, Bala III, in 1421, after which Zeta was joined of the trends of feudal culture. Almost all profane and
to the Despotate (figs. 308, 325).1 Taking advantage of the sacral complexes, which the nobility and the monks lived
central authoritys weakness, the Crnojevi family from Up- in, were built as fortifications.6 These outward marks of
per Zeta, ruling over the mountains above the coastal Adri- feudal custom were dictated by the insecure and unstable
atic towns of Kotor (Cattaro) and Budva (Budua), became existential conditions, and the ever more tangible presfully independent and gained in political strength.2 This ence of the Turks and the Venetians.
was a period when Bosnian nobles, of whom the Kosaa
Yet, there were some exceptions. The specific natural setfamily was the most prominent3, also kept enlarging their
ting around the Bali endowments at Lake Scutari gave
autonomy within the frame of the central authority of the
those monuments a unique quality. Situated on the lakes
Bosnian Kingdom. Their realm, formed during the rule of
rocky islands, the monasteries were thereby both isolated
the familys founder Vovoda Vlatko Vukovi and consoliand protected. And so except for their thick walls, they
dated under Herceg Stefan, encompassed the valleys of the
needed
no other fortification.7 The oldest monastery with
Drina and Lim Rivers, and the region of Hum (fig. 325).4
its church dedicated to the Dormition of the Mother of
Common political aspirations towards Zeta kept relations
God was erected on the Starevo Island in 13761378
between the Crnojevi and the Kosaa families swinging
(fig. 327), during the rule of ure I Bali. On the other
from cooperation to rivalry, depending on circumstance.
hand, the monastery on the Beka Island consists of two
churches, the older dedicated to St. George (fig. 328) and
the other to the Annunciation. There are no precise data
***
about when the older church was constructed, but it may
The Zeta nobles and the Kosaa family, much like their
well be that its ktetor was ure II Stracimirovi Bali,
neighbours, the Serbian despots, the Venetians, and the
and that it was erected during the last two decades of the
14th century.8 The other church was built in 1439/1440
1
II/2, 49133; 135232 (. ); II, 195204 (. as a mausoleum by Jelena Bali, the daughter of Prince
).
Lazar and the wife of ure II Stracimirovi Bali,
2
II/2, 277370 (. ). Cf. also papers in the the edited
volume Crnojevii.
3
, , 516; , ,
179183; Kurtovi, Sandalj Hrani Kosaa, 3435, 7577 sqq.
4
, , 80116. Cf. also ,
, 243260; , , 342350; .,
Provincia di Stefano, 351362; , , 378388;
, , 91158.

5
Cf. , , 435445; idem, - , 446454. Cf. also ., , 2963.
6
., , 189207.
7
., , 228230. Cf. eadem, Dividing the
Indivisible, 6263.
8
Cf. , , 153154.

401

Marka Tomi Djuri

Fig. 327. Lake Scutari (Skadar), Starevo, Church of the Dormition of the Mother of God

402

Artistic Trends on the Periphery the Lands of the Bali, Kosaa and Crnojevi families

Fig. 328. Lake Scutari, Beka monastery, Church of St. George

according to the inscription above the churchs entrance.9 To this small group of churches one should add the MonThe Moranik monastery, with its church dedicated to the astery of the Most Pure Virgin of Krajina (Preista KraMother of God on the island of Moranik, was first men- jinska), near Ostros in Krajina, the far south-western part
tioned in 1417 in a charter by Bala II urevi, which of Lake Scutari. It was to this renowned monastery which
suggests that he was its founder as well.10 Along with the originated from the 11th century, that the Zeta Metropolithen prevalent maritime custom a single-nave church tan Seat was transferred at the end of the 14th century.
it is possible the ktetor intended that an Athonite type This is probably the reason why its main church of the
of church, characteristic of the ecclesiastical architecture Dormition of the Mother of God was renewed. In it, the
in the Despotate (fig. 351), be transferred to Zeta. It is a Athonite triconch plan was applied, and the similarity
triconch of simple construction and reduced dimensions, with the Moranik church is evident in the space under
stylistically representative of Zetas architectural tradition. its dome. Because of this, and also the rulers expected
It was built of stone, while the shape of its vaults, arches, sponsorship tied to its role as a cathedral whose Raka
windows and bell-tower manifest a Gothic influence.
features are visible from the existence of an exonarthex
with a bell-tower it is believed that Bala III urevi
9
aided its renewal.11 Bala III erected yet another such
., , figs. 112, 113.
On the Bali monasteries on Lake Skadar v. II/2, 413430,
figs. 3239 (. . ); , , , 150165; Tomi-Djuri, The Isles of Great
Silence, 81116.
10

11
II/2, 427428 (. . ); , , , 146149.

403

Marka Tomi Djuri

church in the Raka style of the 13th century around

1413.12 The remains of the Church of St. Nicholas in the
Praskvica monastery in Patrovii, which were incorporated into the new church, show that this too was a
single-nave church with a low transept and no dome.13
Sadly, almost nothing can be said about the Bali-era
painting, for only the preserved fragments of the frescoplaster in some churches (the Monastery of the Most
Pure Virgin of Krajina, Starevo, Beka, Moranik) indicate that their walls were painted with frescoes.

vovoda Sandalj Hrani was located beside the southern

wall of the western bay, positioned in keeping with the
ancient Serbian tradition for a ktetors burial. A steak a
monumental monolith sculpted in the form of a casket,
with a flat upper surface and a footstone stood over
the grand vovodas grave.19 Along with the plan of the
church which was based on the older Raka tradition,20
its construction, stone sculptural decorations, and the
remains of its fresco paintings, all done in the spirit of
the late Gothic style, indicate the participation of masterbuilders from the Adriatic Coast.

