What makes a striking photo?

Often, it's merely ordinary things

composed in an ordinary manner. That's because they always tend
to have a single theme or idea, and because clutter is kept to a
minimum. They are simple, true, and sincere. Today we're looking at
the elements of design (line, shape, form, texture, color etc) that
can turn a simple subject into a striking photo.
Successful photos rely on order, and the main elements that bring
and emphasize order in a composition are: line, shape, form,
texture, pattern, and color. Every photograph, intentionally or not,
contains one or more of these element, which are known as the
elements of design.
All of these elements have a huge impact on a photo, especially the
line, texture, and color. Usually we recognize and utilize these
elements unconsciously. This depends on the individual's sensitivity
to the different visual components out there, and is very much
affected by the person's memories and life experiences that are
registered on their own personal mind tape.

Line
Out of the 6 elements of design, line is the strongest and most
important and influential. Without line there can be no shape.
Without shape there can be no form. Without form there can be no
texture and there can be no pattern. Lines are powerful tools that
can be used smartly to lead the viewers eyes towards the point of
interest in a photograph, and alter the overall feeling and mood of
an image.

Lines can be vertical, horizontal, diagonal, or curved. Lines can be

short or tall, can be thick or thin. Lines can lead you away, or move
you forward in an image. A line's emotional effect on an image
cannot be overlooked. They sometimes feel restful, soothing, rigid,
active, guiding, or threatening.
Thin lines can be experienced by some as unstable, and by others
as vulnerable. Thick lines can be experienced as rigid and
dependant, or can be experienced as dominating or stern. Curved
lines are often perceived as soft, soothing, settling, and relaxing.
Jagged lines can be perceived as forceful, chaotic, sharp, and
threatening.
Vertical lines in a photograph tend to convey different moods,
ranging from power and strength, to growth. Vertical lines can
include strands of hair, poles, trees, buildings, and a lot of other
different objects that expand vertically rather than horizontally.

Horizontal lines in a photo tend to cast a feeling of restfulness,

permanency, and stability. If you want to further accentuate the
restful, stable feeling of a horizontal line in an image, a good way is
to use horizontal framing rather than vertical.
Layers of multiple horizontal lines in an image can create drama and
rhythm, and can become the main interest of the image all by
themselves. Horizontal lines can include horizons, seas, laying
people, street sides, and almost anything that expands horizontally.
Diagonal lines work well to guide the viewers' attention towards the
main subject of your photo. They can convey a sense of action and
render photos as dynamic and interesting. Diagonal lines can be the
shape of a path, a line of trees, a fence, river or any other
component of an image.

Shape
The second most fundamental element of design is shape, because
shape is the principal element of identification. The most important
thing to keep in mind when shape is the essential element in an
image is that it is best defined when the subject is frontlit or backlit.
For that shape to be successfully identifiable, it needs to be in
strong contrast with its surroundings so that it is detached from the
clutter around it.

Shapes in images can also be seen as silhouettes - these are best

shot several minutes before sunset up to several minutes following
it, as well as several minutes before sunrise up to several minutes

following it. It is also worth mentioning that silhouettes are the

purist and strongest of all shapes.

Form
Form is basically a three-dimensional shape, and is best accentuated
by side lighting since it casts soft elegant shadows, and the
difference between light and shadows gives a better illustration of
the depth of an object and amplifies the sensual understanding of its
meaning and message.

Texture
No design element is more capable of moving your deep emotions
than texture. The challenge of seeing and capturing texture is
mostly based on one element - light. Texture can be accentuated by
the side light of early sunny mornings or early evenings, or by
overhead light when the sun is vertical and high in the sky.

With the sun high in the sky, the roughness of the walls of buildings,
or the wood textures of tree trunks, or any kind of texture along
vertical surfaces is emphasized as the overhead light casts small
shadows along those surfaces. While the impact is subtle, it adds
more depth, interest, and reality to the shots.
Furthermore, it is worth noting that texture as a background can
create an exciting and emotion-filled composition. And with the
correct use of texture, pictures can become more alive and almost
three dimensional.

Pattern
Life is full of patterns. It is all part of our cosmic existence, for
without patterns our lives would be utter chaos. Most patterns we
don't recognize or we overlook because of our busy, routine-driven,
daily lives.
Two techniques come into practice while working with patterns; you
can emphasise the pattern, or you can break it:
Emphasising a pattern can accentuate a sense of size and
expansion. The idea is to zoom in onto the pattern and fill the frame
with it. Emphasized pattern can include faces amongst a crowd, a
line of homogenous plants, bricks of a wall, etc

Breaking a pattern is all about finding an object that disrupts the

continuous flow of a pattern. It can be an object that is in clear
contrast with the rest of the objects; be it in shape, color, or even
texture. You might need to handle your composition with extra care
while trying to render a broken pattern, and the rule of thirds can
come in handy in such situations.
For example, you can place your "odd" object along one of the thirds
or on one of their intersecting points. You can also play with your
depth of field. Have the contrasting item in sharp focus and the
items around it fading slowly into the out-of-focus. Broken patterns
can be found naturally, or some situations can be manipulated to
disrupt readily existing patterns.

Color
Color is characterized by attributes such as value, hue, and
saturation. Colors, and how they're arranged, can either make or
break a shot. Different colors can send out different messages, and
they indeed have an important visual weight and impact on a photo.
Vibrant colors are energetic, interesting, and active. So are reds and
yellows. Blues and greens are comforting and soothing. The path
towards creating creative photos benefits from a high understanding
of colors and their impact on an image, as well as a high awareness
of colors surrounding you.

There are colors everywhere. Macro insect photography is filled with

interesting colors. Nature, cities, people and their clothing, houses,
streets, skies, beaches - everything around you is filled with color.
You just need to be aware of it, and train your eyes to see it. Paying
attention to color and it's emotional messages and meanings is an
important step towards photographic maturity.
It is worth mentioning that there are two types of colors; subtractive
and additive. Each type has two sets of its own; primary colors, and
secondary colors. Painting, photography, and printing use
subtractive colors, and this is our concern in this post.

Red, blue, and yellow are called primary subtractive color, from
these colors the secondary subtractive colors violet, orange, and
green emerge. Mixing red and blue creates violet. Mixing blue and
yellow creates green, mixing yellow and red creates orange. Mixing
equal amounts of blue, red, and yellow produces black.
Pairs of colors that fall opposite to each other on the above color
wheel are called complementary colors. These pairs complement
and intensify one another when put together. Studying the color
wheel can give you a better understanding as to how colors affect or

complement each other, so that you can use this knowledge to

better prevail the correct meanings and messages in your
photography.
Note that yellow, red, and orange are considered to be warm colors.
These are associated with sun and fire. Blue, violet, and green are
considered cool colors. These are associated with snow, water, and
shadows.

Conclusion
Elements of design are the most basic visual components of any
composition. Understanding the elements of design, how they affect
and complement each other, and what messages they convey is the
way to step up with your photographic images and create stunning
work that reaches out to people's hearts and souls.
hese are the building blocks for creating your own work of art.
Putting these elements together, and knowing how/when to use
them will make your photos far more effective and purposeful.
These elements are all around us, we just need to train our eyes to
see and capture them, and our minds and souls to translate them

into conveying our own emotions and ideas. Then, and only then,
will our work become eye-catching and dramatic.
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Diana Eftaiha
My name is Diana Eftaiha. I'm a blogger and founder of The D-Photo for
Photography inspiration & articles, Camera gear, and post processing. You
can follow me also follow me on Twitter.