The other sacred edifice in the Soko Grad court complex

is the church in Zagrae (fig. 330), the foundation of HerArtistic activity in the territory of Herzegovina (origi- ceg Stefan Vuki Kosaa, built probably in the mid-15th
nally known as Hum), especially expressed through the century. By following the model of the basic spatial plan
ktetorial activities associated with the members of the of Mileeva (figs. 168, 185 c), the spiritual centre of his
family of the Kosaa14 can be followed until the fall of land, the Herceg of St. Sava, as Stefan Vuki Kosaa was
that region to the Turks in 1482.15 The monumentality titled, proved himself to be a successor of the Nemanji
of the remains of their court complexes (Blagaj, Sokol, tradition. The churchs stone iconostasis had three openSamobor) most eloquently testify to this.16 The location ings, separating the altar area from the naos, whereas
of the churches the Kosaa erected shows that they were the dome itself and the area beneath it were partially
spatially and functionally linked to the towns and forts fashioned in accord with Islamic tradition, with sundry
Gothic elements adding to the uniqueness of its architecwhere this family resided or had their palaces.17
ture.21 Herceg Stefans wish to have the Zagrae church
The most important of them was Sokol, the Kosaas
serve as his resting place could not be fulfilled because of
permanent court above epan Polje. Besides the Sokol
the 1465 Turkish onslaught, when he lost the eastern part
castle, the Grand Vovoda Sandalj Hrani and his succesof his state and Soko Grad, the seat of the Kosaa.22 An
sor, Herceg Stefan, built their foundations as well.18 The
empty burial place under the steak, next to the northern
vovodas Church of St. Stefan, at the foot of the Soko Fort,
wall of the naos, testifies to this.23
completed before the end of the second decade of the 15th
century, was the largest of its time in Herzegovina since A short description of the steci over the tombs in the
its length, including the narthex, was 25 meters. Thanks two Kosaas endowments in epan Polje shows that the
to the study of the remains of this once monumental funeral and memorial function of the monuments was
foundation, its appearance was reconstructed as that of realised through carefully hewn but unornamented large
a single-nave church without a dome, subdivided into blocks of stone. This particular feature was unique to the
three bays with rectangular, lateral choir areas. The main Kosaa rulers tomb concept, which had its origin in annave had a barrel vault while the vault construction was cient Serbian art.24
probably built in the Gothic style. A large, rectangular
narthex and a funeral chapel on the northern side of the
original church were added later. The tomb of the grand
***

For more on this v. , ,

, 137174; ., , 2129.
20
, , 18.
21
For a detailed description of the church v. ., , 89109; idem, , 2935.
22
, , 1213 sqq.
23
., , 33.
24
., , 134. For more on the steci
in the territory of Herzegovina during the period of Kosaa family
v. Belagi, Steci; II/2, 468475 (. . ). Cf. also ., , 2,
19

, III , 207227.
13
, ,153163 (with
earlier literature).
14
II/2, 440475 (. . ); , -, II, 195240 (. . ).
15
-, , 291307.
16
., , 2427. Cf. also
idem, , 189207.
17
, , 84.
18
., , 2135. V. also Kurtovi, Sandalj Hrani
Kosaa, 390391.
12

404

46, n. 37.

Artistic Trends on the Periphery the Lands of the Bali, Kosaa and Crnojevi families

Fig. 329. Savina monastery, Church of the Dormition of the Mother of God, Crucifixion

405

Marka Tomi Djuri

Near the Adriatic coastal town of Novi, the Kosaas winter residence,27 Herceg Stefan founded the Savina monastery, with a church dedicated to the Dormition of the
Mother of God.28 In the single-nave, small Gothic church,
common in the coastal towns and villages, the oldest layer
of frescoes from the mid-15th century (fig. 329), done by
the Kotor and Dubrovnik painter Lovro Dobrievi (who
may have had an assistant) has been preserved.29 Like the
masons from the Coast, who worked for the Kosaa, the
renowned artist, thanks to his gift, managed to adjust his
preference for the late Gothic and early Renaissance style
to an Orthodox Christian church, by adhering to an appropriate iconographic and thematic programme.30
The Church of Sts. Sergius and Bacchus in Podi, also near
Herceg Novi (as Novi was renamed after its major benefactor Herceg Stefan),31 is also attributed to his activity as
a founder. This specific interpretation of the Raka spatial concept was intended to render the appearance of a
central-plan style church building with a dome, as well as
the harmony of the relation existing between the parts of
the composition. The representative quality of its appearance is reflected in the interflowing of the Romanesque,
Gothic and early Renaissance features.
Fig. 330. Soko Fort, Church in Zagrae, view from south-west

The Church of St. George in Sopotnica was erected in

1454 below the fortified town on the Gradina hill, not
far from the important town of Gorade, where Herceg
Stefan used to reside in the summer.25 The architectural
concept of that church unites several stylistic expressions
into an original whole. In addition to a Gothic vault and
the elongated proportions of the church building itself,
the Morava style sculpture, appears on its portal an
element quite unusual in the Kosaa realm. As in the
previously built Kosaa foundations, a Raka spatial
plan was also applied to meet the requirements of the
Orthodox rite. In accord with its liturgical framework,
there was also a constructed stone iconostasis, which no
longer exists.26
25
, ,
63 (with literature).
26
For the religious affiliation of the Kosae v. , , 61100; .,
, 36.

406

Sandalj and Stefans successors continued the tradition of

erecting endowments near their residences. The record
about a church dedicated to St. Stefan that Herceg Zlatko
intended to build in 1374 in Novi32 with his relative Ivan
Crnojevi, can be found in the Dubrovnik Archive.
***

The Crnojevi family, too, resided in fortified towns:

urevac above Budva, Soko near titari, Rijeki Grad,
also known as Obod, above todays Rijeka Crnojevia,
and abljak of the Crnojevi family, their permanent
seat at Lake Skadar.33 Small churches, single-nave and
, , 267.
II/2, 452453 (. . ); , ; , , , 5557; PrijateljPavii, U potrazi za izgubljenim slikarstvom, 210214, figs. 9093,
97, 104.
29
Prijatelj-Pavii, U potrazi za izgubljenim slikarstvom, 214.
30
Vujii, Srednjovjekovna arhitektura i slikarstvo, 77; ,
, 6364.
31
II/2, 453458 (. . ).
32
, . , 399410; ,
, 159161.
33
II/2, 477483 (. . ). Cf. also Markovi ., Graditeljska
batina Crnojevia, 6793 (with older literature); ilikov, Umjetnika
kultura, 369374.
27
28

Artistic Trends on the Periphery the Lands of the Bali, Kosaa and Crnojevi families

Fig. 331. Cetinje monastery, ktetorial inscription, taken from the remains of the Crnojevi monastery

without domes, formed the sacral cores of the forts. The without great artistic ambitions. Fragments of the first
austerity and simplicity of their appearance was a re- layer of its frescoes from the second half of the 15th cenflection of the Crnojevis initial political status, which tury were preserved in the apsidal semi-dome of the
hindered them from undertaking complex architectural northern subsidiary chapel. As a foundation of ure
enterprises. Such examples of their early building are and Lje Crnojevi, Kom too was once a seat of the
a half-ruined church to St. George in urevac, first Zeta Metropolitanate. However, the tombstones of the
mentioned in 1426 and probably erected by Stefanica Crnojevi dynasty are the most important monuments
Crnojevi; the remains of a church of unknown dedi- there the stonecutting artistry expressed in their decocation in Sokol, recorded in sources in 1444, and the ration calls to mind the stele, like the rich ornamentaChurch of St. George in abljak, which has not been tion of Gothic origin.35
preserved. Of particular importance is the former monThe most ambitious architectural achievement of the
astery with its Church of St. Nicholas (1475) in Rijeki
Crnojevi family is the Cetinje monastery, in 1484 erectGrad, which, for a short period, until 1482, served as the
ed as the endowment of Ivan Crnojevi (figs. 331333).
seat of the Zeta Metropolitanate.34
He transferred the Zeta Metropolitanate there, making
The Kom monastery on Kom Island in Lake Skadar, Cetinje the seat of his court, as well. The monastery was
with its single-nave Church of the Dormition of the
Mother of God, was built between 1415 and 1427, also
34
Markovi ., Graditeljska batina Crnojevia, 7475, 7778, 83
84, 8687.

35
Markovi ., Graditeljska batina Crnojevia, 9193; ,
, , 171173.

407

Marka Tomi Djuri

Fig. 332. Cetinje monastery, capitels, taken from the remains of the Crnojevi monastery

408

Artistic Trends on the Periphery the Lands of the Bali, Kosaa and Crnojevi families

completely destroyed by the Turks in 1692,36 yet its original appearance, with its Church of the Nativity of the
Mother of God can be reconstructed from the remains
discovered during hitherto archaeological excavations.
In its spatial conception, decoration and material, this
church dedicated to the Mother of God differs significantly from the first, modest endowments of the Crnojevi
family. Within the powerful defence walls stood a singlenave church with a dome, an apse with two apsidioles,
and an open, sumptuous porch with a colonnade (fig.
332) along its northern, southern and western sides. The
preserved architectural ornaments show that the masters
from the Adriatic Coast built the magnificent edifice in
the spirit of the Renaissance, and late Gothic styles.37
An important segment of artistic activity in Zeta was
the illumination of Cyrillic liturgical books. As the tradition of copying and decorating manuscript books in
the scriptoria of the Bali monasteries was dying out
on the isles of Lake Scutari, printed books appeared.
Thus, the first South Slav Cyrillic printing press, which
the Crnojevi installed in the Cetinje monastery in 1494,
managed to print several books, among which38 the Octoechos of the Fifth Tone (fig. 393) is outstanding for its
rich decoration.39 The notions guiding the decoration
indicate their Orthodox Christian origin, the graphic
ornamentation of the Cetinje editions demonstrates
early Renaissance motifs, while the wooden printing
blocks were probably made in the Venetian Republic.40
, , 295299; Markovi
., Graditeljska batina Crnojevia, 93100.
37
Borozan, Rekonstrukcija manastira Crnojevia, 6873; idem,
Gravura iz Cetinjskog oktoiha; , , , 180185.
38
., , 6778;
, , 8995. For
more on this v. M. Lazis paper in this volume.
39
, , 2131 (with earlier
literature).
40
, , 2536 (with earlier
literature).
36

Fig. 333. Cetinje monastery, the Crnojevi coat of arms, taken from
the remains of the Crnojevi monastery

***

The character of the Bali, Kosaa and Crnojevi rule

over their feudal lands ensured an uninterrupted economic and cultural life in rather difficult geopolitical
circumstances. In the long period from the last third of
the 14th until the end of the 15th century, artistic expression remained Christian Orthodox, using different stylistic symbioses, wherein the construction, stonecutting
and painting trends from the Maritime lands primarily
from Dubrovnik played an important part.

409

Chronology

c. 780800

Reign of Serbian Prince Vieslav.

1089

Diocese of Bar elevated to archdiocese.

c. 800820

Reign of Serbian Prince Prosigoj.

1094

c. 850

Battles against Bulgarians successfully fought by

Prince Vlastimir and in later years also by his sons
Mutimir, Strojimir and Gojnik.

Meeting of Emperor Alexios Komnenos and Ras

upan Vukan.

11131199

Stefan Nemanja.

c. 820851

Reign of Serbian Prince Vlastimir.

11181143

Reign of Emperor John II Komnenos.

851891

Reign of Serbian Prince Mutimir.

c. 1122

Emperor John Komnenos seizes Ras.

867886

Reign of Emperor Basil I.

1127

854

Bulgarian Khan Boris attacks Serbia. After conclusion

of peace, prisoners of war exchanged at Ras, when the
place is first mentioned as a settlement, fort or region.

During the Byzantine-Hungarian war, Serbs seize

the fortress of Ras. Grand upan Uro I marries his
daughter Jelena to the Hungarian heir to the throne,
the future king Bela the Blind.

1129

Byzantine army seizes Ras and Grand upan Uro

I recognises the supreme authority of the Emperor,
pledging to provide him with troops.

11431180

Reign of Emperor Manuel I Komnenos.

1147

Two large Crusader armies, led by German Emperor Konrad III and French King Louis VII, pass
through Serbia, along the military road from Belgrade to Constantinople.

11661196

Reign of Grand upan Stefan Nemanja.

1172

Stefan Nemanjas attempt to renege on his allegiance

to Byzantine authority fails. Manuel I Komnenos captures the grand upan, who marches in the emperors
triumphal procession on the streets of Constantinople.

11741236

Rastko (Sava) Nemanji.

11801183

Reign of Emperor Alexios II Komnenos. Following his

assassination, Stefan Nemanja refuses to recognise the
authority of the new emperor, Andronikos I Komnenos,
and begins to seize control of Byzantine territories.

11851195

Reign of Emperor Alexios III Angelos.

1189

During the Third Crusade, Stefan Nemanja and

Friedrich Barbarossa meet at Ni and discuss forming an alliance.

1191

In a battle on the South Morava, the Serbian army

is defeated by Byzantium. Nemanja returns a small
number of conquered territories to the Byzantine
emperor and his middle son and heir, Stefan, marries the emperor's niece Eudokia.

c. 1192

Rastko Nemanji goes to Mount Athos, takes monastic vows and changes his name to Sava.

between 867
and 874

Conversion to Christianity of the Serbian ruling

family by the ecclesiastical centres on the Adriatic
coast. Serbian princes recognise the supreme power
of the Emperor.

892917

Reign of Serbian Prince Petar Gojnikovi.

913959

Reign of Emperor Constantine VII Porphyrogennetos.

c. 926

Temporary occupation of Serbia, until 927, by the

Bulgarian army led by Tsar Simeon.

c. 933c. 950

Reign of Prince aslav.

c. 950

Dubrovnik diocese elevated to archdiocese, with jurisdiction over the regions of Serbia, Travunia and Zachlumia.

1018

Following the collapse of the Bulgarian Empire,

Byzantine Emperor Basil II establishes the Katepanate of Bulgaria and Theme of Serbia.

10191020

Byzantine Emperor Basil II designates the territorial

size of the Archbishopric of Ohrid, also comprising
the Bishopric of Ras.

10391042

Prince Vojislav seizes control of Serbia and Dioclea, and subsequently of Travunia and Zachlumia.

1064

Hungarians seize Byzantine Belgrade.

1072

Aborted uprising against Byzantine rule in the

theme of Bulgaria. The rebels proclaim Bodin,
son of Prince Mihailo of Dioclea, Tsar of Bulgaria.

1077

King Mihailo of Dioclea seeks the papal flag from

Pope Gregory VII.

c. 1085

King Bodin of Dioclea seizes the region of Ras and

appoints Vukan and Marko to govern it.

581

Chronology
11951203

Reign of Emperor Alexios III Angelos.

1196

Stefan Nemanja abdicates in favour of his son Stefan, now a nephew-in-law of the Byzantine emperor, and withdraws to the Monastery of Studenica
as the monk Simeon, and subsequently to Mount
Athos, the following year.

1198

The monks Simeon and Sava reconstruct the Hilandar monastery on Mount Athos.

11961227

Reign of Stefan Nemanji.

1204

Fourth Crusade. The Crusaders seize Constantinople and divide the Byzantine Empire.

12041261

Empire of Nicaea. The house of Nemanji considers

it to be the successor to the old Empire.

12041221

Reign of Nicaean Emperor Theodore I Laskaris.

1217

Coronation of Stefan Nemanji as the first crowned

king of all the Serbian and maritime lands by
legates sent to him by Pope Honorius III.

1219

Consecration of Archimandrite Sava Nemanji as

the first archbishop of all Serbian and maritime
lands in Nicaea; the Ecumenical Patriarch and the
Council in Nicaea give the Serbian Archbishopric
the right to autocephaly. The Monastery of ia becomes the seat of the archbishop and the coronation
church.

12211254

Reign of Nicaean Emperor John III Vatatzes.

1236

Archbishop Sava dies in the Bulgarian town of

Trnovo; the following year his relics remains are
transferred to the Monastery of Mileeva.

1314

King Milutin captures, nearly blinds and exiles his

son Stefan Deanski because of the latters revolt
against his authority. Stefan with his sons spends
nearly seven years in Constantinople.

13211331

Reign of Stefan Uro III Deanski.

13241337

Administration of Serbian Archbishop Danilo II.

13281341

Reign of Andronikos III Palaiologos.

1330

Battle of Velbuzhd victory of the Serbian army led

by Stefan Deanski over Bulgarian Tsar Michael.
Stefan Duan, the young king, demonstrates great
courage in battle.

13311355

Reign of King Stefan Duan.

1334

King Duan conquers regions in central Macedonia,

including Ohrid and Prilep.

13411354

Civil war in Byzantium, between the regents of the

under-aged John V Palaiologos, and John Kantakouzenos, who proclaims himself emperor and protector of the Palaiologoi.

13411391

Reign of John V Palaiologos.

1342

Alliance between John Kantakouzenos and King

Duan. The kings conquests in south-western Macedonia and northern Epiros.

1343

Alliance of regents with King Stefan Duan, who,

from that time, in his traditional title of ruler of all
the Serbian and maritime lands adds of the Greek
lands.

1345

King Duan seizes control of Serres, south-eastern

Macedonia and Mount Athos.

end of 1345 /
beginning of
1346

King Duan proclaims himself as the emperor of

Serbia and part of the Byzantine Empire; he most
often uses the title vasilevs and avtokrator of Serbia
and Romania (in Greek) and emperor of the Serbs
and Greeks (in the Serbian language).

1346

Imperial coronation of Stefan Duan in Skopje. The

Serbian Church is elevated to the status of a patriarchate, and Archbishop Joanikije is consecrated as
the first Serbian patriarch.

12431276

Reign of King Stefan Uro I.

12591282

Reign of Michael VIII Palaiologos.

1261

Restoration of the Byzantine Empire at Constantinople.

1274

King Uro rejects the Union of Lyon.

12761282

Reign of King Stefan Dragutin.

12821328

Reign of Andronikos II Palaiologos.

1282

At the Council of Deevo, King Dragutin abdicates

in favour of his brother Milutin and receives his
own, separate lands.

13471354

Reign of John V Kantakouzenos.

Reign of King Stefan Uro II Milutin.

1347

Emperor Duan takes control of Epiros.

12821321

Emperor Duan takes control of Thessaly.

1284

Hungarians grant Dragutin governance of northern

Serbia and north-eastern Bosnia. Belgrade comes
under Serbian rule for the first time.

1348
1349

c. 1291

Kuman-Tatar invasion of Serbia; ia is burned

down. The seat of the Serbian Archbishopric is
moved to Pe.

Duans Code proclaimed at a state assembly in

Skopje. (The Code is later amended and proclaimed
at an assembly in Serres in 1354).

1352

12981299

Byzantine-Serbian negotiations. Peace is concluded

in 1299 and strengthened by the marriage between
King Milutin and Simonida, the daughter of the
emperor, Andronikos II Palaiologos. Milutins conquests till then, the most important among them,
northern Macedonia with Skopje, are recognised in
the form of a dowry.

Constantinopolitan Patriarch Kallistos and the Synod pronounce an anathema against Emperor Duan
and Patriarch Joanikije and the Serbian bishops (the
so-called Kallistos Anathema) because of Duans
coronation as Byzantine Emperor and the raising of
the Serbian Church to the status of a patriarchate.

1352

The Battle at Demotika, in which John Kantakouzenos and the Turks defeat the supporters of
Emperor John V Palaiologos, the Serbs and the
Bulgarians.

582

Chronology
1354

Turks seize the city of Gallipoli, and establish their

first stronghold in Europe.

1459

Smederevo falls to the Turks, and the end of the Serbian medieval state.

1355

Emperor Duan dies of unknown causes. The dissolution of his state soon leads to an epoch of internecine conflict among the numerous regional
overlords.

1463

Turks seize control of Bosnia.

1471

Hungarian King Matthias Corvinus awards Vuk

Brankovi the title of despot. The restored despotate in Srem becomes a kind of military frontier between the Christian and Ottoman worlds.

1486

ore Brankovi appointed despot in Srem.

1490

ura Crnojevi becomes the Lord of Zeta.

1502

With the death of Despot Jovan, the male line of the

house of Brankovi is extinguished.

Early 16th
century

Having taken monastic vows, ore Brankovi,

now the monk Maksim, becomes the Metropolitan
of Belgrade.

15201566

Reign of Turkish Sultan Suleiman the Magnificent.

1521

A major Turkish offensive. Belgrade seized along

with other cities and part of the Serbian population
is carried away to Istanbul.

1526

The Battle of Mohacs. Following the defeat of Hungary and the death of King Vladislaus, the Turks
establish a stronghold in Central Europe.

1529

Sultan Suleiman the Magnificents first campaign

against Vienna. In order to put up a front against
the Turks, Serbs are settled along the AustrianTurkish border.

13551371

Reign of Emperor Stefan Uro.

1365

Vukain Mrnjavevi receives the title of king and

becomes the co-ruler of Emperor Uro.

1371

Battle of the Maritsa; King Vukain and Despot

Ugljea Mrnjavevi are killed. Vukains son Marko,
until then the young king gains the title of king.
With the death of Emperor Uro, the male line of
the Nemanji family is extinguished.

13721389

Reign of Prince Lazar Hrebeljanovi.

1375

Reconciliation of the Serbian and the Byzantine

churches. The Ecumenical Patriarchate gave absolution Duan, Uro, Joanikije and the bishops; the
Pe archbishops title of patriarch is recognised in
internal communication, and Duans title of the
Emperor of Serbia is posthumously recognised.

13761379

Reign of Andronikos IV Palaiologos.

1377

The Bosnian ban Tvrtko I Kotromani is crowned

as the king of the Serbs, Bosnia, the Pomorje (maritime) and western lands.

1389

The Battle of Kosovo; death of Prince Lazar and

Sultan Murad.

1541

Hungary falls to the Turks.

13911425

Reign of Manuel II Palaiologos.

1557

The Patriarchate of Pe restored.

1395

The Battle at Rovine; King Marko and Despot Konstantin Dejanovi, the vassal of the Ottoman Sultan
Beyazid, are killed.

1592

The fall of the city of Biha to the Turks marks the

end of Turkish conquests in Bosnia, Herzegovina,
Croatia, Slavonia, and Dalmatia.

1402

The Battle of Angora, in which Stefan Lazarevi

fights as the vassal of Sultan Beyazid. On his return
from the battlefield, in Constantinople the Byzantine emperor awards him the highest title, that of
despot.

1594

As a result of an uprising against the Turks in the

Banat, Sinan-pasha has the relics of Saint Sava transferred from the Mileeva monastery and burned in
Belgrade.

15951610

14021427

Reign of Despot Stefan Lazarevi.

Intensive settling of Serbs in Slavonia and Croatia.

The Military Frontier created.

14031404

Belgrade becomes the capital of the Serbian state

(till 1427).

16141647

Administration of the Serbian Patriarch Pajsije.

1630

Austrian Emperor Ferdinand II passes the Statutes,

which provide for the special status of the Serbs
living in the territory of the Military Frontier.

1683

Aborted Turkish siege of Vienna.

16831699

The Great (Viennese) War waged against the Turks

by the Holy League an alliance of Austria, the Roman Curia, Poland and Venice is of crucial importance for the history of the Serbs.

1689

After the withdrawal of the Austrian army from

Skopje and its defeat at Kaanik, the Turks launch
a counteroffensive, followed by retaliation and
devastation. The majority of the Serbian population, led by Patriarch Arsenije III arnojevi,
withdraw to the territories north of the Sava and
Danube rivers, which become part of the Austrian Empire after the Treaty of Karlowitz in 1699.

14251448

Reign of John VIII Palaiologos.

142830

The building of Smederevo, the new capital of the

Serbian state.

1439

Despot ura rejects the Florentine Union. Smederevo falls the first time.

1440

First Ottoman siege of Belgrade (ruled by Hungary).

14491453

Reign of Constantine XI Dragases Palaiologos.

1453

May 29th Turks seize Constantinople. Sultan Mehmed II makes a ceremonial entry into the city,
which becomes the capital of the Ottoman Empire
Istanbul.

1455

Turks seize Novo Brdo.

1456

Second Ottoman siege of Belgrade (ruled by Hungary).

583

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List of Collaborators and Their Affiliations*

Branislav Cvetkovi, Ph.D. Senior Curator1

Regional Museum of Jagodina
bracvet@gmail.com
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)
Milka anak Medi, Ph.D. Professor
University of Belgrade, Faculty of Architecture; Institute for
the Protection of Cultural Monuments of Serbia, Belgrade
Vladimir Dami, Art historian- Counselor
Institute for theProtection of Cultural Monuments of Serbia
vladimir.dzamic@heritage.gov.rs
Smiljka Gabeli, Ph.D. Scientific Advisor
University of Belgrade, Faculty of Philosophy, Institute of Art
History
sgabelic@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
Mila Gaji,Senior Curator
Museum of Applied Art,Belgrade
mila.gajic@mpu.rs
Miroslava Kosti, Ph.D. Research Associate
University of Belgrade, Faculty of Philosophy, Institute of Art
History
mkostic@f.bg.ac.rs
* Representations of Identity in Art and Verbal-visual Culture
of the Modern Era (No. 177001)
Bojana Krsmanovi, Ph.D. Senior Research Associate
Institute for Byzantine Studies, SASA , Belgrade
bojana.krsmanovic@vi.sanu.ac.rs
*Tradition, Innovation and Identity in the Byzantine World
(No. 177032)
* An asterisk marks the titles of the projects of the Ministry of Education, Science and Techological Development of the Republic of
Serbia, in the frame of which individual authors have written the papers in this publication

Miroslav Lazi, MA. Archeographer

National Library of Serbia, Archeography Department
miroslav.lazic@nb.rs
Ljubomir Maksimovi, Ph.D. Professor emeritus,
Member of the SASA
Institute for Byzantine Studies, SASA, Belgrade
Ljubomir.Maksimovic@sanu.ac.rs
*Tradition, Innovation and Identity in the Byzantine World
(No. 177032)
Smilja Marjanovi-Duani, Ph.D. Professor
University of Belgrade, Faculty of Philosophy, Department of
History
smarjano@f.bg.ac.rs
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)
Miodrag Markovi, Ph.D. Professor, Corresponding
member of the SASA
University of Belgrade, Faculty of Philosophy, Department of
History of Art
mmarkovi@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
Miljana Mati, Ph.D.
Independent researcher
maticmiljana1@gmail.com
Ljubomir Milanovi, Ph.D. Research Associate
Institute for Byzantine Studies, SASA, Belgrade
milanovic.ljubomir@gmail.com
*Tradition, Innovation and Identity in the Byzantine World
(No. 177032)
Dragana Pavlovi, Msc. Assistant
University of Belgrade, Faculty of Philosophy, Department of
History of Art
drpavlov@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
629

List of Collaborators and Their Affiliations

Svetlana Peji, Ph.D. Art historian- Counselor

Institute for theProtection of Cultural Monuments of Serbia
svetlana.pejic@heritage.gov.rs
*Serbian medieval art and its European context (No. 177036)
Danica Popovi, Ph.D. Scientific Advisor
Institute for Balkan Studies, SASA, Belgrade
Danica.Popovic@bi.sanu.ac.rs
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)
Dubravka Preradovi, Ph.D. Senior Curator
Independent researcher
dubravka.preradovic@gmail.com
Jadranka Prolovi, Ph.D. University Lecturer
Institute of Art History, University of Vienna
jadranka.prolovic@univie.ac.at
Zoran Raki, Ph.D. Associate Professor
University of Belgrade, Faculty of Philosophy, Department of
History of Art
zrakic@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
Tatjana Starodubcev, Ph.D. Associate Professor
University of Novi Sad, Academy of Arts
tatjana.starodubcev@uns.ac.rs
*Serbian medieval art and its European context (No. 177036)

Branislav Todi, Ph.D. Professor

University of Belgrade, Faculty of Philosophy, Department of
History of Art
btodic@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
Marka Tomi uri, MA. Research Assistant
Institute for Balkan Studies, SASA, Belgrade
marka.tomic@gmail.com
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)
Dragan Vojvodi, Ph.D. Associate Professor
University of Belgrade, Faculty of Philosophy, Department of
History of Art
dvojvodi@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
*Tradition, Innovation and Identity in the Byzantine World
(No. 177032)
Art of the Serbian Empire (13461371) (project of the Matica
srpska)
Vladimir Vukainovi, Ph.D. Associate Professor
University of Belgrade, Faculty of Orthodox Theology
vvukasinovic@bfspc.bg.ac.rs
*Serbian theology in the 20th century: Fundamental postulates of theological disciplines in the European context - the
historical and the contemporary perspective (No. 179078).

Milo ivkovi, Research Assistant

Institute for Byzantine Studies, SASA, Belgrade
Ivan Stevovi, Ph.D. Associate Professor
University of Belgrade, Faculty of Philosophy, Department of milos.zivkovic@vi.sanu.ac.rs
*Tradition, Innovation and Identity in the Byzantine World
History of Art
(No. 177032)
istevovi@f.bg.ac.rs
*Serbian medieval art and its European context (No. 177036)
*Christian culture in the Balkans in the Middle Ages: Byzan- Valentina ivkovi, Ph.D. Senior Research Associate
tine Empire, the Serbs and the Bulgarians from the 9th to the Institute for Balkan Studies, SASA, Belgrade
valentina.zivkovic@bi.sanu.ac.rs
15th century (No. 177015)
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)
Ljiljana evo, Ph.D. Professor
University of Banja Luka, Academy of Arts
milija90@teol.net
Irena padijer, Ph.D. Associate Professor
University of Belgrade, Faculty of Philology
i.spadijer@gmail.com
*Medieval Heritage of the Balkans: Institutions and Culture
(No. 177003)

630

ABBREVIATIONS FOR INSTITUTIONS

Archives SASA = Archives of the Serbian Academy of Sciences and Art,
Belgrade
BL = The British Library, London
BNF = Bibliothque National de France, Paris
BS = Bayerische Staatsbibliothek, Mnchen
CBL = Chester Beatty Library, Dublin
IAM = Istanbul Archeological Museum
LSOP = Libraryof theSerbianOrthodoxPatriarchate, Belgrade
= Museum of Applied Art, Belgrade
MSG = Matica Srpska Gallery, Novi Sad
MSL = Matica Srpska Library, Novi Sad
MSOC = Museum of Serbian Orthodox Church, Belgrade
NIAM BAS = National Institute of Archaeology with Museum
Bulgarian Academy of Sciences
NLCM = National Library Sts. Cyriland Methodius, Sophia
NLR = National LibraryofRussia, Saint Petersburg
NLS = National LibraryofSerbia, Belgrade
NMB = National Museum in Belgrade
RSL = Russian State Library, Moscow
SAD = State Archives in Dubrovnik
Credits for Illustrations:
Photographs
Archives of the Monastery Studenica: fig. 152
Archives SASA: fig. 273
BLAGO Fund, Inc.: figs. 1, 3, 11, 16, 17, 25, 32, 35, 71, 80, 81, 84, 86,
87, 9193, 9599, 136137, 153, 155158, 160, 161, 165, 166,
176178, 180181, 189192, 198, 212, 213, 215, 223, 225,
227229, 256, 241, 242, 245, 376, 417, 418, 420, 424426
Centr for Protection of Heritage of Kosovo and Metohija
MNEMOSYNE, Belgrade: figs. 15, 72, 73, 111, 112, 226, 233,
260, 261

Duan Vujii and the Platoneum Publishing House: figs. 47, 12,
31, 115, 133, 135, 162, 163, 167, 171, 186, 201, 217, 218, 255,
259, 262, 263, 237, 239, 240, 455
Foundation of the Holy Monastery Hilandar, Belgrade: figs. 41,
75, 101, 149, 262, 270, 322, 407, 444, 445
Gallery of Arts, Skopje: fig. 230
Institute for theProtection of Cultural Monuments of Serbia,
Belgrade: figs. 168, 169, 170, 216, 224, 315, 316, 370, 374,
375, 381, 416, 419, 421
Legat Ivana orevia: figs. 13, 22, 24, 2830, 34, 44, 68, 79, 89, 90,
94, 100, 106107, 134, 148, 149, 172175, 179, 194, 204, 235,
265,269, 274, 275, 280283, 288296, 302. 303, 310, 311, 323,
329, 335, 405, 410412, 430, 431, 433, 340342
: fig. 452
MSG: fig. 387
MSL: figs. 23, 443
MSOC: figs. 36, 70, 74, 110, 236, 334, 371, 383, 386, 403, 404, 414,
428429, 432, 434436, 437, 450, 451, 453, 454
National Archives of Serbia, Belgrade: figs. 243, 244, 250, 251,
336, 337
NLS, Archeography Department: figs. 142, 143, 146, 147, 150, 151,
268, 271, 368, 391400
NMB: figs. 203, 205207, 214, 252, 361, 427
Provincial Institute for theProtection of Cultural Monuments,
Pritina: figs. 219, 220, 372
SAD: fig. 249
Valentina Babi: figs. 78, 120
Branislav Cvetkovi: figs. 109, 338
Gordana apin: fig. 125
Elizabeta Dimitrova: figs. 248, 279
Vladimir Dami: figs. 33, 188, 231, 234, 239, 438, 406, 413, 441, 442
Gabriele Fattorini: figs. 103105
Georgios Fousteris: figs. 9, 10, 42, 4649, 209

Smiljka Gabeli: fig. 284

Adrijana Golac: figs. 286, 287
Willam Taylor Hosteter: figs. 8, 14, 254
Vujadin Ivanievi: fig. 27
Gordana Keli: figs. 19, 348350
Stanko Kosti: figs. 20, 21, 312, 314, 316, 342, 347
Miroslav Lazi: figs. 138, 389, 437, 439, 440, 446, 447
Marija Ljidova: fig. 379
Pavle Marjanovi: figs. 26, 82, 83, 135, 210, 211, 216, 346
Miodrag Markovi: figs. 39, 40, 45, 114, 118,123, 253, 266, 298
301, 339, 355357, 360
Nedeljko Markovi: figs. 62, 63, 65, 66, 385, 388, 390, 448, 449
Bojan Miljkovi: figs. 58, 309
Maja Nikoli: fig. 55
Darko Nikolovski: figs. 37, 88, 232, 246, 276, 277, 278, 306, 307
Dragana Pavlovi: fig. 382
Lazar Pejovi: figs. 327, 328, 330333
Danica Popovi: fig. 102
Vladimir Popovi: figs. 18, 38, 317320, 353, 364
Zoran Raki: figs. 119, 401, 402
Tatjana Starodubcev: figs. 324, 326, 354, 358, 359, 362, 363, 373,
377, 378, 380
Branislav Strugar: figs. 2, 67, 85, 182, 199
Gojko Suboti: figs. 43, 53, 321, 343
Bisera Tomova: figs. 51, 304, 305
Dragan Vojvodi: figs. 126, 140, 141, 164, 297, 313, 409, 422, 423
Sran Vulovi: figs. 139, 408
Milo ivkovi: fig. 159, 196

Drawings:
Nikola Conev: fig. 247
Milka anak Medi: figs. 183185, 187, 195, 264
Marija Dami: fig. 384
Olivera Kandi: fig. 193
Branislav ivkovi: figs. 197, 200, 202
Photographs and Drawings from other Publications:
. et al., , 1986: fig. 154.
, : fig.117
., : figs. 365367,
369
, : fig. 59
, : fig. 221
, -, : fig. 258
, , fig. 352
Byzantium. Faith and Power: fig. 60
Cheynet, La place de la Serbie: fig. 77
uri, Architecture in the Balkans: figs. 345, 351
uri, Graanica: fig. 257
Le Mont Athos: fig. 54
Monastery of Vatopaidi: figs. 69, 76, 108
-, : fig. 50
, , , : fig. 52
Vinski et al., Rani srednji vijek: fig. 122

B Y Z A N T I N E H E R I TA G E A N D S E R B I A N A RT I I
Publishers
Serbian National Committee of Byzantine Studies
srvizkom@gmail.com
Slubeni glasnik, Belgrade, Serbia
Jovana Ristia 1, 11000 Belgrade, Serbia
www.sglasnik.com
Institute for Byzantine Studies
Serbian Academy of Sciences and Arts
Knez Mihailova 35, 11000 Belgrade, Serbia
inst.byz@vi.sanu.ac.rs
Design
Miroslav Lazi
Translators
Tamara Rodwell-Jovanovi
Marina Adamovi-Kulenovi
Ivan Dela
Ana Seli
Miona Piperski
Stanislav Grgi
Tijana Cvetkovi
Maps
Neboja uleti
Circulation
500 copies
Printed by
Slubeni glasnik, Belgrade, Serbia
ISBN 978-86-519-2006-9
ISBN 978-86-519-2004-5

CIP -
,
72/75(=163.41)"04/14"
271.222(497.11)-523
72/75.033.2(497.11)
SACRAL Art of the Serbian Lands in the Middle Ages / editors Dragan
Vojvodi, Danica Popovi ; [maps Neboja uleti]. - Belgrade : Serbian
National Committee of Byzantine Studies : Slubeni glasnik : Instutute for
Byzantine Studies SANU, 2016 (Belgrade : Slubeni glasnik). - 630 str. :
ilustr. ; 29 cm. - (Byzantine Heritage and Serbian Art ; 2)
"Published on the occasion of the 23rd international congress of Byzantine
studies" ---> prelim. str. - Tira 500. - List of collaborators and their
affiliations: str. 629-630. - Napomene i bibliografske reference uz tekst.
- Bibliografija: str. 585-627.
ISBN 978-86-519-2006-9 (SG)
ISBN 978-86-519-2004-5
a) , - b) , -
COBISS.SR-ID 225212684